Their most important resource being their instinct to survive. Safety is 400 miles away, across savage country but all the time they are pursued by a helicopter which hovers overhead. From the author of NO MAN'S LAND.

    Since childhood, Toby has been diffident and self-absorbed, but the threat of drug taking and his refusal (or inability) to discuss his evident unhappiness, disturbs them sufficiently to seek professional help. Veering between private agony and public cheerfulness, Maggie and Charlie struggle to support their son and cope with the reactions- and advice- of friends and relatives. Noted for the acuity with which she reaches into the heart of relationships, Nina Bawden here excels in revealing the painful, intimate truths of a family in crisis. Toby’s situation is explored with great tenderness, while Maggie’s grief and self-recrimination are rigorously, if compassionately, observed. It is a novel that raises fundamental questions about parents and their children, and offers tentative hope but no tidy solutions.

    A mirror is held to the back of the head and one's hand has to move the opposite way from what was intended."In these closing lines from Impossible Object, one has embodied both Nicholas Mosley's subject of love and imagination, as well as his unmatched lyric style. In eight carefully connected stories that are joined by introspective interludes on related subjects, the author pursues the notion, through the lives of a couple seen by different narrators, that "those who like unhappy ends can have them, and those who don't will have to look for them."The impossible object of the title, "the triangle that can exist in two dimensions but not in three," is a controlling symbol for the impossibility of realizing the good life unless one recognizes the impossibility of attaining it: only then can it be possible to realize it, through a kind of renunciation, especially in "a sophisticated, corrupt, chaotic world." Such a provocative theme, comic or tragic by turns, was met by critics in 1968 as brilliant, insightful, intense, and moving, but especially original.

    The book begins in wartime Brighton and follows Praxis in her various personalities - whore, adulteress and finally murderer. It was shortlisted for the Booker Prize.

    With this new knowledge, Linton must now examine the realities of her own life - of her childhood, her husband - and ask, What do they really know of her? Deeply felt, beautifully controlled, The Road to Lichfield is a subtle exploration of memory and identity, of chance and consequence, of the intricate weave of generations across a past never fully known, a future never fully anticipated.

    Awaiting her husband's arrival on holiday in France, Sheila Redden,quiet, middle-aged doctor's wife, suddenly finds herself caught up in a passionate affair with a young American, ten years her junior, this extraordinary powerful portrayal of a woman transformed by love was shortlisted for the Booker Prize.

    But for Stanley Woolley, commanding officer of Goshawk Squadron, the romance of chivalry in the clouds is just a myth. There are two types of men up there: victims and murderers, and the code he drums into his men bans any notion of sport or fair play. This produces better killers but, even so, Wolley believes the whole squadron will be dead within three months. Derek Robinson quietly builds the day-to-day details of these mens lives and deaths into a powerful indictment of war. But this classic of war literature is also very funny, often painfully so; Shortlisted for the Booker Prize, this is Derek Robinson's masterly novel of the war in the air over the Western Front in 1918.

    His world was a nightmare of internal furies and haunting poetic vision. Harvey Lawson watched and protected him until his final suicide. From his solitary old age Harvey writes this brief account of their twenty years together and then burns all the papers to shut out an inquisitive world.The tautness and control that characterize Susan Hill’s work are abundantly evident in The Bird of Night as she magnificently handles the heights and depths, the splendours and miseries of madness and friendship.

    For twenty years Basil Pascali has spied on the people of his small community and secretly reported on their activities to the authorities in Constantinople. Although his reports are never acknowledged, never acted upon, he has received regular payment for his work. Now he fears that the villagers have found him out and he becomes engulfed in paranoia. In the midst of his panic, a charming Englishman arrives on the island claiming to be an archaeologist, and charms his way into the heart of the woman for whom Pascali pines. A complex game is played out between the two where cunning and betrayal may come to haunt them both. Pascali's Island was made into a feature film starring Ben Kingsley and Helen Mirren.

    Thomas Keneally was born in Sydney Australia in 1935. He studied to be a Catholic priest but abandoned his vocation to take up teaching and writing. He is the author of numerous works of fiction and non-fiction including "Schindlers Ark" which won the Booker Prize in 1982 and was made into a successful film.

    Central to the story is the friendship that tentatively grows up between Joe and Kathleen, a young school-teacher who brings a fresh perspective to his familiar world.

    He looks like her live-in boyfriend, Jonathan, but he can't actually be the dependable known quantity whom Nicola loves that goes by the name of Jonathan. Can he? Before Nicola stands a man who is strong and adorable just like the old Jonathan, only this one is no longer hers! This sad tale of love gone south still has its funny side. You have either to laugh or cry when you see, as acutely and elegantly as St John captures it here, the things women will do to hold on to love, and the things men will do to escape it. "St John's intelligence transforms a simple story into a much larger commentary on love and loss." - Mademoiselle "The Essence of the Thing grabs the reader's sympathy and attention from the startling first pages and doesn't let go." - Newsday "A brisk, sophisticated, and artful narrative" - New York Times Book Review

    Fusing themes of illusion and imagination, delusion and dreams, he weaves back and forth between three centuries, introducing a blazing cast of Dickensian eccentrics and rogues, from the outrageous, gin-sipping Harriet Scrope, an elderly female novelist, to the tragic young poet, Charles Wychwood, seeker of Chatterton's secret... They find more riddles than answers from their search.This entertaining comedy is at once hilarious, and a thoughtful exploration of the deepest issues of both life and art.

    After an inexplicably hostile encounter with a hotel landlord, Futh sets out along the Rhine. As he contemplates an earlier trip to Germany and the things he has done in his life, he does not foresee the potentially devastating consequences of things not done. "The Lighthouse," Alison Moore's first novel, tells the tense, gripping story of a man trying to find himself, but becoming lost.

    His new novel, a finalist for the Man Booker Prize and the IMPAC-Dublin Literary Award, is a clear-eyed, witty, yet deeply serious look at South Africa's political history and its damaging legacy in the lives of those who live there.The last time Silas Ali encountered Lieutenant Du Boise, Silas was locked in the back of a police van and the lieutenant was conducting a vicious assault on Silas's wife, Lydia, in revenge for her husband's participation in Nelson Mandela's African National Congress. When Silas sees Du Boise by chance twenty years later, as the Truth and Reconciliation Commission is about to deliver its report, crimes from the past erupt into the present, splintering the Alis' fragile peace. Meanwhile Silas and Lydia's son, Mikey, a thoroughly contemporary young hip-hop lothario, contends in unforeseen ways with his parents' pasts.A harrowing story of a brittle family on the crossroads of history and a fearless skewering of the pieties of revolutionary movements, Bitter Fruit is a cautionary tale of how we do, or do not, address the past's deepest wounds.