Winner of every major Japanese literary prize, his work translated around the globe, Shusaku Endo (1923-1996) is a great and unique figure in the literature of the twentient century. "Irrevocably enmeshed in Japanese culture, he is by virtue of his religion [Endo was Roman Catholic] irrevocably alienated from it" (Geoffrey O'Brian, Village Voice). It is this aspect that has made Endo so particularly intriguing to his readership at home and abroad. Now gathered in a New Directions Bibelot edition are five of Endo's supreme short stories exemplifying his style and his interests, presenting, as it were, Endo in a nutshell. "Unzen," the opening story, touches on the subject of Silence Endo's most famous novel -- that is the torture and martyrdom of Christians in seventeenth-century Japan. Next comes "A Fifty-year-old Man" in which Mr. Chiba takes up ballroom dancing and faces the imminent death of his brother and his dog Whitey. In "Japanese in Warsaw" a business man has a strange encounter; in "The Box," an old photo album and a few postcards have a tale to reveal. Finally included is "The Case of Isobe," the opening chapter of Endo's novel Deep River in which Isobe, a member of a tour group, hopes to find in India the reincarnation of the wife he took so much for granted.

    Past winners and shortlisted authors have included the Pulitzer winners Junot Díaz, Anthony Doerr and Adam Johnson, plus Hilary Mantel, Ali Smith, Yiyun Li, CK Stead and Elizabeth Strout.Six Shorts 2017 brings together the six stories shortlisted for this year's award: ‘Reputation Management’ by Kathleen Alcott; ‘Half of What Atlee Rouse Knows about Horses’ by Bret Anthony Johnston; ‘The Hazel Twig and the Olive Tree’ by Richard Lambert; ‘The Tenant’ by Victor Lodato; ‘Every Little Thing’ by Celeste Ng; and ‘Mr Salary’ by Sally Rooney.Chosen by a hugely experienced and prestigious judging panel that included Booker-winner Anne Enright, Orange- and Whitbread-winner Rose Tremain, Booker-shortlistee Neel Mukherjee and critic and novelist Mark Lawson, the six stories represent the very best in contemporary English-language short fiction.

    "The Paper Door and Other Stories" showcases the concise, delicate art of this writer who is often called "the god of the Japanese short story." Doyen of Japanese letters Donald Keene ranks some of Shiga's stories "among the most brilliant achievements in this genre by any twentieth-century Japanese writer." Shiga's unique style is concise and simple, with no unnecessary words. With the subtlest of gestures, he evokes the fullness of experience.Lane Dunlop's masterly translation of seventeen of Shiga's finest stories has provided English readers their first overview of the author's work. Now back in print, the book is augmented by Donald Keene's new preface contextualizing Shiga's awesome literary gifts. Dunlop has chosen stories that aptly represent Shiga's range and virtuosity. With selections spanning forty years, from the fable-like "The Little Girl and the Rapeseed Flower" to the psychologically complex "A Gray Moon," this collection delineates the development of Shiga's rare genius.

    At this moment in New York, Manfred lurches from a dream where a fisherman was about to gut him he wakes just in time to make his morning work-out. Meanwhile, Michael is preparing to go to the late-night gym in Tokyo, thinking of a man he met in Berlin only weeks before. Tawada's story follows the three men Mamoru, Manfred and Michael as they move through their lives on different sides of the globe. Though thousands of miles apart, odd moments of synchronicity form between these characters, the narrative shifting from one perspective to another as the three men's lives momentarily align and diverge. Here, modernity is rendered textual as Tawada explores the strange nature of human connection in a globalized, technologized world, and discovers what this means for contemporary storytelling.Translated by Jeffrey Angles. Design by Glen Robinson.

    He is grieving for the loss of his wife when the tunnel collapses and traps the bus inside. In the darkness that follows, he manages to fumble out of the bus with the only other survivor, an astute and gentle woman who reminds him of his late wife. Without any light to guide them and with only each other to depend on, they try to escape the stifling darkness and along the way find themselves confronted by their pasts and given their last chance at intimacy, and ultimately, absolution.A realist story that plays with surreal elements, the tale poses a simple question: what is the meaning of hope?

