The book can be used as a reader in first- and second-year Korean language courses or by anyone who wishes to learn about Korean folktales and traditional Korean culture.This elegantly illustrated volume is designed to help language learners expand their vocabulary and to develop a basic familiarity with Korean culture. The stories gradually increase in length and complexity throughout the book as the reader improves their vocabulary and understanding of the language. After the first few stories, the reader is asked to use the vocabulary in speaking and writing exercises. By reading these classic stories, they also are given a window into Korean culture and learn to appreciate the uniqueness of the country--which provides greater motivation to continue learning the difficult language.Cultural notes and discussion questions further reinforce one's understanding of the stories, and bolster one's language skills. Korean-English and English-Korean glossaries are included as well as an overview of the Korean Hangeul script.Online audio recordings by native speakers help readers improve their pronunciation and inflection, and can be accessed at tuttlepublishing.com/downloadable-con....

    Army sergeant Charles Robert Jenkins abandoned his post in South Korea, walked across the DMZ, and surrendered to communist North Korean soldiers standing sentry along the world's most heavily militarized border. He believed his action would get him back to the States and a short jail sentence. Instead he found himself in another sort of prison, where for forty years he suffered under one of the most brutal and repressive regimes the world has known. This fast-paced, harrowing tale, told plainly and simply by Jenkins (with journalist Jim Frederick), takes the reader behind the North Korean curtain and reveals the inner workings of its isolated society while offering a powerful testament to the human spirit.

    Not only is Soah surprised to be rescued by the Water God — instead of killed — she never imagined she’d be a welcomed guest in Habaek’s magical kingdom, where an exciting new life awaits her! Most surprising, however, is the Water God himself... and how very different he is from the monster Soah imagined.

    In loosely-connected tales, we follow David as he adapts to his new country.You're twelve years old. A month has passed since your Korean Air flight landed at lovely Newark Airport. Your fifteen-year-old sister is miserable. Your mother isn't exactly happy, either. You're seeing your father for the first time in five years, and although he's nice enough, he might be, well - how can you put this delicately? - a loser. You can't speak English, but that doesn't stop you from working at East Meets West, your father's gift shop in a strip mall, where everything is new. Welcome to the wonderful world of David Kim.

    But you'd never know it by looking at her. To keep the family safe, Min’s mother insists that none of them use any fox-magic, such as Charm or shape-shifting. They must appear human at all times. Min feels hemmed in by the household rules and resents the endless chores, the cousins who crowd her, and the aunties who judge her. She would like nothing more than to escape Jinju, her neglected, dust-ridden, and impoverished planet. She’s counting the days until she can follow her older brother, Jun, into the Space Forces and see more of the Thousand Worlds.When word arrives that Jun is suspected of leaving his post to go in search of the Dragon Pearl, Min knows that something is wrong. Jun would never desert his battle cruiser, even for a mystical object rumored to have tremendous power. She decides to run away to find him and clear his name.Min’s quest will have her meeting gamblers, pirates, and vengeful ghosts. It will involve deception, lies, and sabotage. She will be forced to use more fox-magic than ever before, and to rely on all of her cleverness and bravery. The outcome may not be what she had hoped, but it has the potential to exceed her wildest dreams.

    But soon reality sets in and his attention is divided between his growing happy family and his impoverished parents back in Seoul in a dingy basement apartment. With an ailing mother in and out of the hospital and an alcoholic father, Madang struggles to overcome the exhaustion and frustration of trying to be everything all at once: a good son, devoted father, and loving husband.To cope, he finds himself reminiscing about their family meals together, particularly his mother's kimchi, a traditional dish that is prepared by the family and requires months of fermentation. Memories of his mother's glorious cooking—so good it would prompt a young Madang and his brother into song—soothe the family. With her impending death, Madang races to learn her recipes and bring together the three generations at the family table while it's still possible. This is a beautiful and thoughtful meditation on how the kitchen and communal cooking—in the past, present, and future—bind a family together amidst the inevitable.

    Kim is a first-generation Korean immigrant and the proud owner of Kim's Convenience, a variety store located in the heart of downtown Toronto's Regent Park neighbourhood. There, he spends his time serving an eclectic array of customers, catching petty thieves, and helpfully keeping the police apprised of illegally parked Japanese cars. As the neighbourhood quickly gentrifies, Mr. Kim is offered a generous sum of money to sell - enough to allow him and his wife to finally retire. But Kim's Convenience is more than just his livelihood - it is his legacy. As Mr. Kim tries desperately, and hilariously, to convince his daughter Janet, a budding photographer, to take over the store, his wife sneaks out to meet their estranged son Jung, who has not seen or spoken to his father in sixteen years and who has now become a father himself.Wholly original, hysterically funny, and deeply moving, Kim's Convenience tells the story of one Korean family struggling to face the future amidst the bitter memories of their past.This edition includes an eight-page black-and-white photo insert of the original Fringe production and the Soulpepper production.

