But in Thirroul, in 1948, she’s not the only person trying to chase dreams through books. There’s Roy McKinnon, who found poetry in the mess of war, but who has now lost his words and his hope. There’s Frank Draper, trapped by the guilt of those his medical treatment and care failed on their first day of freedom. All three struggle to find their own peace, and their own new story.But along with the firming of this triangle of friendship and a sense of lives inching towards renewal come other extremities—and misunderstandings. In the end, love and freedom can have unexpected ways of expressing themselves.The Railwayman’s Wife explores the power of beginnings and endings, and how hard it can sometimes be to tell them apart. Most of all, it celebrates love in all its forms, and the beauty of discovering that loving someone can be as extraordinary as being loved yourself.

    something I have to do because of Joy and Matilde. They are my grandmothers and I love them both and they totally love me but they can't stand each other. Eleven-year-old Allegra shuttles between her grandmothers who live next door to one another but couldn't be more different. Matilde works all hours and instils discipline, duty and restraint. She insists that Allegra focus on her studies to become a doctor. Meanwhile free-spirited Joy is full of colour, possibility and emotion, storing all her tears in little glass bottles. She is riding the second wave of the women's movement in the company of her penny tortoise, Simone de Beauvoir, encouraging Ally to explore broad horizons and live her 'true essence'. And then there's Rick who lives in a flat out the back and finds distraction in gambling and solace in surfing. He's trying to be a good father to Al Pal, while grieving the woman who links them all but whose absence tears them apart. Allegra is left to orbit these three worlds wishing they loved her a little less and liked each other a lot more. Until one day the unspoken tragedy that's created this division explodes within the person they all cherish most.

    And across the centuries the fates of three women are linked: to this place, to each other.In the early 1700s, Sarah, accused of being a witch, flees for her life.In the aftermath of the Second World War, Ruth navigates a new house, a new husband and the strange waters of the local community.Six decades later, the house stands empty. Viv, mourning the death of her father, catalogues Ruth’s belongings and discovers her place in the past – and perhaps a way forward.Each woman’s choices are circumscribed, in ways big and small, by the men in their lives. But in sisterhood there is the hope of survival and new life. Intricately crafted and compulsively readable, The Bass Rock burns bright with anger and love.

    Sarah, Hannah’s grandmother, is returning to the country of her birth, a place she hasn’t seen since boarding the USS Mariposa in 1945. She, along with countless other war brides, sailed across the Pacific to join the American Servicemen they’d married during World War II.Hannah is the age Sarah was when she made her first journey, and in hearing Sarah tell the story of her life, realises the immensity of what her grandmother gave up.The Passengers is a luminous novel about the journeys we undertake, the sacrifices we make and the heartache we suffer for love. It is about how we most long for what we have left behind. And it is about the past - how close it can feel - even after long passages of time.Praise for The Passengers: ‘A compelling novel about the bruises inflicted by fate and by ourselves, and the blessings to be found in resilience, determination, and love.’ - Debra Adelaide, author of The Household Guide to Dying‘Two women, two generations, two countries, two journeys. Eleanor Limprecht gracefully navigates the crosscurrents of history and creates vibrant characters from the extraordinary true experiences of Australian war brides. Sarah and Hannah’s urgent search for love and wholeness moved me in both senses: they touched my hearts and I still feel I am churning across the Pacific with them. A deeply satisfying novel.’ - Susan Wyndham, former literary editor, The Sydney Morning Herald'I loved this book and I loved its characters, beautifully observed and movingly examined by Limprecht’s exquisite prose. A stunning exploration of hope and desire, fear and control, this story is full of heart and heartbreak.’ - Ashley Hay, author of The Railwayman’s Wife

    . .and the nightmare begin?Frank owns a service station on a little-used highway. His granddaughter, Allie, is sent to stay with him for the summer, but they don't talk a lot.Simon is a dreamer and an idealist, in thrall to the romance of the open road and desperately in search of something.Maggie is the woman who will bring them together, someone whose own personal journey will visit unimaginable terror on them all. . .'With echoes of Deliverance and Battle Royale, the Australian outback-set The Hunted is a truly terrifying, breathlessly exciting novel. It gut-punches you in the first few pages and doesn't let you recover until the final, thrilling climax. An extraordinary book.' M. W. CRAVEN What readers are saying: 'A high octane roller-coaster of a novel, brilliantly written with strong characters to cheer for. Just don't read it before going to sleep like I did.''This type of horror/action thriller isn't my usual thing but boy, did I love this book.''This entire book was just pure, fast-paced tension and I loved every insane page of it.''I'd say it's a hard book to put down, but a couple of times I found the suspense heightened enough that I needed a break. That's how good it was.''Even the squeamish would find it difficult to put this book down for very long.'

    Linda Calvey writes what she lived.They grew up with nothing. Just a regular family scraping by, living an honest life while crime ruled the East End. Until all that honesty and all that hard work left them with nothing.Poor, destitute and hungry, young Ruby decides to pull them from the ashes. It starts as one job, one step outside the law. Yet that one step sets her on a path – straight to the top.But in the East End you don't build an empire without making a few enemies . . .Welcome to the underbelly of London, where criminals run the streets and one woman will do anything to protect her family.The crime debut novel of the year, perfect for readers who loved No Mercy and Queenie.

