The plot concerns a wealthy, lecherous old man who feigns a mortal illness in order to solicit bribes from greedy acquaintances who hope to inherit his fortune. Many complexities of plot and connivance ensue, but in the end, the guilty parties are exposed and punished. Explanatory footnotes.

    Lisa is a young woman obliged to work in Mamma Adele's on the Via Flaminia. The passion they feel for one another is fueled by their separate and equally desperate needs. But can love between victor and vanquished ever blossom?

    Smokey Stone, president of The Rebels biker club, doesn’t even know she exists. Desperate for both money and independence, down on her luck, Shaw takes a job stripping in her father’s club while keeping her identity a secret. She never expects to fall for a biker. Johnny "Boyscout" Kane may be a tattooed badass, but that doesn’t mean he can’t pull off a boy-next-door look. He’d once been lost, but The Rebels, and Smokey, had given him a home and a purpose. Befriending Shaw, the lost and broken newcomer, shifts the gears in his rusty heart. First he needs to get her off the stripper pole, and then in his bed. He’s treading a fine line between his club and his desire to have her. Then Scout’s hopes—and Shaws life—are endangered when an obsessive millionaire makes Shaw an irresistible offer. Is Scout willing to risk losing her, to save her? She belongs in his bed, not some stranger’s. Shaw needs money, not a biker acting like her knight in shining armor. But when Scout discovers Shaw’s identity, is his loyalty to the club, or to the woman whose secret can ruin them both?

    She liked to hang her laundry on a line outside, so that the sun and wind would make it dry. The old woman usually used clothespins to secure her laundry, so that the wind would not blow her things into the lake. Among all the colorful plastic clothespins, there was only one made from wood. The old woman rarely used it because she could not find its mate. Most of the time, the wooden clothespin just hung on the line by itself and looked out at the forest, located on the other side of the lake. One day, the lonely wooden clothespin realized that she was related to those beautiful trees, and decided to visit them. She jumped down from the clothesline and headed toward the lake... Read this fun and entertaining bedtime story now!

    Trapped under Mussolini’s reign and Hitler’s occupation, this riveting true story is propelled by a brave girl’s courage and a family’s bond as they struggle to survive the battle between the forces of evil and the power of love.Where there is love, hope remains.Against the backdrop of fascist Italy during World War II and the Holocaust, “Lilia” sets the stage for the harrowing story of a family whose depth of heart overcomes a war tearing them apart—years marred by unfathomable tragedies, immense loss, upheaval, and countless betrayals.Lilia resigns herself to a world crushed by misery, abject poverty, and a broken, bitter mother who suffered insurmountable grief. The burden of war, loneliness, and adult responsibilities rob her of a carefree childhood. Witnessing her parent’s challenge to stay alive during the Nazi occupation becomes Lilia’s greatest sorrow, one she makes the most heroic efforts to conceal. Ultimately, tragic loss and unanswered prayers dim the flame of her belief in the future. Will a seed of love reignite Lilia’s faith leading her towards an unforgettable and inspiring triumph over tragedy? Or will the dark shadow of war plague her destiny forever? This poignant account will transport you to a lost moment in history that irreversibly changes a quaint Northern Italian village, transforming its people for generations to come. Through the eyes and fearless spirit of a young girl, Lilia’s family story comes to life on the page and will remain in your heart long after you finish the final chapter.Read it now.PRAISE FOR LILIA“A powerful must-read! Get ready for an emotional rollercoaster that rides up there with The Diary of Anne Frank. The writing of this historical memoir is outstanding.”“Poignant and moving, yet startlingly compelling. Stunning.”“If you love WWII stories, this is one for your shelf. It is visual and cinematic. I hope it finds its way to the big screen.”“Powerful, passionate, and poignant. This book will grip you by the heartstrings and not let go. A compelling and astonishing five-star read.”“A beautiful masterpiece. Bring it home to adorn your bookshelf and to live in your heart.”“Full of universal lessons for us all. Poignant and remarkable in many ways, this author and loving daughter birthed a classic story that will endure through the ages. A must-read.” “The indignities, atrocities, and terrors visited on a poor family in a tiny Northern Italian village during WWII place in stark relief the human toll war takes on those the history books never document. Told with deep emotion and love, Lilia’s story steals your breath at the misery and hardship visited on a young girl forced to grow up far too fast in a world torn apart by the greed for power in fascist Italy. Yet there are rare moments of beautiful joy too. Through it all, Lilia’s incredible well of resilience never runs dry. Ganzini’s poetic prose renders this story both a warning about the slide into fascism in modern times and a beacon of hope for the strength of the human spirit. Read it now.” “Lilia is a labor of love, and it shows. The amount of detail, emotional nuance, and attention to the unfolding story of a family held together by love and hope lends itself to an exquisite and heartfelt narrative. Linda Ganzini has created a work that reflects the cruel realities of the past and heralds a clarion call to the time we currently find ourselves. Like Lilia and her family members, we can choose resilience and allow our personal stories to become beacons for our collective human journey. This is an important book for a transformative moment in our history.” “Lilia is a timely and must-read book. The author’s powerfully evocative and descriptive writing transported me back in time to a world of uncertainty, where innocent people were stripped of their humanity, dignity and faith. And a time where bonds were strengthened to survive the unthinkable. My thanks to Linda Ganzini for allowing readers to connect to her family’s past trials and tribulations in Northern Italy during WWII-events few know and talk about, especially our younger generation.”

