Instead, it authorized the State of Texas to raise its own troops.Many kinds of men drifted into the Texas Mounted Rifles. Some thought it might be safer than fighting in far off Virginia. Many were merely young men a-thirst for adventure. Some were settlers who saw this as the best way to protect their families and homes against the murderous thrusts of the Comanche. And some were men who still loved the Union, who had lived too long under that gallant flag to turn their guns against it now. Such a man was Scout Sam Houston Cloud...

    Recognizing that millions of lives are at stake, Kolbe uses his position to pass information to the Americans—risking himself and the people he holds most dear—and embarks on a dangerous double life as the Allies’ most important spy.Summoned from his South African post to return to Nazi Germany, Kolbe leaves behind his beloved fourteen-year-old daughter, a decision made for her safety that nonetheless torments him. And as he lives under the constant threat of arrest, he wrestles with the guilt of putting Marlene Wiese, a married nurse and the love of his life, in danger as they collaborate on Kolbe’s clandestine work.But no matter the personal cost, Kolbe will not be deterred. In scenes that pulse with suspense, he emerges as a towering figure who risked everything to save innocent lives—and Germany from itself.

    A lovely and moving portrait of society’s outcasts…affirms the essential humanity of its poor and stubborn residents, for whom each day of survival is a victory” (The New York Times Book Review).Set on the high ground at the heart of Cape Ann, the village of Dogtown is peopled by widows, orphans, spinsters, scoundrels, whores, free Africans, and “witches.” Among the inhabitants of this hamlet are Black Ruth, who dresses as a man and works as a stonemason; Mrs. Stanley, an imperious madam whose grandson, Sammy, comes of age in her brothel; Oliver Younger, who survives a miserable childhood at the hands of his aunt; and Cornelius Finson, a freed slave. At the center of it all is Judy Rhines, a fiercely independent soul, deeply lonely, who nonetheless builds a life for herself against all imaginable odds. Rendered in stunning, haunting detail, with Anita Diamant’s keen ear for language and profound compassion for her characters, The Last Days of Dogtown is an extraordinary retelling of a long-forgotten chapter of early American life.

    Mary is the only one not killed and scalped. She is instead given to two Seneca sisters to replace their brother who was killed by whites. Emerging slowly from shock, Mary--now named Two-Falling-Voices--begins to make her home in Seneca culture and the wild landscape. She goes on to marry a Delaware, then a Seneca, and, though she contemplates it several times, never rejoins white society. Larsen alludes beautifully to the way Mary apprehends the brutality of both the white colonists and the native tribes; and how, open-eyed and independent, she thrives as a genuine American.

    Almost immediately he sets about beguiling the three women and five teenage girls stranded in this outpost of Southern gentility, eliciting their love and fear, pity and infatuation, and pitting them against one another in a bid for his freedom. But as the women are revealed for what they really are, a sense of ominous foreboding closes in on the soldier, and the question becomes: Just who is the beguiled?

    Now, in The Forest Lover she traces the courageous life and career of Emily Carr, who, more than Georgia O'Keeffe or Frida Kahlo, blazed a path for modern women artists. Overcoming the confines of Victorian culture, Carr became a major force in modern art by capturing an untamed British Columbia and its indigenous peoples just before industrialization changed them forever. From illegal potlatches in tribal communities to artists studios in pre World War I Paris, Vreeland tells her story with gusto and suspense, giving us a glorious novel that will appeal to lovers of art, native cultures, and lush historical fiction.

    It is a tale of love and courage, of power abused, and of the terrible choice between family loyalty and justice.

    Eleven-year-old Ella McGee sits on a bus bound for her Southern hometown. Behind her in Washington, D.C., lie the broken pieces of her parents’ love story—a black father drafted, an activist mother an activist mother of Scotch-Irish and Cherokee descent confronting racist thugs. But Ella’s journey is just beginning when she reaches Hopewell County, and her disappearance into the Georgia mountains will unfurl a rich tapestry of family secrets spanning a century. Told in five unforgettable voices, Glow reaches back through the generations, from the red-clay dust of the Great Depression to the Blue Ridge frontier of 1836, where slave plantations adjoin the haunted glades of a razed Cherokee Nation. Out of these characters’ lives evolves a drama that is at once intimately human and majestic in its power to call upon the great themes of our time—race, identity, and the bonds of family and community.Lushly conceived, cinematically detailed, and epic in historical scope, Glow announces an extraordinary new voice in Southern fiction.

