She should, since she has one for a best friend: Logan, her annoying, Netflix-addicted brother, who is forever stuck at fifteen. But Rose is growing up, and when an old friend moves back to Laguna Canyon and appears in her drama class, things get complicated.Jamie Aldridge is charming, confident, and a painful reminder of the life Rose has been missing out on since her brother's death. She watches as Jamie easily rejoins their former friends--a group of magnificently silly theater nerds--while avoiding her so intensely that it must be deliberate.Yet when the two of them unexpectedly cross paths, Rose learns that Jamie has a secret of his own, one that changes everything. Rose finds herself drawn back into her old life--and to Jamie. But she quickly starts to suspect that he isn't telling her the whole truth.All Rose knows is that it's becoming harder to choose between the boy who makes her feel alive and the brother she isn't ready to lose.

    Take Esther’s father, for instance: He’s an agoraphobe who hasn’t left the basement in six years. Then there’s her twin brother, Eugene, whose fear of the dark goes far beyond the things that go bump in the night. And her mother, Rosemary, is absolutely terrified of bad luck.As for Esther, she’s managed to escape the curse…so far. She doesn’t yet have a great fear because she avoids pretty much everything. Elevators, small spaces, crowds—anything that might trigger a phobia is off-limits and is meticulously recorded in her semi-definitive list of worst nightmares. Esther thinks she has it all figured out, until she’s reunited with an old elementary school classmate—and first crush—Jonah Smallwood. The encounter leaves her stranded at a bus stop and swindled out of her phone, all her cash, a Fruit Roll-Up she’d been saving, and her list—not to mention her dignity. But the theft is also the beginning of an unexpected friendship between the two, one that sends the pair on a journey of self-discovery as they try to break the curse that’s consumed Esther’s family. Together they face their greatest fears, one debilitating phobia at a time, only to discover the one fear they hadn’t counted on: love.

    While Chai has always been Josi’s protector—ever since they were toddlers, growing up together in a small Chinese village—she finds herself helpless when they are both abducted from their families and sold to faraway strangers. In their new home, with the family of the fisherman who bought them, their old lives are torn away piece by piece. But Chai knows she must stay strong if they’re to have any chance of escaping.That same tenacious hope guides Chai’s father, Jun, who fights to find the girls and bring them home, despite seemingly insurmountable odds and a corrupt legal system. The days since the girls were taken soon stretch to weeks and months, but Chai’s spirit remains unbroken and Jun’s resolve unwavering.Set against the backdrop of modern day China, A Thread Unbroken is an inspiring story of remarkable courage, indefatigable hope, and the invisible ties that hold people together, even when everything around them is falling apart.

    He hid her away from society so she couldn’t turn him in. But, in the end, he couldn’t hide her forever. USA Today bestselling author H.B. Moore brings you the psychological suspense novel: BREAKING JESS More thrillers & suspense novels by H.B. Moore: Poetic Justice Finding Sheba Lost King Slave Queen The Killing Curse About the author: H.B. Moore is a USA Today bestselling author, 6-time Best of State Winner, 4-time Whitney Award Winner, and 3-time Rone Award Winner. She's repped by Dystel, Goderich & Bourett

    Ever since she was a young girl, Meridian had been obsessed with birds, and she was determined to get her PhD, become an ornithologist, and make her mother's sacrifices to send her to college pay off. But she didn't expect to fall in love with her brilliant physics professor, Alden Whetstone. When he's recruited to Los Alamos, New Mexico, to take part in a mysterious wartime project, she reluctantly defers her own plans and joins him. What began as an exciting intellectual partnership devolves into a "traditional" marriage. And while the life of a housewife quickly proves stifling, it's not until years later, when Meridian meets a Vietnam veteran who opens her eyes to how the world is changing, that she realizes just how much she has given up. The repercussions of choosing a different path, though, may be too heavy a burden to bear. Elizabeth Church's stirring debut novel about ambition, identity, and sacrifice will ring true to every woman who has had to make the impossible choice between who she is and who circumstances demand her to be.

    But things take a dangerous turn when she goes to work at Shane’s Sumatran Oasis.Caught up in the hostility directed at Shane, and flirting and surfing with the hell-man Matt, Penny soon finds herself swept into a world where two very different cultures must collide.

    Elizabeth Whitman is working as a nurse in the local hospital, waiting for her husband to return from war, though he is missing in action, 'presumed dead'. She keeps him alive for their four-year-old son, Jack, by telling the story of a man she calls The Balloonist, who went away in a hot-air balloon and has adventures in exotic countries. When she is asked to nurse a returned soldier whose head injury has reduced him to an animal-like state with no memory, Elizabeth starts telling stories to him. It is through them that she manages to engage his interest and offer him a new life . . . in more ways than one.