    Miyake is an older man with an obsession in building the perfect bonfire. He befriends Junko, a young woman who lives with her boyfriend Keisuke and is estranged from her family. Whenever Miyake is going to light a bonfire, he calls Junko to come down and watch it burn; and the two of them have an unusual connection. Junko’s boyfriend, Keisuke, is a musician who lives in the here and now and has difficulty understanding Miyake and Junko’s relationship.Much of the story revolves around a philosophical discussion between Miyake and Junko. It is important to understand that Murakami wrote this story shortly after the Kobe earthquake; and the themes of death, an uncertain future and the larger meaning of life resonate throughout the prose.

    

    Ranging from humor to profound maturity, the works in this volume offer the full spectrum of Soseki's genius. They are among Soseki's best, and brilliantly display his temperament and thought, the richness of his humor, and the sureness of his satirical touch. Ten Nights of Dream comprises a collection of ten short stories of dreams. Couched in a surrealistic atmosphere, they reveal the attitudes of a major writer at a turning point in his career.

    The walking wounded. These are the stories of ordinary people.

    Full of memorable characters and masterfully composed narrative, these short stories constitute a wonderful addition to any personal library, and are not to be missed by discerning collectors of Runyon's work. The stories contained herein include: Beach of Promise, Romance in the Roaring Forties, Dream Street Rose, The Old Doll's House, Blood Pressure, The Bloodhounds of Broadway, Tobias the Terrible, The Snatching of Bookie Bob, The Lily of St. Pierre, Earthquake, and more. Alfred Damon Runyon (1880 1946) was an American newspaperman and author, best remembered for his short stories about the world of Broadway in New York City that resulted from the Prohibition era. This volume is being republished now in an affordable, modern edition complete with a specially commissioned new biography of the author."

    in this off-kilter, coming-of-age romantic comedy.Abbie, a twenty-something free spirit who is dreading her looming parent-mandated enrollment in graduate school, makes a semi-annual pilgrimage to visit her perfectly well meaning and perfectly boring grandfather, Henry. But Abbie is roused out of her quarter-life crisis when she meets her grandfather's persnickety, oddball friend, Johnson. With his cane and elderly clothing, he is the very picture of a bitter old man. The problem is, Johnson is 23 years old, and apparently completely delusional. Also a problem: Abbie is falling in love with him. The first novel from screenwriter Andrew Kevin Walker, OLD MAN JOHNSON is for the old (and young) at heart.Cover design by Kristen Radtke.Cover painting by Mark Allison.

    Le Guin is renowned for her spare, elegant prose, rich characterization, and diverse worlds. "Semley's Necklace" is a short story originally published in the collection The Wind's Twelve Quarters.

    It shows a changing city, its slums, backstreets, temples and shrines, a city filled with erudite establishments and brothels. It shows a man trying to justify his life, and a glimpse into the creative process and a gentle eulogy on things passing.

    DC Books' catalog primarily includes books in Malayalam literature, and also children's literature, poetry, reference, biography, self-help, yoga, management titles, and foreign translations.

    Here some of Japan’s best and most representative writers chronicle and re-create the impact of this tragedy on the daily lives of peasants, city professionals, artists, children, and families. From the “crazy” iris that grows out of season to the artist who no longer paints in color, the simple details described in these superbly crafted stories testify to the enormity of change in Japanese life, as well as in the future of our civilization. Included are “The Crazy Iris” by Masuji Ibuse, “Summer Flower” by Tamiki Hara, “The Land of Heart’s Desire” by Tamiki Hara, “Human Ashes” by Katsuzo Oda, “Fireflies” by Yoka Ota, “The Colorless Paintings” by Ineko Sata, “The Empty Can” by Kyoko Hayashi, “The House of Hands” by Mitsuharu Inoue, and “The Rite” by Hiroko Takenishi.