Witch World The first book in the classic Witch World saga by beloved fantasy and science fiction author Andre Norton. Simon Tregarth, a man on the run, escapes from our world into another, where magic still has power. He finds new purpose in the service of Estcarp, whose witches use their ancient knowledge of magic to protect their home. But a new threat is rising: the mysterious Kolder, who possess powers and technology unlike anything known in the Witch World. It will take Simon and the forces of Estcarp all their might, their courage, and their magic to drive back the insurmountable enemy. Web of the Witch World Fantasy and science fiction Grand Master Andre Norton’s Witch World saga continues in Web of the Witch World. After repulsing the Kolder, the land of Estcarp is safe, until a sudden disappearance sends Simon Tregarth and his allies on a quest to stop an enigmatic new danger. Though the Kolder were defeated before, they rise again with a vengeance, and their plot is even more sinister than before. From Karsten in the south to the swamps of Tor to the Kolder’s impenetrable stronghold and beyond, Simon must fight to stop the invaders of his adopted home once and for all. Year of the Unicorn Year Of the Unicorn returns to Andre Norton’s Witch World with a tale of adventure and magic. The orphan Gillan grew up in an abbey in High Hallack, always knowing she was different and never feeling at home. When the lords of High Hallack pledge twelve brides to the Were Riders in exchange for their protection, Gillan is faced with an opportunity few would consider: to take the place of one of the twelve chosen women and go off to parts unknown to marry one of these strange wild men. But Gillan leaps at the chance to leave the only home she has ever known in the hopes of finding something she was meant to do. And her rare gift to see through illusions that fool others will prove vital in a journey where nothing is as it seems.

    But first he'll have to make it across the bloody north and that is easier said than done when there's a price on your head . . . For fans of gritty, action-packed fantasy in the vein of George R. R. Martin and Joe Abercrombie. Bestselling independent author Tony Healey presents The Fallen Crown series, a hard-hitting sword & sorcery epic that will blow you away and leave you gagging for the next installment!

    His parents retired and moved to Florida. That doesn't mean his family isn't still in Jersey. In fact, he sees both sets of his grandparents every Sunday for dinner. This is routine until he has to tell them that he's been offered a dream job. The job he's been waiting for - marketing executive - would take him away from his beloved, but annoying, grandparents. He tells them. The news doesn't sit so well. Thus begins a series of schemes to keep Nick around. How could he betray his family's love to move to Seattle for a job, wonder his grandparents? Well, Frank, Aida, Nunzio, and Emma do their level best, that includes bringing the lovely - and single - Caitlin O'Hare as bait.

    The eclectic band of citizens that make up this town are portrayed by only two performers, making this satire on life in rural America even more delightful as they depict all of the inhabitants of Tuna -- men, women, children and animals.

    After all, what’s he going to be able to do about it? He’s just this guy, stuck in a small town, pinned there by a load of student debt and a stalled writing career. Oh, and a wicked case of writer’s block.Or at least he was, until a dragon showed up in his bedroom. At midnight. Quoting Freud and muttering about the space-time continuum.So of course, Ian must Make a Choice and decide whether he wants to follow the dragon back into the Connectome and find his muse again, or stay in a house that surely wants to kill him, one repair bill at a time.Follow Ian on a rollicking adventure, where he finds out that he can make a difference. And that some things are worth fighting for.Even if all you have is a can opener.

    In the century since its first performance, The Cherry Orchard has undergone a wide range of conflicting interpretations: tragic and comic, naturalistic and symbolic, reactionary and radical. Beginning with the 1904 premiere at Stanislavsky's Moscow Art Theatre, this study traces the performance history of one of the landmark plays of the modern theatre. Considering the work of such directors as Anatoly Efros, Giorgio Strehler, Peter Brook, and Peter Stein, Chekhov: The Cherry Orchard explores the way different artists, periods and cultures have reinvented Chekhov's poignant comedy of failure and hope.

    The first of the plays, The Real Inspector Hound, is the longer of the two; here the author has created a looking glass comedy of great suspense and intrigue about two drama critics. The second play, After Magritte, is 'a surrealist comedy in detective form-or is it a comedy in surrealist form? A husband and wife argue whether the figure they saw in the street was a one-legged football player with the ball under his arm, or a man in pajamas with a tortoise under his arm. The play shows that Stoppard is as amusing and clever as always.'

