So Anna "borrows" her stepmom's credit card and runs away to Los Angeles, where her half-sister takes her in. But LA isn't quite the glamorous escape Anna had imagined.As Anna spends her days on TV and movie sets, she engrosses herself in a project researching the murderous Manson girls—and although the violence in her own life isn't the kind that leaves physical scars, she begins to notice the parallels between herself and the lost girls of LA, and of America, past and present.In Anna's singular voice, we glimpse not only a picture of life on the B-list in LA, but also a clear-eyed reflection on being young, vulnerable, lost, and female in America—in short, on the B-list of life. Alison Umminger writes about girls, sex, violence, and which people society deems worthy of caring about, which ones it doesn't, in a way not often seen in YA fiction.

    Because the last secret she shared turned her into a social outcast—and nearly got someone killed.Now Chelsea has taken a vow of silence—to learn to keep her mouth shut, and to stop hurting anyone else. And if she thinks keeping secrets is hard, not speaking up when she's ignored, ridiculed and even attacked is worse.But there's strength in silence, and in the new friends who are, shockingly, coming her way—people she never noticed before; a boy she might even fall for. If only her new friends can forgive what she's done. If only she can forgive herself.

    One fake dating scheme. What could possibly go wrong?Frank Li has two names. There's Frank Li, his American name. Then there's Sung-Min Li, his Korean name. No one uses his Korean name, not even his parents. Frank barely speaks any Korean. He was born and raised in Southern California.Even so, his parents still expect him to end up with a nice Korean girl--which is a problem, since Frank is finally dating the girl of his dreams: Brit Means. Brit, who is funny and nerdy just like him. Brit, who makes him laugh like no one else. Brit . . . who is white.As Frank falls in love for the very first time, he's forced to confront the fact that while his parents sacrificed everything to raise him in the land of opportunity, their traditional expectations don't leave a lot of room for him to be a regular American teen. Desperate to be with Brit without his parents finding out, Frank turns to family friend Joy Song, who is in a similar bind. Together, they come up with a plan to help each other and keep their parents off their backs. Frank thinks he's found the solution to all his problems, but when life throws him a curveball, he's left wondering whether he ever really knew anything about love—or himself—at all.

    And by grounded, she means working as an indentured servant in her family’s struggling grocery store to pay off her debts. With each order of deli meat she slices, Margot can feel her carefully cultivated prep school reputation slipping through her fingers, and she’s willing to do anything to get out of this punishment. Lie, cheat, and maybe even steal…Margot’s invitation to the ultimate beach party is within reach and she has no intention of letting her family’s drama or Moisés—the admittedly good looking but outspoken boy from the neighborhood—keep her from her goal.

    Less shocking is the fact that he’s too lazy to look farther than the dinner table for employees. Working the literal graveyard shift, she becomes great at predicting headstone choice (mostly granite) and taking notes with one hand while offering Kleenex with the other.Sarcastic and smart, Leigh should be able to quit this stupid after-school job. But her world’s been turned upside down by the sudden loss of her best friend and the appearance of Dario, the slightly-too-old-for-her gravedigger. Can Leigh move on, if moving on means it’s time to get a life?Darkly humorous and heart-wrenchingly beautiful, Jennifer Longo’s YA debut about a girl surrounded by death will change the way you look at friendship, love, and life.

     Sixteen-year-old Zarin Wadia is many things: a bright and vivacious student, an orphan, a risk taker. She’s also the kind of girl that parents warn their kids to stay away from: a troublemaker whose many romances are the subject of endless gossip at school.  You don't want to get involved with a girl like that, they say. So how is it that eighteen-year-old Porus Dumasia has only ever had eyes for her? And how did Zarin and Porus end up dead in a car together, crashed on the side of a highway in Jeddah, Saudi Arabia? When the religious police arrive on the scene, everything everyone thought they knew about Zarin is questioned. And as her story is pieced together, told through multiple perspectives, it becomes clear that she was far more than just a girl like that.

    It's inevitable—each of her relationships starts with the perfect guy and ends with him falling in love . . . with someone else. But instead of feeling sorry for herself, Megan focuses on pursuing her next fling, directing theater, and fulfilling her dream college's acting requirement in the smallest role possible.So when she’s cast as Juliet (yes, that Juliet) in her high school’s production, it’s a complete nightmare. Megan’s not an actress, and she’s used to being upstaged—both in and out of the theater. In fact, with her mom off in Texas and her dad remarried and on to baby #2 with his new wife, Megan worries that, just like her exes, her family is moving on without her.Then she meets Owen Okita, an aspiring playwright inspired by Rosaline from Shakespeare's R+J. A character who, like Megan, knows a thing or two about short-lived relationships. Megan agrees to help Owen with his play in exchange for help catching the eye of a sexy stagehand/potential new boyfriend. Yet Megan finds herself growing closer to Owen, and wonders if he could be the Romeo she never expected.In their fresh and funny debut, Emily Wibberly and Austin Siegemund-Broka break down the high school drama to find there's always room for familial love, romantic love, and—most importantly—self-love.

