Strange and Stranger: The World of Steve Ditko is a coffee table art book tracing Ditko's life and career, his unparalleled stylistic innovations, his strict adherence to his own (and Randian) principles, with lush displays of obscure and popular art from the thousands of pages of comics he's drawn over the last 55 years.

    Stephen (The 101 Best Graphic Novels) Weiner takes us on a historical tour of this format with a bit of background on comics as a whole.

    He was not the first super hero, but the Man of Steel would become the prototype for all super heroes thereafter. Superman's story, and those of Batman, Wonder Woman, and hundreds of other DC Comics characters, are all told in The Golden Age of DC Comics . The single most comprehensive book on the subject, this volume traces the company's first decades, from its pulp origins up to the comic book burnings of the McCarthy ’50s in more than 400 pages bursting with comics, art, comics, photographs, and more comics. Also included is an exclusive interview with legendary artist Joe Kubert! About the series: TASCHEN's series on DC Comics explores the origins of comics’ most enduring legends and the behind-the-scenes stories of the men and women who created them, era by era. Expanded from the Eisner Award–winning XL book, 75 Years of DC Comics, this new series hits the shelf at a reader-friendly size with essays updated by author Paul Levitz and more than 1,000 new images across five volumes. Thousands of covers and interiors, original illustrations, photographs, film stills, and collectibles have been reproduced to bring the story lines, the characters, and their creators to vibrant life, making this an invaluable reference for comics fans.DC Comics characters and all related elements are trademarks of and © DC Comics. (s13)

    Through Kuper’s illustrations, this book depicts a climb to the top of the Brooklyn Bridge, the homeless living in Times Square, roller skaters in Central Park, the impact of September 11, the luxury of Wall Street, street musicians, and other scenes unique to the city. With comics, illustrations, and sketches, this work of art portrays everything from the low life to the high energy that has long made people from around the world flock to the Big Apple.

    Illuminations includes Benjamin's views on Kafka, with whom he felt the closest personal affinity, his studies on Baudelaire and Proust (both of whom he translated), his essays on Leskov and on Brecht's Epic Theater. Also included are his penetrating study on "The Work of Art in the Age of Mechanical Reproduction," an illuminating discussion of translation as a literary mode, and his thesis on the philosophy of history. Hannah Arendt selected the essays for this volume and prefaces them with a substantial, admirably informed introduction that presents Benjamin's personality and intellectual development, as well as his work and his life in dark times. Reflections the companion volume to this book, is also available as a Schocken paperback.Unpacking My Library, 1931The Task of the Translator, 1913The Storyteller, 1936Franz Kafka, 1934Some Reflections on Kafka, 1938What Is Epic Theater?, 1939On Some Motifs in Baudelaire, 1939The Image of Proust, 1929The Work of Art in the Age of Mechanical Reproduction, 1936Theses on the Philosophy of History, written 1940, pub. 1950

    Schodt received a 2017 Japan Foundation Award in 2017 for his work in bringing Osamu Tezuka and other manga artists to the world!Since first published in 1983, Manga! Manga! The World of Japanese Comics has been the book to read for all those interested in Japanese comics. It is virtually the "bible" from which all studies and appreciation of manga begins. More than that, given the influence of Japanese manga on animation and on American-produced comics as well, Manga! Manga! provides the background against which these other arts can be understood. The book includes 96 pages from Osamu Tezuka's Phoenix, Reiji Matsumoto's Ghost Warrior, Riyoko Ikeda's The Rose of Versailles, and Keiji Nakazawa's Barefoot Gen.

    It also includes stories some reprinted for the first time about boys coming of age, troubled superheroes, and the place of artists and critics in popular culture. The volume s dozen critical essays illuminate Clowes s comics by locating them within biographical, artistic, and socio-historical contexts, including the Indie and DIY movements, Generation X philosophy, and the history of American cartooning. Selections by artists who influenced Clowes and a detailed chronology of his work round out the collection, and extensive annotations shed light on the cartoonist s sources and cultural references. Perfect for the college literature/graphic narrative classroom.

    What is it that makes comics so special? What can this unique art form do that others can’t?In Why Comics?, comics scholar Hillary Chute reveals the history of comics, underground comics (or comix), and graphic novels, through deep thematic analysis, and fascinating portraits of the fearless men and women behind them. As Scott McCloud revealed the methods behind comics and the way they worked in his classic Understanding Comics, Chute will reveal the themes that Comics handle best, and how the form is uniquely equipped to explore them.The topics Why Comics? include:• Why Disaster: with such major works focusing on disasters, from Art Spiegelman’s work, which covers the Holocaust and 9/11 to Keiji Nakazawa’s work covering Heroshima, comics find themselves uniquely suited to convey the scale and disorientation of disaster.• Why Suburbs: through the work of Chris Ware and Charles Burns, Chute reveals the fascinating ways that Comics illustrate the quiet joys and struggles of suburban existence.• Why Punk: With an emphasis on DIY aesthetics and rebelling against what came before, the Punk movement would prove to be a fertile ground for some of the most significant modern cartoonists, creating a truly democratic art form.Chute has created an indispensable guide to comics for those new to the genre, or those who want to understand more about what lies behind their favorite works.

