Her only hope of surviving is to travel to America, a land of freedom and opportunity, and reunite with her brother in Baltimore. There she'll find new challenges, and perhaps, if she can put her painful past behind her, a new chance for love and lasting happiness.

    Gone is the part of her that bore one of the most beautiful full-body tattoos ever rendered. Kenzo Matsushita, a young doctor who was first to discover the crime scene, feels compelled to assist his detective brother, who is in charge of the case. But Kenzo has a secret: he was Kinue’s lover, and soon his involvement in the investigation becomes as twisted and complex as the writhing snakes that once adorned Kinue’s torso.The Tattoo Murder Case was originally published in 1948; this is the first English translation.

    The novel is full of interesting symbolism and intriguing characters, but his intricate web of lives and events can be tricky to follow as Doerr constantly shifts between time periods.   This Sidekick to All the Light We Cannot See is sure to effortlessly guide you through the novel, point out what you might have otherwise missed, and broaden your understanding of the novel!   Inside you’ll find:   Chapter Summaries   Symbolism and Imagery   Individual Character Analysis   Questions to Consider   Important Quotes   Disclaimer: This book serves as an accompaniment to the bestseller "All the Light We Cannot See" by Anthony Doerr. It is meant to broaden the reader's understanding of the book and to offer some insights which can easily be overlooked. You should order a copy of the actual book before reading this.

    

    At the turn of eighteenth-century England, a spirited young woman copes with the suit of a snobbish gentleman as well as the romantic entanglements of two of her four sisters.

    Osamu Dazai’s The Setting Sun takes this milieu as its background to tell the story of the decline of a minor aristocratic family.The story is told through the eyes of Kazuko, the unmarried daughter of a widowed aristocrat. Her search for self meaning in a society devoid of use for her forms the crux of Dazai’s novel. It is a sad story, and structurally is a novel very much within the confines of the Japanese take on the novel in a way reminiscent of authors such as Nobel Prize winner Yasunari Kawabata – the social interactions are peripheral and understated, nuances must be drawn, and for readers more used to Western novelistic forms this comes across as being rather wishy-washy.Kazuko’s mother falls ill, and due to their financial circumstances they are forced to take a cottage in the countryside. Her brother, who became addicted to opium during the war is missing. When he returns, Kazuko attempts to form a liaison with the novelist Uehara. This romantic displacement only furthers to deepen her alienation from society.

    The couple who survived the Great Hunger have had to watch more than half their family leave the parish. The responsibility to care for one another extends beyond blood or marriage ties for the McGrother family in New York, when a young Irishman goes missing in America. Back in Ireland, at a time when James and Mary least expect it, a family member returns - but not everyone is pleased with the reunion.

    A filmmaker and now a dry alcoholic, he's lived life to the full - sex, drugs and rock 'n' roll. Here, struggling to survive cancer, Noah evaluates his chequered past life, and as a picture builds of a brave and foolish man, gradually it becomes clear that he's a modern-day hero.

    is considered one of the greatest American authors ever. He wrote about 30 novels, an uncounted number of short-stories and a few essays and plays. His most successful novel, Slaughterhouse-Five or The Childrens′ Crusade, a Duty Dance with Death, was his sixth book and published in 1969.This research paper will focus on the connection between Billy Pilgrim, the main character of Slaughterhouse-Five, and the life of Kurt Vonnegut. Furthermore, it will make use of this connection in order to suggest why Kurt Vonnegut wrote this book.Pilgrim, who is an American World War II veteran and survived the allied air raid on Dresden in early 1945, strikes the reader as a very eccentric person. He believes that he "has come unstuck in time" (Vonnegut, 1991, p.23) and time travels to his childhood, to his wedding, to the Battle of the Bulge and to the air raid. But not only that he has lost control over the temporal aspects of his life, he furthermore believes that he has been kidnapped by aliens from the planet Tralfamadore and taken to their world as an exhibit in a terrarium.In order to point out the close relationship between the author and the main character I will subdivide this paper into several sections, shortly giving information about the author′s biography and providing a quick summary of Slaughterhouse-Five.This information has to be considered and related in order to understand Vonnegut′s motivation for writing this novel. It is vital to realize that Pilgrim is Vonnegut and that whatever Pilgrim feels is what Vonnegut experienced in his life.

     But when a casual fling turns serious, will they both be down for the ride? Riley Pratt is content living her quiet, less-than-thrilling life in the city minding her own business. Due to her hectic work schedule and self-made career as one of Savannah's up-and-coming interior designers, she's learned to keep her thoughts to herself and her eyes on the prize-- a fruitful, shining career in design. Until Cameron Alden waltzes into town.Always thinking up his next cocky comeback, Cameron is arrogant and annoyingly charming in all the wrong ways. Heir to the largest whiskey distillery in the South, he prides himself on being well-endowed but also claims he's prudish as hell. Official word around town? He's Savannah's hottest bachelor. And he takes complete advantage of it.Which... isn’t Riley’s glass of rosé. Though she can feel sparks flying rampant when they’re together, will Riley give him a chance? Or is she too sure that Cameron's old habits will die hard, making her just another one-night stand?

    She gives herself to him fully and without remorse, despite knowing that their passion cannot last and that the affair can have only one outcome. In chronicling the course of this doomed romance, Kawabata has created a story for the ages, a stunning novel dense in implication and exalting in its sadness.

    Genji, the Shining Prince, is the son of an emperor. He is a passionate character whose tempestuous nature, family circumstances, love affairs, alliances, and shifting political fortunes form the core of this magnificent epic. Royall Tyler’s superior translation is detailed, poetic, and superbly true to the Japanese original while allowing the modern reader to appreciate it as a contemporary treasure. Supplemented with detailed notes, glossaries, character lists, and chronologies to help the reader navigate the multigenerational narrative, this comprehensive edition presents this ancient tale in the grand style that it deserves.

    In chapter one, the grandmother matriarch in the Soviet Union accidentally writes a bestselling autobiography. In chapter two, Tosca, her daughter (born in Canada, where her mother had emigrated) moves to the DDR and takes a job in the circus. Her son―the last of their line―is Knut, born in chapter three in a Leipzig zoo but raised by a human keeper in relatively happy circumstances in the Berlin zoo, until his keeper, Matthias, is taken away...Happy or sad, each bear writes a story, enjoying both celebrity and “the intimacy of being alone with my pen.”

    When plague breaks out, the villagers flee, blocking the boys inside the deserted town. Their brief attempt to build autonomous lives of self-respect, love, and tribal valor is doomed in the face of death and the adult nightmare of war.

    Bleak and oozing existential dread, The Thief is simply unforgettable. The Thief is a seasoned pickpocket. Anonymous in his tailored suit, he weaves in and out of Tokyo crowds, stealing wallets from strangers so smoothly sometimes he doesn’t even remember the snatch. Most people are just a blur to him, nameless faces from whom he chooses his victims. He has no family, no friends, no connections...But he does have a past, which finally catches up with him when Ishikawa, his first partner, reappears in his life, and offers him a job he can’t refuse. It’s an easy job: tie up an old rich man, steal the contents of the safe. No one gets hurt. Only the day after the job does he learn that the old man was a prominent politician, and that he was brutally killed after the robbery. And now the Thief is caught in a tangle even he might not be able to escape.