    But what play could possibly suit the point-and-click attention spans of kids born with remote controls in their cribs? Cue the lights for ZAP, a nonstop farce that juxtaposes seven different plays — performed simultaneously — with a comic genius reminiscent of masters from Monty Python to the Marx Brothers. Combining spot-on parodies of Anton Chekhov, Agatha Christie, Tennessee Williams, Samuel Beckett, Neil Simon and performance art and throwing in scenes from RICHARD III for good measure, ZAP flicks rapidly back and forth from play to play, with hilarious results. As characters from one play end up on the set of another, their befuddlement, exasperation, and brave attempts at improvisation are truly priceless. A hoot to read, ZAP is a dream to perform — as high schools in California, New York, and Florida have already discovered.

    Only two characters appear on stage; Hughie, the third and most important one, is dead. It is Hughie's innocence, gullibility, and need to believe in a far more exciting existence than he ever knew which gives some kind of purpose to the shabby lives of the two who remain. O'Neill here again writes of the defeated and the courage that comes by way of illusions reflecting still other illusions in a world that needs them all.Hughie, the only surviving manuscript from a series of eight one-act monologue plays that O'Neill planned in 1940, was completed in 1941.

    This new edition contains the updated book and lyrics from the smash Broadway production starring Neil Patrick Harris of John Cameron Mitchell and Stephen Trask’s landmark American musical.

    Mama, a sweet and capable manager, sees her children through childhood, manages to educate them and to see one of her daughters begin her career as a writer. Mama's sisters and uncle furnish a rich background for a great deal of comedy and a little incidental tragedy, while the doings of the children manage to keep everyone in pleasant turmoil. No description can do justice to the rich characterizations that fill the author's canvas. A High School version (ISBN 0-8222-0550-5) is also available at the same price. Groups interested should specify which version."

    He dreams of finding a quiet place, far beyond the ever-expanding reach of civilization, where he can sheath his sword for good.But he can't look the other way when he passes through a town caught in a duel between two powerful organizations. The graveyard outside of town is full, and innocents hide in their homes, hoping to survive the coming battle.Before long, Tomas is caught within the web of the escalating conflict, a lone swordsman standing against two violent forces that seek to control the town and the unnatural power it contains. He quickly appears destined to join countless others in their unmarked graves.But Tomas has a secret, too. And it would be a mistake to underestimate him.His war isn't over yet.

    Based on Norwegian folklore and Ibsen’s own imaginative inventions, the play relates the roguish life of the world-wandering Peer, who finds wealth and fame — but never happiness — although he is redeemed by love in the end. As the play opens the young farmer attends a wedding and meets Solveig, the woman who is eventually to be his salvation. However, the rascally Peer then kidnaps the bride and later abandons her in the wilderness. This dismal performance is followed by a string of adventures (many of which do not reflect well on Peer) in many lands. After these soul-chilling exploits, an old and embittered Peer returns to Norway, eventually finding solace in the arms of the faithful Solveig. Like other early Ibsen plays, such as Brand (1865) and Emperor and Galilean (1873), the work is imbued with poetic mysticism and romanticism, and in Peer we find a rebellious central character in search of an ultimate truth that always seems just out of reach. In this sense Peer can be seen as an alter ego of Ibsen himself, whose lifelong search for artistic and moral certainties resulted in the great later plays (Hedda Gabler, The Wild Duck, An Enemy of the People, etc.) upon which his reputation chiefly rests. This rich, poetic version of Peer Gynt is considered the standard translation.

    

    In this lively collection, learn how an ordinary young man, Mahesh Das, became the beloved Raja Birbal we all know today, and how he uses his famous wit, time and again, to build a ‘celestial palace’ for Emperor Akbar, order a census of crows, trap a thief using a magic bamboo, and much more.Replete with wisdom and wit, and brought to life by Tapas Guha’s beautiful illustrations, this clever collection of stories also offers valuable life lessons hidden beneath its humour.