A man of few scruples, nerves of steel, and a steady trigger finger, but also, a man on the verge of cracking. After misadventures in Central and South America and having earned enough money to retire comfortably, the Killer retires to Mexico, but his colleagues are still in need of his irreplaceable skills . . . and before long he’s drawn back into the great geopolitical game between Cuba, Venezuela, and the United States. Artist Luc Jacamon and writer Matz (The Black Dahlia) deliver the definitive collection of the Eisner Award-nominated crime saga, The Killer, a hardboiled, noir series that New York Times bestselling writer Brian Michael Bendis calls “one of the best graphic novel series of the last ten years.”

    He's a synthetic man! She's a mutant sorceress! Once they were outcasts, but now they have each other, and a love which can withstand every danger they face! Steve Englehart and Richard Howell present…Vision and the Scarlet Witch!

    Set in Legerdemain -- a congested, fog-filled, cobblestone-paved Victorian city built around a cemetery the size of Central Park -- Agnes' adventures include confrontations with trapped spirits, cursed souls, possessed relatives, disappearing pets, decapitated scientists, ambitious zombies and a mess of other supernatural oddities.

    Zatanna Zatara. Two of the DC Universe's brightest stars join forces to combat a deadly new threat-a chilling supernatural foe that preys on their weaknesses and unleashes their awesome powers against each other. A year ago, Black Canary infiltrated a gang of female criminals set to pull a dangerous heist at a Las Vegas casino. Its leader was skilled in hand-to-hand combat and with more than a passing interest in the occult, specifically black magic, one nasty customer. Rather than be taken by Canary or the law, she went to her death, vowing she would get revenge on Canary and her own former gang members. Now, a year to the day later, death stalks those gang members, and Canary must turn to her friend Zatanna to help investigate.

    Between his second and third tours of duty, a soldier returns home.To his former home, that is, using an old key while the new tenant is at work. Is he re-entering his old life or borrowing someone else's? Where is the line he will not cross? Each day is the same: he exists in a state of suspension, barely knowing how he passes the time - until someone else intrudes on the intruder.Adrian Tomine, graphic master of alienation and regret, expertly expands the form to express the unsaid and the unbearable in this unforgettable evocation of a post-traumatic life.Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

    In this first ever FoxTrot themed book, the best math, science, and other geek-worthy cartoons are collected for all of FoxTrot's many fans.

    "A gorgeous and meditative visual diary" -- publisher's catalogue

    The creators of CHEW reteam for the first time in most unexpected crossover ever!Just how does Tony Chu wind up aboard the starship Charon thousands of years in the future? How does Captain Joshua Rigg deal with this cibopathic stowaway? You'll have to read this to find out!Collects OUTER DARKNESS/CHEW #1-3

    But it's the fact that the duo are everyday pets, with relationships to their owners that ring true, that makes MUTTS work." -Pet LifeI Want to Be the Kitty marks the eighth collection of this award-winning strip and is the follow-up to the successful What Now. As usual, the lovable duo of Earl the dog and his feline friend Mooch can be counted on for charming adventures and out-loud laughs.The sweet and unique friendship of this special dog and kitty comes through in every strip. When Mooch decides one January morning he's going to hibernate by staying in bed all winter, Earl tries desperately to get him out of bed until he finds out himself how "toashty" it is, in the words of Mooch. Next thing you know, Mooch has a bedmate who announces "I'll see ya in March." The two snore though hibernation together-that is, until they are called for dinner.With its expressive art and clever, sometimes philosophical, pet banter, MUTTS has built a large and loyal fan base among readers and fellow cartoonists worldwide. The strip has been the discussion topic of Tonight show guests (Brooke Shields), and it's earned the National Cartoonists Society's coveted Comic Strip of the Year Award. And now, as a testament to its ever-growing popularity, fans in New Jersey can show their loyalty to the strip-and animal protection-by getting a state license plate complete with Earl and Mooch and the slogan "Animal Friendly." In MUTTS, cartoonist Patrick McDonnell has created a classic strip that not only delivers consistent laughs but often a message as well.

    Organized by decade, with commentary by some of the magazine's finest writers, this landmark collection showcases the work of the hundreds of talented artists who have contributed cartoons over the course ofThe New Yorker's eight-two-year history. From the early cartoons of Peter Arno, George Price and Charles Addams to the cutting-edge work of Alex Gregory, Matthew Diffee and Bruce Eric Kaplan (with stops along the way for the genius of Charles Barsotti, Roz Chast, Jack Ziegler, George Booth, and many others), the art collected here forms, as David Remnick puts it in his Foreword, "the longest-running popular comic genre in American life." Throughout the book, brief overviews of each era's predominant themes—from the Depression and nudity to technology and the Internet, highlight various genres of cartoons and shed light on our pastimes and preoccupations. Brief profiles and mini-portfolios spotlight the work of key cartoonists, including Arno, Chast, Ziegler, and others. The DVD-ROM included with the book is what really makes the "Complete Cartoons" complete. Compatible with most home computers and easily browsable, the disk contains a mind-boggling 70,363 cartoons, indexed in a variety of ways. Perhaps you'd like to find all the cartoons by your favorite artist. Or maybe you'd like to look up the cartoons that ran the week you were born, or all of the cartoons on a particular subject. Of course, you can always begin at the beginning, February 21, 1925, and experience the unprecedented pleasure of reading through every single cartoon ever published in The New Yorker. Enjoy this one-of-a-kind protrait of American life over the past eight decades, as captured by the talented pens and singular outlooks of the masters of the cartoonist's art.

    Who would have ever guessed that ten years later, he would have multiple volumes of critically acclaimed cartoons under his belt and a rich, satisfying career? The Too Much Coffee Man Omnibus gathers all of the cartoons from four hilarious volumes of work, bringing together all of Wheeler's signature satire and sweetness in one convenient package. Essential for Too Much Coffee Man fans, and sure to convert new ones!

    Kaeleigh Forsyth wryly observed and recorded the weird moments of her life in private notes on her phone, and now her friend Alabaster Pizzo has illustrated these secret thoughts in hilarious detail.

    Laughter deflates pretension and a good rap on the head sometimes transcends so-called logic. In the words of Zen, "Nothing is left for you but to laugh!"