At its core are the candid assessments of former Secretary of the Treasury Paul O'Neill, the only member of Bush's cabinet to leave and speak frankly about how and why the administration has come to its core policies and decisions -- from cutting taxes for the rich to conducting preemptive war.O'Neill's account is supported by Pulitzer Prize-winning journalist Ron Suskind's interviews with numerous participants in the administration, by transcripts of meetings, and by voluminous documents. The result is a disclosure of breadth and depth unparalleled for an ongoing presidency. As readers are taken to the very epicenter of government, Suskind presents an astonishing picture of a president so carefully managed in his public posture that he is a mystery to most Americans. Now, he is revealed.

    Here are over 100 memorable misstatements by our syntactically challenged president, collected, annotated, and introduced by Slate magazine's Jacob Weisberg. "I know the human being and fish can coexist peacefully." "Families is where our nation finds hope, where wings take dream." "We'll let our friends be the peacekeepers and the great country called America will be the pacemakers." "It's clearly a budget. It's got a lot of numbers in it." "I know how hard it is for you to put food on your family." "I do know I'm ready for the job [the presidency]. And if not, that's just the way it goes.

    Robert's classic guide to smooth, orderly, and fairly conducted meetings has sold close to five million copies in nine editions. The only book containing the completely developed Robert's Rules of Order subject matter, this latest edition will continue the book's reputation as the gold standard of meeting procedure for parliamentarians and novice club presidents and members alike. Thoroughly revised and updated to reflect the past decade's technological advances and usage, this tenth edition contains new information on how to conduct meetings over the Internet, on phone and video conference calls, and with members in absentia. The best book from which to learn all about running and taking an effective part in meetings, General Robert's gift of order is as indispensable now as it was a century ago.

    Hersh who traveled more than 50,000 miles around the United States and interviewed nearly fifty members of Charlie Company to write this book.

    The Little Locksmith begins in 1895 when a specialist straps five-year-old Katharine, then suffering from spinal tuberculosis, to a board with halters and pulleys in a failed attempt to prevent her being a "hunchback." Her mother says that she should be thankful that her parents are able to have her cared for by a famous surgeon; otherwise, she would grow up to be like the "little locksmith," who does jobs at their home; he has a "strange, awful peak in his back." Forced to endure "a horizontal life of night and day," Katharine remains immobile until age fifteen, only to find that she, too, has a hunched back and is "no larger than a ten-year-old child." The Little Locksmith charts Katharine's struggle to transcend physical limitations and embrace her life, her body and herself in the face of debilitating bouts of frustration and shame. Her spirit and courage prevail, and she succeeds in expanding her world far beyond the boundaries prescribed by her family and society: she attends Radcliffe College, forms deep friendships, begins to write, and in 1921, purchases a house of her own in Castine, Maine. There she creates her home, room by room, fashioning it as a space for guests, lovers, and artists. The Little Locksmith stands as a testimony to Katharine's aspirations and desires-for independence, for love, and for the pursuit of her art."We tend to forget nowadays that there is more than one variety of hero (and heroine). Katharine Butler Hathaway, who died last Christmas Eve, was the kind of heroine whose deeds are rarely chronicled. They were not spectacular and no medal would have been appropriate for her. All she did was to take a life which fate had cast in the mold of a frightful tragedy and redesign it into a quiet, modest work of art. The life was her own.

     Rikki Moore was always the star of the family, easily outshining her younger sister, Stacy, at every turn. Smart, kind, and beautiful, it was no surprise when Rikki met and married the perfect man -- pediatrician Matt Dresden. Her students at 59th Street Elementary School adored her, the church matrons solicited her help on every committee, and everyone wanted the golden couple to put in an appearance at their parties. Stacy? She was just the overweight little sister who couldn't get her love life together. But the world didn't know about the storms that rippled just beneath the surface of Rikki's image of perfection. Ever since she was a teenager there were emotional breakdowns and obsessive behaviors -- secrets that Stacy was left to bear alone. Folks whispered, but they didn't know. When Rikki's husband, Matt, mysteriously disappears, however, the Moore family's carefully constructed image comes crashing down.

    News professionals are inclined to blame themselves, but the real culprit is technology and its competing demands on the public's time. The Internet is just the latest in a long series of new information technologies that have scattered the mass audience that newspapers once held. By isolating and describing the factors that made journalism work as a business in the past, Meyer provides a model that will make it work with the changing technologies of the present and future. He backs his argument with empirical evidence, supporting key points with statistical assessments of the quality and influence of the journalist's product, as well as its effects on business success.

    Lawrence Lipton's fascinating book is one of the first complete, unbiased studies of the strange, important offshoot of society.