    Set in the Dakota Territory, it is the year 1880. Four Winds has been taken away from her family and brought to a boarding school run by whites. It is here she is taught English and learns how to assimilate into white culture. But soon she discovers that the teachers at this school are not interested in assimilation but rather in erasing her culture. On the reservation, Four Winds had to fight against starvation. Now she must fight to hold on to who she is.

    Now Brandi will do anything to protect the boy—even if it means asking her ex-fiancé, Texas Ranger Rhett Kincaid, for help. But can Brandi and Rhett stop this killer before he exacts his terrible Christmas vengeance?From Love Inspired Suspense: Courage. Danger. Faith.

    Drawing on her experience as Nigeria's finance minister and that of her team, she describes dangers, pitfalls, and successes in fighting corruption. She provides practical lessons learned and tells how anti-corruption advocates need to equip themselves. Okonjo-Iweala details the numerous ways in which corruption can divert resources away from development, rewarding the unscrupulous and depriving poor people of services.Okonjo-Iweala discovered just how dangerous fighting corruption could be when her 83-year-old mother was kidnapped in 2012 by forces who objected to some of the government's efforts at reforms led by Okonjo-Iweala—in particular a crackdown on fraudulent claims for oil subsidy payments, a huge drain on the country's finances. The kidnappers' first demand was that Okonjo-Iweala resign from her position on live television and leave the country. Okonjo-Iweala did not resign, her mother escaped, and the program of economic reforms continued. “Telling my story is risky,” Okonjo-Iweala writes. “But not telling it is also dangerous.” Her book ultimately leaves us with hope, showing that victories are possible in the fight against corruption.

    The Reverend Jim Jones, the darling of the San Francisco political establishment, orchestrates the murders and suicides of 918 people at a remote jungle outpost in South America. Days later, Harvey Milk, one of America’s first openly gay elected officials—and one of Jim Jones’s most vocal supporters—is assassinated in San Francisco’s City Hall. This horrifying sequence of events shocked the world. Almost immediately, the lives and deaths of Jim Jones and Harvey Milk became shrouded in myth. The distortions and omissions have piled up since. Now, forty years later, this book corrects the record. The product of a decade of research, including extensive archival work and ­dozens of exclusive interviews, Cult City reveals just how confused our understanding has become. In life, Jim Jones enjoyed the support of prominent politicians and Hollywood stars even as he preached atheism and communism from the pulpit; in death, he transforms into a fringe figure, a “fundamentalist Christian,” and a “fascist.” In life, Harvey Milk outed friends, faked hate crimes, and falsely claimed that the U.S. Navy dishonorably discharged him over his homosexuality; in death, he is honored in an Oscar-winning movie, with a California state holiday, and with a U.S. Navy ship named for him. His assassin, a blue-collar Democrat who often voted with Milk in support of gay issues, is remembered as a right-winger and a homophobe. But the story extends far beyond Jones and Milk. Author Daniel J. Flynn vividly portrays the strange intersection of mainstream politics and murderous extremism in 1970s San Francisco—the hangover after the high of the Summer of Love. In recounting the fascinating, intersecting lives of Jim Jones and ­Harvey Milk, Cult City tells the story of a great city gone horribly wrong.

    In The Poisoner's Handbook Blum draws from highly original research to track the fascinating, perilous days when a pair of forensic scientists began their trailblazing chemical detective work, fighting to end an era when untraceable poisons offered an easy path to the perfect crime. Drama unfolds case by case as the heroes of The Poisoner's Handbook—chief medical examiner Charles Norris and toxicologist Alexander Gettler—investigate a family mysteriously stricken bald, Barnum and Bailey's Famous Blue Man, factory workers with crumbling bones, a diner serving poisoned pies, and many others. Each case presents a deadly new puzzle and Norris and Gettler work with a creativity that rivals that of the most imaginative murderer, creating revolutionary experiments to tease out even the wiliest compounds from human tissue. Yet in the tricky game of toxins, even science can't always be trusted, as proven when one of Gettler's experiments erroneously sets free a suburban housewife later nicknamed "America's Lucretia Borgia" to continue her nefarious work. From the vantage of Norris and Gettler's laboratory in the infamous Bellevue Hospital it becomes clear that killers aren't the only toxic threat to New Yorkers. Modern life has created a kind of poison playground, and danger lurks around every corner. Automobiles choke the city streets with carbon monoxide; potent compounds, such as morphine, can be found on store shelves in products ranging from pesticides to cosmetics. Prohibition incites a chemist's war between bootleggers and government chemists while in Gotham's crowded speakeasies each round of cocktails becomes a game of Russian roulette. Norris and Gettler triumph over seemingly unbeatable odds to become the pioneers of forensic chemistry and the gatekeepers of justice during a remarkably deadly time. A beguiling concoction that is equal parts true crime, twentieth-century history, and science thriller, The Poisoner's Handbook is a page-turning account of a forgotten New York.

