But when a group of teenage runaways settles in the hills and begins to invade their homes and lives, lines become drawn between those residents seeking to insulate themselves from the outside world and those reaching for more.Caught in the middle of this clash is Zaccariah Ramsy, a bar owner whose quiet life is threatened by his newfound loyalty to JT, a streetwise runaway who begins to visit his bar, and the re-emergence of the tragic story of his former love, Stella Vale, whose daughter was abducted as an infant fifteen years prior. As tensions between the townspeople and the newcomers rise, Ramsy must decide which side he will choose. A piercing tale of isolation, redemption, and belonging, Each Vagabond By Name is a powerful exploration of the intricacies of small town life by a commanding new literary voice.

    A few pages later, a couple fight for the custody of their daughter until she's cut in two. In Pieces is a beautiful book of visual poetry, in which all common metaphors are explained through images only.

    The second book of Dante Alighieri's classic poem "The Divine Comedy," this version of "Purgatorio" couples a clever literary adaptation incorporating modern urban speech and contemporary references with powerful illustrations inspired by Gustave Dore's famous engravings. Whereas "Inferno" was primarily situated in a city that bears a curious resemblance to modern Los Angeles, "Purgatorio" is set in a surreal San Francisco Bay Area, an outlandish and hopeful milieu for those who have a chance to wash their sins away. Together, the sardonic yet playful combination of text and images comprise a vivid retelling of this masterpiece.

    In " An Introduction to the Event-Related Potential Technique," Steve Luck offers the first comprehensive guide to the practicalities of conducting ERP experiments in cognitive neuroscience and related fields, including affective neuroscience and experimental psychopathology. The book can serve as a guide for the classroom or the laboratory and as a reference for researchers who do not conduct ERP studies themselves but need to understand and evaluate ERP experiments in the literature. It summarizes the accumulated body of ERP theory and practice, providing detailed, practical advice about how to design, conduct, and interpret ERP experiments, and presents the theoretical background needed to understand why an experiment is carried out in a particular way. Luck focuses on the most fundamental techniques, describing them as they are used in many of the world's leading ERP laboratories. These techniques reflect a long history of electrophysiological recordings and provide an excellent foundation for more advanced approaches.The book also provides advice on the key topic of how to design ERP experiments so that they will be useful in answering questions of broad scientific interest. This reflects the increasing proportion of ERP research that focuses on these broader questions rather than the "ERPology" of early studies, which concentrated primarily on ERP components and methods. Topics covered include the neural origins of ERPs, signal averaging, artifact rejection and correction, filtering, measurement and analysis, localization, and the practicalities of setting up the lab.

    Lying in the gutter in front of a Lenox Avenue ginmill, Harlem of the fishtail Dacillac and Sugar Hill duplex set, Harlem of the cold-water walk-up, Harlem of the Policy and Numbers Kings and the Holy Shouters, Harlem of the night funerals and the charity ladies, and Harlem of the leaky roofs and women in dark doorways, Harlem of race riots and Afro-Cuban rhythms, and be-bop bands at Minton's Playhouse and the Savoy.Here is popular poetry in the best since of the word brought to us by Langston Hughes-America's most famous black poet.

    Nettie’s lifelong nemesis is jabbing her with perfectly polished nails, while her hellfire and brimstone preacher refuses to baptize her. Amid this turmoil, a Monacan Indian medicine woman gives her a cryptic message about a coming darkness, a blood moon whose veiled danger threatens Nettie and those she loves. To prepare for the darkness, Nettie and her best friend, Win, make a treacherous journey into the mountains to build a mysterious dreamcatcher of ancient elements.

