Have you noticed?’1819. Iax Agolasky, a young assistant to a notable French explorer, sets off on a journey to the Russian wilderness. They soon discover a group of creatures living in a cave: children with animal traits. But are they animals, or are they human? Faced with questions of faith, science and the fundamentals of truth, tensions rise in the camp. Soon the children’s safety becomes threatened and Agolasky needs to act.Why Peirene chose to publish this book:Greek legends, fables and fairy tales all share an interest in mythical beings. In this book Sammalkorpi imagines what would happen if these creatures really existed. How would we respond? The answer to this question matters hugely. It determines what it means to be human.

    Half its territory and its historic capital lie in enemy hands; the peasants toil under the burden of the annual tribute demanded by the victors. Meanwhile, on the Mongolian steppe, a disparate nation of great warriors is about to be united by a warlord whose name will endure for eternity: Genghis Khan.Guo Jing, son of a murdered Song patriot, grew up with Genghis Khan's army. He is humble, loyal, perhaps not altogether wise, and is fated from birth to one day confront an opponent who is the opposite of him in every way: privileged, cunning and flawlessly trained in the martial arts.Guided by his faithful shifus, The Seven Heroes of the South, Guo Jing must return to China - to the Garden of the Drunken Immortals in Jiaxing - to fulfil his destiny. But in a divided land riven by war and betrayal, his courage and his loyalties will be tested at every turn.

    Little is known of her but she was probably the Abbess of the abbey at Shaftesbury in the late 12th century, illegitimate daughter of Geoffrey Plantagenet and hence the half-sister of Henry II of England. It was to a king, and probably Henry II, that she dedicated these poems of adventure and love which were retellings of stories which she had heard from Breton minstrels. She is regarded as the most talented French poet of the medieval period.

    Through the eyes of the ancient slave Ti-Noel, The Kingdom of This World records the destruction of the black regime--built on the same corruption and contempt for human life that brought down the French--in an orgy of voodoo, racial hatred, erotomania, and fantastic grandeurs of false elegance.

    The Crimson Labyrinth is a wicked satire on extremist reality TV in the tradition of The Running Man-if that indeed is what it is. Welcome to THE MARS LABYRINTH where things aren't what they seem. Welcome to the world of Kishi, where the plot is as gnarly as the humor is twisted.When an unemployed former math major wakes up one day, he wonders if he's somehow ended up on the red planet. The good-looking young woman with aid-she says her name is Ai and that she draws erotic comics for a living-seems to have no clue either as to their whereabouts. Their only leads are cryptic instructions beamed to a portable device. Has the game begun?There is no reset button, no saving and no continue-make the wrong move and it's really GAME OVER. In the cruel world of THE MARS LABYRINTH, mercy and compassion are only for the weak or the very, very strong. The stakes are nothing less than your life-and apparently a lot of money.If you're a fan of Lost or Battle Royale, don't miss this one.

