But a chance meeting by the river soon becomes an intense, exhilarating, and all-consuming affair. After their camp duties are fulfilled, the pair spend a dreamlike few weeks camping in the countryside, bonding over an illicit copy of James Baldwin’s Giovanni’s Room. Inhabiting a beautiful natural world removed from society and its constraints, Ludwik and Janusz fall deeply in love. But in their repressive communist and Catholic society, the passion they share is utterly unthinkable.Once they return to Warsaw, the charismatic Janusz quickly rises in the political ranks of the party and is rewarded with a highly-coveted position in the ministry. Ludwik is drawn toward impulsive acts of protest, unable to ignore rising food prices and the stark economic disparity around them. Their secret love and personal and political differences slowly begin to tear them apart as both men struggle to survive in a regime on the brink of collapse.Shifting from the intoxication of first love to the quiet melancholy of growing up and growing apart, Swimming in the Dark is a potent blend of romance, post-war politics, intrigue, and history. Lyrical and sensual, immersive and intense, Tomasz Jedrowski has crafted an indelible and thought-provoking literary debut that explores freedom and love in all its incarnations.

    Available for the first time in paperback, The Collected Poems of Frank O'Hara reflects the poet's growth as an artist from the earliest dazzling experimental verses that he began writing in the late 1940s to the years before his accidental death at forty, when his poems became increasingly individual and reflective.

    . .Born into a brothel, Ruth's future looks bleak until she catches the eye of Mr. Dryer. A rich Bristol merchant and enthusiast of the ring, he trains gutsy Ruth as a puglist. Soon she rules the blood-spattered sawdust at the infamous Hatchet Inn.Dryer's wife Charlotte lives in the shadows. A grieving orphan, she hides away, scarred by smallpox, ignored by Dryer, and engaged in dangerous mind games with her brother.When Dryer sidelines Ruth after a disastrous fight, and focuses on training her husband Tom, Charlotte presents Ruth with an extraordinary proposition. As the tension mounts before Tom's Championship fight, two worlds collide with electrifying consequences.The Fair Fight will take you from a filthy brothel to the finest houses in the town, from the world of street-fighters to the world of champions. Alive with the smells and the sounds of the streets, it is a raucous, intoxicating tale of courage, reinvention and fighting your way to the top.

    But he has two problems: the Selbys have no connections or money and Robert is really a housemaid named Charity Church. She’s enjoyed every minute of her masquerade over the past six years, but she knows her pretense is nearing an end. Charity needs to see her beloved friend married well and then Robert Selby will disappear…forever. May not be who you think… Alistair, Marquess of Pembroke, has spent years repairing the estate ruined by his wastrel father, and nothing is more important than protecting his fortune and name. He shouldn’t be so beguiled by the charming young man who shows up on his doorstep asking for favors. And he certainly shouldn’t be thinking of all the disreputable things he’d like to do to the impertinent scamp. But is who you need… When Charity’s true nature is revealed, Alistair knows he can’t marry a scandalous woman in breeches, and Charity isn’t about to lace herself into a corset and play a respectable miss. Can these stubborn souls learn to sacrifice what they’ve always wanted for a love that is more than they could have imagined?

    Compiled by her sister after the poet's death and originally published in 1956, this is the definitive edition of Millay, right up through her last poem, Mine the Harvest.

    She kept extensive diaries of her life and loves, written partly in code. Made up of Greek letters mingled with other symbols of her own devising, Anne referred to the code as her "crypthand," and the use of it allowed her the freedom to describe her intimate life in great detail. Her diaries have been edited by Helena Whitbread, who spent years decoding and transcribing them.

    It is divided into sections to read when you feel you need them most. Make a cup of tea and let yourself feel.

