Thomas secures a place for Anne’s sister, Mary, at the prestigious court of Margaret of Austria, but fate has other plans, and Anne ends up taking her place.At thirteen, Anne yearns for adventure. However, unused to curbing her outspoken tongue and youthful curiosity, she discovers that life at Margaret’s court is not quite how she’d imagined. Experiencing love, loss, jealousy and fear, she soon realises that her future happiness lies in her own hands - and that she must shape her own destiny... The Falcon’s Rise is the first part of a two-part series, beginning the journey with the young Anne Boleyn growing into the woman who captured the heart of a king. Author Interview How did you first become interested in Anne Boleyn? I was always passionate about the history of England, and I first became interested in Anne Boleyn by reading the Tudor books my mother brought from the library. They were always about the six wives of King Henry VIII, but it was Anne Boleyn that captured my imagination when I read ’The King’s Secret Matter,’ by Jean Plaidy’. I was probably about 13 at the time. At the same age, I watched ‘Anne of a Thousand Days’ at the cinema and that was it. I was hooked for life. Of course, in those days, it was Geneviève Bujold, rather than Natalie Dormer in The Tudors, playing Anne. Did you uncover any interesting Tudor facts in your research? It was interesting finding out about people I knew nothing about such as Margaret of Austria and the Emperor. Is there one character in your historical novel that you particularly found interesting? It has to be Margaret of Austria. I knew nothing of her before I started my research, but she comes across as a delightful woman who despite her sorrows, was charming and amusing. I often read her poetry and truly like her. I’m also interested in Charles Brandon, admiring his ability to survive his secret marriage to the king’s sister and escape the Tower of London! What period of Anne Boleyn's life does this fictional history story cover? The book starts in 1497 and ends in 1514. However, I have set Anne's birth in May 1500. What is interesting is that she was born during the reign of the old King Henry VII - founder of the Tudor dynasty - and nine years before his son, Henry, ascended the throne. It had different fashions to how we imagine the later Tudor ones. I think the life-size models of Anne and her nurse in the gallery at Hever Castle illustrate this well. They are still in the medieval style. Is there a more in-depth interview with you and how you researched your books? Yes, its on TheAnneBoleynFiles website, just search for my name - Natalia Richards Any other thoughts? Looking at portraits of Anne Boleyn as a young woman, it is sad to think about the tragic end she came to. But it is not the end of her life that fascinates me, it is the beginning and the many questions it raises. What made her the woman she later became? Why did she attract Henry VIII in the first place and why write about Anne when she has been written about so extensively?

    Includes many clear, measured patterns for reproducing historic costumes. Full text. 595 illustrations. "Landmark in the field of Western European costume . . . exceptional value for its price." — American Artist.

     After a string of of doomed marriages Henry VIII despairs of finding a wife who is both trustworthy and pleasing to him. When Katherine Howard catches his eye at court, a hope flutters in him which revives the ageing king. Innocent, beautiful and easy to love, Henry wastes no time in sealing marriage with his new bride and even dreams of another son to join his sickly heir Edward. But in a court dominated by Henry’s unpredictable passions, not even Katherine is safe. Henry, no longer the slender, young monarch, had grown bloated and become a glutton with table manners more suited to the farmyard than the palace. Katherine’s youthful eye begins to wander as she seeks solace with a coterie of lovers … A dangerous affair is formed and fuelled by daredevil nature of love, and leaves in its wake terrified witnesses. Surely it is only a matter of time before the King finds out…and in this sinking ship no one will survive… Philip Lindsay (1906–1958) was an Australian writer, who mostly wrote historical novels. He was the son of Norman Lindsay, an Australian artist. His novels often treated his subject matter in a dark fashion, with his central characters depicted as brooding, depressed, or disturbed characters. In addition, he did some work for the film industry. He was one of a team of writers on Song of Freedom and Under the Red Robe , and was a technical advisor on The Private Life of Henry VIII. Endeavour Press is the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

    The lively text by fashion specialist Jonathan Walford details how fashion was considered not a frivolity but an aesthetic expression of circumstances in the 1940s. While Fascist states tried to create “national” styles before the war began, by 1940 the pursuit of beauty was promoted on both sides of the conflict as a patriotic duty. From prewar to postwar, we see attitudes emerge from period advertisements, images of real clothes, and firsthand accounts in contemporary publications. The result is a celebration of everything from practical and smart-looking attire for air raids (hooded capes with large pockets and siren suits) to street fashion and the creation of Christian Dior’s “New Look” collection in 1947.

