An FBI agent falls in love with a robot built for a suicide mission. A young woman unintentionally cheats on her husband when she is transformed, nightly, into a deer. Two strangers become lovers and find themselves somehow responsible for the resurrection of a dog. A woman tries to start her life anew after the loss of a child but cannot help riddling that new life with lies. Thirteen pregnant teenagers develop a strange relationship with the Founding Fathers of American history. A lonely woman’s fertility treatments become the stuff of science fiction.Magic intrudes. Technology betrays and disappoints. Infidelities lead us beyond the usual conflict. Our bodies change, reproduce, decay, and surprise. With her characteristic unguarded gaze and offbeat humor, Hunt has conjured stories that urge an understanding of youth and mortality, magnification and loss, and hold out the hope that we can know one another more deeply or at least stand side by side to observe the mystery of the world.

    Alberto Manguel has selected 72 fantastic tales from life on the edge of the twilight zone, with stories from Marguerite Yourcenar, Herman Hesse, Italo Calvino, Vladimir Nabokov, and many, many more. This is a collection of irresistible masterpieces, many of which have never before appeared in the English language.Fantastic literature Manguel writes in his introduction, makes use of our everyday world as a facade through which the undefinable appears, hinting at the half-forgotten dreams of our imagination. Unlike tales of fantasy, fantastic literature deals with what can be best defined as the impossible seeping into the possible, what Wallace Stevens calls black water breaking into reality. Fantastic literature never really explains everything, it thrives on surprise, on the unexpected logic that is born from its own rules.Contents:House taken over by Julio CortázarHow love came to Professor Guildea by Robert S. HichensClimax for a ghost story by I.A. IrelandThe mysteries of the Joy Rio by Tennessee WilliamsPomegranate seed by Edith WhartonVenetian masks by Adolfo Bioy CasaresThe wish house by Rudyard KiplingThe playground by Ray BradburyImportance by Manuel Mujica LáinezEnoch Soames by Max BeerbohmA visitor from down under by L.P. HartleyLaura by SakiAn injustice revealedA little place off the Edgware Road by Graham GreeneFrom "A School Story" by M.R. JamesThe signalman by Charles DickensThe tall woman by Pedro Antonio de AlarcónA scent of mimosa by Francis KingDeath and the gardener by Jean CocteauLord Mountdrago by W. Somerset MaughamThe sick gentleman's last visit by Giovanni PapiniInsomnia by Virgilio PiñeraThe storm by Jules VerneA dream (from The Arabian Nights Entertainments)The facts in the case of M. Valdemar by Edgar Allan PoeSplit second by Daphne du MaurierAugust 25, 1983 by Jorge Luis BorgesHow Wang-Fo was saved by Marguerite YourcenarFrom "Peter and Rosa" by Isak DinesenTattoo by Jun'ichirō TanizakiJohn Duffy's brother by Flann O'BrienLady into fox by David GarnettFather's last escape by Bruno SchulzA man by the name of Ziegler by Hermann HesseThe Argentine ant by Italo CalvinoThe lady on the grey by John CollierThe queen of spades by Alexander PushkinOf a promise kept by Lafcadio HearnThe wizard postponed by Juan ManuelThe monkey's paw by W.W. JacobsThe bottle imp by Robert Louis StevensonThe rocking-horse winner by D.H. LawrenceCertain distant suns by Joanne GreenburgThe third bank of the river by João Guimarães RosaHome by Hilaire BellocThe door in the wall by H.G. WellsThe friends by Silvina OcampoEt in sempiternum pereant by Charles WilliamsThe captives of Longjumeau by Léon BloyThe visit to the museum by Vladimir NabakovAutumn Mountain by Ryūnosuke AkutagawaThe sight by Brian MooreClorinda by André Pieyre de MandiarguesThe pagan rabbi by Cynthia OzickThe fisherman and his soul by Oscar WildeThe bureau d'echange de maux by Lord DunsanyThe ones who walk away from Omelas by Ursula K. LeGuinIn the penal colony by Franz KafkaA dog in Durer's etching "The Knight, Death and the Devil" by Marco DeneviThe large ant by Howard FastThe lemmings by Alex ComfortThe grey ones by J.B. PriestleyThe feather pillow by Horacio QuirogaSeaton's aunt by Walter de la MareThe friends of the friends by Henry JamesThe travelling companion by Hans Christian AndersenThe curfew tolls by Stephen Vincent BenetThe state of grace by Marcel AyméThe story of a panic by E.M. ForsterAn invitation to the hunt by George HitchcockFrom the "American Notebooks" by Nathaniel HawthorneThe dream by O. Henry

