Set in a place beyond good and evil - literally in Hollywood, Las Vegas, and the barren wastes of the Mojave Desert, but figuratively in the landscape of an arid soul - it remains more than three decades after its original publication a profoundly disturbing novel, riveting in its exploration of a woman and a society in crisis and stunning in the still-startling intensity of its prose.

    Edith Wharton and Henry James wrote about the American girl abroad, but it was Elaine Dundy’s Sally Jay Gorce who told us what she was really thinking. Charming, sexy, and hilarious, The Dud Avocado gained instant cult status when it was first published and it remains a timeless portrait of a woman hell-bent on living.“I had to tell someone how much I enjoyed The Dud Avocado. It made me laugh, scream, and guffaw (which, incidentally, is a great name for a law firm).” –Groucho Marx[The Dud Avocado] is one of the best novels about growing up fast..." -The Guardian“A cheerfully uninhibited...variation on the theme of the Innocents Abroad...Miss Dundy comes up with fresh and spirited comedy....Her novel is enormous fun—sparklingly written, genuinely youthful in spirit.” —The Atlantic

    But she does believe in love, and for some time now, she’s been pining for her best friend, Teddy. On his eighteenth birthday—just when it seems they might be on the brink of something—she buys him a lottery ticket on a lark. To their astonishment, he wins $140 million, and in an instant, everything changes. At first, it seems like a dream come true, especially since the two of them are no strangers to misfortune. As a kid, Alice won the worst kind of lottery possible when her parents died just over a year apart from each other. And Teddy’s father abandoned his family not long after that, leaving them to grapple with his gambling debts. Through it all, Teddy and Alice have leaned on each other. But now, as they negotiate the ripple effects of Teddy’s newfound wealth, a gulf opens between them. And soon, the money starts to feel like more of a curse than a windfall. As they try to find their way back to each other, Alice learns more about herself than she ever could have imagined…and about the unexpected ways in which luck and love sometimes intersect.

    But once Craig aces his way into Manhattan's Executive Pre-Professional High School, the pressure becomes unbearable. He stops eating and sleeping until, one night, he nearly kills himself.Craig's suicidal episode gets him checked into a mental hospital, where his new neighbors include a transsexual sex addict, a girl who has scarred her own face with scissors, and the self-elected President Armelio. There, Craig is finally able to confront the sources of his anxiety.Ned Vizzini, who himself spent time in a psychiatric hospital, has created a remarkably moving tale about the sometimes unexpected road to happiness.

    The girls live in a terrible situation: they depend on an unstable mother that has never recovered from her husband's murder, their stepfather beats them regularly, and they must forage on their own for food. Stop here and you have a story told many times before, as fiction and nonfiction in tales like Ellen Foster, or I Know Why the Caged Bird Sings --stories in which a young girl reveals the horrors of her childhood. Me & Emma differentiates itself with a spectacular finish, shocking the reader and turning the entire story on its head. Through several twists and turns the reader learns that things are not quite the way our narrator led us to believe and everything crescendos in a way that (like all good thrillers) immediately makes you want to go back and read the whole book again from the start.

    The story of Robert Kincaid, the photographer and free spirit searching for the covered bridges of Madison County, and Francesca Johnson, the farm wife waiting for the fulfillment of a girlhood dream, THE BRIDGES OF MADISON COUNTY gives voice to the longings of men and women everywhere-and shows us what it is to love and be loved so intensely that life is never the same again.

    There, a boy called Peekay is born. His childhood is marked by humiliation and abandonment, yet he vows to survive and conceives heroic dreams, which are nothing compared to what life actually has in store for him. He embarks on an epic journey through a land of tribal superstition and modern prejudice where he will learn the power of words, the power to transform lives and the power of one.

    Motherless, she lives with her father, Jules, who takes better care of his heroin habit than he does of his daughter. Baby's gift is a genius for spinning stories and for cherishing the small crumbs of happiness that fall into her lap. But her blossoming beauty has captured the attention of a charismatic and dangerous local pimp who runs an army of sad, slavishly devoted girls—a volatile situation even the normally oblivious Jules cannot ignore. And when an escape disguised as betrayal threatens to crush Baby's spirit, she will ultimately realize that the power of salvation rests in her hands alone.

    Every day a different life. Every day in love with the same girl.There’s never any warning about where it will be or who it will be. A has made peace with that, even established guidelines by which to live: Never get too attached. Avoid being noticed. Do not interfere.It’s all fine until the morning that A wakes up in the body of Justin and meets Justin’s girlfriend, Rhiannon. From that moment, the rules by which A has been living no longer apply. Because finally A has found someone A wants to be with—day in, day out, day after day.