    . . and the mythology behind the man.“Criminals are a superstitious, cowardly lot. So my disguise must be able to strike terror into their hearts. I must be a creature of the night, black, terrible. . . . I shall become a bat!” So declared millionaire industrialist Bruce Wayne, orphaned as a boy by a murderous thug and driven as a man to battle the scourge of crime by becoming Batman. Batman swooped into popular culture in 1939–and for nearly seventy years has thrilled audiences in countless comics, live-action and animated television programs, and seven feature films. Prowling the darkened rooftops of Gotham City, roaring through the teeming streets in the sleek, high-powered Batmobile, and leaping into action when the iconic Bat-Signal pierces the night sky, the Caped Crusader is a larger-than-life legend. And now, for the first time in more than thirty years, everything there is to know about Batman–from the beginning to the present, and from A to Z–is collected in one comprehensive new sourcebook. More than 500 pages of entries and illustrations include:• fascinating details and the complete background on Batman’s origins • biographies of every major character in the Batman universe–including his closest allies, from Robin the Boy Wonder and faithful butler Alfred Pennyworth to Commissioner Gordon; and his countless enemies, from the Joker, Penguin, Catwoman, and the Riddler to Scarecrow, Two-Face, Ra’s al Ghul and Poison Ivy• classic black-and-white comic book artwork throughout• two sixteen-page full-color artwork insertsEven an all-access pass to the Batcave couldn’t rival former DC Comics editor and Batman scholar extraordinaire Robert Greenberger’s exhaustive ultimate archive. The Essential Batman Encyclopedia is a must for every Batman fan’s bookshelf.BATMAN, the DC Logo, and all related names, characters and elements are trademarks of DC Comics © 2008. All rights reserved.

    No sooner had this new culture emerged than it was beaten down by church groups, community bluestockings, and a McCarthyish Congress--only to resurface with a crooked smile on its face in "Mad "magazine. The story of the rise and fall of those comic books has never been fully told--until "The Ten-Cent Plague." David Hajdu's remarkable new book vividly opens up the lost world of comic books, its creativity, irreverence, and suspicion of authority. When we picture the 1950s, we hear the sound of early rock and roll. "The Ten-Cent Plague "shows how--years before music--comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers.

    These outrageous comic book images, censored by Congress in an infamous televised U.S. Senate subcommittee investigating juvenile delinquency in 1954, have rarely been seen since they were first published—and are revealed once again in all of their eye-popping glory. Jim Trombetta, in his commentary and informative text, provides a detailed history and context for these stories and their creators, spinning a tale of horror and government censorship as scary as the stories themselves.Bonus DVD--Confidential File, a rare 25-minute TV show that first aired on October 9, 1955, about the "evils" of comic books and their effect on juvenile delinquency is included with the book.  Please note that the enclosed DVD begins with a 58-second test pattern, followed by the tv show.  Praise for The Horror! The Horror!:"In addition to offering a generous helping of controversial comics . . . Trombetta's book provides insightful history." -New York Times Book Review

    It contains information about the books, from the challenge of translating them to the history of Dogmatix.

    Eisner's career spanned a remarkable eight decades, from his scrappy survival at the dawn of comics' Golden Age in the late 1930s to the beginning of the twenty-first century, when Pulitzers began going to graphic novels (a term Eisner is widely credited with creating). Schumacher's extensive research and interviews with Eisner's family, friends, and colleagues, as well as other comics creators who have built upon his work, create a detailed portrait of Eisner the man and Eisner the artist.

    Over a hundred contributors include Neil Gaiman, Will Eisner, Bill Sienkiewicz, Dave Gibbons, Denis Kitchen, David Lloyd, Jim Valentino, Sergio Toppi, Bryan Talbot, Steve Parkhouse, Mark Millar, Howard Cruse, James Kochalka, Jos� Villarrubia, Sam Kieth, Dave Sim, Oscar Zarate, DJ Paul Gambaccini, and novelist Darren Shan, to name just a few. The book jacket will feature a new photgraph by Piet Corr and other features will include interviews, biographies, and new and rare photographs.

    Created in the early 1950s when Shuster was down on his luck after suing his publisher, DC Comics, over the copyright for Superman, he illustrated these images for an obscure series of magazines called Nights of Horror, published under the counter until they were banned by the U.S. Senate. Juvenile deliquency, Dr. Fredric Wertham, and the Brooklyn Thrill Killers gang all figure into this sensational story.The discovery of this artwork reveals the 'secret identity' of this revered comics creator, and is sure to generate controversy and change the perception of the way we look at Clark Kent, Lois Lane, Lex Luthor, and Jimmy Olsen forever. The book includes reproductions of these images, and an essay that provides a detailed account of the scandal and the murder trial that resulted from the publication of this racy material."Jeepers, Mr. Kent!" - USA Today "Eye-opening……a compelling feat of literary sleuthing." - Publishers Weekly"A shocking expose" - National Enquirer"Startling. . . this fascinating collection adds a new dimension to a hidden history.” - Miami Herald"Secret Identity is an incredible find of historic significance to comics art…. - Library Journal