Born in the last quarter of the sixth century, Aeschylus had fought with the victorious Greeks in one and probably both of the Persian Wars (190 and 480-79). He died around 456 at about seventy years of age in Gela, Sicily. His epitaph records his role as a soldier at Marathon, not his artistic achievements, but these were many. The author of more than seventy plays, he won his first of thirteen tragic victories in 484. Of these plays, only seven remain. The Oresteia is Aeschylus' only complete surviving trilogy; the satyr play with which it was first performed, Proteus, is lost. Peter Meineck has aimed to translate the Oresteia for the modern stage.

    Its directionless New York City author arrives in town to defend the book and finds that it has inspired a group of local teens to rebel in strange and unexpected ways. A timely and unforgettable drama about the failure of urban and heartland America to understand each other, The Metal Children explores what happens when fiction becomes a matter of life and death.

    The great city of Constantinople, last remnant of the once-mighty Roman Empire, falls to the Ottoman armies of Sultan Mehmed the Conqueror. An English knight named Sir John Page is taken prisoner by the Ottomans, and forced to entertain the Sultan with tales of the West. Page chooses to tell the story of his own long career as a soldier of fortune in France, Bohemia and the Italian city-states. Page’s tale begins in the year of Agincourt, Henry V’s famous victory over the French. As the bastard son of Thomas Page, a famous mercenary captain known as The Half-Hanged Man or The Wolf of Burgundy, Page soon acquires the nickname of The Wolf Cub. After slaying his cousin in a duel, Page flees his home and joins a band of outlaws in the forests of Sussex. At last - tired of the brutality of his companions - he decides to leave England and join the English army in Normandy. There he endures brutal sieges, vicious combats, torture, betrayal and imprisonment, all to win glory and redeem his father's name. Trapped in the Sultan’s prison, Page must hope his story is enough to save him from the executioner’s blade....at least for another three days...

    It won the 1995 Evening Standard Award for Best Comedy and, the Writers' Guild for Best West End Play."An exceptionally accomplished first play . . . though I know nothing about poker, I testify to the compulsive grip this play exerts and to the accumulation of meanings it ignites in your head."—Financial Times"Patrick Marber's enthralling close-up of the demons which drive compulsive gamblers is among the finest new plays in many a year."—Daily Mail

    With a nod to his mentor, Harold Pinter, Mamet once again employs his signature verbal jousting in this battle of two women over freedom, power, money, religion—and the lack thereof. Broadway premiere, under the direction of the playwright, in fall 2012 starring Patti LuPone and Debra Winger.David Mamet is a playwright, director, author, essayist, screenwriter, and film director. His plays include Glengarry Glen Ross, Speed-the-Plow, American Buffalo, A Life in the Theatre, Oleanna, The Cryptogram, and Race.

    In this new Harper Paperback edition, all four shows are compiled into one phenomenally entertaining volume.Mambo Mouth (1991), Leguizamo's first show, was an off Broadway sensation. Leguizamo's portrayal of seven different Latino characters earned him both Obie and Outer Critics Circle awards. His follow up, Spic–O–Rama (1993), a "dysfunctional family comedy," presents 24–hours in the life of one family. It enjoyed a sold–out run in Chicago before relocating to New York where it won its creator a Drama Desk Award. Freak (1998), Leguizamo's Broadway debut, is his own coming–of–age story. A "demi–semi–quasi–pseudo–autobiography," the show was a critical and commercial success and won an Emmy when it was shown on TV. Sexaholix: A Love Story (2001), based on the sold–out national tour of John Leguizamo Live! was nominated for an Outer Critics Circle Award as well as a Tony Award.Alternately hilarious and poignant, always candid and searingly intelligent, The Works of John Leguizamo is a must–have for fans of this inimitable performer.

    One of his best-loved and most famous plays, it exposes the lies plaguing the family of a wealthy Southern planter of humble origins.

    Knowing how hard Lil's life is, Annie willingly helps her out, lending her dresses and make-up and, when Annie is asked out on a smart date by the landlord's son Peter Barrett, suggesting Lil come along to make up a foursome. But it is a shock when Lil gets on famously with Peter's swanky friend Julian whilst Annie feels much less sure of the smooth Peter. Soon Lil is busy earning money from pub singing spots set up for her by Julian, and Annie, no longer needed by her friend, feels more isolated than ever. It is then that she notices shy Will Hobbs from Fisher's engineering works. Before long Annie and Will are engaged, with plans for a home of their own in Surrey. But a dreadful accident at Fisher's and the looming shadow of World War II mean that life for Annie of Albert Mews is not so predictable - or secure - as she once thought it was ...

    Eitan Green is a good man. He saves lives. Then, speeding along a deserted moonlit road in his SUV, he hits someone. Seeing that the man, an African migrant, is beyond help, he flees the scene. It is a decision that changes everything. Because the dead man’s wife knows what happened. When she knocks at Eitan’s door the next day, tall and beautiful, he discovers that her price is not money. It is something else entirely, something that will shatter Eitan’s safe existence and take him into a world of secrets and lies. Waking Lions is a gripping, suspenseful and morally devastating drama of guilt and survival, shame and desire.