    Now, its gifted author delivers another sweeping historical novel. Davinsky Labor Camp, Siberia, 1933: Only two things in this wretched place keep Sofia from giving up hope: the prospect of freedom, and the stories told by her friend and fellow prisoner Anna, of a charmed childhood in Petrograd, and her fervent girlhood love for a passionate revolutionary named Vasily. After a perilous escape, Sofia endures months of desolation and hardship. But, clinging to a promise she made to Anna, she subsists on the belief that someday she will track down Vasily. In a remote village, she's nursed back to health by a Gypsy family, and there she finds more than refuge, she also finds Mikhail Pashin, who, her heart tells her, is Vasily in disguise. He's everything she has ever wanted but he belongs to Anna. After coming this far, Sofia is tantalizingly close to freedom, family?even a future. All that stands in her way is the secret past that could endanger everything she has come to hold dear.

    HER ONLY CRIME WAS TO BE AN INDEPENDENT WOMAN When Mata Hari arrived in Paris she was penniless. Within months she was the most celebrated woman in the city. As a dancer, she shocked and delighted audiences; as a courtesan, she bewitched the era’s richest and most powerful men. But as paranoia consumed a country at war, Mata Hari’s lifestyle brought her under suspicion. In 1917, she was arrested in her hotel room on the Champs Elysees, and accused of espionage. Told in Mata Hari’s voice through her final letter, The Spy is the unforgettable story of a woman who dared to defy convention and who paid the ultimate price.

    Lord and Lady Berrybender have abandoned their home in England to broaden the horizons for themselves and their three children. With irascible determination—and a great deal of outright chaos—the party experiences both the awesome majesty and brutal savagery of the unexplored land, from buffalo stampedes and natural disasters to Indian raids and encounters with frontiersmen and trappers, explorers, pioneers, and one part-time preacher known as "the Sin Killer." Sin Killer, the strong, silent Westerner, captures the heart of the strong-willed, beautiful Berrybender daughter, Tasmin. But their fast developing relationship can only bring more trouble for the Berrybender's. Packed with breathtaking adventure, charming romance, and a sense of humor stretching clear over the horizon, Sin Killer is a truly unique view of the West that could only come from the boundless skill and imagination of Larry McMurtry.

    Shaara captures the disillusionment of both Lee and Hancock early in their careers, Lee's conflict with loyalty, Jackson's overwhelming Christian ethic and Chamberlain's total lack of experience, while illustrating how each compensated for shortcomings and failures when put to the test. The perspectives of the four men, particularly concerning the battles at Fredericksburg and Chancellorsville, make vivid the realities of war.

    This is the story of how she grew up with them, mastered their ways, married one of their leaders, and became, in every way, a Comanche woman. It is also the story of a proud and innocent people whose lives pulsed with the very heartbeat of the land. It is the story of a way of life that is gone forever....

    At a ceremonial dance, the young, earnest silversmith Laughing Boy falls in love with Slim Girl, a beautiful but elusive "American"-educated Navajo. As they experience all of the joys and uncertainties of first love, the couple must face a changing way of life and its tragic consequences.

    But at a traveler’s inn, he encounters an unexpected and far more maddening foe: Sorrel Kendrick, a young lady who is strikingly pretty, shockingly outspoken, and entirely unimpressed with him. Indeed, Sorrel cannot believe the nerve of this gentleman, who rudely accuses her of theft and insults her feminine dignity. Doubly annoyed when they both end up at a party hosted by mutual friends, Philip and Sorrel privately declare war on one another. But Philip’s tactics, which range from flirting to indifference, soon backfire as he finds himself reluctantly enjoying Sorrel’s company; and, much to her dismay, Sorrel finds Philip’s odd manner to be increasingly endearing. In the midst of this waning war and growing attraction, Philip catches wind of the French spy he’s been tracking, and Sorrel inadvertently stumbles upon a crucial piece of the puzzle, making her indispensable to the mission. But can two proud hearts negotiate a ceasefire when cooperation matters most?