The prejudices of later historians diminished this high reputation, until recent research confirmed Edward as a ruler of substantial achievement, whose methods and policies formed the foundation of early Tudor government.  This classic study by Charles Ross places the reign firmly in the context of late medieval power politics, analyzing the methods by which a usurper sought to retain his throne and reassert the power of a monarchy seriously weakened by the feeble rule of Henry VI. Edward's relations with the politically active classes—the merchants, gentry, and nobility—form a major theme, and against this background Ross provides an evaluation of the many innovations in government on which the king's achievement rests.

    The book looks at colourful characters and brings to life the civil war and the ensuing battle for the English Crown. The war is examined in detail through the various campaigns, battles and sieges of the period, including the two major battles at the Standard and Lincoln, showing that Stephen always held more ground than his opponents and was mostly on the offensive. The nature of the warfare and the reasons for its outcome are examined, along with comment on the strategy, tactics, technology in arms and armour, and the improvements in fortifications.

    For the first time, all the contenders for the crown were female.In 1553, England was about to experience the ‘monstrous regiment’ - the unnatural rule - of a woman. But female rule in England also had a past. Four hundred years before Edward’s death, Matilda, daughter of Henry I and granddaughter of William the Conquerer, came tantalisingly close to securing her hold on the power of the crown. And between the 12th and the 15th centuries three more exceptional women - Eleanor of Aquitaine, Isabella of France, and Margaret of Anjou - discovered, as queens consort and dowager, how much was possible if the presumptions of male rule were not confronted so explicitly.The stories of these women - told here in all their vivid humanity - illustrate the paradox which the female heirs to the Tudor throne had no choice but to negotiate. Man was the head of woman; and the king was the head of all. How, then, could a woman be king, how could royal power lie in female hands?

    He guides us from the building of Stonehenge to the founding of the two great glories of medieval England: common law and the cathedrals. He shows us glimpses of the country's most distant past--a Neolithic stirrup found in a grave, a Roman fort, a Saxon tomb, a medieval manor house--and describes in rich prose the successive waves of invaders who made England English, despite being themselves Roman, Viking, Saxon, or Norman French.With his extraordinary skill for evoking time and place and his acute eye for the telling detail, Ackroyd recounts the story of warring kings, of civil strife, and foreign wars. But he also gives us a vivid sense of how England's early people lived: the homes they built, the clothes the wore, the food they ate, even the jokes they told. All are brought vividly to life through the narrative mastery of one of Britain's finest writers.

    Although almost six centuries old, the Battle of Agincourt still captivates the imaginations of men and women on both sides of the Atlantic. It has been immortalized in high culture (Shakespeare's Henry V) and low (the New York Post prints Henry's battle cry on its editorial page each Memorial Day). It is the classic underdog story in the history of warfare, and generations have wondered how the English -- outnumbered by the French six to one -- could have succeeded so bravely and brilliantly. Drawing upon a wide range of sources, eminent scholar Juliet Barker casts aside the legend and shows us that the truth behind Agincourt is just as exciting, just as fascinating, and far more significant. She paints a gripping narrative of the October 1415 clash between outnumbered English archers and heavily armored French knights. But she also takes us beyond the battlefield into palaces and common cottages to bring into vivid focus an entire medieval world in flux. Populated with chivalrous heroes, dastardly spies, and a ferocious and bold king, Agincourt is as earthshaking as its subject -- and confirms Juliet Barker's status as both a historian and a storyteller of the first rank.

    Some of them are well known and have been the subject of biography—Eleanor of Aquitaine, Emma of Normandy, Isabella of France, and Anne Boleyn, for example—while others have not been written about outside academic journals. The appeal of these notorious queens, apart from their shared taste for witchcraft, murder, adultery, and incest, is that because they were notorious they attracted a great deal of attention during their lifetimes. This study reveals much about the role of the medieval queen and the evolution of the role that led, ultimately, to the reign of Elizabeth I and a new concept of queenship.

    Loyal to his friends and passionately in love with the one woman who was denied him, Richard emerges as a gifted man far more sinned against than sinning. This magnificent retelling of his life is filled with all of the sights and sounds of battle, the customs and lore of the fifteenth century, the rigors of court politics, and the passions and prejudices of royalty.

    Paul Murray Kendall's masterful account of the life of England's King Richard III has remained the standard biography of this controversial figure.

    At Poitiers, in 1356, his victory over King John II of France forced the French into a humiliating surrender that marked the zenith of England’s dominance in the Hundred Years War. As lord of Aquitaine, he ruled a vast swathe of territory across the west and southwest of France, holding a magnificent court at Bordeaux that mesmerized the brave but unruly Gascon nobility and drew them like moths to the flame of his cause.He was Edward of Woodstock, eldest son of Edward III, and better known to posterity as “the Black Prince.” His military achievements captured the imagination of Europe: heralds and chroniclers called him “the flower of all chivalry” and “the embodiment of all valor.” But what was the true nature of the man behind the chivalric myth, and of the violent but pious world in which he lived? This exemplary new history uses contemporary chronicles plus a wide range of documentary material—including the Prince's own letters and those of his closest followers—to tell the tale of an authentic English hero and to paint a memorable portrait of society in the tumultuous fourteenth century.