     Archeologist and agnostic Randall Bullock has come to Israel to try and resurrect his crumbling career and shattered life. Teaming up with Miri Sharon, a beautiful representative of Israeli Antiques Authority, the two unearth a stone casket marked "Joseph, son of Caiaphas," which contains several fragile scrolls that document the death and resurrection of Jesus Christ. This discovery launches Miri and Randall, along with his estranged nineteen-year-old daughter, Tracy, into a race to validate the monumental find, no matter what the Israeli authorities, media circus, and archaeological rivals want the world to believe. Forced to face the power of this historical resurrection, Randall must also struggle with his own beliefs -- or lack of them -- while trying to keep the consequences of their discovery from taking a disastrous turn. The Bone Box, fraught with political intrigue, is a suspense-filled blend of historical fact, romance, and transforming faith. Through all the danger and struggle, Randall discovers how easy -- and deadly -- it is to ignore the evidence and reject the true story of Christ.

    Blood Wedding tells the story of a couple drawn irresistibly together in the face of an arranged marriage; Doña Rosita the Spinster follows the appalling fate of a young woman beguiled into the expectation of marriage and left stranded for a lifetime whilst Yerma is possibly Lorca's harshest play following a woman's Herculean struggle against the curse of infertility. Set in and around his home territory, Granada, the plays return again and again to the lives of passionate individuals, particularly women, trapped by the social conventions of narrow peasant communities. The plays appear here in new playable translations.

    Although they live in the same north London neighbourhood of Stamford Hill, they come from two culturally different communities that rarely interact.Miri is a sheltered but contemplative young woman from a Chassidic family. Her strict upbringing has prevented her from pursuing a career or being allowed to date. She has never even spoken to a boy other than a close relative. Soon, she will be expected to marry, but she fears being forced into an unsuitable shidduch (traditional, arranged marriage).When her more adventurous friend invites her for an evening out, she agrees on a whim. It is an experience she will never forget. There, she meets Ben. Kind, sensitive, and hiding his own secret pain, Ben is from the exiled, Middle Eastern Jewish community of Aden. Despite their differences, Ben and Miri are drawn to one another. What her friend only intended as a bit of harmless fun soon develops into something more serious, with far-reaching consequences for them all, and risks tearing Miri’s family apart.With distinct nuances from two little-known communities, Ayuni is a powerful story about forbidden love, loss, the complexities of family and community, and the bonds of friendship.

    Tiny, warm-hearted, totally devoted to her charming rogue of a husband, Lizzie mothers her brood of nephews and nieces through the perils of the war-torn capital, makes a home for them in the bomb shelters of underground London, launches them on the roller-coaster of life and stands by with help and encouragement.For Lizzie is a survivor, an irresistible heroine with the unquenchable optimism, the great heart, the indomitable courage that sum up the spirit of the East End.

    This volume presents a comprehensive critical study of Samuel Beckett's first and most renowned dramatic work. Lawrence Graver discusses the play's background and provides a detailed analysis of its originality and distinction as a landmark of modern theatrical art. He also reviews some of the differences between Beckett's original French version and his English translation.

    Hardy winter crocuses, blooming in their thousands, are followed by blue muscari which adorn the meadows like glorious sapphires on a silk carpet.” Set amidst the timeless landscape and remote villages of Anatolia, The Carpet Weaver of Uşak is the haunting and unforgettable story of a deep friendship between two women, one Greek Orthodox, the other a Muslim Turk: a friendship that transcends an atmosphere of mistrust, fear and ultimate collapse, long after the wars have ended. Life in Stavrodromi and Pınarbaşı always moved at a slow pace. The years slipped by with the seasons and news was gathered from the camel trains passing through. The Greek and Turkish inhabitants of these two villages managed to pull together in adversity, keeping an eye out for each other. In the centre of the village stood the Fountain of the Sun and Moon. Here the locals congregated to celebrate the events in each other’s life – their loves and losses, their hopes and dreams. When war broke out in a faraway place that few had heard of, a sense of foreboding crept into the village, as silently as the winter mists that heralded the onset of another long, cold winter. 1914: As the tentacles of The Great War threaten to envelop the Ottoman Empire, Uşak, the centre of the centuries-old carpet weaving industry in Turkey, prepares for war. Carpet orders are cancelled and the villagers whose lives depend on weaving, have no idea of the devastating impact the war will have on their lives. 1919: In the aftermath of the war, the tenuous peace is further destabilized when the Greek army lands in Smyrna and quickly fans out into the hinterland. Three years later, the population of Stavrodromi and Pınarbaşı are forced to take sides. Loyalties and friendships that existed for generations are now irrevocably torn apart. Their world has changed forever.