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    Proclaimed by reviewers to be “a rural J.D. Salinger,” Baker received the prestigious Danuta Gleed Award and her collection was listed among Maclean’s Top 10 Books of the Year.The Horseman’s Gravesreturns us to the harsh locale of Sand Hills on the Saskatchewan-Alberta border, where Baker unfolds a tale of a small German immigrant community caught between the promise of this new land and the weight of a European past, with its hatred, fear and old-country superstitions. Lathias is a half-breed farmhand, a young loner who becomes the unofficial guardian to the Schoff boy, a golden child until a terrible farm accident scars his face and his mind. Both boys are drawn to Elisabeth, a savagely beautiful girl, whose stepfather, Leo, is the local scapegrace, a man whose cruelty is both a source of amusement and shame to the townspeople. When Elisabeth, watched only by the Schoff boy, falls through the ice into the river, no one foresees how it will be the end—and the beginning—of everything. A novel so lyrical and hypnotic that it begs to be read aloud,The Horseman’s Graves is a pitch-perfect rendering of small-town immigrant life. Told through the unforgettable narrative voice of a seeall neighbour, it is filled with memorable characters: a blustering, pious priest; a mysterious “witch” faith healer; the town busybody; a fearful young farm wife who is virtually worked to death. An extraordinarily accomplished work, The Horseman’s Graves is a profound testament to our universal search for love and redemption.

    Between the staff of quirky co-workers, glamorous and unusual guests, and her growing friendship with the charming but mysterious Sidney Daniels, Maisie is living out adventures instead of just penning them in the pages of her would-be Gothic novel's growing number of chapters. And then there's the slight problem of keeping the balance between friendship and 'something more' with Sidney, who's helping introduce her to the village's version of a Cornish Halloween, and has recently taken an interest in Maisie's secret that may change things between them. But even Maisie’s imagination can't conjure the unusual event this Halloween brings to the Penmarrow. An eccentric earl has chosen this site to host his lavish birthday celebration that includes a pretty (and perceptive) young psychic whose predictions seem to have everyone on edge — and, to Maisie's delight, the elusive novelist Alistair Davies is rumored to be part of the guest list! But with the earl's bickering relatives and illustrious friends on hand— and more than one ghost of the past waiting to be revealed — it’s anyone’s guess what the festivities will bring before the party is over. Will the psychic foretell doom for the earl's gathering—and is her ‘gift’ as genuine as it seems? Will Maisie finally meet her favorite author face to face? And, more importantly, what about the romantic sparks that fly between Maisie and Sidney?

    One glimpse of the tiny painted house that folk art legend Maud Lewis shared with her husband, Everett, in Marshalltown, Nova Scotia, during the mid-twentieth century and the startling contrast between her joyful artwork and her life's deprivations is evident. One glimpse at her photo and you realize, for all her smile's shyness, she must've been one tough cookie. But, beneath her iconic resilience, who was Maud, really? How did she manage, holed up in that one-room house with no running water, married to a miserly man known for his drinking? Was she happy, or was she miserable? Did painting save or make her Everett's meal ticket? And then there are the darker secrets that haunt her story: the loss of her parents, her child, her first love. Against all odds, Maud Lewis rose above these constraints—and this is where you'll find the Maud of Brighten the Corner Where You Are: speaking her mind from beyond the grave, freed of the stigmas of gender, poverty, and disability that marked her life and shaped her art. Unfettered and feisty as can be, she tells her story her way, illuminating the darkest corners of her life. In possession of a voice all her own, Maud demonstrates the agency that hovers within us all.

