When sixteen-year-old artist Olivia Tithe is visited by the ghost of her first love, Lucas Stern, it’s only through scattered images and notes left behind that she can unravel the mystery of his death. There’s a catch: Olivia has gone colorblind, and there’s a good chance she’s losing her mind completely—just like her mother did. How else to explain seeing (and falling in love all over again with) someone who isn’t really there?With the murder trial looming just nine days away, Olivia must follow her heart to the truth, no matter how painful. It’s the only way she can save herself.

    It’s an insular community and home to a lot of strange happenings. It’s also home to the Greensmith family. Rumor has it that they’re a family of witches. The rumors are right. Rowen Greensmith moved away to escape her crazy family. She has her own place and a job in tabloid journalism. Things aren’t perfect, but she’s hopeful they’ll improve. When Rowen’s Aunt Lydia calls her with news of a murder, all of that is turned on its head. During the annual Greensmith family yard sale, Rowen’s Aunt Nadine sold a chest that turned out to have a dead body in it. As if that wasn’t bad enough, the woman she sold it to has now turned up dead! It’s a juicy story, and once Rowen’s boss catches wind of it, Rowen is put on the case. Now Rowen is thrown back into the life she tried to escape. Everyone in the town of Lainswich remembers her, even the ones she rather wishes didn’t. The only total stranger is a handsome businessman who’s new to town. Unfortunately, he has motives all his own. If Rowen wants to save her family, she’s going to have to solve not one but two murders. First, though, she’s going to have to deal with the police, suspicious locals, and her crazy family. Knowing Lainswich, there’s a decent chance she’s going to have to deal with quite a bit of the supernatural as well. Rowen is about to be thrown into one of the most hectic weekends of her life. She’ll be lucky if she can make it out in one piece. The theme of this book is a Supernatural/Paranormal Witch Themed Cozy Mystery. It is a Novel, approx. 40,000 words in length which will typically take the average reader about two hours to read. It is the first volume of the Lainswich Witches Mystery Series. This book is a standalone, reading further volumes is not required to resolve or enjoy the book. Romance is clean.

    She's never walked its hedge maze nor found its secret chambers; she's never glimpsed the shades that haunt it, nor hunted for lost diamonds in its walls. But all of that is about to change. After her grandmother passes away, Sarah and her friend Jackson decide to search for the diamonds--and the house comes alive. She discovers that she can see visions of the house's past, like the eighteenth-century sea captain who hid the jewels, or the glamorous great-grandmother driven mad by grief. She grows closer to both Jackson and a young man named Richard Hathaway, whose family histories are each deeply entwined with her own. But when the visions start to threaten the person she holds most dear, Sarah must do everything she can to get to the bottom of the house's secrets, and stop the course of history before it is cemented forever.

    A dollhouse, filled with life-sized toys. A doorway into other realms. And girls who keep disappearing...When Cassie’s best friend, Aisha, vanishes during a school hike, Cassie sets off with Aisha's boyfriend and their friend Lacey, determined to find her. Instead, the three teens fall into a carefully-laid trap—deep into the surreal nightmare and dark secrets of the Dollhouse.Now, Cassie must uncover the mysteries of the Dollhouse and her own connection to it-- before it's too late.With the horror and otherworldliness of Miss Peregrine's Home for Peculiar Children and the gothic romance of A Great and Terrible Beauty, Dollhouse is a tantalizing start to The Dark Carousel series.

    But the crumbling and decaying Ca’ Basilio palazzo, where Samuel is ensconced, holds tragic secrets, and little does Elena know how profoundly they will impact her. Soon she begins to sense that she is being watched by something. And when Samuel begins to have hallucinations that make him violent and unpredictable, she can’t deny she’s in mortal danger.Then impoverished nobleman Nero Basilio, Samuel’s closest friend and the owner of the palazzo, arrives. Elena finds herself entangled with both men in a world where the past seeps into the present and nothing is as it seems. As Elena struggles to discover the haunting truth before it destroys her, a dark force seems to hold Samuel and the Basilio in thrall—is it madness, or something more sinister?

    She joins her brother Ben for the summer in their mom’s log cabin in Arizona. There, she meets Josh again, Ben’s childhood friend from the Navajo reservation. The little boy from the rez has grown up fast, and Hannah can’t help but feeling more for him than just friendship. But fate apparently has something else in store for her. And it’s not peace and quiet. Night after night, Hannah is plagued by strange nightmares about the past of Navajo Nation and terrifying shadows chasing her. They seem to come closer – and why is Josh always present in her dreams? Sometimes, the past has a way of catching up with you.

    Since she's never visited the property, Danielle's not sure what awaits her in Oregon. She certainly doesn't expect to find one of the house's previous owners still in residence. After all, the man has been dead for almost ninety years--shouldn't he have moved on by now? Charming Walt Marlow convinces Danielle the only way he can move on is if she solves the mystery of his death. Danielle soon discovers her real problems may come from the living--those who have their sights on Marlow House's other secrets.

