It’s 1974 and Ellison Russell’s life revolves around her daughter and her art. She’s long since stopped caring about her cheating husband, Henry, and the women with whom he entertains himself. That is, until she becomes a suspect in Madeline Harper’s death. The murder forces Ellison to confront her husband’s proclivities and his crimes—kinky sex, petty cruelties and blackmail. As the body count approaches par on the seventh hole, Ellison knows she has to catch a killer. But with an interfering mother, an adoring father, a teenage daughter, and a cadre of well-meaning friends demanding her attention, can Ellison find the killer before he finds her?

    It is 1952, and new apartheid laws have recently gone into effect, dividing a nation into black and white while supposedly healing the political rifts between the Afrikaners and the English. Tensions simmer as the fault line between the oppressed and the oppressors cuts deeper, but it's not until an Afrikaner police officer is found dead that emotions more dangerous than anyone thought possible boil to the surface.When Detective Emmanuel Cooper, an Englishman, begins investigating the murder, his mission is preempted by the powerful police Security Branch, who are dedicated to their campaign to flush out black communist radicals. But Detective Cooper isn't interested in political expediency and has never been one for making friends. He may be modest, but he radiates intelligence and certainly won't be getting on his knees before those in power. Instead, he strikes out on his own, following a trail of clues that lead him to uncover a shocking forbidden love and the imperfect life of Captain Pretorius, a man whose relationships with the black and coloured residents of the town he ruled were more complicated and more human than anyone could have imagined.The first in her Detective Emmanuel Cooper series, "A Beautiful Place to Die" marks the debut of a talented writer who reads like a brilliant combination of Raymond Chandler and Graham Greene. It is a tale of murder, passion, corruption, and the corrosive double standard that defined an apartheid nation. I

    Now, with The Ghost Orchid, a narrative that seamlessly weaves together the past and the present, Goodman creates her most lyrical and haunting work to date. For more than one hundred years, creative souls have traveled to Upstate New York to work under the captivating spell of the Bosco estate. Cradled in silence, inspired by the rough beauty of overgrown gardens and crumbling statuary, these chosen few fashion masterworks–and have cemented Bosco’s reputation as a premier artists’ colony. This season, five talented artists-in-residence find themselves drawn to the history of Bosco, from the extensive network of fountains that were once its centerpiece but have long since run dry to the story of its enigmatic founder, Aurora Latham, and the series of tragic events that occurred more than a century ago.Ellis Brooks, a first-time novelist, has come to Bosco to write a book based on Aurora and the infamous summer of 1893, when wealthy, powerful Milo Latham brought the notorious medium Corinth Blackwell to the estate to help his wife contact three of the couple’s children, lost the winter before in a diphtheria epidemic. But when a séance turned deadly, Corinth and her alleged accomplice, Tom Quinn, disappeared, taking with them the Lathams’ only surviving child. The more time she spends at Bosco, the more Ellis becomes convinced that there is an even darker, more sinister end to the story. And she’s not alone: biographer Bethesda Graham uncovers stunning revelations about Milo and Corinth; landscape architect David Fox discovers a series of hidden tunnels underneath the gardens; poet Zalman Bronsky hears the long-dry fountain’s waters beckoning him; and novelist Nat Loomis feels something lingering just out of reach.After a bizarre series of accidents befalls them, the group cannot deny the connections between the long ago and now, the living and the dead . . . as Ellis realizes that the tangled truth may ensnare them all in its cool embrace.From the Hardcover edition.

    They arrested George Calhoun for murdering his daughter, and his wife testified against him at the trial. George maintains he didn’t do it. That the body isn’t his little Angelina. But that’s all he’s ever said—no other defense, no other explanation. The jury convicted him. Now his appeals have been exhausted, and his execution is just six weeks away.Dani Trumball, an attorney for the Help Innocent Prisoners Project, wants to believe him. After all, there was no forensic evidence to prove that the body in the woods was George’s daughter. But if the girl isn’t Angelina, then who is it? And what happened to the Calhouns’ missing daughter? Despite the odds, the questions push Dani to take the case.For nineteen years, George Calhoun has stayed silent. But he’s ready to talk, and if the story he tells Dani is true, it changes everything.

