An occasional chambermaid, granddaughter to a typesetter, and daughter to a dead man, awkward and brave, wayward and willful, she is in love (unrequited) with an Iraq War veteran thirteen years her senior. She is convinced that she is a mermaid. What she does to ease the pain of growing up lands her in prison. What she does to get out is the stuff of legend. In the words of writer Michelle Tea, The Seas is "creepy and poetic, subversive and strangely funny, [and] a phenomenal piece of literature."

    Her only companions are the scientists studying there, odd and quirky refugees from the mainland living in rustic conditions. They document the whales and seals around the island, the bold trio of sharks called the Sisters that hunt the surrounding waters, and the overwhelming, violent bird population.Shortly after her arrival, Miranda is assaulted by one of the island’s inhabitants. A few days later, her assailant is found dead, perhaps the result of an accident. As the novel unfolds, Miranda gives witness to the natural wonders of this astonishing place. She grapples with what has happened to her, deepens her connection to (and her misgivings about) her companions, and succumbs to the spell of the place nicknamed “the Islands of the Dead.” And when more violence occurs, each member of this strange community falls under suspicion.The Lightkeepers upends the traditional structure of a mystery novel—an isolated environment, a limited group of characters who might not be trustworthy, a death that might not have been accidental, a balance of discovery and action—while also exploring wider themes of the natural world, the power of loss, and the essence of recovery. It is a luminous debut novel from a talented and provocative writer.

    Two cousins, irreversibly damaged by a childhood prank, reunite twenty years later to renovate a medieval castle in Eastern Europe. In an environment of extreme paranoia, cut off from the outside world, the men reenact the signal event of their youth, with even more catastrophic results. And as the full horror of their predicament unfolds, a prisoner, in jail for an unnamed crime, recounts an unforgettable story that seamlessly brings the crimes of the past and present into piercing relation.

      The summer Berie was fifteen, she and her best friend Sils had jobs at Storyland in upstate New York where Berie sold tickets to see the beautiful Sils portray Cinderella in a strapless evening gown. They spent their breaks smoking, joking, and gossiping. After work they followed their own reckless rules, teasing the fun out of small town life, sleeping in the family station wagon, and drinking borrowed liquor from old mayonnaise jars. But no matter how wild, they always managed to escape any real danger—until the adoring Berie sees that Sils really does need her help—and then everything changes.

    . .. . . there stood a pair of fine old brick townhouses on West Tenth Street. One had a blue door with a tarnished brass knocker in the shape of a dolphin. The other was empty. Behind the blue door lived Sadie, the widow of a famous British rocker who died of an overdose, and two of her children, Hamish and Deen.The children manage to muddle along as best they can with a loving but distracted mother. But their whole world changes when the house next door gets a new owner—a mysterious Southerner who quickly endears himself to his new neighbors, taking them—and their friends—under his protective wing. In doing so, he transforms everything.Magical, lively, lovely, and unique, The Ballad of West Tenth Street is a contemporary urban fairy tale that delightfully reimagines real life.

    A decade ago the Rampikes were destroyed by the murder of Skyler's six-year-old ice-skating champion sister, Bliss, and the media scrutiny that followed. Part investigation into the unsolved murder; part elegy for the lost Bliss and for Skyler's own lost childhood; and part corrosively funny expose of the pretensions of upper-middle-class American suburbia, this captivating novel explores with unexpected sympathy and subtlety the intimate lives of those who dwell in Tabloid Hell.

    At the start of summer, a lonely and thoughtful teenager, Evie Boyd, sees a group of girls in the park, and is immediately caught by their freedom, their careless dress, their dangerous aura of abandon. Soon, Evie is in thrall to Suzanne, a mesmerizing older girl, and is drawn into the circle of a soon-to-be infamous cult and the man who is its charismatic leader. Hidden in the hills, their sprawling ranch is eerie and run down, but to Evie, it is exotic, thrilling, charged—a place where she feels desperate to be accepted. As she spends more time away from her mother and the rhythms of her daily life, and as her obsession with Suzanne intensifies, Evie does not realize she is coming closer and closer to unthinkable violence, and to that moment in a girl’s life when everything can go horribly wrong.

    After his family moves to Mississippi just before his junior year, Daniel finds fellow outsider Tim Cousins. The two become inseparable, sharing a fascination with ridicule, The Sonny and Cher Comedy Hour, and Arnita Beecham, the most bewitching girl at Minor High. But soon things go terribly wrong. The friends commit a small crime that grows larger and larger, and threatens to engulf the whole town. Arnita, the first black prom queen in the history of the school, is injured and wakes up a different person. And Daniel, Tim, and their families are swept up in a shocking chain of events.

    On this dark and lovely winter night, he will sift through the shards of his memories, trying to make sense of a lifetime of psychic visions and his family’s tumultuous history on an Indiana farmstead.As a young man, Noah, a true innocent, fell deeply in love with Opal, a young woman with a penchant for flames. Once married, the couple move into their own house on his family’s farm. After forty-two idyllic days, Opal is overcome by her fascination with fire and institutionalized. Though Noah embarks on a journey to save her, he cannot, and must instead rely on her letters, his memories, and the strength of his family to sustain him.Written in a masterful elegiac style that echoes Faulkner and Steinbeck, Indiana, Indiana is a compellingly beautiful and surreal Midwestern saga firmly grounded in an Indiana landscape populated by farmers, drifters, sheriffs, and ministers, and overflowing with musical saws, family bibles stuffed with flowers, and appliances rusting in the fields.