    Sicily, 1862. In the newly united Italy, Judge Surra arrives in Montelusa to take charge of the local court, in a town where conflict has been kind to a select few. At first, Surra is baffled by the quaint local customs: cryptic anonymous notes, mutterings in the street, tasty - if tasteless - gifts of disembodied animal heads. However, buoyed by his twin passions for justice and fine dining, Surra is determined to settle into island life, no matter who stands in his way. Distilling his customary humour and tension into this miniature masterpiece, Andrea Camilleri casts an ironic eye on the corruption and charm of a turbulent small town, testing his naïve but noble hero against the darkest arts of the Mafia.This story is available in print as a part of the collection Judges, published by MacLehose Press.

    Believe me. I don't know what's happened, but something has. He's changed. He . . . And I'm wondering if . . . To be absolutely honest with you . . . I'm even wondering if . . . Nicolas, just two years ago a smiling boy, is going through a difficult phase after his parents' divorce. He's listless, skipping classes, lying. He believes moving in with his father and his new family may help. And a different school, a fresh start. When he doesn't feel comfortable there, when he senses he isn't wanted, he decides that going back to his mother's may be the answer. But at some point, options are going to dry up. And then what?I'm telling you. I don't understand what's happening to me. Florian Zeller's The Son forms the final part in a trilogy with The Mother and The Father, all of which are translated by Christopher Hampton. The Son premieres at the Kiln Theatre, London, in February 2019.

    This new adaptation by Dorothy Louise captures the remarkable pace of the story in fresh dialogue that is attuned to contemporary American audiences.

    EARLY WORKS: ACTOS, BERNABE AND PENSAMIENTO SERPENTINE is three books in one: 1) a collection of one act plays by Valdez and the famous farmworker theater, El Teatro Campesino, 2) one of the first fully realized, full-length plays by Valdez alone, and 3) an original narrative poem by Luis Valdez. In the first part are collected the original, improvised works of El Teatro Campesino that deal with the exploitation of Mexican farm labor in the California fields, the discrimination found by Mexicans in the schools, and Mexicans being turned into cannon fodder by the U.S. Army in Vietnam. Bernabe is a touching, Lorcaesque poetic drama about a town fool's enchantment and ultimate unity with the earth. Pensamiento serpentino is a long, philosophical poem, based on Mayan thought and cosmology, which analyzes the cultural, religious and political circumstances of Mexican Americans and prepares a metaphysical framework for their future.