    David longed for a divorce, but Catalina had other plans.She adamantly refused to contemplate the idea: though she was prepared to obtain a judicial separation — provided the alimony was large enough.When a man died after having had a drink in their house, the police establish that it was the work of poison and start looking to Catalina and David for answers.Catalina finally sees her chance to exact terrible revenge against David.She claims that the poison had been meant for her and that David had tried to kill her…But who is the real murderer?And will Catalina’s allegation be held as truth?Either way, their marriage is surely over…‘A Deadly Marriage’ is a classic murder mystery from a master of the genre.Praise for Roderic Jeffries:'A first-rate whodunit turning on the resourcefulness of a country gentleman who exploits the process of the law to delay its action. Author on the top of his legal and social form.' Francis Goff, Sunday Telegraph‘Tension builds up and there are two exciting court scenes. Roderic Jeffries established a very high reputation for himself in the field of the legal thriller with Exhibit No. Thirteen and Dead Against the Lawyers. Once again he has used a little known quirk of the law, and woven round it an enthralling story of immense intricacy.’  Maurice Richardson, Observer‘The resulting legal intricacies make fascinating reading.' Hester Makeig, Spectator 'First-class, smoothly told, fine court scenes and sketches of lawyers entirely absorbing.' John Clarke, Evening Standard‘The most ingenious of Mr. Jeffries's exercises in legal trickery.' Julian Symons, Sunday Times'Good court scenes; very competent.' Peter Dickinson, Punch'...is for the mystery story connoisseur and particularly the man who can appreciate this ingenious exercise in legal trickery.' Police WorldRoderic Jeffries was born in London in 1926 and was educated at Harrow View House Preparatory School and the Department of Navigation, University of Southampton. In 1943 Roderic Jeffries joined the New Zealand Shipping Company as an apprentice and sailed to Australia and New Zealand, but later transferred to the Union Castle Company in order to visit a different part of the world. He returned to England in 1949 where he was admitted to the Honourable Society of Gray's Inn and read for the Bar at the same time as he began to write. He was called to the Bar in 1953, and after one year's pupilage practiced law for a few terms during which time there to write full time. His first book, a sea story for juveniles, was published in 1950.Endeavour Press is the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

    She presents willed bonds of loyalty, friendship, and abiding love. Warm and hopeful, The Maytrees is the surprising capstone of Annie Dillard's original body of work.Toby Maytree first sees Lou Bigelow on her bicycle in postwar Provincetown, Massachusetts. Her laughter and loveliness catch his breath. Maytree is a Provincetown native, an educated poet of thirty. As he courts Lou, just out of college, her stillness draws him. Hands-off, he hides his serious wooing, and idly shows her his poems. Dillard recounts the Maytrees' decades of loving and longing. They live cheaply among the nonconformist artists and writers that the bare tip of Cape Cod attracts. Lou takes up painting. When their son Petie appears, their innocent Bohemian friend Deary helps care for him. But years later it is Deary who causes the town to talk. In this moving novel, Dillard intimately depicts nature's vastness and nearness. She presents willed bonds of loyalty, friendship, and abiding love. Warm and hopeful, The Maytrees is the surprising capstone of Annie Dillard's original body of work.

    Héctor is trapped. The water truck, sealed to hide its human cargo, has broken down. The coyotes have taken all the passengers’ money for a mechanic and have not returned. Those left behind have no choice but to wait.Héctor finds a name in his friend César’s phone. AnniMac. A name with an American number. He must reach her, both for rescue and to pass along the message César has come so far to deliver. But are his messages going through?Over four days, as water and food run low, Héctor tells how he came to this desperate place. His story takes us from Oaxaca — its rich culture, its rapid change — to the dangers of the border. It exposes the tangled ties between Mexico and El Norte — land of promise and opportunity, homewrecker and unreliable friend. And it reminds us of the power of storytelling and the power of hope, as Héctor fights to ensure his message makes it out of the truck and into the world.Both an outstanding suspense novel and an arresting window into the relationship between two great cultures, The Jaguar’s Children shows how deeply interconnected all of us, always, are.