Legendary doyenne of the fabled Palm Springs getaway, she can always tell from the moment the women arrive, which ones will be problems.This group will not disappoint: a burned-out Fifth Avenue retail executive...a striking former model and Chicago socialite... an overweight Texas housewife on the brink of her second divorce and her beautiful, teenage daughter...and a CEO who, unhappy with recent plastic surgery, is secluded in her room.Fortunately, Madame Demidova can rely on her Assistant Director to help manage the herd, not knowing that this valued employee is poised to make an audacious move.Lust, ambition, secrets, betrayal, competition for the ownership of the world's premier spa and a chance to snag the uber-eligible man who unexpectedly arrives on the scene are all on the menu at The Spa at Lavender Lane.

    These mark the beginning of an incredible adventure where Harper finds himself on the other side of the earth, 2,500 years back in time and in a body that's not his own.The handful of crash survivors are thrust into the violent world of the ancient Greeks, the Persians and the mysterious horse nomads known as Scythians whose women are as fierce as their men." ... a real page turner ... not just sci-fi and historical fiction. It is also a war story, a mythical tale, and an action-packed adventure."-- Rocky Scramble's Weekly Reader

    Floaters offers exuberant odes and defiant elegies, songs of protest and songs of love from one of the essential voices in American poetry.Floaters takes its title from a term used by certain Border Patrol agents to describe migrants who drown trying to cross over. The title poem responds to the viral photograph of Óscar and Valeria, a Salvadoran father and daughter who drowned in the Río Grande, and allegations posted in the “I’m 10-15” Border Patrol Facebook group that the photo was faked. Espada bears eloquent witness to confrontations with anti-immigrant bigotry as a tenant lawyer years ago, and now sings the praises of Central American adolescents kicking soccer balls over a barbed wire fence in an internment camp founded on that same bigotry. He also knows that times of hate call for poems of love—even in the voice of a cantankerous Galápagos tortoise.The collection ranges from historical epic to achingly personal lyrics about growing up, the baseball that drops from the sky and smacks Espada in the eye as he contemplates a girl’s gently racist question.Whether celebrating the visionaries—the fallen dreamers, rebels and poets—or condemning the outrageous governmental neglect of his father’s Puerto Rico in the wake of Hurricane María, Espada invokes ferocious, incandescent spirits.

    The characters navigate race, class, and coming-of-age. Seeking opportunity, some fade into the world around them, even as their minds hitchhike, dream, and soar. Some appear in different times and hemispheres, whether as student radicals, secret agents, historians, fugitive slaves, or jazz musicians.From the cobblestones of Montreal’s Old Port through the foliage of a South American rainforest; from a basement in wartime Paris to a metro in Montreal during the October Crisis; Kellough’s fierce imagination reconciles the personal and ancestral experience with the present moment, grappling with the abiding feeling of being elsewhere, even when here.

    It is in her home in Great Village, Nova Scotia where she is surrounded by piles of books. It is beside her as she gazes out over the shore with her lifelong friend Mealie. It walks with her into the village, while details of the distant past return to her with startling clarity. With worsening chest pains, exacerbated by the arrival of an unwelcome teenager, she fully expects her life is ebbing away — but before it does, she must finally confront the deceptions and shame of the long-hidden past.

    In the Event of Contact chronicles characters profoundly affected by physical connection, or its lack.Among them, a scrappy teen vies to be the next Sherlock Holmes; an immigrant daughter must defend her decision to remain childless; a guilt-ridden woman is haunted by the disappearance of her childhood friend; a cantankerous crossing guard celebrates getting run over by a truck; an embattled priest with dementia determines to perform a heroic, redemptive act, if he can only remember how; and an aspirational, angst-ridden mother captains the skies.Amid backgrounds of trespass and absence, the indelible characters of In the Event of Contact seek renewed belief in recovery, humanity, and the remains of wonder.

    1921. Yacobo Levi, an intellectual dreamer, works in the family bookshop. Angelo Ghione, a contadino, makes good wine by singing to the grapes. Lifetime best friends, their Jewish and Catholic families live side by side amidst a backdrop of village communal life, Etruscan tales and the growth of Benito Mussolini. Born on the same day, their children grow up and fall in love. When the 1938 racial laws are passed, the love between Bella and Rico thrives amidst and perhaps because of the fear and uncertainty. When Angelo discovers their liaison he suggests they marry but life is complicated and tensions simmer beneath the surface of love and friendship. When war is declared on the day of Bella's wedding to Michele a fellow Jew, the peaceful village they live in is torn apart, and the Levis find themselves displaced and fighting for their lives. Will life ever be the same again?The Tears of Monterini is a story of love and betrayal, loyalty and friendship. Inspired by true events in Tuscany and Emilia-Romagna, this beautifully written debut will appeal to readers interested in history, Italy, romance, family dynamics and conflict.