    The count’s eldest daughter, Matilda, had refused William’s offer of marriage and publicly denounced him as a bastard. Encountering the young woman, William furiously dragged her to the ground by her hair and beat her mercilessly. Matilda’s outraged father immediately took up arms on his daughter’s behalf. But just a few days later, Baldwin was aghast when Matilda, still recovering from the assault, announced that she would marry none but William, since “he must be a man of great courage and high daring” to have ventured to “come and beat me in my own father’s palace.”   Thus began the tempestuous marriage of Matilda of Flanders and William the Conqueror. While William’s exploits and triumphs have been widely chronicled, his consort remains largely overlooked. Now, in her groundbreaking Queen of the Conqueror, acclaimed author and historian Tracy Borman weaves together a comprehensive and illuminating tapestry of this noble woman who stood only four-foot-two and whose role as the first crowned Queen of England had a large and lasting influence on the English monarchy.   From a wealth of historical artifacts and documents, Matilda emerges as passionate, steadfast, and wise, yet also utterly ruthless and tenacious in pursuit of her goals, and the only person capable of taming her formidable husband—who, unprecedented for the period, remained staunchly faithful to her. This mother of nine, including four sons who went on to inherit William’s French and English dominions, confounded the traditional views of women in medieval society by seizing the reins of power whenever she had the chance, directing her husband’s policy, and at times flagrantly disobeying his orders.   Tracy Borman lays out Matilda’s remarkable story against one of the most fascinating and transformative periods in European history. Stirring, richly detailed, and wholly involving, Queen of the Conqueror reveals not just an extraordinary figure but an iconic woman who shaped generations, and an era that cast the essential framework for the world we know today.

    

    But what gave the eventual victor, Henry Tudor, the right to claim the throne? What made his mother the great heiress of medieval England? And how could an illegitimate line come to challenge the English monarchy? Whilst the Houses of York and Lancaster battled directly for the crown, other noble families of England also played integral roles in the war; grand and prestigious names like the Howards, Nevilles and Percys were intimately involved in the conflict but arguably none symbolised the volatile nature of the period quite like the House of Beaufort. The story of the Beauforts, with their rise, fall and rise again, is the story of England during the period, a dramatic century of war, intrigue and scandal. Many books have been written about individual members of the dynasty but never has the whole family been explored as one. This book will uncover the rise of the Beauforts from bastard stock of John of Gaunt, Duke of Lancaster, to respected companions of their cousin Henry V, celebrated victor of Agincourt. The Beauforts fell with the House of Lancaster during the 1460s and 1470s, and their hopes and fortunes came to rest upon the shoulders of a teenage widow named Margaret and her young son, Henry. From her would rise the House of Tudor, the most famous of all England’s royal houses and a dynasty who owed their crown to their forebears, the House of Beaufort. From bastards to princes, the Beauforts are medieval England’s most intriguing family.

    In response to the recent upsurge of interest, her 2009 paperback has been updated with details of the discovery plus new illustrations, and a larger typeface for easier readability. Carson's premise is that for centuries the vision of Richard III has been dominated by the fictional creations of Thomas More and Shakespeare. Many voices, some of them eminent and scholarly, have urged a more reasoned view to replace the traditional black portrait. This book seeks to redress the balance by examining the events of his reign as they actually happened, based on reports in the original sources. Eschewing the overlay of assumptions so beloved by historians, she instead traces actions and activities of the principal characters, using facts and time-lines revealed in documentary evidence. In the process Carson dares to investigate areas where historians fear to tread, and raises many controversial questions.

    Reared in a dangerous and unpredictable world Margaret of York, sister of Richard III, would become the standard bearer of the House of York and 'The menace of the Tudors'. This alluring and resourceful woman was Henry VII's 'diabolical duchess'. Safe across the Channel in modern-day Belgium and supported by the Emperor she sent Lambert Simnel and Perkin Warbeck with thousands of troops to England to avenge the destruction of her brother and of the House of York. Both rebellions shook the new Tudor dynasty to the core. As the duchess and wife of the wealthiest ruler in Western Europe, Margaret was at the centre of a glittering court and became the patron of William Caxton. It was at her command that he printed the first book in English. Her marriage to Charles, the dour, war-mad Duke of Burgundy, had been the talk of Europe. John Paston, who was among the awe struck guests, reported in the famous Paston Letters that there had been nothing like it since King Arthur' court. Yet within a decade Charles was dead, his corpse frozen on the battlefield and within another decade her own family had been destroyed in England. Childless and in a foreign land Margaret showed the same energetic and cautious spirit as her great-grand-niece Elizabeth I, surviving riots, rebellions and plots. In spite of all her efforts, the Tudors were still on the throne but Margaret, unlike the Yorkist kings, was a great survivor.

     John Gillingham's highly readable history separates the myth from the reality. He argues that, paradoxically, the Wars of the Roses demonstrate how peaceful England in fact was. From the accession of the infant Henry VI to the thrones of England and France in 1422 to the accession of Henry VII following the Battle of Bosworth in 1485, Gillingham uses his gift for graphic description (particularly with his exciting account of the 1471 campaign) to great effect. He is also good at placing the warfare within its European context, especially in showing the problems encountered in conducting a civil war within a normally peaceful country. ‘The Wars of the Roses’ is an irresistible account of a fascinating period of history that makes available to a much wider audience the work of historians of recent decades. “Incisively written and highly readable” – Sunday Times John Gillingham is Emeritus Professor of Medieval History at the London School of Economics and Political Science.[1] On 19 July 2007 he was elected into the Fellowship of the British Academy. He is renowned as an expert on the Angevin empire. His other titles include ‘Oliver Cromwell: Portrait of a Soldier’. Endeavour Press is the UK’s leading independent publisher of digital books.