    When a fishing guide reels in the body of a young man on the Madison, the Holy Grail of Montana trout rivers, Sheriff Martha Ettinger suspects foul play. It's not just the stick jammed into the man's eye that draws her attention; it's the Royal Wulff trout fly stuck in his bloated lower lip. Following her instincts, Ettinger soon finds herself crossing paths with Montana newcomer Sean Stranahan. Fly fisher, painter, and has-been private detective, Stranahan left a failed marriage and lackluster career to drive to Montana, where he lives in an art studio decorated with fly-tying feathers and mouse droppings. With more luck catching fish than clients, Stranahan is completely captivated when Southern siren Velvet Lafayette walks into his life, intent on hiring his services to find her missing brother. The clues lead Stranahan and Ettinger back to Montana's Big Business: fly fishing. Where there's money, there's bound to be crime.

    The tale of a terrible event that devastates three families, after two young girls discovery of an unsupervised baby on an empty street, Every Secret Thing is a bravura demonstration of the extraordinary storytelling skill that has won Laura Lippman every major literary prize bestowed upon mystery writers, including the Edgar®, the Anthony, the Shamus, and the Agatha Awards.

    Hall’s haunting debut novel first introduced the rugged character Thorn and the breathtaking South Florida landscape where he lives. Thorn’s past includes a savage act of revenge on the drunken hit-and-run killer of his parents. Now, fifteen years later, Thorn still cannot escape that moment, or the darkness he took into his soul that night. Not even his best friend, Sugarman, knows the truth. Not even Sarah Ryan knows the depths of her lover’s pain. Then suddenly, the nightmare begins again as Thorn’s foster mother is found slaughtered. Thorn can almost taste the rage as he stalks her killer and waits. "An exciting, well-crafted first novel that smoothly places complex, believable characters into an action-filled plot."—Washington Post "It starts good and stays good, right to the end."—Chicago Tribune

    Then Wesley's old friend from university, archaeologist Neil Watson, unearths the bodies of a strangled young woman and a new-born baby on the site of a seventeenth century merchant's house: though luckily for the overstretched police force the skeletons are centuries old. But as the search for the missing child intensifies and the true identity of the body on the cliff path is established, Wesley begins to suspect a tragic link, spanning the centuries, between his investigations and Neil's: for motives of jealousy, sexual obsession and desperate longing are as old as time. And when the dark secret of the merchant's house is finally revealed, Wesley must act swiftly to avert a further tragedy.

    Instead, she discovers that her trailer’s flooded, her no-good brother’s been kidnapped, and the criminals are demanding her mom’s tiara as ransom.Soon Bobbie Faye is committing (unintentional) bank robbery and (fully intentional) car jacking to retrieve her family heirloom. The one bright spot comes in the hard-muscled, impossibly sexy form of Trevor, the guy whose truck she just took hostage. Luckily, Bobbie Faye knows how to outsmart angry bears, drive a speedboat, and handle a gun. As for handling Trevor? No gun-shyness there. Now, if only that pesky state police detective, who also happens to be a pissed-off ex-boyfriend, would stay out of her way . . .

    But when Daniel is abducted from a desolate rest stop, Kristine is forced to choose: return home unharmed, but never to see her fiancé again, or plunge forward into the searing desert to find him…where a killer lies in wait.

    The first in a series, the book expertly lays the groundwork for Liv Bergen, amateur sleuth, and her love interest, FBI Agent Streeter Pierce. Liv becomes involved in the investigation of the murder of Jill Brannigan, a summer intern at the limestone mine Liv manages near Fort Collins, Colorado (a breathtaking setting that unwittingly becomes an accessory to crime). In doing so, she inadvertently puts her friends, her family, and herself at risk of being swallowed in the belly of a madman bloated with perverse appetites for women, surrealistic art, and renown.As the gripping plot of In the Belly of Jonah unfolds, Liv Bergen takes her place alongside the best female crime-solvers as a woman with smarts, self-confidence, and intuitive savvy.

