Nonetheless in this close community friendships go deep and the pub of an evening is a cheery place, at least until too much drink is taken. Fifteen years ago, Joe McBride left Westerbank under a cloud, and in his absence life has moved on, the secrets he took with him disturbing only occasionally those who were caught up in them. But now Joe McBride is coming home, a changed man, and one who needs to face up to the past before it's too late. The truth about the mysterious death of a young girl fifteen years ago is about to come out, and nothing in Westerbank will ever be quite the same again.

    First US publication for the Scottish Spence.Neil McGraw is a lad in Glasgow, an only child, the son of a dour undertaker permanently embittered by his wife's death during childbirth. Whenever the boy misbehaves, he's locked in the basement among the coffins, so it's not surprising he asks every body: What happens when you die? Against his will, he finds himself learning the trade. This is less gloomy than it sounds. The story moves at a good clip as the resilient Neil experiments with drinking and dating.The crisis comes when his dad finds him and his girl making out in a coffin. Soon, it's Neil's turn to lock his old man, dead drunk, into the basement, before hightailing it to the London of the Swinging '60s. A friendly queer, Abe Morris, offers him a crash pad, no strings attached, where Neil finds drugs, straight sex, and Zen. The party ends when Abe, stoned, is killed in traffic and Spence abandons conventional narrative to send Neil hopscotching around the world before depositing him, 15 years later, beside the funeral pyres of the Ganges. Here, he gets very sick but is rescued by a vision in a sari: Lila, a Londoner, back home for her father's funeral. The two fall in love and marry, lickety-split, before Neil is summoned back to Glasgow. His father has died, leaving him the business, which Neil gives a hippie twist, producing brightly painted coffins in unusual shapes, with Lila a business partner.The mood is light and buoyant, but novelistic concerns (what makes Lila tick? why do the couple decide not to have kids?) are shelved in favor of a scrapbook of original last rites, seasoned with Eastern mysticism. There's an appealing freshness to Spence's writing; too bad he gives up on credible plotting and characterization.

    

    When a bare-knuckle fight offers both money and a purpose, he finds it turns into a monumental struggle to keep his heritage and integrity intact.

    A neglected child, she's still looking for love as an adult; and so she finds herself married to Daniel. How could she know that he would misbehave?Cora O'Brien is the total opposite; outrageous and outspoken, she inspires the children she teaches with her enthusiasm. The city can't soften her Highland lilt but her lifestyle would raise a few eyebrows back home. But her vividness is a fa�ade: most of her secrets she's still keeping to herself.Fast friends from the start, Ellen and Cora may have plenty to learn about life, but they always have vodka and each other to talk to when the unexpected happens...

    

    the integrity of vision coruscating; the whole driven by the author's restless experimentation with form. And at least two stories, "Blood" itself and "Fearless", will certainly end up in anthologies: not Best Scottish Writers, or Best Women Writers, but quite simply, Best." - New Statesman and Society"I remember reading a story by Janice Galloway for the first time; its urgency of voice, that certainty of expression, I wondered why I hadn't heard of her before; then discovered that she was altogether new to writing. It was some debut. She really is a fine writer." - James Kelman"A salutary collection... a marvelous revelation. A writer of passion and virtuosity shines through." - Scotland on Sunday"Genuinely unnerving... she is a fierce, troubling new writer." - Observer"Galloway flecks her hard-edged realism with impressionist grace-notes, a potent mixture that confirms her... as one of Scotland's best young writers." - Sunday Telegraph"There is ample proof in Blood of Galloway's unassailable talent. Marvellously funny and beautifully paced." - Glasgow Herald

    He leaves the fast-paced life of the city for the Outer Hebrides, where traditional values and beliefs are adhered to and respected. It is a life he neither belongs to nor understands. When she goes he will be the last of the family line and he couldn't care less. Family and history are just bonds to tie him down. Reluctantly, he sets out to do his duty and stumbles across questions that challenge everything he ever knew about himself and the people from whom he came. In the days between his aunt's death and funeral he is drawn into the role of genealogy detective. In a place where everyone knows everything about everybody, Cal finds that secrets are buried deep. Mairi, a young widow, knows far more than she is willing to tell. Kate Anna, his aunt's lifelong friend, avoids his questions. And what of Finlay, who lays claim to the house? Cal begins to understand that Aunt Mary was not the woman he knew and the secret she kept hidden for so long means he might not be the person he thought he was. "Last of the Line" is a story that explores the part in all of us that wants to know who we are and where we are from.

