But her aunt Kimiko and her cousin Genji are living with them now, and the family is only getting bigger with talk of a double marriage! And while things are changing at home, the world beyond their doors is even more unpredictable. World War II is coming to an end, and Japan's fate is not entirely clear, with any battle losses being hidden fom its people. Yuriko is used to the sirens and the air-raid drills, but things start to feel more real when the neighbors who have left to fight stop coming home. When the bomb hits Hiroshima, it’s through Yuriko’s twelve-year-old eyes that we witness the devastation and horror.This is a story that offers young readers insight into how children lived during the war, while also introducing them to Japanese culture. Based loosely on author Kathleen Burkinshaw’s mother’s firsthand experience surviving the atomic bombing of Hiroshima, The Last Cherry Blossom hopes to warn readers of the immense damage nuclear war can bring, while reminding them that the “enemy” in any war is often not so different from ourselves.

    Survivalists. Bex prefers to think of herself as a realist who plans to survive, but regardless of labels, they’re all sure of the same thing: a crisis is coming. And when it does, Bex will be ready. She’s planned exactly what to pack, she knows how to handle a gun, and she’ll drag her family to safety by force if necessary. When her older brother discovers Clearview, a group that takes survival just as seriously as she does, Bex is intrigued. While outsiders might think they’re a delusional doomsday group, she knows there’s nothing crazy about being prepared. But Bex isn’t prepared for Lucy, who is soft and beautiful and hates guns. As her brother’s involvement with some of the members of Clearview grows increasingly alarming and all the pieces of Bex’s life become more difficult to juggle, Bex has to figure out where her loyalties really lie. In a gripping new novel, E. M. Kokie questions our assumptions about family, trust, and what it really takes to survive.

    Stevie is a bookworm, yet she longs to fit in with the cool crowd. Fighting her mother every step of the way, she begins to experiment with talkin' trash, "kicking butt," and boys.With the assassination of Dr. King she gains a new political awareness, which makes her decide to wear her hair in a 'fro instead of straightened, to refuse to use skin bleach, and to confront the prejudice she observes in blacks as well as whites. April Sinclair writes frankly about a young black woman's sexuality, and about the confusion Stevie faces when she realizes she's more attracted to the school nurse—who is white—than her teenage boyfriend. As readers follow Stevie's at times harrowing, at times hilarious story, they will learn what it was like to be black before black was beautiful.

    It's a turbulent time in Ulster, and in the staunchly Catholic community to which Gabriel belongs, the strict rules for belief and behavior are clear. As Gabriel begins to suspect that he's not like other boys, he tries desperately to lock away his feelings, and his fears. But secrets have a way of being discovered, and Gabriel learns that his might not be the only ones in the Harkin family....Evoking a sense of time and place as compelling as Angela's Ashes and At Swim, Two Boys, Damian McNicholl's A Son Called Gabriel announces the arrival of a striking new literary voice.

    She doesn't speak about what happened-- no one would listen. No one would believe her. But then a mysterious letter arrives, offering her a place at Urania cottage. This experimental home aims to rehabilitate so-called fallen women-- many of them victims of sexual abuse, suffering not only the trauma of their experiences, but the blame and loss of reputation and livelihood. It sounds too good to be true-- but with nowhere else to go, Orpha decides to take her chance. Soon she discovers her unknown savior is none other than Charles Dickens, whose writing deals extensively with the plight of the lower class, and whose friendship and guidance offers Orpha a new way to express herself. With the support of the other women of Urania and the promise of a real future, Orpha will have to confront the darkest parts of her past-- and let go of her secrets. This atmospheric historical novel, full of heartbreakingly real characters whose lives are all too believable, celebrates the strength and resilience of young women throughout history. Virginia Frances' Schwartz's powerful prose, structured to echo Dickens' serialized style, illuminates an era of startling inequality and extreme poverty. Fans of Laurie Halse Anderson's Fever 1793, Margaret Atwood's Alias Grace, and Katherine Paterson's Lyddie will enjoy this riveting title

    Their year will be filled with new schools, old friends, a grouchy neighbor, hungry skunks, leaking ice rinks, school plays, wet cats, and scary tales told in the dark! There’s Sam, age twelve, who’s mostly interested in soccer, food, and his phone; Jax, age ten, who’s psyched for fourth grade and thinks the new neighbor stinks, and not just because of the skunk; Eli, age ten (but younger than Jax), who’s thrilled to be starting this year at the Pinnacle School, where everyone’s the smart kid; and Frog (not his real name), age six, who wants everyone in kindergarten to save a seat for his invisible cheetah. Also Dad and Papa. WARNING: This book contains cat barf, turtle pee, and some really annoying homework assignments.

