Faced with destitution after the death of her father, she becomes a highwaywoman to support her impoverished family. One fatal mistake leads to her arrest, and the king’s justice demands her death. But rather than beg for mercy, Jenny condemns the system that would make her choose between obeying the law and dying, and breaking it for the chance to survive. Her ferocity convinces the judge to spare her life, and he sentences her and dozens of other convicts to transport across the seas to England's penal colony in Australia.   After a grueling passage on a filthy ship where she must sell her body for protection, Jenny learns that her struggles have only just begun. The landscape of Sydney Cove is harsh and unwelcoming to the new settlers, with its arid climate and precious little fresh water. Despite the lack of shackles or bars, she and the others are still prisoners under the strict watch of Governor Edward Lockharty, and no amount of cunning can earn his favor. Jenny refuses to submit to the governor or to the barren land unable to support the growing population. Determined to find a better life for herself and her children, she braves the sea, and a journey of over three thousand miles in a small rowboat, for a chance at a future worth fighting for.   Based on the true story of Mary Bryant, an iconic figure in the foundation lore of Australia, Fled is a sweeping, heart-wrenching account of one woman's life-long search for freedom.

    Failed entrepreneur Stanton Finch moves his family from Adelaide to the remote Coorong area of Southern Australia, in pursuit of his dream to become a farmer.Housed in a driftwood cabin, they try to make the best of their situation. The children roam the beautiful landscape of Salt Creek; visitors are rare but warmly welcomed; a local Indigenous boy becomes almost part of the family. Yet there are daily hardships, and tensions with the Ngarrindjeri people they have displaced; disaster never seems far away.With Mrs Finch struggling to cope, Hester, their perceptive eldest daughter, willingly takes on more responsibility. But as Hester’s sense of duty grows, so does a yearning to escape Salt Creek and make a new life of her own …Lucy Treloar was born in Malaysia and educated in Melbourne, England, and Sweden. Awards for her writing include the 2014 Commonwealth Short Story Prize. Salt Creek is her first novel.

    The graffiti on the holding room wall says it all: 'Gunyah is hell on earth'. And Ellen's about to find out why. Ellen was never the daughter her mother wanted. Patent leather shoes and frilly dresses just weren't her thing and, at age fourteen, she's ready to leave school and find her own way. No one is going to stop her from going where she wants, doing what she wants, and hanging out with Robbie. Or so she thinks. But when the police turn up, Ellen is deemed to be in 'moral danger' and is sentenced to the Gunyah Training School for Girls. Suddenly, she's no longer Ellen, she's Girl 43, and she has to follow the rules, work hard and - most importantly - stay quiet. When it's discovered that she's pregnant, there's no respite from the staff. Told she isn't capable of bringing up a child, they twist the truth to make her cooperate. But however hard they try, they can't destroy the connection between a mother and her child . . . or can they? Drawn from experiences in Parramatta Girls' Home in the seventies, "Girl 43" is a story that could have come straight from today's headlines about the shocking treatment of innocent children and teens by people in the very institutions that were supposed to protect them.

    Haunted by his memories and the disappearance of a fellow survivor, George’s fractured life is intertwined with that of a woman from another dimension, seeking refuge on Earth. This is a novel imbued with beauty and feeling, filled both with existential loneliness and a deep awareness that all life is interdependent.

    Tabitha Bird has gifted us this wonder’ Cass MoriartyMeet Willa Waters, aged 8 . . . 33 . . . and 93.On one impossible day in 1965, eight-year-old Willa receives a mysterious box containing a jar of water and the instruction: ‘One ocean: plant in the backyard.’ So she does - and somehow creates an extraordinary time slip that allows her to visit her future selves.On one impossible day in 1990, Willa is 33 and a mother-of-two when her childhood self magically appears in her backyard. But she’s also a woman haunted by memories of her dark past – and is on the brink of a decision that will have tragic repercussions . . .On one impossible day in 2050, Willa is a silver-haired, gumboot-loving 93-year-old whose memory is fading fast. Yet she knows there’s something she has to remember, a warning she must give her past selves about a terrible event in 1990. If only she could recall what it was.Can the three Willas come together, to heal their past and save their future, before it’s too late?'A courageous and magical debut novel that reminds us that while we can’t change events from our past, we do have the power to change the story we tell ourselves about them.' Sally Piper

    Not for him the stereotype of the greedy lawyer. He'd be the defender of the abused, the voice of the poor, the champion of the oppressed. And he was for a time...until Rottman Maughan and Nash dangled the office with the harbour view in front of him.Now he's turning blind eye to suspect time sheets, championing the powerful against the powerless, and not being entirely honest with his girlfriend.Is there a way back?

    I pulled over and got out. Stared at it, this gleaming snake - where I'd been, where it was going. The route that Jed had once taken.After years of travelling, Saul is trying to settle down. But one night he receives the devastating news of the death of his oldest friend, Jed, recently returned from working in a remote Aboriginal community. Saul's discovery in Jed's belongings of a photo of a woman convinces him that she may hold the answers to Jed's fate. So he heads out on a journey into the heart of the Australian desert to find the truth, setting in motion a powerful story about the landscapes that shape us and the ghosts that lay their claim.The Crying Place is a haunting, luminous novel about love, country, and the varied ways in which we grieve. In its unflinching portrayal of the borderlands where worlds come together, and the past and present overlap, it speaks of the places and moments that bind us. The myths that draw us in. And, ultimately, the ways in which we find our way home.

