Raised in the era of the White Australia policy, Dianne grows up believing her adoptive Irish mother, Val, is her birth mother. Val promises Dianne that one day they will take a trip and she will 'tell her a secret'. But before they get the chance, Val tragically dies.Abandoned by her adoptive father, Dianne is raped at the age of 15, sentenced to Parramatta Girls Home and later forced to marry her rapist in order to keep her baby. She goes on to endure horrific domestic violence at the hands of different partners, alcohol addiction and cruel betrayal by those closest to her. But amazingly her fighting spirit is not extinguished.At the age of 36, while raising six kids on her own, Dianne learns she is Aboriginal and that her great-grandfather was William Cooper, a famous Aboriginal activist. Miraculously she finds a way to forgive her traumatic past and becomes a leader in her own right, vowing to help other stolen people just like her.

    This new book takes place in Lockdown Three. This time Key can make Government-sanctioned expeditions out onto the streets of London (remember?). And it is there that the inaction takes place. Phone calls to his mother, promenades with his loyal friend, bubble-negotiations, sitting his fat arse down on benches, drinking mocha. Another three months of mind-freezing inertia. This time on the move. Conversations interspersed with poetry.

    Arriving with visions of enjoying a laid back, idyllic island lifestyle, What Thea finds instead is a close-knit community divided by a brutal crime.Rich in colour, texture and culture, My Island Homicide will take readers on a tropical adventure bursting with characters, crimes to be solved, courtroom drama, island humour, and romance.

    The result is a memoir that is at once intellectually provocative and deeply honest; the book that readers of Poppy, The Orchard and Stravinsky's Lunch have been waiting for.

    The teaching of poetry languishes, and that region of youthful neurological terrain capable of being ignited only by poetry is largely dark, unpopulated, and silent, like a classroom whose shades are drawn. This is more than a shame, for poetry is our common treasure-house, and we need its vitality, its respect for the subconscious, its willingness to entertain ambiguity, its plaintive truth-telling, and its imaginative exhibitions of linguistic freedom, which confront the general culture's more grotesque manipulations. We need the emotional training sessions poetry conducts us through. We need its previews of coming attractions: heartbreak, survival, failure, endurance, understanding, more heartbreak.—from "Twenty Poems That Could Save America"Twenty Poems That Could Save America presents insightful essays on the craft of poetry and a bold conversation about the role of poetry in contemporary culture. Essays on the "vertigo" effects of new poetry give way to appraisals of Robert Bly, Sharon Olds, and Dean Young. At the heart of this book is an honesty and curiosity about the ways poetry can influence America at both the private and public levels. Tony Hoagland is already one of this country's most provocative poets, and this book confirms his role as a restless and perceptive literary and cultural critic.

    Moments that change us and the path we are on irrevocably. For Rachel Allen it was the moment that she let her son's hand slip from hers. For Danny Simpson and Graham Harris it was the moment one of them took it. Seven years ago Danny and Graham were just children themselves, angry, marginalized and unguided. That was, until they committed a crime so heinous that three families were left devastated. They were no longer just boys. They were monsters. Released from juvenile detention, it is time for the boys, now men, to start again; new names, new people. But they can never escape who they are or what they did. And their own families, now notorious; the Allens, destroyed with grief; and the country at large have never been able to forget. They will always be running. They will always be hiding. But are some mistakes too large, the ripples to far reaching, to outrun forever?

    In If You Were Here, the bestselling author of Red Dust and Crimson Falls reveals the events of thirty-five years ago, which led up to the mysterious disappearance of Brianna Donahue's mother from their family farm. Brianna is three years old and very much loved by her mother, Josie, and her father, Russell. What seems like an ordinary work day on the farm becomes a nightmare when Josie vanishes without a trace. Do the travellers found camping on their property have something to do with her disappearance or is it something more sinister?This original SHORT STORY by Fleur McDonald includes a sneak peek of her forthcoming novel Suddenly One Summer.

    Like fireflies to the light, Mona, Benny and Jimmy are drawn into the elegantly wasted orbit of the Crystal Ballroom and the post-punk scene of 80s Melbourne, a world that includes Nick Cave and Dodge, a photographer pushing his art to the edge. With precision and richness Kirsten Krauth hauntingly evokes the power of music to infuse our lives, while diving deep into loss, beauty, innocence and agency. Filled with unforgettable characters, the novel is above all about the shapes that love can take and the many ways we express tenderness throughout a lifetime.As it moves between the Blue Mountains and Melbourne, Sydney and Castlemaine, Almost a Mirror reflects on the healing power of creativity and the everyday sacredness of family and friendship in the face of unexpected tragedy.

    The Book of Craw -- comprised of poems and proverbs from Craw's own notebook -- is the companion volume to The Dirty Parts of the Bible: A Novel.

    But this farmer isn’t looking for a wife — his first love ended in tragedy, and he will never put his heart on the line again. The land is his love, and he’s happy that way.Sasha Hepworth has goals and ambitions and she has worked very hard for her success. She’s just forgotten how to enjoy herself. So a weekend fling with a gorgeous cowboy is just what she needs — after all, it can’t go any further. She’d never leave the conveniences and beauty of the city for a dusty outback town.But a weekend of fine dining and spectacular sights isn’t enough for Blake and Sasha, and the growing feelings that neither can deny make them question everything about their lives. When a city girl meets a country boy, will they find middle ground?

    Is it a chill whisper of fear reminding us we too can kill? Grant describes ten true murder cases, each different, each complex, each with unique triggers. Fact leaves fiction for dead. For those directly affected, murder is a sombre and scarring event. For most of us, murder is an arm’s length experience, close enough to frighten and fascinate yet far enough not to traumatise. Grant proposes that our restless chatter about it, our state of heightened alert, our endless viewing, may be play therapy, reassuring us that our own killer instinct is under control.

    Peopled by an ensemble cast, the local publican the single mother who manages the pub’s kitchen, the unhappily married couple that runs the corner store, a newcomer from Johannesburg with a murky past, a snivelling B&B proprietor and a determined ex-girlfriend, Wood Green artfully evokes the claustrophobia of small-town life. While Michael believes he is making a new life for himself, Lucian has other plans. Rabin writes with wit and intelligence – and deftly executes an unsuspected plot twist – in his exploration of the perils of literary ambition and the elusive prospect of artistic legacy.

    Richard Wilbur explores the philosophical depth of verse more widely noted for its macabre and gothic surfaces and uniquely matches the whole canon of Poe's mature poetry with a judicious selection of essays and stories that illuminate his poetic goals.

    From his earliest songs of the 1960s to his years with Island Records, these are the potent lyrics to the international reggae sound that was to make Bob Marley an unforgettable music legend.

     The internet has shaken the foundations of life: public and private lives are wrought by the 24-hour, seven-day-a-week news cycle that means no one is ever off duty. On Disruption is a report from the coalface of that change: what has happened, will it keep happening, and is there any way out of the chaos?