    In eleven chapters, "Kalpa Imperial"'s multiple storytellers relate the story of a fabled nameless empire which has risen and fallen innumerable times. Fairy tales, oral histories and political commentaries are all woven tapestry-style into Kalpa Imperial: beggars become emperors, democracies become dictatorships, and history becomes legends and stories. But this is much more than a simple political allegory or fable. It is also a celebration of the power of storytelling. Gorodischer and translator Ursula K. Le Guin are a well-matched, sly and delightful team of magician-storytellers. Rarely have author and translator been such an effortless pairing. "Kalpa Imperial" is a powerful introduction to the writing of Angelica Gorodischer, a novel which will enthrall readers already familiar with the worlds of Le Guin.Selected for the "New York Times" Summer Reading list.* "The dreamy, ancient voice is not unlike Le Guin's, and this collection should appeal to her fans as well as to those of literary fantasy and Latin American fiction."--"Library Journal" (Starred Review)"There's a very modern undercurrent to the Kalpa empire, with tales focusing on power (in a political sense) rather than generic moral lessons. Her mythology is consistent--wide in scope, yet not overwhelming. The myriad names of places and people can be confusing, almost Tolkeinesque in their linguistic originality. But the stories constantly move and keep the book from becoming overwhelming. Gorodischer has a sizeable body of work to be discovered, with eighteen books yet to reach English readers, and this is an impressive introduction."--"Review of Contemporary Fiction""Borges and Cortazar are alive and well."--"Bridge Magazine""Those looking for offbeat literary fantasy will welcome "Kalpa Imperial: The Greatest Empire That Never Was, " by Argentinean writer Angelica Gorodischer. Translated from the Spanish by Ursula Le Guin, this is the first appearance in English of this prize-winning South American fantasist."--"Publishers Weekly""It's always difficult to wrap up a rave review without babbling redundant praises. This time I'll simply say "Buy this Book!""--"Locus""The elaborate history of an imaginary country...is Nabokovian in its accretion of strange and rich detail, making the story seem at once scientific and dreamlike."--"Time Out New York""Kalpa Imperial" has been awarded the Prize "Mas Alla" (1984), the Prize "Sigfrido Radaelli" (1985) and also the Prize Poblet (1986). It has had four editions in Spanish: Minotauro (Buenos Aires), Alcor (Barcelona), Gigamesh (Barcelona), and Planeta Emece Editions (Buenos Aires).Praise for the Spanish-language editions of "Kalpa Imperial" "Angelica Gorodischer, both from without and within the novel, accomplishes the indispensable function Salman Rushdie says the storyteller must have: not to let the old tales die out; to constantly renew them. And she well knows, as does that one who met the Great Empress, that storytellers are nothing more and nothing less than free men and women. And even though their freedom might be dangerous, they have to get the total attention of their listeners and, therefore, put the proper value on the art of storytelling, an art that usually gets in the way of those who foster a forceful oblivion and prevent the winds of change."--Carmen Perilli, "La Gaceta," Tucuman"At a time when books are conceived and published to be read quickly, with divided attention in the din of the subway or the car, this novel is to be tasted with relish, in peace, in moderation, chewing slowly each and every one of the stories that make it up, and digesting it equally slowly so as to properly assimilate it all."--Rodolfo Martinez"A vast, cyclical filigree . . . Gorodischer reaches much farther than the common run of stories about huge empires, maybe because she wasn't interested in them to begin with, and enters the realm of fable, legend, and allegory."--Luis G. Prado, "Gigamesh," Barcelona

    and I asked God if he please couldn't take my brother Matthies instead of my rabbit. 'Amen.' Jas lives with her devout farming family in the rural Netherlands. One winter's day, her older brother joins an ice skating trip; resentful at being left alone, she makes a perverse plea to God; he never returns. As grief overwhelms the farm, Jas succumbs to a vortex of increasingly disturbing fantasies, watching her family disintegrate into a darkness that threatens to derail them all.A bestselling sensation in the Netherlands by a prize-winning young poet, Marieke Lucas Rijneveld's debut novel lays everything bare. It is a world of language unlike any other, which Michele Hutchison's striking translation captures in all its wild, violent beauty. Studded with unforgettable images - visceral, raw, surreal - The Discomfort of the Evening is a radical reading experience that will leave you changed forever.

    That was what he said, standing at the door to the cabin where I was spending the summer with my father. I was fifteen. It was 1948 and one of the first days of July.Trond’s friend Jon often appeared at his doorstep with an adventure in mind for the two of them. But this morning would turn out to be different. What began as a joy ride on “borrowed” horses ends with Jon falling into a strange trance of grief. Trond soon learns what befell Jon earlier that day—an incident that marks the beginning of a series of vital losses for both boys. Set in the easternmost region of Norway, Out Stealing Horses begins with an ending. Sixty-seven-year-old Trond has settled into a rustic cabin in an isolated area to live the rest of his life with a quiet deliberation. A meeting with his only neighbor, however, forces him to reflect on that fateful summer.

    A young girl named Temple is on the run. Haunted by her past and pursued by a killer, Temple is surrounded by death and danger, hoping to be set free.For twenty-five years, civilization has survived in meager enclaves, guarded against a plague of the dead. Temple wanders this blighted landscape, keeping to herself - and keeping her demons inside. She can't remember a time before the zombies, but she does remember an old man who took her in and the younger brother she cared for until the tragedy that set her on a personal journey toward redemption. Moving back and forth between the insulated remnants of society and the brutal frontier beyond, Temple must decide where ultimately to make a home and find the salvation she seeks.