    Twenty-four hours later, Lauren awakes in the hospital to find that her husband has vanished without a trace. The only one who has any chance of finding him is his brother, Nick, a high-powered investigator with a private intelligence firm.Nick Heller is tough, smart, and stubborn. Trained in the Special Forces, he specializes in digging up secrets that powerful people would rather keep hidden. He and his brother have been estranged ever since the imprisonment of their notorious billionaire father. But Nick will do anything to protect Lauren and her son. He never backs down. Even if it means taking on the most lethal enemies he’s ever had to face.Plunged headlong into a desperate chase, Nick begins making shocking discoveries about his brother's life — and about the giant defense contractor he works for. Now, in order to keep Lauren and her teenage son alive, Nick must take on a powerful and deadly conspiracy that will stop at nothing to protect its secrets.With breathtaking suspense and pulse-pounding action, right down to its final, astonishing twist, here is "the finest of the contemporary thriller novelists" (Pittsburgh Post-Gazette) at the top of his game.

    Still reeling from the tragedy, Ziele transferred to a police department north of New York, to escape the city and all the memories it conjured.But only a few months into his new life in a quiet country town, he’s faced with the most shocking homicide of his career to date: Young Sarah Wingate has been brutally murdered in her own bedroom in the middle of an otherwise calm and quiet winter afternoon. After just one day of investigation, Simon’s contacted by Columbia University’s noted criminologist Alistair Sinclair, who offers a startling claim about one of his patients, Michael Fromley—that the facts of the murder bear an uncanny resemblance to Fromley’s deranged mutterings.But what would have led Fromley, with his history of violent behavior and brutal fantasies, to seek out Sarah, a notable mathematics student and a proper young lady who has little in common with his previous targets? Is Fromley really a murderer, or is someone mimicking him?This is what Simon Ziele must find out, with the help of the brilliant but self-interested Alistair Sinclair—before the killer strikes again.With this taut, atmospheric, and original story of a haunted man who must search for a killer while on the run from his own demons, Stefanie Pintoff’s In the Shadow of Gotham marks the debut of an outstanding new talent, the inaugural winner of the Minotaur Books/Mystery Writers of America Best First Crime Novel Competition.

    But nothing can prepare him for what he finds: a large airplane has crash-landed and is now sitting sideways on the runway, and there are no signs of a pilot or cargo. When the body of a local man is discovered—shot dead and lying on the grass near the crash site—Winston begins a murder investigation that will change the course of his life and the fate of the community that he has sworn to protect.Everyone is a suspect, including the dead man. As rumors and accusations fly, long-simmering racial tensions explode overnight, and Winston, whose own tragic past has followed him like a ghost, must do his duty while facing the painful repercussions of old decisions. Winston also knows that his days as sheriff may be numbered. He’s up for re-election against a corrupt and well-connected challenger, and his deputies are choosing sides. As if these events weren’t troubling enough, he must finally confront his daughter Colleen, who has come home grieving a shattering loss she cannot fully articulate.As the suspense builds and this compelling mystery unfolds, Wiley Cash delves deep into the hearts of these richly drawn, achingly sympathetic characters to reveal the nobility of an ordinary man struggling amidst terrifying, extraordinary circumstances.

    Rachel Knight is a tenacious, wise-cracking, and fiercely intelligent prosecutor in the city's most elite division. When her colleague, Jake, is found dead at a grisly crime scene, Rachel is shaken to the core. She must take over his toughest case: the assault of a young woman from a prominent family.But she can't stop herself from digging deeper into Jake's death, a decision that exposes a world of power and violence and will have her risking her reputation--and her life--to find the truth.With her tremendous expertise in the nuances of L.A. courts and crime, and with a vibrant ensemble cast of characters, Marcia Clark combines intimate detail, riotous humor, and visceral action in a debut thriller that marks the launch of a major new figure on the crime-writing scene.