    Famous for her barbed commentary and independent spirit, this rebel-child in black has spawned an Internet and merchandising phenomenon (Emily's Web site gets 35,000 hits per month!). Emily the Strange, her first book, captures the quintessential Emily, featuring her most beloved quips and a host of new ones. Anarchist, heroine, survivor, this little girl with a big personality appeals to the odd child in us all.

    Includes 200 pages of songs, incidental music and dialogue cues.

    Written with the propulsive energy and intelligence that marked his campaigns, Memoirs of General W. T. Sherman describes striking incidents and anecdotes and collects dozens of his incisive and often outspoken wartime orders and reports. This complex self-portrait of an innovative and relentless American warrior provides vivid, firsthand accounts of the war’s crucial events—Shiloh, Vicksburg, Chattanooga, the Atlanta campaign, the marches through Georgia and the Carolinas.Born in Ohio in 1820, Sherman spent many of his prewar years moving between the old South and the new West. His recollections of shipwrecks, gold rushes, vigilance committees, and banking panics colorfully evoke the restless and often reckless spirit of a nation in transformation. A conservative terrified by the anarchy he saw in secession, Sherman resigned his position as superintendent of a Louisiana military academy in 1861 and went North to endure defeat at Bull Run and humiliation in the press for his pessimistic views of Union prospects in Kentucky. His fortunes changed at Shiloh, where he regained his confidence and won the admiration and friendship of Ulysses S. Grant. Sherman became Grant’s most trusted subordinate, and over the next 18 months learned much from his commander about the irrelevancy of orthodox strategy to the realities of civil war in America.By the fall of 1864 Sherman’s thinking focused on the Southern society that supported the armies opposing him. Shunning supply lines and frontal assaults, he struck directly at the economic and psychological underpinnings of Confederate resistance. That this strategy inflicted pain and suffering upon the South he loved was a hard truth Sherman never tried to evade. “You cannot qualify war in harsher terms than I will,” he told the citizens of Atlanta before expelling them from their homes. “War is cruelty, and you cannot refine it….” Nor does he deny the exhilaration he felt while directing his terrifyingly powerful army. Yet Sherman’s near-apocalyptic campaign through the Carolinas ended in fierce controversy when he unsuccessfully tried to grant the South more lenient peace terms than favored by most in the North.Called hero and demon, liberator and destroyer, Sherman is an indelible figure of the American past. Nowhere is he more alive than in the pages of his illuminating and uncompromising Memoirs. This volume reprints the text of the revised edition of 1886, and includes a series of detailed maps prepared at Sherman’s request and appendices containing dozens of letters written in response to the 1875 first edition.

    And when she is offered a place as an exchange student at a school in America it seems as if her dreams will be fulfilled. welcoming ... until she starts having to live in the suffocating and repressed atmosphere of their suburban mansion and things begin to go terribly wrong. of American Beauty in its dissection of engrained prejudices and middle-class hypocrisy. In Lou Connor, Hyland has created a larger-than-life protagonist who mesmerises the reader with her vivacity and vulnerability, from hopeful beginning to unexpected, haunting end.

    Telling the story of two sisters-Olivia, a hotshot Hollywood producer whose life is unraveling, and Maddie, an unflaggingly optimistic, seriously ill midwesterner whose idealism has always driven Olivia crazy-The True and Outstanding Adventures of the Hunt Sisters offers a startlingly poignant reminder of how hope can grow in even the darkest places.

    Never lapsing into hapless nostalgia, these conversations with figures as diverse as Jello Biafra, Kathleen Hanna, Noam Chomsky, Henry Rollins, Sleater-Kinney, Ian MacKaye, and many more provide a unique perspective into American punk rock and all that it has inspired (and confounded). Not limited to conversations with musicians, the book includes vital interviews with political organizers, punk entrepreneurs, designers, film-makers, writers, illustrators, and artists of many different media. Punk Planet has consistently explored the crossover of punk with activism, and reflects the currents of the underground while simultaneously challenging the bleak centerism of today's popular American culture.

    . . I love you too", Robert Browning wrote in January 1845, thus initiating the most celebrated literary correspondence of the 19th century. For the next 12 months, he and Elizabeth Barrett exchanged letters and confidences. In this elegant format, the delicate interplay between the poems and the lovers' letters become vividly apparent.Elizabeth Barrett Browning was a prolific writer and reviewer in the Victorian period, and in her lifetime, her reputation as a poet was at least as great as that of her husband, poet Robert Browning. Some of her poetry has been noted in recent years for strong feminist themes, but the poems for which Elizabeth Barrett Browning is undoubtedly best know are Sonnets from the Portuguese.Written for Robert Browning, who had affectionately nicknamed her his "little Portuguese," the sequence is a celebration of marriage, and of one of the most famous romances of the nineteenth century. Recognized for their Victorian tradition and discipline, these are some of the most passionate and memorable love poems in the English language. There are forty-four poems in the collection, including the very beautiful sonnet, "How do I love thee? Let me count the ways."