    But that was before she got Alzheimer’s. Lately, Dani isn’t so sure Grandma Beans was right. In fact, she isn’t sure of a lot of things, like why Mac Richardson suddenly doesn’t want to be her friend, and why Grandma Beans and Avadelle Richardson haven’t spoken in decades. Lately, Grandma Beans doesn’t make a lot of sense. But when she tells Dani to find a secret key and envelope that she’s hidden, Dani can’t ignore her. So she investigates, with the help of her friend, Indri, and her not-friend, Mac. Their investigation takes them deep into the history of Oxford, Mississippi, and the riots surrounding the desegregation of Ole Miss. The deeper they dig, the more secrets they uncover. Were Grandma Beans and Avadelle at Ole Miss the night of the Meredith Riot? And why would they keep it a secret?The more Dani learns about her grandma’s past, the more she learns about herself and her own friendships—and it’s not all good news.

    Two o'clock in the morning on a Saturday night in Riverside, Nova Scotia, when he realises he has fallen in love - with exactly the wrong person. There are no volcanic eruptions. No floods or fires. Just Stephen, watching TV with his best friend, realising that life, as he knows it, will never be the same.The smart move would be to run away - from Riverside, his overly dependent mother, his distant, pot-smoking father, and especially his feelings. But then Stephen begins to wonder: what would happen if he had the courage to face the end of the world head on?

    For Moira, this means figuring out the right clothes to wear, learning how to put on makeup, and deciding which boys are cuter in their yearbook photos than in real life. But none of this is all that appealing to Bug, who doesn't particularly want to spend more time trying to understand how to be a girl. Besides, there's something more important to worry about: A ghost is haunting Bug's eerie old house in rural Vermont...and maybe haunting Bug in particular. As Bug begins to untangle the mystery of who this ghost is and what they're trying to say, an altogether different truth comes to light--Bug is transgender.

    And more! From seventeen acclaimed Black male and non-binary authors comes a vibrant collection of stories, comics, and poems about the power of joy and the wonders of Black boyhood.Contributors include: B. B. Alston, Dean Atta, P. Djèlí Clark, Jay Coles, Jerry Craft, Lamar Giles, Don P. Hooper, George M. Johnson, Varian Johnson, Kwame Mbalia, Suyi Davies Okungbowa, Tochi Onyebuchi, Julian Randall, Jason Reynolds, Justin Reynolds, DaVaun Sanders, and Julian Winters

    Her mother was already sick when her father left them six years ago. Then when her mother died, it was Lydia who sat by her side.Fully orphaned now, Lydia follows the plan her mother made with her. She uproots to rural Connecticut to live with her “last of kin.” Aunt Brat; her jovial wife, Eileen; and their ancient live-in landlord, Elloroy, welcome Lydia. Only days after her arrival the women adopt a big yellow dog.Lydia is not a dog person—and this one is trouble! He pees in the house, escapes into the woods, and barks at things unseen. His new owners begin to guess about his unknown past.Lydia doesn’t want to cause trouble for her new family—and she does not mean to keep secrets—but there are things she’s not telling . . .Like why the box of “paper stuff” she keeps under her bed is so important . . .And why that hole in the wall behind the poster in her room is getting bigger . . .And why something she took from the big yellow dog just might be the key to unraveling his mysterious past—but at what cost?Award-winning author Leslie Connor crafts a story that sings about loss and love and finding joy in new friendships and a loving family, along with the world’s best bad dog. This uplifting story about recovery features strong female characters, an adorable dog, and the girl who comes to love him.

    As they risk their lives traveling through haunted dungeons, swamps, and high society balls — they also come closer together as friends.Motivated by rivalries, ideals, and a lust for adventure, these critters navigate not only perils and dangers of the natural world, but also perils and dangers… of the heart!

    About her changing body. Her first attraction to a boy. And her best friend's exploration of what it means to be genderfluid.But most of all, her mother's insistence she have a moon ceremony when her first period arrives. It's an ancestral Mexica ritual that Mima and her community have reclaimed, but Celi promises she will NOT be participating. Can she find the power within herself to take a stand for who she wants to be?A dazzling story told with the sensitivity, humor, and brilliant verse of debut talent Aida Salazar.

    When she meets the rebellious Amina who confounds the Indian community by driving a taxi and setting up a cafe with a black man, her world is turned upside down.

    No Man’s Land is a historical fantasy and a love story set in the golden plains of North Otago, in the South Island of Aotearoa New Zealand.Dorothea ‘Tea’ Gray joins the Land Service and is sent to work on a remote farm, one of many young women left to fill the empty shoes left by fathers and brothers serving in the Second World War.But Tea finds more than hard work and hot sun in the dusty North Otago nowhere—she finds a magic inside herself she never could have imagined, a way to save her brother in a distant land she never thought she could reach, and a love she never knew existed.Inspired by feminist and LGBTQ+ history and family memories of North Otago in wartime, A.J Fitzwater has turned a piece of forgotten women’s history into a tapestry of furious pride and love that crosses cultures, countries and decades.