    They sailed far out to sea. The blue one returned to the harbor. The red one sailed home too. But the yellow boat sailed up to the sun." Benjamin always concluded his bedtime ritual by saying, "Mom, you can be the red boat or the blue boat, but I am the yellow boat." This remarkable voyage of Benjamin was extensively developed and widely produced in America for several years, always to ovations. Cast of 4 men and 3 women.THE YELLOW BOAT is based on the true story of David and Sonja Saar's son, Benjamin, who was born with congenital hemophilia, and died in 1987 at the age of 8 of AIDS related complications. A uniquely gifted visual artist, Benjamin's buoyant imagination transformed his physical and emotional pain into a blaze of colors and shapes in his fanciful drawings and paintings. The story of THE YELLOW BOAT Is a glorious affirmation of a child's life, and the strength and courage of all children. Recommended for children of age 8 and older, parents, families and adults.

    Their parents taught them to embrace both their Japanese heritage and the ways of their American homeland. They faced bigotry, yet they believed in their bright futures as American citizens. But within days of Pearl Harbor, the FBI was ransacking their houses and locking up their fathers. And within months many would themselves be living behind barbed wire.Facing the Mountain is an unforgettable chronicle of war-time America and the battlefields of Europe. Based on Daniel James Brown's extensive interviews with the families of the protagonists as well as deep archival research, it portrays the kaleidoscopic journey of four Japanese-American families and their sons, who volunteered for 442nd Regimental Combat Team and were deployed to France, Germany, and Italy, where they were asked to do the near impossible.But this is more than a war story. Brown also tells the story of these soldiers' parents, immigrants who were forced to shutter the businesses, surrender their homes, and submit to life in concentration camps on U.S. soil. Woven throughout is the chronicle of a brave young man, one of a cadre of patriotic resisters who stood up against their government in defense of their own rights. Whether fighting on battlefields or in courtrooms, these were Americans under unprecedented strain, doing what Americans do best--striving, resisting, pushing back, rising up, standing on principle, laying down their lives, and enduring.

    I loved it' Carol MasonHow far will the ties of friendship stretch before they finally break?Everyone knows Melissa Silk and her two best friends: a walking poster for friendship and community. People might hate them if they weren't so infectiously likeable.But when a fatal accident causes their perfect world to shatter, Melissa can't move on.Everyone urges Melissa not to let obsession and paranoia pull their friendship group apart. But she knows that something about the accident doesn't quite add up.What if learning the truth means losing everything she cherishes?Because friends don't lie?Or do they?This is a breathtaking novel of friendship and heartache, about the ties that bind us, but how lies can unravel everything.

    

    The sensual story of an unusual love affair leads the collection. The thrill and risk of pursuit and conquest mark the accompanying stories, which tell of the sexual awakening and rites of passage of a Boston boyhood, the ruin of a writer in Africa, and the bewitchment of a retiree in Hawaii. Filled with Theroux's typically exquisite yet devastating descriptions of people and places, The Stranger at the Palazzo D'Oro evokes "the complexities of matters of the heart with subtlety and grace" (People).

    He enlists the aid of his lifelong buddy, Aldo Scalicki, a confirmed bachelor who tries, without apparent success, to convince Huey that he would be better off sticking with his new lady friend, Teresa, a usually placid young waitress whose indignation flares when she learns what Huey is up to. In a moonlit balcony scene (hilariously reminiscent of Cyrano de Bergerac) Aldo pleads his lovesick friend's case and, to his astonishment, Janice capitulates although not for long. However we do learn that her earlier abuse of Huey was intended to make him "act like a man" which, at last, he does. And, more than that, he (and the audience) become aware that, in the final essence, "the greatest and only success is to be able to love" a truth which emerges delightfully from the heartwarming, wonderfully antic and always imaginatively conceived action of the play.