    Not even her budding drinking problem can obscure her Gramps’s failing health, or erase the mental picture of her first love happily married to her childhood best friend. To top it all off, she’s having a heck of time convincing the town’s dashing young mayor of her unfit-for-dating status. When the ghost of 18th century lady pirate Anne Bonny starts insisting on a near daily audience, Graciela has to confront something else she never expected—being certifiably nuts at twenty-five years old. Her brand new "I don't give a crap" attitude makes it easy to dismiss the mysterious threats that seem to be tied to her search for more information on the long dead pirate, but when her family becomes a target, Gracie knows she needs to find out why the ghost insists on being a constant, reeking companion. If Graciela can put aside her prejudice against people without a pulse, she may discover that Anne Bonny’s problems are intricately linked with her own. The past harbors answers could help the cantankerous spirit find closure, but she is, after all, already dead. If Graciela doesn’t move fast, she might find herself doing the haunting, instead of the other way around.

    Through its doors came the weak and the weary, the disabled and the discarded, the frail and the forgotten. But an open door is an invitation, and some visitors, once invited, are loath to leave. The hospital abruptly closed in 1958 under a cloud of mystery. It has remained empty and silent, save for the memories trapped both within its walls and far below the surface of the nearby lake that bears its name. At the bottom of Asylum Lake, the unremembered are growing restless. Brady Tanner is trying to outrun memories of his own. After the sudden death of his wife, Brady retreats to the small town where he spent the summers of his youth. But he soon learns small towns can be stained by memories... and secrets, too. As Brady is drawn into unearthing these secrets, as he discovers a new love in an old friend, he is also drawn into the mystery of Asylum Lake and the evil that lies submerged beneath its sparkling surface. What is the source of this evil - and what does it want with Brady Tanner?

    A haunting historical thriller set in Britain's North Yorkshire Moors about isolation, superstition and persecution, The Haunting of Thores-Cross explores 18th century life in a picturesque but isolated village in the North Yorkshire Moors. When a vulnerable young girl is ostracised within her community and accused of witchcraft, the descendants of her neighbours will suffer for centuries to come.*Silver Medal Winner, European fiction - 2015 IPPY Book Awards *#1 Bestseller in 6 Amazon Categories, including Ghost Suspense, British Horror and Gothic Romance*Top 10 Bestseller in 8 more, including Historical Thrillers and Occult Horror*Over 100 5-STAR reviews on Amazon.com Likened by independent reviewers on Amazon to the Brontë sisters, Edgar Allen Poe, Barbara Erskine and Nathaniel Hawthorne, Karen Perkins' novels are filled with unflinching honesty and an acute understanding of human nature. She explores not only the depths of humanity, but the depths of human motivation behind the actions and pain people inflict upon each other, as well as the repercussions of these actions not only in the short term, but also the later generations who live with the implications of the past. Emma Moorcroft is still grieving after a late miscarriage and moves to her dream house at Thruscross Reservoir with her husband, Dave. Both Emma and Dave hope that moving into their new home signifies a fresh start, but life is not that simple. Emma has nightmares about the reservoir and the drowned village that lies beneath the water, and is further disturbed by the sound of church bells - from a church that no longer exists. Jennet is fifteen and lives in the isolated community of Thores-Cross, where life revolves about the sheep on which they depend. Following the sudden loss of both her parents, she is seduced by the local wool merchant, Richard Ramsgill. She becomes pregnant and is shunned not only by Ramsgill, but by the entire village. Lonely and embittered, Jennet's problems escalate, leading to tragic consequences which continue to have an effect through the centuries. Emma becomes fixated on Jennet, neglecting herself, her beloved dogs and her husband to the point where her marriage may not survive. As Jennet and Emma's lives become further entwined, Emma's obsession deepens and she realises that the curse Jennet inflicted on the Ramsgill family over two hundred years ago is still claiming lives. Emma is the only one who can stop Jennet killing again, but will her efforts be enough? The Haunting of Thores-Cross was previously titled Thores-Cross.The Yorkshire Ghost Stories are all stand-alone, complete books, and can be read in any order

    So she flees Boston and rents an old home named Brodie’s Watch on a remote coastal peninsula of Maine, hoping to work on a cookbook inspired by New England cuisine that she’s been trying to finish for months. She immediately feels at peace in the isolated house–until she starts to hear strange noises.Rumor has it that a sea captain named Brodie has haunted the house for decades. Then, one night, Ava is awakened to find herself face to face with an apparition who looks–and feels–all too real. Meanwhile, there’s been a series of accidental deaths nearby that don’t add up. And as Ava starts to check into the previous renter’s mysterious disappearance, she starts to realize that there’s a disturbing secret some in town are desperate to keep hidden.Soon all of Ava’s waking hours are consumed by her investigation, and her nights are ignited by Captain Brodie’s ghostly visits. But even as she questions her own sanity, she knows she must uncover the truth before a killer strikes again.

