A compelling story about tenacity and friendship, inspired by the real codebreaking women of Australia's top-secret Central Bureau in WWII. For readers who love Judy Nunn and Kate Quinn.1943, Brisbane: The war continues to devastate and the battle for the Pacific threatens Australian shores. For Ellie O'Sullivan, helping the war effort means utilising her engineering skills for Qantas as they evacuate civilians and deliver supplies to armed forces overseas. Her exceptional logic and integrity attract the attention of the Central Bureau-an intelligence organisation working with England's Bletchley Park codebreakers. But joining the Central Bureau means signing a lifetime secrecy contract. Breaking it is treason.With her country's freedom at risk, Ellie works with a group of elite women who enter a world of volatile secrets; deciphering enemy communications to change the course of the war. Working under immense pressure, they form a close bond-yet there could be a traitor in their midst. Can the women uncover the culprit before it's too late?As Ellie struggles with the magnitude of the promise she's made to her country, a wedge grows between her and those she holds dear. When the man she loves asks questions she's forbidden to answer, how will she prevent the double life she's leading from unravelling?

    Cold dark secrets . . .In the cold, wet summer of 1960, 11-year-old Joy Henderson lives in constant fear of her father. She tries to make him happy but, as he keeps reminding her, she is nothing but a filthy sinner destined for Hell . . .Yet, decades later, she returns to the family’s farm to nurse him on his death bed. To her surprise, her ‘perfect’ sister Ruth is also there, whispering dark words, urging revenge.Then the day after their father finally confesses to a despicable crime, Joy finds him dead - with a belt pulled tight around his neck . . .For Senior Constable Alex Shepherd, investigating George’s murder revives memories of an unsolved case still haunting him since that strange summer of 1960: the disappearance of nine-year-old Wendy Boscombe.As seemingly impossible facts surface about the Hendersons – from the past and the present – Shepherd suspects that Joy is pulling him into an intricate web of lies and that Wendy’s disappearance is the key to the bizarre truth.

    Claire, a former professional ballerina, has been a wonderful parent to Ethan, but he’s becoming increasingly curious about his father’s absence in his life. Claire is fiercely protective of her talented, vulnerable son—and of her own feelings. But when Ethan falls ill, tied to a tragic event that occurred during his infancy, her tightly-held world is split open. Thousands of miles away on the western coast of Australia, Mark is trying to forget about the events that tore his family apart, but an unexpected call forces him to confront his past and return home. When Ethan secretly intercepts a letter from Mark to Claire, he unleashes long-suppressed forces that—like gravity—pull the three together again, testing the limits of love and forgiveness. Told from the alternating points of view of Ethan and each of his parents, Relativity is a poetic and soul-searing exploration of unbreakable bonds, irreversible acts, the limits of science, and the magnitude of love.

    In Like a House on Fire, Kennedy once again takes ordinary lives and dissects their ironies, injustices and pleasures with her humane eye and wry sense of humour. In ‘Laminex and Mirrors’, a young woman working as a cleaner in a hospital helps an elderly patient defy doctor’s orders. In ‘Cross-Country’, a jilted lover manages to misinterpret her ex’s new life. And in ‘Ashes’, a son accompanies his mother on a journey to scatter his father’s remains, while lifelong resentments simmer in the background. Cate Kennedy’s poignant short stories find the beauty and tragedy in illness and mortality, life and love.

    When a local printer is found dead in his workshop, his body in the shape of an X, Martin and his co-investigator, journalist Lucy Tan, are drawn into a mystery that is stranger than anything they have encountered before. Someone is leaving typographical clues at the scenes of a series of murders. All the trails lead back to Pieter van Floogstraten, a Dutch design genius who disappeared without trace in the 1970s, and who has since been engaged in a mystical scheme to create the world's most perfect font, which is concealed in locations around the globe. But is he really the killer, and how are the crimes connected to his secret font? In solving the mystery, Martin and Lucy may have to expose Martin's hero as a psychopath. The main plot of the novel unfolds in Melbourne, while interleaved chapters set variously in a Tibetan monastery, on the plains of Peru, in London, Naples and Amsterdam, gradually reveal the story of Floogstraten in flashback. Other characters include a noir-style private font investigator, a typographical monk from the Renaissance, a Dutch prog rock group named I Am A Dolphin, and a collective of Italian typo-terrorists. This novel takes the reader into the arcane world of typographers and their typefaces, of symbols, swashes and glyphs, where the difference between a serif and sans serif could mean life and death.

    438 refugees sit in a boat called Tampa off the shoreline of Australia, while the TV and radio scream out that the country is being flooded, inundated, overrun by migrants. Antonio Martone, once a migrant himself, has been forced to retire, his wife has moved in with the woman next door, his daughter runs off with strange men, his deadbeat son is hiding in the garden smoking marijuana. Amid his growing paranoia, the ghost of his dead friend shows up and commands him to paint ‘No More Boats’ in giant letters across his front yard. The Prime Minister of Australia keeps telling Antonio that ‘we will decide who comes to this country and the circumstances in which they come’. Antonio’s not sure he wants to think about all the things that led him to get on a boat and come to Australia in the first place. A man and a nation unravel together.

    Lew McLeod has been travelling and working with Painter Hayes since he was a boy. Shearing, charcoal burning, whatever comes. Painter made him his first pair of shoes. It's a hard and uncertain life but it's the only one he knows. But Lew's a grown man now. And with this latest job, shearing for John Drysdale and his daughter Clara, everything will change. Stephen Daisley writes in lucid, rippling prose of how things work, and why; of the profound satisfaction in hard work done with care, of love and friendship and the damage that both contain. ‘Daisley’s reverence and knowledge of the outback transcends the cliché of heat, dust and flies, inviting readers into a mesmerising world of desert flora and fauna…He minutiae of the woolshed and animal behaviour are brought to life with skill and affection.’ Readings

    However, the discovery of family war relics, and a developing relationship with the beautiful Lily, connects family histories and reveals a story that threatens to destroy his chance at real happiness.Will the wartime secrets prove to be the breaking point for a beautiful romance? Or can two families put the deeds of the past behind them?Romantic and purely Australian, The Shack by the Bay captures the pristine beauty of the Whitsundays and the wartime memories of older Australians while introducing an eclectic blend of friends and family.

    She's an icon to her fans, a darling of the media, schmoozed by television networks and an A-list guest at festivals abroad. She's a month and three countries into her current tour, a week away from home – through what exactly 'home' means is problematic these days. On a flight between gigs, a recurring dream raises disturbing questions. Haunting flashbacks provide clues to a past long ago buried – a secret life in another time, a life of lies, pacts and forbidden alliances. Then there's her relationship with Murray and where it went wrong. Out of the spotlight and beneath the punchlines, Meg discovers that memory will find a way to break the surface . . .