    Here Jansson takes a darker look at the subjects that animate the best of her work, from her sensitive tale of island life, The Summer Book, to her famous Moomin stories: solitude and community, art and life, love and hate. Snow has been falling on the village all winter long. It covers windows and piles up in front of doors. The sun rises late and sets early, and even during the day there is little to do but trade tales. This year everybody’s talking about Katri Kling and Anna Aemelin. Katri is a yellow-eyed outcast who lives with her simpleminded brother and a dog she refuses to name. She has no use for the white lies that smooth social intercourse, and she can see straight to the core of any problem. Anna, an elderly children’s book illustrator, appears to be Katri’s opposite: a respected member of the village, if an aloof one. Anna lives in a large empty house, venturing out in the spring to paint exquisitely detailed forest scenes. But Anna has something Katri wants, and to get it Katri will take control of Anna’s life and livelihood. By the time spring arrives, the two women are caught in a conflict of ideals that threatens to strip them of their most cherished illusions.

    One of the results of its publication in the West was Pasternak's complete rejection by Soviet authorities; when he was awarded the Nobel Prize for Literature in 1958 he was compelled to decline it. The book quickly became an international best-seller.Dr. Yury Zhivago, Pasternak's alter ego, is a poet, philosopher, and physician whose life is disrupted by the war and by his love for Lara, the wife of a revolutionary. His artistic nature makes him vulnerable to the brutality and harshness of the Bolsheviks. The poems he writes constitute some of the most beautiful writing featured in the novel.

    But the forest is gradually emptying as more and more people leave to settle in villages, where they break their backs tilling the land to grow wheat for their “bread” (which Leemet has been told tastes horrible) and where they pray to a god very different from the spirits worshipped in the forest’s sacred grove. With lothario bears who wordlessly seduce women, a giant louse with a penchant for swimming, a legendary flying frog, and a young charismatic viper named Ints, The Man Who Spoke Snakish is a totally inventive novel for readers of David Mitchell, Sjón, and Terry Pratchett.

    Ferrante's inimitable style lends itself perfectly to a meticulous portrait of these two women that is also the story of a nation and a touching meditation on the nature of friendship. Through the lives of these two women, Ferrante tells the story of a neighbourhood, a city and a country as it is transformed in ways that, in turn, also transform the relationship between her two protagonists.

    But he has found a way to break the cycle—Bilodo has taken to stealing people's mail, steaming open the envelopes, and reading the letters inside. And so it is he comes across Ségolène's letters. She is corresponding with Gaston, a master poet, and their letters are each composed of only three lines. They are writing each other haikus. The simplicity and elegance of their poems move Bilado and he begins to fall in love with her. But one day, out on his round, he witnesses a terrible and tragic accident. Just as Gaston is walking up to the post-box to mail his next haiku to Ségolène, he is hit by a car and dies on the side of the road. And so Bilodo makes an extraordinary decision—he will impersonate Gaston and continue to write to Ségolène under this guise. But how long can the deception continue for? Denis Thériault weaves a passionate and elegant tale, comic and tragic with a love story at its heart.

    Scott Fitzgerald, the music of Pink Floyd and The Kinks, 2001: A Space Odyssey, the links between great art and the lives of the artists who create it—Fresán takes us on a whirlwind tour of writers and muses, madness and genius, friendships, broken families, and alternate realities, exploring themes of childhood, loss, memory, aging, and death.Drawing inspiration from the scope of modern classics and the structural pyrotechnics of the postmodern masters, the Argentine once referred to as “a pop Borges” delivers a powerful defense of great literature, a celebration of reading and writing, of the invented parts—the stories we tell ourselves to give shape to our world.Rodrigo Fresán is the author of nine books of fiction that together compose an expansive, interconnected fictional universe—a complex system of storylines, resonances, and self-reference that call to mind the works of David Foster Wallace, Thomas Pynchon, and Roberto Bolaño. Will Vanderhyden received fellowships from the NEA and Lannan Foundation to work on The Invented Part.