    He was thinking about the lynx. The way it had looked at him, acknowledging his existence, then passing out of his life like smoke. . . It was the first thing—the only thing—that had managed, if only for a moment, to displace from his mind the image of the child. He had carried that image with him for a year now, and it had been a weight so great that sometimes he could hardly stand. Mary Lawson’s beloved novels, Crow Lake and The Other Side of the Bridge, have delighted legions of readers around the world. The fictional, northern Ontario town of Struan, buried in the winter snows, is the vivid backdrop to her breathtaking new novel.  Roads End brings us a family unravelling in the aftermath of tragedy: Edward Cartwright, struggling to escape the legacy of a violent past; Emily, his wife, cloistered in her room with yet another new baby, increasingly unaware of events outside the bedroom door; Tom, their eldest son, twenty-five years old but home again, unable to come to terms with the death of a friend; and capable, formidable Megan, the sole daughter in a household of eight sons, who for years held the family together but has finally broken free and gone to England, to try to make a life of her own.  Roads End is Mary Lawson at her best. In this masterful, enthralling, tender novel, which ranges from the Ontario silver rush of the early 1900s to swinging London in the 1960s, she gently reveals the intricacies and anguish of family life, the push and pull of responsibility and individual desire, the way we can face tragedy, and in time, hope to start again.

    Secure in the love of her beautiful mother, she is unaware that her father, Jack, is caught up in a web of secrets. When a very local murder intersects with global forces, Jack must decide where his loyalties lie, and Madeleine will be forced to learn a lesson about the ambiguity of human morality -- one she will only begin to understand when she carries her quest for the truth, and the killer, into adulthood twenty years later.

    A god-like ocean deposits many a thing, yet it also takes away. The 1960s blaze off shore and draw the island’s inhabitants into politics, the Vietnam War, and the peace movement. Sound impossible? Not on Whalebone Island, AKA the Republic of Nothing. Where else can a dead circus elephant, a long-dead Viking, the discovery of uranium, a raven-haired castaway who may be psychic, an anarchist turned politician, and refugees fleeing from the United States all be part of everyday life? Where else is eccentricity embraced with such open arms? In this new readers’ guide edition, complete with an afterword by Neil Peart, Lesley Choyce’s novel about resilience, independence, and anarchy comes alive, leading readers to discover once again that everything is nothing and nothing is everything.

    You remember that. It was a moment in history – not like Kennedy or the planes flying into the World Trade Center – not up at that level. This was something much lower, more like Ben Johnson, back when his eyes were that thick, yellow color and he tested positive in Seoul after breaking the world-record in the hundred. You might not know exactly where you were standing or exactly what you were doing when you first heard about Tyson or about Ben, but when the news came down, I bet it stuck with you. When Tyson bit off Holyfield’s ear, that cut right through the everyday clutter. —from Miracle MileTwo runners race a cargo train through the darkness of a rat-infested tunnel beneath the Detroit River. A drugstore bicycle courier crosses a forbidden threshold in an attempt to save a life and a young swimmer conquers her fear of water only to discover she's caught in far more dangerous currents. An auto-worker who loses his family in a car accident is forced to reconsider his relationship with the internal combustion engine.Alexander MacLeod is a writer of "ferocious intelligence" and "ferocious physicality" (CTV). Light Lifting, his celebrated first collection, offers us a suite of darkly urban and unflinching elegies that explore the depths of the psyche and channel the subconscious hopes and terrors that motivate us all. These are elemental stories of work and its bonds, of tragedy and tragedy barely averted, but also of beauty, love and fragile understanding.

    I could barely put the book down until its equally heart-wrenching and heart-warming ending. A wonderful, smart and funny book - I know readers will absolutely love it' Louise Fein, bestselling author of People Like UsThe Willows have been through a lot. Louise has devoted her life to caring for her disabled youngest daughter. Pete works abroad, almost never seeing his loved ones. And their eldest, Eliza, is burdened by all the secrets she's trying to keep from her overloaded family.Meanwhile, Patience observes the world while trapped in her own body. She laughs, she cries, she has opinions and knows what she wants. But those who love her most - and make every decision about her life - will never know.Or will they? When the Willows are offered the opportunity for Patience to take part in a new gene therapy trial to cure her Rett syndrome, they face an impossible dilemma. Are the very real risks worth the chance of the reward, no matter how small?'An extraordinary novel about love and hope and family and what happens in the space between the words. I adored it' Kirsten Hesketh, author of Another Us