    This century has witnessed a multiplicity of both domestic and external factors that have resulted either in tendentious history or in emphasis badly skewed toward such dramatic events as the Korean War or South Korea's remarkable economic successes. Korea Old and New presents a more balanced survey. Its coverage of traditional Korea emphasizes cultural developments not merely as isolated expressions of the creative spirit of the people but as integrally related to Korea's political, social, and economic history. The book's preponderant concern is with the tumultuous modern era, and six academic specialists provide a wide-angle view of each distinct period. The authors succeed in elucidating the past while providing new understanding of the vast changes that have taken place in this ancient nation.

    She lives modestly in a small apartment, with only her aging dog, a rescue named Deadweight, to keep her company. There are expectations for people her age--that she'll retire and live out the rest of her days quietly. But Hornclaw is not like other people. She is an assassin.Double-crossers, corporate enemies, cheating spouses--for the past four decades, Hornclaw has killed them all with ruthless efficiency, and the less she's known about her targets, the better. But now, nearing the end of her career, she has just slipped up. An injury leads her to an unexpected connection with a doctor and his family. But emotions, for an assassin, are a dangerous proposition. As Hornclaw's world closes in, this final chapter in her career may also mark her own bloody end.A sensation in South Korea, and now translated into English for the first time by Chi-Young Kim, The Old Woman with the Knife is an electrifying, singular, mordantly funny novel about the expectations imposed on aging bodies and the dramatic ways in which one woman chooses to reclaim her agency.

    All girls from good Korean families must learn to sew, do laundry, and work in the kitchen. This prepares them for their future lives in their husbands' inner court.Jade has other interests. She longs to take trips to the mountains and the marketplace. If only she could read and paint, but these are things only boys can do. Jade won't stop thinking about the world beyond the high walls of her home. Then one day she secretly sets off to do what no other girl her age has ever done before.

    To survive, Sungju creates a gang and lives by thieving, fighting, begging, and stealing rides on cargo trains. Sungju richly re-creates his scabrous story, depicting what it was like for a boy alone to create a new family with his gang, his “brothers”; to be hungry and to fear arrest, imprisonment, and even execution. This riveting memoir allows young readers to learn about other cultures where freedoms they take for granted do not exist.

    Younghill Kang was born in 1903 in what is now North Korea and arrived in New York in 1921. He continued his studies at Harvard and built a name for himself as a scholar of literature and Asian culture and as an author. His fiction was admired by, among others, Pearl S. Buck, H.G. Wells and Thomas Wolfe. Originally published in 1937, East Goes West met with widespread acclaim despite its biting portraits of racism, alienation and hypocrisy at every level of American society. This eagerly anticipated edition includes informative appendices detailing the author's life and writings, including primary source materials that provide insight into the relationship between Kang and his editor, Maxwell Perkins.

    And it doesn’t help that she’s constantly being compared to her beautiful older sister, Helen. Then her rich plastic-surgery-addict aunt offers Joyce a gift to “fix” a part of herself she’d never realized needed fixing—her eyes. Joyce has heard of the fold surgery—a common procedure meant to make Asian women’s eyes seem “prettier” and more “American”—but she’s not sure she wants to go through with it. Her friend Gina can’t believe she isn’t thrilled. After all, the plastic surgeon has shown Joyce that her new eyes will make her look just like Helen—but is that necessarily a good thing? Printz Award–winning author An Na has created a surprisingly funny and thought-provoking look at notions of beauty, who sets the standards and how they affect us all. Joyce’s decision is sure to spark heated discussions about the beauty myths readers confront in their own lives.

    Chapters 77 - ongoing

    Frustrated and alone, he wandered out onto the front porch to find his great uncle Cat, Jack's brother, sitting alone, an old album on his lap. Oblivious to the world around them, the two begin an unlikely conversation and together embark on journey that stretches almost seven decades in length.Page by page, Cat imparts the story of the album to young Austin, using a series of seemingly mundane and unconnected objects to tell the story of the brothers Roberts from long ago. Beginning with their humble upbringing by a single mother on the river bottoms of rural Ohio to the day they left home to serve in the Korean, through their capture and escape from an unmarked prisoner of war camp and on through the lives they returned to, the album tells a story of bravery and brotherhood that knows no bounds.