But Rachel Martin has a crush on Brendan and is excited to be invited. Brendan has a lot of party games planned. But one game no one planned intrudes on his party—the game of murder. As the guests start dying one by one, Rachel realizes to her horror that she and the other teenagers are trapped on the tiny island with someone who may want to kill them all. How to escape this deadly game? Rachel doesn't know whom she can trust. She should have realized that nothing is as it seems… on Fear Island.R.L. Stine makes his triumphant return to Shadyside, a town of nightmares, shadows, and genuine terror, and to the bestselling series that began his career writing horror for the juvenile market, in the new Fear Street book Party Games.

    Among the missing is Emile Haddock, Lia’s uncle. What happened to the people of Limetown? It’s all anyone can talk about. Except Lia’s parents, who refuse to discuss what might have happened there. They refuse, even, to discuss anything to do with Emile.As a student journalist, Lia begins an investigation that will take her far from her home, discovering clues about Emile’s past that lead to a shocking secret—one with unimaginable implications not only for the people of Limetown, but for Lia and her family. The only problem is…she’s not the only one looking for answers. Zack Akers and Skip Bronkie are first-rate storytellers, in every medium. Critics called their podcast Limetown “creepy and otherworldly” (The New York Times) and “endlessly fun” (Vox), and their novel goes back to where it all began. Working with Cote Smith, a PEN/Robert W. Bingham Prize Finalist, they’ve crafted an exhilarating mystery that asks big questions about what we owe to our families and what we owe to ourselves, about loss, discovery, and growth. Threaded throughout is Emile’s story—told in these pages for the first time ever.

    When the world crumbles and the dead walk, Kellie struggles to survive and find her way home, all the while sharing her tale with her diary.This is an account of our hypothetical past, present and future.

    But when it comes to murder, Officer Susan Marlan never trusts a simple explanation, so she's just getting started.Meanwhile, college professor Eric Evans hallucinates a young boy in overalls: a symptom of his schizophrenia - or so he thinks. But when more bodies turn up, Eric has more visions, and they mirror details of the murder case. As the investigation continues, the police stick with their original conclusion, but Susan's instincts tell her something is off. The higher-ups keep stonewalling her, and the FBI's closing in.Desperate for answers, Susan goes rogue and turns to Eric for help. Together they take an unorthodox approach to the case as the evidence keeps getting stranger. With Eric's hallucinations intensifying and the body count rising, can the pair separate truth from illusion long enough to catch a monster?

    If only the nightmare had ended when she was rescued. Instead, her real father exploited her tabloid-ready story for fame and profit—until Charlotte finally broke free from her ghoulish past and fled. Just when she thinks she has buried her personal hell forever, Charlotte is swept into a frightening new ordeal. Secretly dosed with an experimental drug, she’s endowed with a shocking new power—but pursued by a treacherous corporation desperate to control her.Except from now on, if anybody is going to control Charlotte, it’s going to be Charlotte herself. She’s determined to use the extraordinary ability she now possesses to fight the kind of evil that shattered her life—by drawing a serial killer out from the shadows to face the righteous fury of a victim turned avenger.

    Until one moonlit night, a horse-drawn carriage crashes into view, carrying an unexpected guest – the beautiful Carmilla. So begins a feverish friendship between Laura and her mysterious, entrancing companion. But as Carmilla becomes increasingly strange and volatile, prone to eerie nocturnal wanderings, Laura finds herself tormented by nightmares and growing weaker by the day… Pre-dating Dracula by twenty-six years, Carmilla is the original vampire story, steeped in sexual tension and gothic romance.

    Its arteries run throughout the country. Its lifeblood flows into Westminster, into Scotland Yard, into every village and every city. It flows into you, and into your mother. It keeps you alive. It makes you feel safe. Those same arteries tangle you up and night and make it hard for you to breathe. But come morning, you thank it for what it has done for you, and you sip from its golden cup, and kiss its perfect feet, and you know that all will be right in this godforsaken world as long as it is there to watch over you.Three years ago, Alice spent one night in an abandoned house with her friends Ila and Hannah. Since then, things have not been going well. Alice is living a haunted existence, selling videos of herself cleaning for money, going to parties she hates, drinking herself to sleep. She hasn’t spoken to Ila since they went into the House. She hasn’t seen Hannah either. Memories of that night torment her mind and her flesh, but when Ila asks her to return to the House, past the KEEP OUT sign, over the sick earth where teenagers dare each other to venture, she knows she must go. Together Alice and Ila must face the horrifying occurrences that happened there, must pull themselves apart from the inside out, put their differences aside, and try to rescue Hannah, who the House has chosen to make its own. Cutting, disruptive, and darkly funny, Tell Me I’m Worthless is a vital work of trans fiction that confronts both supernatural and real-world horrors as it examines the devastating effects of trauma and the way fascism makes us destroy ourselves and each other.