    At the worst of the Prairie dust bowl of the 1930s, a young man appears out of a blizzard and forever alters the lives of two sisters. There is the beautiful, fastidious Lucinda, and the tricky and tenacious Norma Joyce, at first a strange, self-possessed child, later a woman who learns something of self-forgiveness and of the redemptive nature of art. Their rivalry sets the stage for all that follows in a narrative spanning over thirty years, beginning in Saskatchewan and moving, in the decades following the war, to Ottawa and New York City. Disarming, vividly told, unforgettable, this is a story about the mistakes we make that never go away, about how the things we want to keep vanish and the things we want to lose return to haunt us.

    

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    SeriesMr & Mrs. SehgalKabier and Aashi’s is a marriage of utmost convenience. Everything about the marriage is wrong yet Aashi falls for her tycoon husband who has no time for her. While Kabier is busy earning billions, Aashi battles her solitude until she decides to give up. Jealousy creeps in Kabier’s heart when his wife’s friend comes into the picture. Will Kabier realize Aashi’s worth? How will he woo her back? A romantic tale of arrogant Business Tycoon Kabier Sehgal and his Former Miss India Wife Aashi Sehgal with sparks of attraction, love, jealousy, and a happily-ever-after.

    The surf raged along the New York and New Jersey shores as the gale whirled toward Newfoundland. Waves as tall as three-story houses swamped ships; monster combers broke masts in two and swept every man on deck into the raging sea. Scores of fishermen disappeared when the "divil" descended on that August evening, and one Newfoundland village would never be the same. Forty-two children in a community of three hundred lost their fathers.In August Gale, Pulitzer Prize-winning writer Barbara Walsh takes readers on two heartrending odysseys: one into a deadly Newfoundland hurricane and the lives of schooner fishermen who relied on God and the wind to carry them home; the other, into a squall stirred by a man with many secrets: a grandfather who remained a mystery until long after his death.

    It is here that Alf Walker, a fixer in the local textile mill like his father before him, lives with his family.It is 1965, and when a large corporation takes over the mill, and workers attempt to unionize, Alf's actions inadvertently set in motion a series of events that will reverberate far into the future and burden him with an unspoken shame. This is also the year when his eldest son, Joe, falls headlong for a girl he first glimpses on a bridge - and his world is overturned by the passion and uncertainty of young love. The bittersweet story of Joe and Anna is juxtaposed against his father's deepening role in the tensions building at the mill and his unsettling connection with a local Native woman, Lucille Boileau. Meanwhile, Alf's wife, Margaret, must reconcile her middle-class English upbringing with her blue-collar reality, as her marriage is undermined by forces she cannot name.Set over the course of a single year, the novel reaches back to the past - to Alf's haunting memories of the Second World War and his brother's death; to the stories of the town's founder, Abraham Shade, and those of the eccentric river man Johnny North.Bemrose weaves an intricate, absolutely spellbinding narrative. Besides the five members of the Walker family, he introduces a large cast of characters, including Archie Mann, Joe's sad and inspiredteacher; Liz McVey, the wilful daughter of the town's richest man; union organizer Malachi Doyle; and Anna Macrimmon, worldly, gifted, mysterious, who turns Joe's world upside down.In The Island Walkers, Bemrose creates a world entire that immediately draws us in. His portrait of the town of Attawan and of the community of people who inhabit it is magnificently drawn, alive with detailed, evocative description. The sense of place, the characters themselves, their conflicts and deepest longings, we cannot help but recognize as our own.Dark, intensely moving, beautifully imagined, this remarkable debut follows one family to the very bottom of their night, only to confirm, in the end, life's regenerative power. Richly textured, at once intimate and epic in scope, The Island Walkers signals the emergence of a new novelist of vision and rare accomplishment.