    Now, with The Ghost Orchid, a narrative that seamlessly weaves together the past and the present, Goodman creates her most lyrical and haunting work to date. For more than one hundred years, creative souls have traveled to Upstate New York to work under the captivating spell of the Bosco estate. Cradled in silence, inspired by the rough beauty of overgrown gardens and crumbling statuary, these chosen few fashion masterworks–and have cemented Bosco’s reputation as a premier artists’ colony. This season, five talented artists-in-residence find themselves drawn to the history of Bosco, from the extensive network of fountains that were once its centerpiece but have long since run dry to the story of its enigmatic founder, Aurora Latham, and the series of tragic events that occurred more than a century ago.Ellis Brooks, a first-time novelist, has come to Bosco to write a book based on Aurora and the infamous summer of 1893, when wealthy, powerful Milo Latham brought the notorious medium Corinth Blackwell to the estate to help his wife contact three of the couple’s children, lost the winter before in a diphtheria epidemic. But when a séance turned deadly, Corinth and her alleged accomplice, Tom Quinn, disappeared, taking with them the Lathams’ only surviving child. The more time she spends at Bosco, the more Ellis becomes convinced that there is an even darker, more sinister end to the story. And she’s not alone: biographer Bethesda Graham uncovers stunning revelations about Milo and Corinth; landscape architect David Fox discovers a series of hidden tunnels underneath the gardens; poet Zalman Bronsky hears the long-dry fountain’s waters beckoning him; and novelist Nat Loomis feels something lingering just out of reach.After a bizarre series of accidents befalls them, the group cannot deny the connections between the long ago and now, the living and the dead . . . as Ellis realizes that the tangled truth may ensnare them all in its cool embrace.From the Hardcover edition.

    In Ashwell, Massachusetts, at the farm of Samuel Hood and his daughter Caroline, a mysterious flock of red birds descends. Samuel, whose fame as a philosopher has waned in recent years, takes the birds' appearance as an omen that the time is ripe for his newest venture. He will start a school for young women, guiding their intellectual development as he has so carefully guided his daughter's. Despite Caroline's misgivings, Samuel's vision--revolutionary, as always; noble, as always; full of holes, as always--takes shape.It's not long before the students begin to manifest bizarre symptoms. Rashes, fits, headaches, verbal tics, night wanderings. In desperation, the school turns to the ministering of a sinister physician--based on a real historic treatment--just as Caroline's body, too, begins its betrayal. As the girls' conditions worsens, long-buried secrets emerge, and Caroline must confront the all-male, all-knowing authorities around her, the ones who insist the voices of the sufferers are unreliable. In order to save herself, Caroline may have to destroy everything she's ever known.Written in intensely vivid prose and brimming with psychological insight, The Illness Lesson is a powerful exploration of women's bodies, women's minds, and the time-honored tradition of doubting both.

    Focusing on the disorderly conduct women and some men used to break away from the Victorian Era's rigid class and sex roles, it examines the dramatic changes in male-female relations, family structure, sex, social custom, and ritual that occurred as colonial America was transformed by rapid industrialization. Included are two now classic essays on gender relations in 19th-century America, The Female World of Love and Ritual: Relations Between Women in Nineteenth-Century America and The New Woman as Androgyne: Social Order and Gender Crisis, 1870-1936, as well as Smith-Rosenberg's more recent work, on abortion, homosexuality, religious fanatics, and revisionist history. Throughout Disorderly Conduct, Smith-Rosenberg startles and convinces, making us re-evaluate a society we thought we understood, a society whose outward behavior and inner emotional life now take on a new meaning.

    Lucy has set her career aside in order to devote her life to the children, to their finely tuned routine, and to the house itself, which comforts her like an old, sly friend. But then a man calls one afternoon with a shattering message: his wife has been having an affair with Lucy's husband, Jake. The revelation marks a turning point: Lucy and Jake decide to stay together, but make a special arrangement designed to even the score and save their marriage--she will hurt him three times.As the couple submit to a delicate game of crime and punishment, Lucy herself begins to change, surrendering to a transformation of both mind and body from which there is no return.Told in dazzling, musical prose, The Harpy is a dark, staggering fairy tale, at once mythical and otherworldly and fiercely contemporary. It is a novel of love, marriage and its failures, of power, control and revenge, of metamorphosis and renewal.