    As she watches over her father, she relives the past week and the events that brought the family together . . . and she recalls all the weeks before that served to pull it apart.There has never been anything normal about the lives raised in this house. It seems to her that sometimes her family is so colorful that the brightness hurts, and as they all join together in this time of impending loss she examines how they came to be the way they are and how it came to just be her, the drifter, that her father came home to die with.But, the middle of five children, the woman has her own secrets . . . particularly the draw that pulled her back to the house when her own life looked set to crumble. And sitting through her lonely vigil, she remembers the thing she saw out in the fields all those years ago . . . the thing that they found her screaming for outside in the mud. As she peers through the familiar glass, she can't help but hope and wonder if it will come again.Because it's one of those nights, isn't it Dad? A special terrible night. A full night. And that's always when it comes. If it comes at all.

    The hideous, unstoppable creation of man's power gone mad.The other is not natural at all. And it makes the first look like a child's play.

    No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth—musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies—the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children.Now, for the first time, this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and newly added second and third appendices.The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside.Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story—of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

    He decides to keep the cell phone just until the owner returns and everything changes. Then the messages begin.Will’s discovered something unspeakable and it’s crawling slowly into the light.

    At first, the quaint, rural ways of their new neighbors seem to be everything they wanted. But there is an unspoken dread that the townsfolk have lived with for generations. A presence that demands sacrifice. It comes from the shadowy woods across the river, where the ruins of Savoyard still stand. Where a longstanding debt of blood has never been forgotten. A debt that has been waiting patiently for Frank Nichols's homecoming...

    It’s a road trip."Keisha Taylor lived a quiet life with her wife, Alice, until the day that Alice disappeared. After months of searching, presuming she was dead, Keisha held a funeral, mourned, and gradually tried to get on with her life. But that was before Keisha started to see her wife, again and again, in the background of news reports from all over America. Alice isn’t dead, and she is showing up at every major tragedy and accident in the country.Following a line of clues, Keisha takes a job as a long-haul truck driver and begins searching for Alice. She eventually stumbles on an otherworldly conflict being waged in the quiet corners of our nation’s highway system—uncovering a conspiracy that goes way beyond one missing woman.

    Under Stalin, at least eighty Soviet gulags were built along the route to supply the USSR with a readily available workforce, and over time hundreds of thousands of prisoners died in the midst of their labors. Their bodies were buried where they fell, plowed under the permafrost, underneath the road.Felix Teigland, or "Teig," is a documentary producer, and when he learns about the Road of Bones, he realizes he's stumbled upon untapped potential. Accompanied by his camera operator, Teig hires a local Yakut guide to take them to Oymyakon, the coldest settlement on Earth. Teig is fascinated by the culture along the Road of Bones, and encounters strange characters on the way to the Oymyakon, but when the team arrives, they find the village mysteriously abandoned apart from a mysterious 9-year-old girl. Then, chaos ensues.A malignant, animistic shaman and the forest spirits he commands pursues them as they flee the abandoned town and barrel across miles of deserted permafrost. As the chase continues along this road paved with the suffering of angry ghosts, what form will the echoes of their anguish take? Teig and the others will have to find the answers if they want to survive the Road of Bones.

    But for the Brewster family it will be this year's holiday retreat, and for the kids Eric and Marci it's the perfect place to spend a lazy summer exploring.Which is how Eric and his teenage friends discover a curious collection of discarded objects stowed in a hidden room in the carriage house. The bladeless hacksaws, shade-less lamps, tables with missing legs, a headless axe handle - these unremarkable items add up to a pile of junk. Yet someone once took the trouble to list each worthless relic in a cryptic ledger, thus provoking a great mystery that is now whispering, coaxing, demanding to be solved. The more the boys devote themselves to piecing together the puzzle, the more their fascination deepens into obsession. Soon their days are consumed with this weird collection, while their nights become plagued by ever more ghastly nightmares.And finally when a horrifying discovery surfaces, so does the chilling truth about a twisted legacy with a malevolent life of its own.