Nell and her father, Homicide Detective Martin Flynn, have never had much of a relationship. And Suffolk County will always be awash in memories of her mother, Marisol, who was brutally murdered when Nell was just seven.When Martin Flynn dies in a motorcycle accident, Nell returns to the house she grew up in so that she can spread her father's ashes and close his estate. At the behest of her father's partner, Detective Lee Davis, Nell becomes involved in an investigation into the murders of two young women in Suffolk County. The further Nell digs, the more likely it seems to her that her father should be the prime suspect--and that his friends on the police force are covering his tracks. Plagued by doubts about her mother's murder--and her own role in exonerating her father in that case--Nell can't help but ask questions about who killed Ria Ruiz and Adriana Marques and why. But she may not like the answers she finds--not just about those she loves, but about herself.

    This time it could be theirs . . .It isn’t safe. That’s what Joe tells her when he ends their affair—moments before their car skids off an icy road in a blinding snowstorm and hits a tree. Desperate to keep her life intact—her job, her husband, and her precious daughter, Lily—Dorrie will do everything she can to protect herself, even if it means walking away from the wreckage. Dorrie has always been a good actress, pretending to be someone else: the dutiful daughter, the satisfied wife, the woman who can handle anything. Now she’s going to put on the most challenging performance of her life. But details about the accident leave her feeling uneasy and afraid. Why didn’t Joe’s airbag work? Why was his car door open before the EMTs arrived? And now suddenly someone is calling her from her dead lover’s burner phone. . . .Joe’s death has left his wife in free fall as well. Karen knew Joe was cheating—she found some suspicious e-mails. Trying to cope with grief is devastating enough without the constant fear that has overtaken her—this feeling she can’t shake that someone is watching her. And with Joe gone and the kids grown, she’s vulnerable . . . and on her own.Insurance investigator Maggie Devlin is suspicious of the latest claim that’s landed on her desk—a man dying on an icy road shortly after buying a lucrative life insurance policy. Maggie doesn’t believe in coincidences. The former cop knows that things—and people—are never what they seem to be.As the fates of these three women become more tightly entwined, layers of lies and deception begin to peel away, pushing them dangerously to the edge . . . closer to each other . . . to a terrifying truth . . . to a shocking end.

    . . and murder and mayhem ensue.All of them are friends. One of them is a killer.During the languid days of the Christmas break, a group of thirtysomething friends from Oxford meet to welcome in the New Year together, a tradition they began as students ten years ago. For this vacation, they’ve chosen an idyllic and isolated estate in the Scottish Highlands—the perfect place to get away and unwind by themselves.They arrive on December 30th, just before a historic blizzard seals the lodge off from the outside world.Two days later, on New Year’s Day, one of them is dead.The trip began innocently enough: admiring the stunning if foreboding scenery, champagne in front of a crackling fire, and reminiscences about the past. But after a decade, the weight of secret resentments has grown too heavy for the group’s tenuous nostalgia to bear. Amid the boisterous revelry of New Year’s Eve, the cord holding them together snaps.Now one of them is dead . . . and another of them did it.Keep your friends close, the old adage goes. But just how close is too close?

    Then she is assigned to work with Connie, a wife and mother accused of a despicable crime. Connie is suffering from dissociative amnesia—or at least seems to be.Now it is up to Emma to decide whether Connie can stand trial for her sins. But there is something about Connie that inexorably pulls Emma into her orbit. Perhaps it is the way she seems to see right through Emma, speaking to Emma’s deepest insecurities about her life, marriage, and her own tragic past. And soon Emma begins to understand how Connie’s complicated marriage and toxic relationship with her beautiful best friend Ness could have driven Connie to snap—or maybe, she is simply getting too close to a woman who is unforgivable…Alternating between the two women’s points of view, before and after Connie’s breakdown, Too Close is a masterfully written page turner about the powerful—yet dangerous—closeness between women.

    Detective Sergeant Manon Bradshaw tries to sleep after yet another soul-destroying Internet date – the low murmuring of her police radio her only solace.Over the airwaves come reports of a missing woman – door ajar, keys and phone left behind, a spatter of blood on the kitchen floor. Manon knows the first 72 hours are critical: you find her, or you look for a body. And as soon as she sees a picture of Edith Hind, a Cambridge post-graduate from a well-connected family, she knows this case will be big.Is Edith alive or dead? Was her ‘complex love life’ at the heart of her disappearance, as a senior officer tells the increasingly hungry press? And when a body is found, is it the end or only the beginning?