    Twenty years on, their enigmatic personalities are embalmed in the memories of the boys who worshipped them and who now recall their shared adolescence: the brassiere draped over a crucifix belonging to the promiscuous Lux; the sisters' breathtaking appearance on the night of the dance; and the sultry, sleepy street across which they watched a family disintegrate and fragile lives disappear.

    She is headed for the Panopticon, a home for chronic young offenders. She can't remember what’s happened, but across town a policewoman lies in a coma and Anais’s school uniform is covered in blood.Raised in foster care from birth and moved through twenty-three placements before she even turned seven, Anais has been let down by just about every adult she has ever met. Now a counter-culture outlaw, she knows that she can only rely on herself. And yet despite the parade of horrors visited upon her early life, she greets the world with the witty, fierce insight of a survivor.Anais finds a sense of belonging among the residents of the Panopticon – they form intense bonds, and she soon becomes part of an ad hoc family. Together, they struggle against the adults that keep them confined. When she looks up at the watchtower that looms over the residents though, Anais knows her fate: she is an anonymous part of an experiment, and she always was. Now it seems that the experiment is closing in.Named one of the best books of the year by the Times Literary Supplement and the Scotsman, The Panopticon is an astonishingly haunting, remarkable debut novel. In language dazzling, energetic and pure, it introduces us to a heartbreaking young heroine and an incredibly assured and outstanding new voice in fiction.

    It is the story of the riotous exploits of Brian, a high school burnout, and his best friend Gretchen, a punk rock girl fond of brawling.

    . . or so her philandering father thinks, and he sends her to a Seattle psychiatrist. Immediately wise to the head games of her new shrink, whom she nicknames Siggy, Ida begins a coming-of-age journey. At the beginning of her therapy, Ida, whose alter ego is Dora, and her small posse of pals engage in "art attacks." Ida’s in love with her friend Obsidian, but when she gets close to intimacy, she faints or loses her voice. Ida and her friends hatch a plan to secretly film Siggy and make an experimental art film. But something goes wrong at a crucial moment—at a nearby hospital Ida finds her father suffering a heart attack. While Ida loses her voice, a rough cut of her experimental film has gone viral, and unethical media agents are hunting her down. A chase ensues in which everyone wants what Ida has.

    This bundle of book 2 & 3 continues the saga of NY private eye Michael Derrigan, as he comes into possession of a manuscript that will change the world order if its secrets are aired. Clandestine factions of the U.S. government will do anything to keep the story buried, & a trail of butchery follows Derrigan as he races for his life in a chase that takes him from New York, to Mexico, to Havana. A roller-coaster ride of a thriller, The Delphi Chronicle's unflinching & often disturbing twists and turns question the nature of reality & of the integrity of our governments in a post-modern world of lies, deceit & betrayal.+++Questions & Answers with bestselling author Russell Blake.Question: The Delphi Chronicle posits a troubling & plausible conspiracy. Where did you get the idea?Russell Blake: The idea stemmed from the title. I was originally going to call the trilogy The Pegasus File, & I'd conceptualized a cool cover, so I Googled it to confirm there weren't any other books with that name. The original conspiracy was much tamer than what I wound up with. I had the idea of a literary agent getting a manuscript detailing a shocking scheme, but I hadn't defined what it was, exactly. From that search came this conspiracy, & I have to admit I considered toning it down a lot, because it scared even me. So readers? This is fiction, OK? And U.S. government? No need to send a wet team after me. We all understand it's fictional. As in, an invention, not real. That's my official position. Readers can decide how plausible theinvention is for themselves. Some will hate it, as it portrays the U.S. government in a negative light. Can't please everyone.Q: Why write it as a trilogy?RB: It would have been a long single volume if I'd tried to squeeze it all into one book. Given the success I saw with the Zero Sum trilogy, I wanted to do another one, & this was just naturally written in three volumes, although I think most will get the first one, & then buy the specially-priced bundle of Books 2 & 3 if they're interested in following the story to its thrilling conclusion (wink wink).Q: How do your novels compare to the work of your peers?RB: I think they're faster paced than most. I try to catapult readers through a series of twists & turns at such aggressive velocity they're left gasping by the end. And I dislike books where I can see the ending coming a third of the way through. Just hate that. I try to write racing, intelligent thrillers that don't pander & aren't formulaic. All have gotten raves, so I'm fooling at least some of the people most of the time...Q: Part of Delphi unfolds in Mexico. Any particular reason?RB: I live in Mexico. Have for almost a decade. Modern Mexico is very different than as portrayed by the U.S. media. Many parts are indistinguishable from medium sized cities in the U.S. Strip malls, high rises, melting-pot racial integration, etc. It's not cactus & sombreros. One of the things I find fascinating is how different it is than what my expectations were when I moved here, & I try to impart that. Most novels set in modern Mexico I've read are caricatures of the truth. Mission bells, white-garbed peasants, stereotypical characters. I try to imbue my fiction with reality, not a Hollywood portrayal based on a snapshot from the 1950s. I think readers will find that distinction interesting.

    His girlfriend wants to marry someone just like him—only richer and with a different sense of humor. He doesn’t remember life being this confusing, back before everyone expected him to act like a grown-up.   When his brother asks him to look after his dogs, Jonathan's world view begins to shift. Could a border collie and a cocker spaniel hold the key to life, the universe, and everything? Their sly maneuvering on daily walks and visits to the alluring vet suggest that human emotional intelligence may not be top dog after all.   A funny, wise romantic comedy set in Manhattan, Jonathan Unleashed is a story of tangled relationships, friendships, and dogs. Rosoff’s novel is for anyone wondering what to be when they grow up, and how on earth to get there.