    With plenty of bedrooms for everyone, a big yard, and the best climbing tree they’d ever seen, she and her sisters couldn’t wait to get moved in. It didn’t take long for the house to reveal its secrets. In this spooky tale of a real life haunting, an entire family was targeted as something evil lurked between the walls and threatened to tear them apart. In the two weeks the family lived in the haunted house they battled physical attacks from unseen assailants, spiritual attacks on their articles of devotion throughout the house, and even demonic possession. And then, of course, there was the thing in the basement-the thing that nobody wanted to talk about. Was the house reliving its torrid past or are some houses just born evil? Laura's family was about to find out in the worst way! In this incredible true ghost story of a family living a horrible nightmare in central Kentucky, if you weren’t a believer in the paranormal before, you might just change your mind. (TWO WEEKS is, indeed, a true account of a haunting that took place in the late 1980s.)

    Or as one gentleman whom had has picture taken at an infamous Old West Cemetery, only to have it developed and discover someone else was in the picture, too—holding a knife. Envision yourself walking along in a cemetery when a tall, handsome young man approaches asking for the location of a crypt. When you politely respond in the negative, he politely thanks you, turns, and disappears. Be cautious visiting a cemetery at dusk for a pack of large, dark-colored hellhounds with fiery red eyes might pass right through the trees as they are running toward you, barking and baying in a terrifying fashion. These stories and more fill the pages of this book. Included are cemetery hauntings from all over the world, including the United States, Ireland, Scotland, Canada, Egypt, Argentina, Mexico, and Czechoslovakia. Infamous hauntings from Greyfriars Kirkyard and Stull Cemetery, as well as countless lesser-known hauntings are guaranteed to unnerve even the bravest of readers. Ghosts of criminals, police chiefs, murder victims, innocent young children, distraught mothers, lonely bachelors, forlorn lovers, a cursed pharaoh and many more are described in this book. All sorts of manifestations are also integrated including ghostly animals, shadows cast by a hangman’s tree no longer there, a screaming skull encased in concrete…these are just a few of the ghostly manifestations you will learn of within these pages. Be prepared to view cemeteries in a whole new light. Don’t read this without all the lights on and think twice before visiting any of these cemeteries without showing the proper respect—you may not come out with your sanity intact. Ready to scare yourself senseless? Scroll to the top of the page and hit buy!

    Essays explore the connections of Gothic fictions to political and industrial revolutions, the realistic novel, the theater, Romantic and post-Romantic poetry, nationalism and racism from Europe to America, colonized and post-colonial populations, the rise of film, the struggles between high and popular culture, and changing attitudes towards human identity, life and death, sanity and madness. The volume also includes a chronology and guides to further reading.

    But murder as sensation and entertainment became ubiquitous, with cold-blooded killings transformed into novels, broadsides, ballads, opera, and melodrama—even into puppet shows and performing dog-acts. Detective fiction and the new police force developed in parallel, each imitating the other—the founders of Scotland Yard gave rise to Dickens's Inspector Bucket, the first fictional police detective, who in turn influenced Sherlock Holmes and, ultimately, even P.D. James and Patricia Cornwell.In this meticulously researched and engrossing book, Judith Flanders retells the gruesome stories of many different types of murder, both famous and obscure: from Greenacre, who transported his dismembered fiancée around town by omnibus, to Burke and Hare’s bodysnatching business in Edinburgh; from the crimes (and myths) of Sweeney Todd and Jack the Ripper, to the tragedy of the murdered Marr family in London’s East End.Through these stories of murder—from the brutal to the pathetic—Flanders builds a rich and multi-faceted portrait of Victorian society in Great Britain.  With an irresistible cast of swindlers, forgers, and poisoners, the mad, the bad and the utterly dangerous, The Invention of Murder is both a mesmerizing tale of crime and punishment, and history at its most readable.

    Most of the time, those who dabble with the Ouija experience nothing out of the ordinary. But many times that's not the case. And many times that extraordinary experience isn't just strange but downright awful. Ouija Board Nightmares takes a look at some of those terrifying experiences, which range from nightmarish manifestations to actual physical assaults. The author’s intention is to inform and engage, but primarily to warn. While the Ouija board may be marketed as a harmless game, it is indeed neither. If the accounts in this book don't convince you of that, then nothing will.