    Following an illuminating discussion of the style and construction of costumes worn in the thirteenth, fourteenth, and fifteenth centuries, noted costume historian Mary G. Houston provides detailed descriptions and illustrations of actual apparel worn by all classes and sectors of society. Included are elaborate royal, academic, and legal costumes; Eucharistic vestments and garments of religious orders; working class apparel; civilian dress; and more. Also examined is a wide variety of accessories and ornaments, jewelry, armor, textiles, embroidery, coiffures, and other items.The clear, succinct text is splendidly documented by 350 black-and-white line illustrations based on contemporary books and manuscripts as well as representations in paintings and sculpture. Indispensable for students of costume history, medievalists, illustrators, and fashion historians, Medieval Costume in England and France will delight anyone interested in the medieval period and its dress.

    I stared on in horror as the sword sliced my aunt's head from her swan-like neck. The executioner raised her severed head into the air by its long chestnut locks. The last thing I remembered before my world turned black was my own scream.Fifteen year-old Catherine Carey has been dreaming the same dream for three years, since the bloody execution of her aunt Queen Anne Boleyn. Her only comfort is that she and her family are safe in Calais, away from the intrigues of Henry VIII's court. But now Catherine has been chosen to serve Henry VIII's new wife, Queen Anne of Cleves. Just before she sets off for England, she learns the family secret: the true identity of her father, a man she considers to be a monster and a man she will shortly meet.This compelling novel tells the life story of a woman who survived being close to the crown and who became one of Queen Elizabeth I's closest confidantes.

    Anne is a young twenty-first century woman in the midst of a life-long love affair with the 16th century and the enigmatic Anne Boleyn.From the zenith of Anne Boleyn's power and influence, the modern day Anne experiences, with poignant intimacy, the exhilarating days of Anne Boleyn's marriage to Henry VIII.

     Catherine Howard, the Duke of Norfolk’s niece, is raised in the very free atmosphere of her grandmother’s palace. Here she becomes aware of her own sexuality and the exciting effect she has on the men at court around her. She is also an unknowing part of her uncle’s devious plan to obtain more influence with the king - he pushes her onto the newly-divorced and lovesick King Henry VIII who is looking for a fifth wife. Meanwhile, John Butcher has become a guard in the dreaded Tower of London. He guards the king, witnesses the executions of Anne Boleyn and Thomas More and takes part in the fighting in Ireland. However, when he returns to London, his meeting with Catherine Howard, the king’s fifth queen, produces unexpected and dramatic results. In D. Lawrence-Young’s second Tudor novel we learn how Catherine Howard’s passionate nature mixed with the murky, deadly politics of the Tudor court and a furious king produce a classic story of passionate love, disappointment and revenge on a royal scale.

    . . thoroughness and most impressive scholarship . . . much entertaining detail and . . . pleasant humour." — The Times Literary Supplement (London)Underwear — practical garments with a utilitarian function or body coverings that serve an erotic purpose? As this fascinating and intelligently written study shows, the role played by underclothing over the last several centuries has been a varied one.In a well-documented, profusely illustrated volume combining impressive scholarship with an entertaining, often humorous style, two distinguished clothing historians consider undergarments worn by the English over the past 600 years. Beginning with the Middle Ages, the authors cover centuries of clothing history, including the Tudor period, the Restoration, the Victorian and Edwardian eras, and the twentieth century up to the eve of World War II. Drawing on extensive, research, the Cunningtons illuminate the role and function of underwear: it protected the wearer against the elements, supported costume shapes, served as an erotic stimulus, symbolized class distinctions, and fulfilled other social, sanitary, and economic functions. Enhancing the detailed, comprehensive text are more than 100 period illustrations and photographs depicting a laced-up bodice of the twelfth century, embroidered linen drawers of the sixteenth century, a hooped petticoat support in bentwood (c. 1750), footed long drawers (1795), nineteenth-century bustles, early nineteenth-century corsets for men, "Frillies for the Tiny Lady" (1939), and much more. A bibliography, appendix, and index complete a valuable reference work that will appeal to costume historians, sociologists, and other readers.

    In his 100th novel, master historian Paul Doherty weaves his magic in an epic tale of murderous schemes and a bloody political order.King Henry VIII, a fearsome figure of power and stature, lies upon upon his deathbed diminished by sickness and haunted by ghosts from his past. Only Will Somers, long-serving jester and confidant, sees all. While Henry is confined to his chamber, Will begins a journal that will document his king's last turbulent days.The country is fraught with tension. The king's son and heir just nine years old, there are many power-hungry councillors who will stop at nothing to better themselves. Now as the king's health falls, rebellion threatens amidst widespread rumours of plots against him. With few allies remaining, will Henry himself become the final victim of his reckless, bloody reign?'

