Douglas Cheeseman is a shy, gawky engineer with jug-handle ears, one marriage gone sour, and a crippling lack of physical courage. They meet in the little Australian town of Karakarook, where Harley has arrived to help the town build a heritage museum and Douglas to demolish the quaint old Bent Bridge. From the beginning they are on a collision course until the unexpected sets them both free. Elegantly and compassionately told, The Idea of Perfection is reminiscent of the work of Carol Shields and Annie Proulx and reveals Kate Grenville as "a writer of extraordinary talent" (The New York Times Book Review).

    Heart-wrenching, heart-warming and ultimately uplifting--a story about the power of a little kindnessA story of friendship, love and what it means to truly live when, sometimes, it may seem easier not to.Caitlin is convinced she's going to die.Two years ago she was a normal twenty-something with a blossoming career and a plan to go travelling with her best friend, until a car accident left her with a deep, unshakable understanding that she's only alive by mistake.Caitlin deals with these thoughts by throwing herself into work, self-medicating with alcohol, and attending a support group for people with death-related anxiety, informally known as the Morbids.But when her best friend announces she's getting married in Bali, and she meets a handsome doctor named Tom, Caitlin must overcome her fear of death and learn to start living again.Beautiful, funny, and universally relatable this story of hidden loneliness and the power of compassion and companionship reminds us that life is an adventure truly worth living.

    Ryan appears to be the perfect future son-in-law. There's just one problem. There's something off about Ryan. Something hidden in the shadows behind his eyes. And it seems that only Ed can see it.Terrified that his daughter is being drawn in by a psychopath, Ed sets out to uncover her fiancé's dark past - while keeping his own concealed. But no-one believes him. And the more he digs, the more he alienates her and the rest of the family who are convinced that Ryan is 'the one'.Ed knows different. For reasons of his own, he knows a monster when he sees one...

    Only Pen knows the reason why.College life had seemed like a wonderland of sex, drugs and maybe even love. The perfect place to run away from your past and reinvent yourself. But Pen never can run far enough and when friendships are betrayed, her secrets are revealed. The consequences are deadly.‘This is about three deaths. Actually more, if you go back far enough. I say deaths, but perhaps all of them were murders. It’s a grey area. Murder, like beauty, is in the eye of the beholder. So let’s just call them deaths and say I was involved. This story could be told a hundred different ways.’‘This is a novel of disquieting intimacy and controlled suspense, Aoife Clifford deftly tightening the screws until we share the narrator’s sense of emotional and physical confinement and the unremitting grip of the past.’ - Garry Disher, author of Bitter Wash Road

    For Kat and her friends, it offers an escape; a chance to drop out for a while, with lazy summer days by the lake and intimate winter evenings around the fire. But as the seasons change, tensions begin to rise and when an unexpected visitor appears at their door, nothing will be the same again.Three decades later, Lila arrives at the same remote cottage. With her marriage in crisis, she finds solace in renovating the tumbledown house. Little by little she wonders about the previous inhabitants. How did they manage in such isolation? Why did they leave in such a hurry, with their belongings still strewn about? Most disturbing of all, why can t she shake the feeling that someone might be watching her?The Shadow Year is a story of secrets, tragedy, lies and betrayal. It’s a tale that explores the light and dark of human relationships and the potential the past has to not only touch our present, but also to alter our future.

    Sara’s grandmother, Nina Barsova, a Russian post-war immigrant, lovingly raised Sara in the cottage at the foot of Mt Wellington but without ever explaining why Sara’s own mother, Helena, abandoned her as a baby. Sara, a geneticist, also longs to know the identity of her father, and Helena won’t tell her. Now, estranged not only from her mother but also from her husband, Sara raises her daughter, Ellie, with a central wish to spare her the same feeling of abandonment that she experienced as a child. When Sara meets an Afghani refugee separated from his beloved wife and family, she decides to try to repair relations with Helena – but when a lie told by her grandmother years before begins to unravel, a darker truth than she could ever imagine is revealed.Matryoshka is a haunting and beautifully written story about the power of maternal love, and the danger of secrets passed down through generations.

    But one day, Millie’s mum leaves her alone beneath the Ginormous Women’s underwear rack in a department store, and doesn’t come back.Agatha Pantha is an eighty-two-year-old woman who hasn’t left her home since her husband died. Instead, she fills the silence by yelling at passers-by, watching loud static on TV, and maintaining a strict daily schedule. Until the day Agatha spies a little girl across the street.Karl the Touch Typist is eighty-seven years old and once typed love letters with his fingers on to his wife’s skin. He sits in a nursing home, knowing that somehow he must find a way for life to begin again. In a moment of clarity and joy, he escapes.Together, Millie, Agatha and Karl set out to find Millie’s mum. Along the way, they will discover that the young can be wise, that old age is not the same as death, and that breaking the rules once in a while might just be the key to a happy life.