    Through a collage aesthetic and a multiplicity of voices, these poems take us from coast to coast, New York to LA, and toward uneasy questions about intimacy, love, death, and the human spirit. Dimitrov critiques America’s long-lasting obsessions with money, celebrity, and escapism—whether in our personal, professional, or family lives. What defines a life? Is love ever enough? Who are we when together and who are we by ourselves? These questions echo throughout the poems, which resist easy answers. The voice is both heartfelt and skeptical, bruised yet playful, and always deeply introspective.from "Water"What is aging exactly?There are new jobs and peopleand someone dies before noon every day.I am swimming and swimming…in May or an ocean,I don’t see the reason. “But that’s unimportant,” you said.“Just keep doing it over again until one day you can’t.”Spring excites us and we know what it is every time.The minutes in meetings are life’s most undistinguished;that’s obvious. And what’s obvious makes us all foolsthen fast friends.Alex Dimitrov is the author of Together and by Ourselves (Copper Canyon Press, 2017), Begging for It (Four Way Books, 2013), and the online chapbook American Boys (Floating Wolf Quarterly, 2012). He is the recipient of the Stanley Kunitz Prize from the American Poetry Review and a Pushcart Prize. His poems have been published in Poetry, The Yale Review, Kenyon Review, Slate, Tin House, Boston Review, and the American Poetry Review. He is the Senior Content Editor at the Academy of American Poets where he edits the popular online series Poem-a-Day and American Poets magazine. He has taught creative writing at Rutgers University-New Brunswick, Marymount Manhattan College, Bennington College, and lives in New York City.

    No Matter the Wreckage presents readers with new and beloved work that showcases Kay's knack for celebrating family, love, travel, history, and unlikely love affairs between inanimate objects ("Toothbrush to the Bicycle Tire"), among other curious topics. Both fresh and wise, Kay's poetry allows readers to join in on her journey of discovering herself and the world around her. It's an honest and powerful collection.

    Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality.Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.

    Poems confront craving, control, the constant battle of alcoholism and sobriety, and the questioning of the self and its instincts within the context of this never-ending fight.“In Calling a Wolf a Wolf, Kaveh Akbar exquisitely and tenaciously braids astonishment and atonement into a singular lyric voice. The desolation of alcoholism widens into hard-won insight: ‘the body is a mosque borrowed from Heaven.’ Doubt and fear spiral into grace and beauty. Akbar’s mind, like his language, is perpetually in motion. His imagery—wounded and resplendent—is masterful and his syntax ensnares and releases music that’s both delicate and muscular. Kaveh Akbar has crafted one of the best debuts in recent memory. In his hands, awe and redemption hinge into unforgettable and gorgeous poems.” —Eduardo C. Corral

    As Tala’s wedding day approaches, simmering tensions come to boiling point and the pressure mounts for Tala to be true to herself.Moving between the vast enclaves of Middle Eastern high society and the stunning backdrop of London’s West End, I Can’t Think Straight explores the clashes between East and West, love and marriage, conventions and individuality, creating a humorous and tender story of unexpected love and unusual freedoms.

    They settle by the sea and have a daughter and conventional marriage does not seem such a tumultuous change after all. When a chance encounter awakens scandalous desires never acknowledged until now, however, Harry is forced to forsake the land and people he loves for a harsh new life as a homesteader on the newly colonized Canadian prairies. There, in a place called Winter, he will come to find a deep love within an alternative family, a love imperiled by war, madness and an evil man of undeniable magnetism.If you've never read a Patrick Gale, stop now and pick up this book. From the author of the bestselling NOTES FROM AN EXHIBITION comes an irresistible, searching and poignant historical novel of love, relationships, secrets and escape.

    With Odd Girl Out, Bannon introduces Laura Landon, whose love affair with her college roommate Beth launched the lesbian pulp fiction genre.

    And although he felt terribly alone, his suicide changes everyone around him.His parents are devastated. His secret boyfriend's girlfriend is relieved. His unicorn- and virginity-obsessed classmate, Faraday, is shattered; she wishes she had made friends with him that time she sold him an Iced Cappuccino at Tim Hortons. His English teacher, mid-divorce and mid-menopause, wishes she could remember the dead student's name, that she could care more about her students than her ex's new girlfriend. Who happens to be her cousin. The school guidance counselor, Walter, feels guilty—maybe he should have made an effort when the kid asked for help. Max, the principal, is worried about how it will reflect on the school. And Walter, who's secretly been in a relationship with Max for years, thinks that's a little callous. He's also tired of Max's obsession with some sci-fi show on TV. And Max wishes Walter would lose some weight and remember to use a coaster.And then Max meets a drag queen named Crepe Suzette. And everything changes.