    Lima :: Limón illuminates both the sweet and the sour of the immigrant experience, of life as a woman in the U.S. and Mexico, and of the politics of the present day. Drawing inspiration from the music of her childhood, her lyrical poems focus on the often-tested resilience of women. Scenters-Zapico writes heartbreakingly about domestic violence and its toxic duality of macho versus hembra, of masculinity versus femininity, and throws into harsh relief the all-too-normalized pain that women endure. Her sharp verse and intense anecdotes brand her poems into the reader; images like the Virgin Mary crying glass tears and a border fence that leaves never-healing scars intertwine as she stares down femicide and gang violence alike. Unflinching, Scenters-Zapico highlights the hardships and stigma immigrants face on both sides of the border, her desire to create change shining through in every line. Lima :: Limón is grounding and urgent, a collection that speaks out against violence and works toward healing.

    Elizabeth’s mother rang her morning, noon and night. He’s driving me mad with his pepper talk, she said, I’ll crown him if he talks to me about the need for Vietnam to join the International Pepper Community and duties and postmen one more time! The cracks one begins to see in families.Flight is the story of four travellers as their journeys intersect one winter in Dublin.Sandrine, a Zimbabwean woman who has left her husband and son behind in the hope of making a better life for them in Ireland, is alone and secretly pregnant. She finds herself working as a carer for Tom and Clare, a couple whose travels are ending as their minds begin to fail. Meanwhile Elizabeth, their world-weary daughter, carries the weight of her own body’s secret.Set in Ireland in 2004 as a referendum on citizenship approaches, Flight is a magically observed story of a family and belonging, following the gestation of a friendship during a year of crisis. A story of arrival and departure, the newly found and the left behind, Flight is among a new breed of Irish novel – one that recognizes the global nature of Ireland experience in the late 20th century, and one that considers Ireland in the aftermath of the failed Celtic Tiger.

    A young woman moves to Toronto after getting married but soon discovers her husband is not who she believes him to be. A mother reconciles her heartbreak when her sons defy her expectations and choose their own paths in life. A lonely international student returns to Bangladesh and forms an unexpected bond with her domestic helper. A working-class woman, caught between her love for Bangladesh and her determination to raise her daughter in Canada, makes a life-altering decision after a dark secret from the past is revealed.In each of the stories, characters embark on difficult journeys in search of love, dignity, and a sense of belonging.

    Poems by Phil Kaye

    Hernández’s lyrical debut follows her tumultuous adolescence and fraught homecomings as she crisscrosses the American continent.Seven-year-old Claudia wakes up one day to find her mother gone, having left for the United States to flee domestic abuse and pursue economic prosperity. Claudia and her two older sisters are taken in by their great aunt and their grandmother, their father no longer in the picture. Three years later, her mother returns for her daughters, and the family begins the month-long journey to El Norte. But in Los Angeles, Claudia has trouble assimilating: she doesn’t speak English, and her Spanish sticks out as “weird” in their primarily Mexican neighborhood. When her family returns to Guatemala years later, she is startled to find she no longer belongs there either.A harrowing story told with the candid innocence of childhood, Hernández’s memoir depicts a complex self-portrait of the struggle and resilience inherent to immigration today.

    The stories are selected both for their appeal to young people and for the quality of the writing.

    For example, in "Rebel Airplanes," an L.A. engineer works by day on city sewers and by night on R-C planes that she yearns to launch into the cosmos. The character-driven stories in Meet Behind Mars offer beautiful insight into the emotional lives of caretakers, auto workers, dancers, and pawn shop employees. In "High Country," a frustrated would-be novelist considers ditching her family in the middle of the desert. In "Dive," an adoptee returns to her adoptive home, still haunted by histories she does not know. Simms writes from the voice of women and girls who struggle under structural oppression and draws from the storytelling tradition best represented by writers like Edward P. Jones, whose characters have experiences that are specific to black Americans living in the late twentieth and twenty-first centuries. One instance of this is in "The Art of Heroine Worship," in which black families integrate into a white suburb of Detroit in the 1970s.The stories in this collection span forty years and two continents and range in structure from epistolary to traditionally structured realism, with touches of absurdity, humor, and magic. Meet Behind Mars will appeal to readers interested in contemporary literary fiction.

    Thousand Star Hotel confronts the silence around racism, police brutality, and the invisibility of the Asian American urban poor.From “with thanks to Sahra Nguyen for the refugee style slogan”:They give the kids candy to bet.My daughter loses the first four rounds,she’s a quiet wire as they take her candy away, piece by piece.When she finally wins, I ask if she wants to play again.No! she shouts, grabbing her candy, I want to go home!True refugee style:take everything you got and run with it.