    Weird. Crazy. These are the names tossed around seventeen-year old Jane Watts by her fellow classmates. But things aren’t always as they seem. Sometimes there’s a reason for talking to yourself in the hallway at school.Adjusting to her new home and school after an abrupt move, Jane just wants to be like everyone else at school. Although she does manage to make one friend, Evan — sixteen, charming and protective. Evan is everything a girl could want in a best friend, with one minor caveat: He’s dead.Caught somewhere between life and death, Evan is tied to Jane and the living world, unable to complete the journey to the other side. She thinks he’s here to be her friend, to take care of her, and that’s why no one else can see or hear him.That is, until a new boy shows up at school after a rumored stretch in juvie. Connor can see Evan and is not convinced that the ghost is completely honest. Past experience taught him how ghosts tend to need something from the humans they connect to and Evan, despite his arguments, isn’t any different.Jane is resentful of Connor’s intrusion but soon realizes that her ghostly friend has secrets about his past. And now Evan's family, still reeling from his tragic death, is in danger. Jane must face her fears and battle Evan’s human demons to free both of them.

    Her excitement turns to horror as the mysteries of Sunshine House reveal themselves to be more terrifying then she could have ever imagined.   The Haunting of Sunshine House is the first book in a creepy new Supernatural Suspense series that will have your spine tingling. If you like Darcy Coates, Amy Cross or Bill Thompson, then you’ll love The Haunting of Sunshine House by Dominika Best. Buy yourself a copy, grab a hot cocoa and turn down the lights. You’re in for a thrilling ride with Sara Caine in The Haunting of Sunshine House.  Once you start, you won’t be able to put it down. AUTHOR INTERVIEW: Where did your interest in ghost stories come from? When I was young and living in Poland, I lived next door to an old cemetery. It had been a Jewish Cemetery before World War II, and had been gated since 1945. No one had been inside in all those years, my child brain imagined. Our apartment was on the eleventh floor and I could see through the dense trees down to the half buried tombstones. I convinced myself I had seen several ghosts wandering there at night. My fascination with all things supernatural grew from there.  Is that the reason history plays such an important part in this series as well? Yes, absolutely. The ghosts of World War II were everywhere in Poland. You couldn’t escape that dark history. I’ve had a life-long fascination with that time period especially since the tendrils of the horrors still penetrate our modern times. Los Angeles also features prominently in this series. It is called Ghosts of Los Angeles after all. One of the reasons, I loved setting these books in Los Angeles is because of how steeped in history this city is. A different type of history, of course, but one that is stamped on the facades of the city. It’s wild to watch an old silent film and see the downtown streets and buildings prominently featured from that era. The ghosts of all the celluloid stars wander the streets here. On Rudolf Valentino’s birthday, the Hollywood Forever cemetery hosted a live viewing of one of his films on the side of his mausoleum. They had asked the last living organist from that time period to come and accompany that film. Only in Los Angeles.  What made you choose a psychic to be the main character in this series? As I was researching this book, I came across stories of Bess Houdini. She held seances on the roof of the Knickerbocker Hotel on every Halloween night for 10 years, trying to contact her husband Harry Houdini. I loved that intersection of the supernatural and the famous. I also met some psychics here that were the coolest ladies. They gave me some help in correctly writing about their world.

    Darkness has been a constant companion since her parents’ untimely death, and she harbors a secret that never fails to remind her that she’s different.Ellie's protective bubble includes nothing but her coffee shop, her few friends, and her dog. The attention of a handsome young doctor, David Mitchell, pushes her out of her comfort zone, and Ellie warms to the idea that she may have found another risk worth taking.Then one of Ellie’s friends abruptly leaves town; entrusting her home to Ellie’s care. The house has its own mysterious past that draws Ellie into a new darkness. Her ex-husband resurfaces with premonitions of Ellie’s death. And suddenly Ellie’s life is being turned upside down yet again, and even David can’t help her make it right.Ellie is running out of time. Something old and evil has awakened and it wants Ellie all to itself. She must solve a century-old mystery and keep a grip on her sanity in order to survive.

    So begins the swirling, serpentine world of Paraic O’Donnell’s Victorian-inspired mystery, the story of a city cloaked in shadow, but burning with questions: why does the seamstress jump from the window? Why is a cryptic message stitched into her skin? And how is she connected to a rash of missing girls, all of whom seem to have disappeared under similar circumstances?On the case is Inspector Cutter, a detective as sharp and committed to his work as he is wryly hilarious. Gideon Bliss, a Cambridge dropout in love with one of the missing girls, stumbles into a role as Cutter’s sidekick. And clever young journalist Octavia Hillingdon sees the case as a chance to tell a story that matters—despite her employer’s preference that she stick to a women’s society column. As Inspector Cutter peels back the mystery layer by layer, he leads them all, at last, to the secrets that lie hidden at the house on Vesper Sands.By turns smart, surprising, and impossible to put down, The House on Vesper Sands offers a glimpse into the strange undertow of late nineteenth-century London and the secrets we all hold inside us.