    "A girl comes of age against the knife." So begins the story of Betty Carpenter. Born in a bathtub in 1954 to a Cherokee father and white mother, Betty is the sixth of eight siblings. The world they inhabit is one of poverty and violence--both from outside the family, and also, devastatingly, from within. The lush landscape, rich with birdsong, wild fruit, and blazing stars, becomes a kind of refuge for Betty, but when her family's darkest secrets are brought to light, she has no choice but to reckon with the brutal history hiding in the hills, as well as the heart-wrenching cruelties and incredible characters she encounters in her rural town of Breathed, Ohio. But despite the hardship she faces, Betty is resilient. Her curiosity about the natural world, her fierce love for her sisters, and her father's brilliant stories are kindling for the fire of her own imagination, and in the face of all she bears witness to, Betty discovers an escape: she begins to write. She recounts the horrors of her family's past and present with pen and paper and buries them deep in the dirt--moments that has stung her so deeply, she could not tell them, until now. Inspired by the life of her own mother, Tiffany McDaniel sets out to free the past by telling this heartbreaking yet magical story--a remarkable novel that establishes her as one of the freshest and most important voices in American fiction.

    Then he wrote a novel savaging everything in town, a novel that became a national bestseller and a huge hit movie. Fifteen years later, Joe is struggling to avoid the sophomore slump with his next novel when he gets a call: his father's had a stroke, so it's back to Bush Falls for the town's most famous pariah. His brother avoids him, his former classmates beat him up, and the members of the book club just hurl their copies of Bush Falls at his house. But with the help of some old friends, Joe discovers that coming home isn't all bad--and that maybe the best things in life are second chances.Fans of Nick Hornby and Jennifer Weiner will love this book, by turns howling funny, fiercely intelligent, and achingly poignant. As evidenced by The Book of Joe's success in both the foreign and movie markets, Jonathan Tropper has created a compelling, incredibly resonant story.

    . . Or so it appears to beautiful, brilliant Charlotte Simmons, a sheltered freshman from North Carolina. But Charlotte soon learns, to her mounting dismay, that for the upper-crust coeds of Dupont, sex, cool, and kegs trump academic achievement every time.As Charlotte encounters the paragons of Dupont's privileged elite--her roommate, Beverly, a Groton-educated Brahmin in lusty pursuit of lacrosse players; Jojo Johanssen, the only white starting player on Dupont's godlike basketball team, whose position is threatened by a hotshot black freshman from the projects; the Young Turk of Saint Ray fraternity, Hoyt Thorpe, whose heady sense of entitlement and social domination is clinched by his accidental brawl with a bodyguard for the governor of California; and Adam Geller, one of the Millennial Mutants who run the university's "independent" newspaper and who consider themselves the last bastion of intellectual endeavor on the sex-crazed, jock-obsessed campus--she is seduced by the heady glamour of acceptance, betraying both her values and upbringing before she grasps the power of being different--and the exotic allure of her own innocence.With his trademark satirical wit and famously sharp eye for telling detail, Wolfe's I Am Charlotte Simmons draws on extensive observations at campuses across the country to immortalize the early-21st-century college-going experience.

    Stella’s childhood is full of strange, life-threatening incidents—moments where ordinary situations like cooking eggplant or feeding the pigs inexplicably take lethal turns. Even Stella’s own mother is convinced that her daughter is cursed or haunted.In her rugged Italian village, Stella is considered an oddity—beautiful and smart, insolent and cold. Stella uses her peculiar toughness to protect her slower, plainer baby sister Tina from life’s harshest realities. But she also provokes the ire of her father Antonio: a man who demands subservience from women and whose greatest gift to his family is his absence.When the Fortunas emigrate to America on the cusp of World War II, Stella and Tina must come of age side-by-side in a hostile new world with strict expectations for each of them. Soon Stella learns that her survival is worthless without the one thing her family will deny her at any cost: her independence.In present-day Connecticut, one family member tells this heartrending story, determined to understand the persisting rift between the now-elderly Stella and Tina. A richly told debut, The Seven or Eight Deaths of Stella Fortuna is a tale of family transgressions as ancient and twisted as the olive branch that could heal them.

    When his father is killed in the September 11th attacks on the World Trade Centre, Oskar sets out to solve the mystery of a key he discovers in his father's closet. It is a search which leads him into the lives of strangers, through the five boroughs of New York, into history, to the bombings of Dresden and Hiroshima, and on an inward journey which brings him ever closer to some kind of peace.

    The tribulation, according to Grandpa Herman, founder of Fire and Brimstone, will be an ugly time: "He said that we'd run out of food. That big bugs would chase us around and sting us with their tails . . . He said we'd turn on the faucet in the bathroom and find only blood running out . . . He said evil multitudes would come unto us and cut off our limbs, and that we wouldn't die . . . And then he'd say, 'But you don't have to be left behind. You can go straight to Heaven with all of God's special children if you'll only open your hearts to Jesus . . .'" Such talk of damnation weighs heavy on the mind of Ninah Huff, the 15-year-old narrator of Sheri Reynolds's second novel, The Rapture of Canaan. To distract her from sinful thoughts about her prayer partner James, Ninah puts pecan shells in her shoes and nettles in her bed. But concentrating on the Passion of Jesus cannot, in the end, deter Ninah and James from their passion for each other, and the consequences prove both tragic and transforming for the entire community. The Rapture of Canaan is a book about miracles, and in writing it, Reynolds has performed something of a miracle herself. Although the church's beliefs and practices may seem extreme (sleeping in an open grave, mortifying the flesh with barbed wire), its members are complex and profoundly sympathetic as they wrestle with the contradictions of Fire and Brimstone's theology, the temptations of the outside world, and the frailties of the human heart.