    Noah has never been ordinary. He loves to make up stories, and he is constantly surprising her with random trivia someone his age has no right knowing. She always chalked it up to the fact that Noah was precocious―mature beyond his years. But Noah’s eccentricities are starting to become worrisome. One afternoon, Noah’s preschool teacher calls Janie: Noah has been talking about shooting guns and being held under water until he can’t breathe. Suddenly, Janie can’t pretend anymore. The school orders him to get a psychiatric evaluation. And life as she knows it stops for herself and her darling boy.For Jerome Anderson, life as he knows it has already stopped. Diagnosed with aphasia, his first thought as he approaches the end of his life is, I’m not finished yet. Once an academic star, a graduate of Yale and Harvard, a professor of psychology, he threw everything away to pursue an obsession: the stories of children who remembered past lives. Anderson became the laughing stock of his peers, but he never stopped believing that there was something beyond what anyone could see or comprehend. He spent his life searching for a case that would finally prove it. And with Noah, he thinks he may have found it.Soon, Noah, Janie, and Anderson will find themselves knocking on the door of a mother whose son has been missing for eight years. When that door opens, all of their questions will be answered.Gorgeously written and fearlessly provocative, Sharon Guskin’s debut explores the lengths we will go for our children. It examines what we regret in the end of our lives and hope for in the beginning, and everything in between.

    An anonymous young woman murdered in a run-down hotel, all identifying characteristics dissolved by acid. A father publicly beheaded in the blistering heat of a Saudi Arabian public square. A notorious Syrian biotech expert found eyeless in a Damascus junkyard. Smoldering human remains on a remote mountainside in Afghanistan. A flawless plot to commit an appalling crime against humanity. One path links them all, and only one man can make the journey. Pilgrim.'

    She took a step back, then two, as the urge to run fell over her.” Naomi Bowes lost her innocence the night she followed her father into the woods. In freeing the girl trapped in the root cellar, Naomi revealed the horrible extent of her father’s crimes and made him infamous. No matter how close she gets to happiness, she can’t outrun the sins of Thomas David Bowes. Now a successful photographer living under the name Naomi Carson, she has found a place that calls to her, a rambling old house in need of repair, thousands of miles away from everything she’s ever known. Naomi wants to embrace the solitude, but the kindly residents of Sunrise Cove keep forcing her to open up—especially the determined Xander Keaton. Naomi can feel her defenses failing, and knows that the connection her new life offers is something she’s always secretly craved. But the sins of her father can become an obsession, and, as she’s learned time and again, her past is never more than a nightmare away.

    When a prominent Manhattan lawyer is murdered, two estranged sisters—one the dead man’s widow, the other his ex—must set aside mistrust and old resentments . . . but can they escape their past?Though Chloe was the younger of the two Taylor sisters, she always seemed to be in charge. She was the honor roll student with big dreams and an even bigger work ethic. Nicky was always restless . . . and more than a little reckless—the opposite of her ambitious little sister. She floated from job to job and man to man, and stayed close to home in Cleveland.For a while, it seemed like both sisters had found happiness. Chloe earned a scholarship to an Ivy League school and moved to New York City, where she landed a coveted publishing job. Nicky married promising young attorney Adam Macintosh, and gave birth to a baby boy they named Ethan. The Taylor sisters became virtual strangers.Now, more than fifteen years later, their lives are drastically different—and Chloe is married to Adam. When he’s murdered by an intruder at the couple’s East Hampton beach house, Chloe reluctantly allows her teenaged stepson’s biological mother—her estranged sister, Nicky—back into her life. But when the police begin to treat Ethan as a suspect in his father’s death, the two sisters are forced to unite . . . and to confront the truth behind family secrets they have tried to bury in the past

    A struggling actor, a Brit in America without a green card, Claire needs work and money to survive. Then she gets both. But nothing like she expected. Claire agrees to become a decoy for a firm of divorce lawyers. Hired to entrap straying husbands, she must catch them on tape with their seductive propositions. The rules? Never hit on the mark directly. Make it clear you’re available, but he has to proposition you, not the other way around. The firm is after evidence, not coercion. The innocent have nothing to hide. Then the game changes. When the wife of one of Claire’s targets is violently murdered, the cops are sure the husband is to blame. Desperate to catch him before he kills again, they enlist Claire to lure him into a confession. Claire can do this. She’s brilliant at assuming a voice and an identity. For a woman who’s mastered the art of manipulation, how difficult could it be to tempt a killer into a trap? But who is the decoy . . . and who is the prey?