    Born in the village of Skhvitori (Imereti region of western Georgia) on June 9, 1840, to a prominent Georgian aristocratic family; his father was Prince Rostom Tsereteli. Following an old family tradition, Akaki Tsereteli spent his childhood years living with a peasant’s family in the village of Savane. He was brought up by peasant nannies, all of which made him feel empathy for the peasants’ life in Georgia. He graduated from the Kutaisi Gymnasium in 1852 and the University of Saint Petersburg Faculty of Oriental Languages in 1863. The young adult generation of Georgians during the 1860s, led by Chavchavdze and Tsereteli, protested against the Tsarist regime and campaigned for cultural revival and self-determination of the Georgians. He is an author of hundreds of patriotic, historical, lyrical and satiric poems, also humoristic stories and autobiographic novel. Akaki Tsereteli was also active in educational, journalistic and theatrical activities.

    Japan has attacked Pearl Harbor, people are angry, and one night, Sachiko and Nobu witness three teenage boys taunting and beating their father in the park. Sachiko especially remembers Terrence Harris, the boy with dark skin and hazel eyes, and Nobu cannot believe the boys capable of such violence toward his father are actually his friends.What Sachiko and Nobu do not know is that Terrence's family had received a telegram that morning with news that Terrence's father was killed at Pearl Harbor. Desperate to escape his pain, Terrence rushes from his home and runs into two high-school friends who convince him to find a Japanese man and get revenge. They do not know the man they attacked is Sachiko and Nobu's father.In the months that follow, Terrence is convicted of his crime and Sachiko and Nobu are sent to an internment camp in Arkansas, a fictionalized version of the two camps that actually existed in Arkansas during the war. While behind bars and barbed wire, each of the three young people will go through dramatic changes. One will learn acceptance. One will remain imprisoned by resentment, and one will seek a path to forgiveness.

    Cathy Park Hong's passionate and artful poem sequence weaves an ultimately revitalizing dialogue on shared experience in a globalized world, using language as subversion and disguise.

    In doing so, she jeopardizes both the army scholarship that will secure her future and her relationship with her military family. But Judy’s doubts have escalated with the travesties of the war. Who is she if she stays in the army? What is she if she leaves?When the first date pulled in the Draft Lottery turns up as her birthday, she realizes that if she were a man, she’d have been Number One—off to Vietnam with an under-fire life expectancy of six seconds. The stakes become clear, propelling her toward a life-altering choice as fateful as that of any draftee.The Fourteenth of September portrays a pivotal time at the peak of the Vietnam War through the rare perspective of a young woman, tracing her path of self-discovery and a “Coming of Conscience.” Judy’s story speaks to the poignant clash of young adulthood, early feminism, and war, offering an ageless inquiry into the domestic politics of protest when the world stops making sense.

    A confident businesswoman, wife, and mother, she begins to resent everything about her life. Nothing makes sense. Nothing makes her feel. Maybe it’s the recent loss of her mother in a tragic accident. Or maybe she’s just losing her mind. Enter Matias Torres. As their new business partnership thrives, so does their friendship—and his interest in her. Carin is determined to keep her distance, until a work assignment sends them to Southeast Asia where a storm is brewing on the island. In the midst of the chaos, Matias asks her to do something unimaginable, exhilarating, BOLD. Carin knows the consequences could be dire, but it may be the only way to save herself. An honest look at love and marriage and the frailties of the human heart, this is a story of a woman’s loss of self and purpose and the journey she takes to find her way back.