    But what's really on her mind is her mother. Why is she dressing in Dad's baggy khaki pants with a silk scarf around her neck? What is she planning when she pores over maps in the middle of the night? When did she stop being Mom and start being Amelia Earhart? Alex tries to keep her budding love life apart from the growing disaster at home as her mother sinks further into her delusions. But there are those nights, when everyone else is asleep, when it's easier to confide in Amelia than it ever was to Mom. Now, as Amelia's flight plans become more intense, Alex is increasingly worried that Amelia is planning her final flight - the flight from which she never returns. What could possibly be driving Mom's delusions, and how far will they take her?

    shift at GoodFoods Market4) Crashing a cart into a customer’s car right in front of her snarky coworker Sammi3) Trying to rock the “drowned rat” look after being caught in a snowstorm2) Making zero progress with her crush, Tyson (see #3)1) Being accused—along with her fellow teenage employees—of stealing upwards of $10,000 Chloe would rather be anywhere than locked in work jail (aka the break room) with five of her coworkers . . . even if one of them is Tyson. But if they can band together to clear their names, what looks like a total disaster might just make Chloe’s list of Top Ten Best Moments.

    It will be her first without her college-bound best friend and (now ex-)boyfriend by her side, so Sadie braces herself for a long, lonely, and boring season working at a farm stand in the Hamptons. But things take an unexpected turn when Sadie steps in to help rescue a baby in peril and footage of her impromptu good deed goes viral.As she’s recovering from “the incident” and adjusting to her Internet fame, Sadie receives an invitation to a lunch honoring teem homegrown heroes. The five honorees instantly connect and soon decide to spend their time together righting local wrongs. Sadie and her new friends embark on escalating acts of vigilante Good Samaritanism, but might be in over her heads when they try to help a heroin-addicted friend. Are good intentions enough to hold unlikely friendships—and an even unlikelier new romance—together?

    The one she creates after coming face to face with the devastating, lonely-making butt-kicking phenomenon known as heartbreak.Heartbreak comes in all forms: There’s Keats, the charmingly handsome new guy who couldn’t be more perfect for her. There’s possibly the worst person in the world, Cherisse, whose mission in life is to make Penelope miserable. There’s Penelope’s increasingly distant best friend Audrey. And then there’s Penelope’s other best friend, the equal-parts-infuriating-and-yet-somehow-amazing Eph, who has been all kinds of confusing lately.But sometimes the biggest heartbreak of all is learning to let go of that wondrous time before you ever knew things could be broken…

    If she manages it, people won’t peer beyond the surface, or ask hard questions about her past. She’s learned to substitute causes for relationships, and it’s working just fine… until Shane Cavendish strolls into her math class. He’s a little antisocial, a lot beautiful, and everything she never knew she always wanted.Shane Cavendish just wants to be left alone to play guitar and work on his music. He’s got heartbreak and loneliness in his rearview mirror, and this new school represents his last chance. He doesn’t expect to be happy; he only wants to graduate and move on. He never counted on a girl like Sage.But love doesn’t mend all broken things, and sometimes life has to fall apart before it can be put back together again…

    Tripp, who plays guitar only for himself, and Lyla, a cellist whose talent has already made her famous but not happy, form an unlikely friendship when they are forced to share a practice room at their high school.

    Clare’s School for Girls is her best hope. Although St. Clare’s is off-limits to all but the wealthiest white girls, Mercy gains admittance through a mix of cunning and a little bribery, only to discover that getting in was the easiest part. Not to be undone by a bunch of spoiled heiresses, Mercy stands strong—until disaster strikes.On April 18, a historic earthquake rocks San Francisco, destroying Mercy’s home and school. With martial law in effect, she is forced to wait with her classmates for their families in a temporary park encampment. Though fires might rage, and the city may be in shambles, Mercy can’t sit by while they wait for the army to bring help—she still has the “bossy” cheeks that mark her as someone who gets things done. But what can one teenage girl do to heal so many suffering in her broken city?

    Determined to follow in Da Vinci’s footsteps, she’s ready to tackle the one thing that will give her an advantage in a museum-sponsored scholarship contest: drawing actual cadavers. But when she tries to sneak her way into the hospital’s Willed Body program and misses the last metro train home, she meets a boy who turns her summer plans upside down.Jack is charming, wildly attractive, and possibly one of San Francisco’s most notorious graffiti artists. On midnight buses and city rooftops, Beatrix begins to see who Jack really is—and tries to uncover what he’s hiding that leaves him so wounded. But will these secrets come back to haunt him? Or will the skeletons in her family’s closet tear them apart?