    They share two kids, a mortgage, careers and plenty of history. Now, after a particularly fraught Christmas, Lou is ready to ask herself: is this marriage worth hanging on to?Every month for a year, Lou sets a different test for their relationship - from daily sex to brutal honesty - to help her decide if she should stay or go. Secrets are exposed, old wounds reopened and a true-to-life suburban love story unfolds.I Give My Marriage a Year paints a sharply accurate, often hilarious picture of a modern Australian marriage. Lou and Josh are a couple on the edge, and their efforts to bring their relationship back from the brink will resonate with anyone who has ever asked themselves: is this enough?Whose side will you take? Who deserves a second chance? And will Josh and Lou stay together or split for good?

    And across the centuries the fates of three women are linked: to this place, to each other.In the early 1700s, Sarah, accused of being a witch, flees for her life.In the aftermath of the Second World War, Ruth navigates a new house, a new husband and the strange waters of the local community.Six decades later, the house stands empty. Viv, mourning the death of her father, catalogues Ruth’s belongings and discovers her place in the past – and perhaps a way forward.Each woman’s choices are circumscribed, in ways big and small, by the men in their lives. But in sisterhood there is the hope of survival and new life. Intricately crafted and compulsively readable, The Bass Rock burns bright with anger and love.

    It’s November 1948, and the widowed Hanora Sparrow and her teenage daughters, Aria and Rosy, have fallen on tough times; when they move into a housing commission camp on the outskirts of Sydney, their spirits are low and their prospects few. While Hanora copes via various pharmaceutical offerings and Rosy with nothing other than indignity, the spirited Aria rises immediately to the challenge of keeping the family together in such trying circumstances. With her endless curiosity and lively sense of humor, Aria draws the Sparrow women into close friendships with other camp residents and supports her family through her work as a photographic model in the city. Despite the setbacks, Aria strives toward their eventual salvation.

    Her agoraphobic mother, Elaine, has left the house for the first time in twelve years. Mina drops everything to fly home, only to discover that Elaine will not talk about her sudden return to the world, nor why she's spent so much time hiding from it. Their reunion leaves Mina raking through pieces of their painful past in a bid to uncover the truth.Both tender and fierce, heartbreaking and funny, Kokomo is a story about how secrets and love have the power to bring us together and tear us apart.

    His logical mind draws him towards the pursuit of science and knowledge. Mary, who loves to draw, is passionate and impetuous. The small country town in which they live, in the aftermath of World War II, is not enough to contain her ambitions for life and for love.When Mary escapes to Melbourne in pursuit of sensuality and art, Dominic must shoulder the mantle of family responsibility. Mary begins a new life, exploring the bohemian haunts of a rapidly changing post-war city. Dominic studies hard and eventually finds himself drawn into the field of eugenics, a fraught pseudo-science based on ideology. Then he meets Hanna, the daughter of Jewish refugees, who begins to show him the limitations of his scientific view.But Dominic and Mary are destined to come together, and the past cannot be left behind so easily. When Dominic comes looking for his sister, Mary must decide where her loyalties lie: to her family or to her art.Dominic, meanwhile, bears a secret of his own.This is a powerful novel about the choices we make in pursuit of our ideas, and the inexorable pull of the past. Set in an era of social constraint but profound genetic discovery, The Science of Appearances examines how the complex interplay of heredity and environment makes, shapes, and sometimes breaks us.

    . .Greer O'Reilly needs to start over. Her professional success belies private sadness and domestic overload. She's torn between her career and motherhood. Her partner of twelve years has left her. And up ahead is her new home - a beautiful though neglected blueberry orchard in the hills of north-east Victoria. But when she and her six-year-old daughter Sophie arrive at the property to take possession, there's an unforeseen complication - the former owner, 81-year-old artist and jazz lover Charlie Chandler, refuses to move out. Charlie is dying and desperate to spend his last days in his old home. With Greer at the beginning of her new life, and Charlie at the end of his, the unlikely pair soon form a close bond. One that will offer the strength and inspiration Greer needs - because the next twelve months will either make or break her . . .

    Neither as pretty as cousin Alicia nor as domineering as mother Drusilla, she seems doomed to a quiet life of near poverty at Missalonghi, her family's pitifully small homestead in Australia's Blue Mountains. But it's a brand new century--the twentieth--a time for new thoughts and bold new actions. And Missy Wright is about to set every self-righteous tongue in the town of Byron wagging. Because she has just set her sights on a mysterious, mistrusted, and unsuspecting stranger... who just might be Prince Charming in disguise.

    Others you don’t dare let out … Twin Peaks meets The Dry in a deliciously dark and twisted tale that unravels a small town Ambitious young journalist Marlowe ‘Lo’ Robertson would do anything to escape the suffocating confines of her small home town. While begrudgingly covering the annual show for the local paper, Lo is horrified to discover the mutilated corpse of Lily Williams, the reigning showgirl and Lo’s best friend. Seven strange symbols have been ruthlessly carved into Lily’s back. But when Lo reports her grisly find to the town’s police chief, he makes her promise not to tell anyone about the symbols. Lo obliges, though it’s not like she has much of a choice – after all, he is also her father. When Lily’s murder makes headlines around the country and the town is invaded by the media, Lo seizes the opportunity to track down the killer and make a name for herself by breaking the biggest story of her life. What Lo uncovers is that her sleepy home town has been harbouring a deadly secret, one so shocking that it will captivate the entire nation. Lo’s story will change the course of her life forever, but in a way she could never have dreamed of.