    Visiting European royalty as well as American women returning from the International Exhibition in Paris in 1867 stimulated fashion awareness — and it was in this climate that the magazine Harper's Bazar flowered. Dedicated to being "A repository of Fashion, Pleasure, and Instruction," it brought to American women inside glimpses of the very latest European and American fashions, all in carefully detailed engravings. It was much the finest source for high fashion for this period.This book consists of the finest illustrations from Harper's Bazar between the years 1867 and 1898, the period of its peak importance. These illustrations not only show you what apparel appealed to our Victorian ancestors, but give you an idea of the evolutionary nature of fashion as well. You will see bustles come and go, natural forms become the vogue only to be superseded by the constricting hourglass figure. Each look is illustrated with a number of different garments. There are gowns for the morning hours, dinner dresses, sporting costumes, traveling clothes and apparel for special occasions: weddings, communions, funerals, etc. Since no costume was complete without accessories, a full line of hats, fans, parasols, muffs, gloves, handkerchiefs, jewelry, shoes and hair styles is shown as well. A selection of children's attire is also included. An introduction by Stella Blum covers the history of Harper's Bazar and examines the various phases fashion went through between 1867 and 1898.

    The Tudor court is a tangible place, filled with real people and gives us a sixth wife of Henry VIII that stands out in Tudor fiction." Nancy Bilyeau, The Crown "An evocative and compelling story of Tudor intrigue, set in the final years of King Henry VIII." Tony Riches 1537. England. Henry VIII is in conflict with the Pope and the country is divided. A contingent of people in the north embark upon the Pilgrimage of Grace, to compel their monarch to bring him back into the fold. But the unyielding Henry sends an army to quell the uprising. In Yorkshire, Lady Katheryn Latimer, and her step-children, Margaret and John, are held under siege at Snape Castle. Henry proves victorious, although his victory doesn't wholly heal the divisions in the country. A few years later, widowed for the second time, Katheryn joins the household of Lady Mary Tudor where she encounters an old sweetheart, Thomas Seymour. But they are forced to cancel their plans to marry when King Henry VIII makes Katheryn an offer that she is unable to refuse. Haunted by the fates of Henry’s previous wives, Katheryn becomes the king’s trusted consort. But the court is treacherous and Katheryn wins more enemies than friends. . It is not until the Henry's death that Katheryn is finally able to follow the desires of her heart. Judith Arnopp is the author of numerous bestselling historical novels, including The Kiss of the Concubine, written from the perspective of Tudor women, from all walks of life.

    But the real Boleyns were very different. In this collection of articles, best-selling author and creator of The Anne Boleyn Files website, Claire Ridgway, banishes the myths and introduces the real Boleyns. Written in Claire's easy-going style, but with an emphasis on good history and sound research, these articles are perfect reading for Tudor history lovers everywhere.Topics include:- The origins of the Boleyn family- Anne Boleyn's date of birth- Did Anne Boleyn serve Margaret of Austria and Queen Claude of France?- Anne Boleyn's love life- Anne Boleyn and James Butler- Anne Boleyn and the accusation of witchcraft- Anne Boleyn's pregnancies and miscarriages- Pregnancy and childbirth in Tudor times- Anne and Elizabeth- Anne Boleyn and the Tower of London- Thomas and Elizabeth Boleyn, Earl and Countess of Wiltshire- George Boleyn, Lord Rochford- Jane Boleyn, Lady Rochford- Mary Boleyn- The Boleyns and Religionand much more...The Anne Boleyn Collection II is fully referenced, with chapter notes and bibliography, and includes over 40 illustrations.

    From camisoles to corsets, basques to boudoir caps, Underwear: Fashion in Detail traces the peculiar evolution of underwear. Revealing photographs highlight close-up details in the garments, while intricate line drawings show their masterly construc­tion. A wide range of designs is represented, from rare 16th-century examples to Dior’s curvaceous New Look, to Calvin Klein’s notorious briefs.

    Just hours before his passing, his last will and testament had been read, stamped, and sealed. The will confirmed the line of succession as Edward, Mary, and Elizabeth; and, following them, the Grey and Suffolk families. It also listed bequests to the king's most trusted councillors and servants.Henry's will is one of the most intriguing and contested documents in British history. Historians have disagreed over its intended meaning, its authenticity and validity, and the circumstances of its creation. As well as examining the background to the drafting of the will and describing Henry's last days, Suzannah Lipscomb offers her own illuminating interpretation of one of the most significant constitutional documents of the Tudor period.Illustrated with portraits of the key figures at Henry's court, The King is Dead is as boldly evocative as it is beautiful—a work of Tudor history to cherish.