    There are many corrections and many notes stuck between the pages, and the ink and pencil are faded and often difficult to read. I have had to guess at the meaning a few times and hope I haven’t done too much harm to her intent. Many changes were made in punctuation, spelling, paragraphing and chapters, and I’ve updated a few words, like Black Feet to Blackfoot. She made a few mistakes I did not correct, like mixing up the locations of the Little Blue and Big Blue rivers. The name Mary Faraday Huntington does not appear in any of the old records. Whoever wrote the words was neither shy nor humble, has a very foul mouth, and shamelessly talks about things rarely mentioned in stories of the Wild West. Her story is the way it was long ago, not the sugar coated fairly tales of book and film. Her story reminds me of something Jamake Highwater wrote: “The outward rusticity of primal behavior makes Western people devise a self-serving ideal of themselves as civilized, which sets them widely apart from other peoples and from nature. Their withdrawal from an awareness of their place in nature is nearly complete…primal peoples live among animals and vegetation constantly in close contact with the sources of nourishment and death, understanding their environment and expressing their ideas and feelings in terms of the natural world. In contrast, people in the West have created an idealization of their relationship with nature which has neither life nor spirit.” ADVENTURES IN THE WILD WEST OF LONG AGO Mary Faraday Huntington I’ve led a wild life and had a hell of a good time. I still have my nose, all my fingers and my scalp thanks to my high intelligence, strength, quickness, excellent judgment, and a little help from all my many, many friends. I promise not to lie too bad. If you are a prissy little thing, best to pass on by. If you are a refined gentleman, pass on by. 1. You’re just a girrrrrrl 2. The Under Water People 3. Fort Childs 4. Rising Wolf 5. The second best whorehouse in town 1 YOU’RE JUST A GIRRRRRL “You can't race. You’re just a girrrrrrl!” I bounced him a good one and he shrieked and jumped up and down with blood spurting out of his big, ugly nose. Oh my, how he did carry on. I got on my pony and went to the line. The flag dropped and off we went. No problem, I promised Charlie 3 cobs if we win. He got his corn and I got a shiny silver dollar and a tin can full of chewing tobacco. I traded the can for a bunch of fancy ribbons at old man Bailey’s haberdashery. ____________________ My name is Mary Faraday Huntington and I was born in 1834 at Independence, Missouri. My mother died when I was 9 months old and an Indian woman working at a whorehouse was the only one Christian enough to take me in. Don’t know who my father was but he must have been big, strong, and sharp as a whip. Probably an army man having a little fun. Sure they call me a bastard, but they learned quick enough not to do that to my face. Jennie is a Blackfoot spirit woman and a real good mother who cooks and cleans at Polly’s Paradise. We have a little room in the basement. Her real name is Aokii’aki, Water Woman. She taught me sign and Blackfoot, how to live off the land, and how to fight with my hands and feet and knife. And she is teaching me the ways of a spirit woman.

    In this down and dirty debut she draws vivid portraits of bad people in worse places. A woman struggles to survive her boyfriend's terror preparations. A wife finds that the key to her sex life lies in her dog’s electric collar. Two teenagers violently tip the scales of their friendship. A rising star of the new fast fiction, Hunter bares all before you can blink in her bold, beautiful stories. In this collection of slim southern gothics, she offers an exploration not of the human heart but of the spine; mixing sex, violence and love into a harrowing, head-spinning read.

    With gorgeous, hand-painted illustrations, Menéndez shines a spotlight on the power of childhood dreams.From Supreme Court Justice Sonia Sotomayor to singer Selena Quintanilla to NASA's first virtual reality engineer, Evelyn Miralles, this is a book for aspiring artists, scientists, activists, and more. These women followed their dreams--and just might encourage you to follow yours!The book features Sor Juana Inés de la Cruz, Juana Azurduy de Padilla, Policarpa Salavarrieta, Rosa Peña de González, Teresa Carreño, Zelia Nuttall, Antonia Navarro, Matilde Hidalgo, Gabriela Mistral, Juana de Ibarbourou, Pura Belpré, Gumercinda Páez, Frida Kahlo, Julia de Burgos, Chavela Vargas, Alicia Alonso, Victoria Santa Cruz, Claribel Alegría, Celia Cruz, Dolores Huerta, Rita Moreno, Maria Auxiliadora da Silva, Mercedes Sosa, Isabel Allende, Susana Torre, Julia Alvarez, Sandra Cisneros, Sonia Sotomayor, Rigoberta Menchú Tum, Mercedes Doretti, Sonia Pierre, Justa Canaviri, Evelyn Miralles, Selena Quintanilla, Berta Cáceres, Serena Auñón, Wanda Díaz-Merced, Marta Vieira da Silva, Alexandria Ocasio-Cortez, and Laurie Hernandez.Godwin Books

    There were precisely two, as defined by the High Court of France. The first was a priceless necklace called the Cross of Nantes. The second was less tangible. It was, “the devil’s song, as he danced across the blood-drenched hills of the Vendée Militaire.” Both were found.