    He lived in the same street as its fictional 'razor king', Johnnie Stark, and subsequently realised that a lot of the old characters represented in the book were still around as late as the 1960s. Men still wore bunnets and played pitch and toss; women still treated the steamie as their social club. The razor gangs were running amok once again, and filth, violence, crime, rats, poverty and drunkenness abounded, just like they did in No Mean City.MacFarlane witnessed the last days of the old Gorbals as a major regeneration programme, begun in 1961, was implemented, and, as a street boy, he had a unique insight into a once great community in rapid decline. In this engrossing book, MacFarlane reveals what it was really like to live in the old Gorbals.

    Three friends: a nationalist, a unionist and a couldnae-care-lesser meet for a pub crawl down Edinburgh’s historic Royal Mile. Can Ian convince Euan to vote for independence or is he just gambling with all their futures? Will Euan’s defence of the union break Ian’s resolve, or is he just hanging on to another struggling marriage? Does Stuart even care? And how can a travel writer have a fear of flying? And who is the mysterious ninety-five year old man in the red tartan trousers? The Mile is an entertaining alcohol-fuelled stagger down a street that has a lot more to it than tartan rugs and cashmere shops. Join our friends, their hangers-on, and their pursuers, as they take in 300 years of Scottish history. And a skinful of beer and whisky… REVIEW "This is a much-needed injection of booze-soaked banter and comedy into the independence debate. Assured and heartwarming stuff." Doug Johnstone "A witty comedy with a big heart and surprise waiting at every pub stop, The Mile is a whirlwind of laughs, loss and love. If that isn’t enough to get you reading, then you may never find out how Scotland is like a millionaire’s shortcake … " Karyn Dougan, Glasgow Review of Books

    As the daughter of King Malcolm of Scotland, she has always been expected to achieve great things, and so she was sent to England to receive an education at just seven years old. Now, at fourteen, her aunt wants her to take vows to become a nun. A knight hospitaller wants her to join the fight against the Saracens in the Holy Land. And, her father wants her to marry a man she does not love just for the money and political benefits. But… perhaps she might become queen of England instead? After all, she is rumored to be the only woman to have ever turned the king of England’s head. And anyway, King William is far kinder and prettier than the man her father chose for her. As dawn breaks, she runs away from the abbey without any solid plan. And just as she takes a deep breath and allows her legs to rest, she is found by the king’s little brother, Lord Henry. He won’t let her travel alone. When she protests his company, he forces her in his horse's saddle and rides away with her into the forest. In this stunning tale of Matilda of Scotland's "lost" seven years, great love is lost and found, a kingdom rises, and a queen is made.

    But how will they respond when love seems to blossom between local man Gavin Hamilton and the beautiful pearl-fisher Effie? The Pearl-fishers is a classic love story and the master storyteller’s last novel.

    The hunt for the crowning stone of the Dalriadic kings, Jacob's Pillow, the Stone of Scone - whatever it is, it is worth enough to make life cheap for some and dear for others - has begun.

     Kirsten Mowat, eighteen years old and with a joyful spring in her step, could't be more in love with her sea-faring sweetheart Duncan Armstrong.But, seven years later – after a hasty wedding, a twist of lies and wrenching loss – Duncan and Kirsten's relationship has faded to tatters. When those closest to her turn their backs, Kirsten – alone, with a young family to care for – must gather all her spirit and strength if they are to survive.From much-loved Millie Gray, The House on Rosebank Lane is an Edinburgh story of families entwined, of sorrow and hopefulness . . . and of a young mother's love for her children and a transforming quest for happiness.A poignant and authentic family saga which depicts the reality of working-class life in 1950s Edinburgh, perfect for fans of Annie Murray (Sisters of Gold), Jennifer Worth (Call the Midwife) and Dilly Court (Nettie's Secret).  PRAISE FOR THE HOUSE ON ROSEBANK LANE: "A deserted mother's struggles to survive and help her children thrive no matter the cost. Millie Gray's fast-moving story, set in the Edinburgh of the 1950s and 60s, is an emotional rollercoaster, full of twists and surprises . . ."– ANNIE MURRAY, bestselling author of Sisters of Gold

    Biography