    Visit places where one might expect to find the dark — in a house where love was shared and lost, a milky-white pool in an Australian cave, the trenches of World War I, the deep woods. You would not be surprised to find the dark in a cheap apartment on the wrong side of town, down mean streets, under a gallows-tree, along dank passageways, trapped underground, in the near future, or among the mysteries of old New Orleans. Dunes, lakes, isolated cabins, old books, and Old West saloons — well, the darkness might easily be there. But we've also found locales you thought were safe from shadows — a rib joint with good blues playing, inside an old wardrobe, on a baseball diamond, the Beverly Wilshire Hotel...Travel into the best dark fantasy and horror from 2011 with more than five-hundred pages of tales from some of today's best-known writers of the fantastique as well as new talents — stories that will take you to a diverse assortment of dark placesContents Hair • (2011) • shortstory by Joan AikenRakshasi • (2011) • shortfiction by Kelley ArmstrongWalls of Paper, Soft as Skin • (2011) • shortstory by Adam CallawayThe Lake • (2011) • shortfiction by Tananarive DueTell Me I'll See You Again • (2011) • shortstory by Dennis EtchisonKing Death • (2011) • shortfiction by Paul FinchThe Last Triangle • (2011) • shortfiction by Jeffrey FordNear Zennor • (2011) • novella by Elizabeth HandCrossroads • (2011) • shortstory by Laura Anne GilmanAfter-Words • (2011) • novelette by Glen HirshbergRocket Man • (2011) • shortfiction by Stephen Graham JonesThe Maltese Unicorn • (2011) • shortfiction by Caitlín R. KiernanThe Dune • (2011) • shortfiction by Stephen KingCatastrophic Disruption of the Head • (2011) • shortfiction by Margo LanaganThe Bleeding Shadow • (2011) • shortfiction by Joe R. LansdaleWhy Light? • (2011) • novelette by Tanith LeeConservation of Shadows • (2011) • shortstory by Yoon Ha LeeA Tangle of Green Men • [Chronicles of the Borderlands] • (2011) • novella by Charles de LintAfter the Apocalypse • (2012) • shortfiction by Maureen F. McHugh [as by Maureen McHugh ]Why Do You Linger? • (2011) • shortfiction by Sarah MonetteLord Dunsany's Teapot • (2011) • shortstory by Naomi NovikMysteries of the Old Quarter • (2011) • novelette by Paul ParkVampire Lake • (2011) • shortfiction by Norman PartridgeA Journey of Only Two Paces • (2011) • shortstory by Tim PowersFour Legs in the Morning • (2011) • shortfiction by Norman PrentissThe Fox Maiden • (2011) • shortfiction by Priya SharmaTime and Tide • (2011) • shortstory by Alan Ryan [as by Alan Peter Ryan ]Sun Falls • (2011) • shortstory by Angela SlatterStill • (2011) • shortfiction by Tia V. TravisObjects in Dreams May Be Closer Than They Appear • (2011) • shortstory by Lisa TuttleThe Bread We Eat in Dreams • (2011) • shortstory by Catherynne M. ValenteAll You Can Do Is Breathe • (2011) • shortstory by Kaaron WarrenJosh • (2011) • shortfiction by Gene Wolfe

    Faraday, the son of a maid who has built a life of quiet respectability as a country physician, is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once impressive and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine. Its owners—mother, son, and daughter—are struggling to keep pace with a changing society, as well as with conflicts of their own. But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr. Faraday know how closely, and how terrifyingly, their story is about to become intimately entwined with his.

    Now he gives birth to a cast of gruesomely sympathetic children – misunderstood outcasts who struggle to find love and belonging in their cruel, cruel worlds. His lovingly lurid illustrations evoke both the sweetness and the tragedy of these dark yet simple beings – hopeful, hapless heroes who appeal to the ugly outsider in all of us, and let us laugh at a world we have long left behind (mostly anyway).

    They especially didn't expect him to turn up a tattered and bruised thirteen-year-old boy.Fielding, the son of Autopsy, finds the boy outside the courthouse and brings him home, and he is welcomed into the Bliss family. The Blisses believe the boy, who calls himself Sal, is a runaway from a nearby farm town. Then, as a series of strange incidents implicate Sal — and riled by the feverish heatwave baking the town from the inside out — there are some around town who start to believe that maybe Sal is exactly who he claims to be.But whether he's a traumatised child or the devil incarnate, Sal is certainly one strange fruit: he talks in riddles, his uncanny knowledge and understanding reaches far outside the realm of a normal child — and ultimately his eerily affecting stories of Heaven, Hell, and earth will mesmerise and enflame the entire town.Devastatingly beautiful, The Summer That Melted Everything is a captivating story about community, redemption, and the dark places where evil really lies.