    Only Pen knows the reason why.College life had seemed like a wonderland of sex, drugs and maybe even love. The perfect place to run away from your past and reinvent yourself. But Pen never can run far enough and when friendships are betrayed, her secrets are revealed. The consequences are deadly.‘This is about three deaths. Actually more, if you go back far enough. I say deaths, but perhaps all of them were murders. It’s a grey area. Murder, like beauty, is in the eye of the beholder. So let’s just call them deaths and say I was involved. This story could be told a hundred different ways.’‘This is a novel of disquieting intimacy and controlled suspense, Aoife Clifford deftly tightening the screws until we share the narrator’s sense of emotional and physical confinement and the unremitting grip of the past.’ - Garry Disher, author of Bitter Wash Road

    Chrisanthi is sympathetic to Pamela's struggles and the women begin to tell each other the stories and secrets of their lives.Pamela, responsible for raising her three sons, must re-invent the meaning of home following her divorce, and Chrisanthi, her dreams long dampened, must find home by leaving it. Temperamental opposites, their emails turn into an exhilarating and provocative exchange of love, loss and fresh beginnings, by turns amusing, frank and confronting.

    By the end of the night, the parish priest, Father Leo Galvin, is dead.The lives of four teenagers - Tom, Conor, Tess and Nina - who had been drinking beer and smoking in a shed at the back of the house, will never be the same. But one of them carries a secret from that night that he has never shared. The friends go on to lead very different, separate lives - some quiet, others in the media spotlight - but the four remain connected by what happened during the time of the big snow.As the thirty-fifth anniversary of Father Galvin's murder approaches, Conor, now a senior police officer, becomes obsessed with the crime his father failed to solve. He believes that Tom can help identify Father Galvin's killer. But does Tom wish to break his silence? His dilemma draws the four friends back together, forcing them to question their lives and to confront their differences. But only Tom can decide whether Kilmitten's secret will finally be revealed.

    Five years ago, she fled her successful career as a concert harpist in London to return to her Bondi home. She still plays, but now her audience is on the way out ... literally. It's complicated and complication is something Zoe understands well. Her best friend is chasing a new love, her brother's chasing too much love and her father has been married far too many times. Compared to them she thought she was doing okay. She's met the guy she is sure is the one. He wooed her and has been sleeping with her for almost five years. It would all be perfect ... if he wasn't married.Zoe is learning that hearts, like harps, are capable of beautiful music if treated the right way and can be tricky to manoeuvre. She's over the old tune. But does Zoe have the courage to rewrite the song of her own life?The Song Of Us is a soulful story of family, love and the notes that define our lives by the author of The Secret Recipe For Second Chances.

    They share two kids, a mortgage, careers and plenty of history. Now, after a particularly fraught Christmas, Lou is ready to ask herself: is this marriage worth hanging on to?Every month for a year, Lou sets a different test for their relationship - from daily sex to brutal honesty - to help her decide if she should stay or go. Secrets are exposed, old wounds reopened and a true-to-life suburban love story unfolds.I Give My Marriage a Year paints a sharply accurate, often hilarious picture of a modern Australian marriage. Lou and Josh are a couple on the edge, and their efforts to bring their relationship back from the brink will resonate with anyone who has ever asked themselves: is this enough?Whose side will you take? Who deserves a second chance? And will Josh and Lou stay together or split for good?

    Claire, a former professional ballerina, has been a wonderful parent to Ethan, but he’s becoming increasingly curious about his father’s absence in his life. Claire is fiercely protective of her talented, vulnerable son—and of her own feelings. But when Ethan falls ill, tied to a tragic event that occurred during his infancy, her tightly-held world is split open. Thousands of miles away on the western coast of Australia, Mark is trying to forget about the events that tore his family apart, but an unexpected call forces him to confront his past and return home. When Ethan secretly intercepts a letter from Mark to Claire, he unleashes long-suppressed forces that—like gravity—pull the three together again, testing the limits of love and forgiveness. Told from the alternating points of view of Ethan and each of his parents, Relativity is a poetic and soul-searing exploration of unbreakable bonds, irreversible acts, the limits of science, and the magnitude of love.

    It's hot. Stormy. Dangerous. The waters of the Brisbane River are rising. The rains won't stop. People's nerves are on edge. And then...A body is found. And then another.And another.A string of seemingly ritualized but gruesome murders. All the victims are men. Affluent. Guys with nice houses, wives and kids at private schools. All have had their throats cut. Tabloid headlines shout, THE VAMPIRE KILLER STRIKES AGAIN!Detective Sergeant Lara Ocean knows the look. The 'my-life-will-never-be-the-same-again look'. She's seen it too many times on too many faces. Telling a wife her husband won't be coming home. Ever again. Telling her the brutal way he was murdered. That's a look you never get used to.Telling a mother you need her daughter to come to the station for questioning. That's another look she doesn't want to see again.And looking into the eyes of a killer, yet doubting you've got it right. That's the worst look of all - the one you see in the mirror. Get it right, you're a hero and the city is a safer place. Get it wrong and you destroy a life. And a killer remains free. Twenty years down the track, Lara Ocean will know the truth.

    But first he must divorce his current wife, even though she can no longer speak for herself.THE DAUGHTERSTully and Rachel Aston look upon their father’s fiancée, Heather, as nothing but an interloper. Heather is younger than both of them. Clearly, she’s after their father’s money.THE FORMER WIFEWith their mother in a precarious position, Tully and Rachel are determined to get to the truth about their family’s secrets, the new wife closing in, and who their father really is.THE YOUNGER WIFEHeather has secrets of her own. Will getting to the truth unleash the most dangerous impulses in all of them?

    The Rebel. The Nerd.All Ryan, Harley and Miles had in common was Isaac. They lived different lives, had different interests and kept different secrets. But they shared the same best friend. They were sidekicks. And now that Isaac's gone, what does that make them?Will Kostakis, award-winning author of The First Third, perfectly depicts the pain and pleasure of this teenage world, piecing together three points of view with intricate splendour.