    In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

    But when she returns, Viola is gone. A breaking point in an already fractured marriage, Viola’s abduction causes Ellis to disappear as well—into grief, guilt, and addiction. Convinced she can only do more harm to her family, Ellis leaves her husband and young sons, burying her desperate ache for her children deeper with every step into the mountain wildernesses she treks alone.In a remote area of Washington, a young girl named Raven keeps secrets inside, too. She must never speak to outsiders about how her mother makes miracles spring from the earth, or about her father, whose mysterious presence sometimes frightens her. Raven spends her days learning how to use her rare gifts—and more important, how to hide them. With each lesson comes a warning of what dangers lie in the world beyond her isolated haven. But despite her mother’s cautions, Raven finds herself longing for something more.As Ellis and Raven each confront their powerful longings, their journeys will converge in unexpected and hopeful ways, pulled together by the forces of nature, love, and family.

    Each narrator also pays homage to an author who has written imaginatively about animals during much the same time span: Henry Lawson, Colette, Kafka, Virginia Woolf, Tolstoy, Günter Grass, Julian Barnes, and others.These stories are brilliantly plotted, exquisitely written, inevitably poignant but also playful and witty. They ask us to consider profound questions. Why do animals shock us into feeling things we can't seem to feel for other humans? Why do animals allow authors to say the unsayable? Why do we sometimes treat humans as animals, and animals as humans? Can fiction help us find moral meaning in a disillusioned world?Ceridwen Dovey is a prodigiously gifted storyteller, an insightful thinker, and a prose writer of great range. Each of the storylines is an opening to a new way of considering the nature of violence and the relationship between human and animal experiences of the world. Only The Animals will ask you to believe again, just for a moment, in the redemptive power of reading and writing fiction.

    Their pain drew them together with an irresistible magnetism; they sensed that they were each other’s ideal (and perhaps only) match.   But twenty years later, Paul and Rebecca are drowning as the damage and secrets that ignited their love begin to consume their marriage. Paul is cheating on Rebecca, and his affair gets messy fast. His mistress is stalking them with growing audacity when Rebecca discovers Paul’s elaborate plan to build a new life without her. And though Rebecca is spiraling into an opiate addiction, it doesn’t stop her from coming up with a devious plot of her own, and this one could end absolutely everything.   What follows is an unpredictable and stylish game of cat and mouse—a shocking tale of unfaithfulness and unreliability that will keep you racing until the final twist and make you wonder how well you really know your spouse.

    Living on top of a secluded mountain is a good way to hide from the world... until her past begins to track her down. The surprising and intriguing new novel about the astounding secrets we keep from those we love.'Maria knew about guilt. It was a stubborn, pervasive and toxic emotion, and incredibly difficult to shake. Especially if really, deep down, you didn't think you deserved to let it go.'Maria Lindsey is content. She spends her solitary days tending her bees and creating delicious honey products to fund orphaned children. A former nun, her life at Honeybee Haven has long been shaped by her self-imposed penance for terrible past events. But the arrival of two letters heralds the shattering of Maria's peaceful existence.Pushing aside the misgivings of her family and friends, Tansy Butterfield, on the eve of her marriage, made a serious deal with her adored husband, Dougal. A deal she'd intended to honour. But, seven years on, Tansy is finding her current feelings difficult to ignore. And on top of those not-really-there feelings, Dougal wants to move to Canada!With captivating characters and an intriguingly tangled mystery, The Beekeeper's Secret celebrates families in all their joys and complications.

    When morning broke Nessa Crowley's lifeless body lay in the garden, her last breath silenced by the music and the thunder.The killer couldn't have escaped Inisrun, but no one was charged with the murder. The mystery that surrounded the death of Nessa remained hidden. But the islanders knew who to blame for the crime that changed them forever.Ten years later a documentary crew arrives, there to lift the lid off the Kinsellas' carefully constructed lives, determined to find evidence that will prove Henry's guilt and Keelin's complicity in the murder of beautiful Nessa.In this bold, brilliant, disturbing new novel Louise O'Neill shows that deadly secrets are devastating to those who hold them close.

    After her daughter disappeared and left her with her granddaughter Sissy to raise on her own, Odette has managed to stay under the radar of the welfare authorities who are removing fair-skinned Aboriginal children from their families. When a new policeman arrives in town, determined to enforce the law, Odette must risk everything to save Sissy and protect everything she loves.In The White Girl, Miles-Franklin-shortlisted author Tony Birch shines a spotlight on the 1960s and the devastating government policy of taking Indigenous children from their families.

    One of them says FLORA BE BRAVE.Flora has anterograde amnesia. She can't remember anything day-to-day: the joke her friend made, the instructions her parents gave her, how old she is.Then she kisses someone she shouldn't, and the next day she remembers it. It's the first time she's remembered anything since she was ten. But the boy is gone. She thinks he's moved to the Arctic. Will following him be the key to unlocking her memory? Who can she trust?