When a former congressional aide becomes part of the staff of the governor of a small Southern state, he watches in horror, admiration, and amazement, as the governor mixes calculation and sincerity in his not-so-above-board campaign for the presidency.From the Hardcover edition.

    The novel has a delicate tangle of schemes and unfulfilled dreams, hidden secrets and a castle or two. Told wonderfully in the deadpan honesty that has become a Pym hallmark, this book is a delight.

    But for Leslie, falling in love with a Texan was a lot simpler than falling in love with Texas. Upon their arrival at Bick's ranch, Leslie is confronted not only with the oppressive heat and vastness of Texas but also by the disturbing inequity between runaway riches and the poverty and racism suffered by the Mexican workers on the ranch. Leslie and Bick's loving union endures against all odds, but a reckoning is coming and a price will have to be paid.A sensational and enthralling saga, Ferber masterfully captures the essence of Texas with all its wealth and excess, cruelty and prejudice, pride and violence.

    The marathon dance craze flourished during the 1930s, but the underside was a competition and violence unknown to most ballrooms—a dark side that Horace McCoy's classic American novel powerfully captures."Were it not in its physical details so carefully documented, it would be lurid beyond itself." —Nation

    This single volume brings together all of Poe's stories and poems, and illuminates the diverse and multifaceted genius of one of the greatest and most influential figures in American literary history.

    During the years when her husband F. Scott Fitzgerald was working on Tender is the Night—which many critics consider his masterpiece—Zelda Fitzgerald was preparing her own story. The novel strangely parallels events from her husband’s life, throwing a fascinating light on Scott Fitzgerald and his work. In its own right, it is a vivid and moving story—centered upon the confessional of a famous glamour girl of the affluent 1920s and an aspiring ballerina—that captures the spirit of an era.

    Was it an accident, a murder, a suicide? The circumstances of her death were never resolved, but O’Hara seized upon the tragedy to imagine the woman’s down-and-out life in New York City in the early 1930s. “O’Hara understood better than any other American writer how class can both reveal and shape character,” Fran Lebowitz writes in her Introduction. With brash honesty and a flair for the unconventional, BUtterfield 8 lays bare the unspoken and often shocking truths that lurked beneath the surface of a society still reeling from the effects of the Great Depression. The result is a masterpiece of American fiction.

    In "Hands," Wing Biddlebaum tries to hide the tale of his banishment from a Pennsylvania town, a tale represented by his hands. In "Adventure," lonely Alice Hindman impulsively walks naked into the night rain. Threaded through the stories is the viewpoint of George Willard, the young newspaper reporter who, like his creator, stands witness to the dark and despairing dealings of a community of isolated people.

    A lovely and moving portrait of society’s outcasts…affirms the essential humanity of its poor and stubborn residents, for whom each day of survival is a victory” (The New York Times Book Review).Set on the high ground at the heart of Cape Ann, the village of Dogtown is peopled by widows, orphans, spinsters, scoundrels, whores, free Africans, and “witches.” Among the inhabitants of this hamlet are Black Ruth, who dresses as a man and works as a stonemason; Mrs. Stanley, an imperious madam whose grandson, Sammy, comes of age in her brothel; Oliver Younger, who survives a miserable childhood at the hands of his aunt; and Cornelius Finson, a freed slave. At the center of it all is Judy Rhines, a fiercely independent soul, deeply lonely, who nonetheless builds a life for herself against all imaginable odds. Rendered in stunning, haunting detail, with Anita Diamant’s keen ear for language and profound compassion for her characters, The Last Days of Dogtown is an extraordinary retelling of a long-forgotten chapter of early American life.

    "You love the boy body and soul, plainly, directly, as he loves you, and no other word expresses it ..."Lucy has her rigid, middle-class life mapped out for her, until she visits Florence with her uptight cousin Charlotte, and finds her neatly ordered existence thrown off balance. Her eyes are opened by the unconventional characters she meets at the Pension Bertolini: flamboyant romantic novelist Eleanor Lavish, the Cockney Signora, curious Mr Emerson and, most of all, his passionate son George.Lucy finds herself torn between the intensity of life in Italy and the repressed morals of Edwardian England, personified in her terminally dull fiancé Cecil Vyse. Will she ever learn to follow her own heart?

    Misfit and motherless, they share an American desert summer of darkly illuminating signs and portents. In locales as mirrored strange as a nursing home where the living dead are preserved, to a wildlife museum where the dead are presented as living, the girls attend to their future. A remarkable attendant cast of characters, including a stroke survivor whose soulmate is a vivisected monkey, an aging big-game hunter who finds spiritual renewal in his infatuation with an eight-year-old–the formidable Emily Bliss Pickles–and a widower whose wife continues to harangue him, populate this gloriously funny and wonderfully serious novel where the dead are forever infusing the living, and all creatures strive to participate in eternity.

    The novel's vision of Soviet life in the 1930s is so ferociously accurate that it could not be published during its author's lifetime and appeared only in a censored edition in the 1960s. Its truths are so enduring that its language has become part of the common Russian speech.One hot spring, the devil arrives in Moscow, accompanied by a retinue that includes a beautiful naked witch and an immense talking black cat with a fondness for chess and vodka. The visitors quickly wreak havoc in a city that refuses to believe in either God or Satan. But they also bring peace to two unhappy Muscovites: one is the Master, a writer pilloried for daring to write a novel about Christ and Pontius Pilate; the other is Margarita, who loves the Master so deeply that she is willing literally to go to hell for him. What ensues is a novel of inexhaustible energy, humor, and philosophical depth, a work whose nuances emerge for the first time in Diana Burgin's and Katherine Tiernan O'Connor's splendid English version.

    The Knight, the Miller, the Friar, the Squire, the Prioress, the Wife of Bath, and others who make up the cast of characters -- including Chaucer himself -- are real people, with human emotions and weaknesses. When it is remembered that Chaucer wrote in English at a time when Latin was the standard literary language across western Europe, the magnitude of his achievement is even more remarkable. But Chaucer's genius needs no historical introduction; it bursts forth from every page of The Canterbury Tales.If we trust the General Prologue, Chaucer intended that each pilgrim should tell two tales on the way to Canterbury and two tales on the way back. He never finished his enormous project and even the completed tales were not finally revised. Scholars are uncertain about the order of the tales. As the printing press had yet to be invented when Chaucer wrote his works, The Canterbury Tales has been passed down in several handwritten manuscripts.

    First published in 1979 to critical acclaim, winning the National Book Award and the National Book Critics Circle Award, The Gnostic Gospels has continued to grow in reputation and influence over the past two decades. It is now widely recognized as one of the most brilliant and accessible histories of early Christian spirituality published in our time.In 1945 an Egyptian peasant unearthed what proved to be the Gnostic Gospels, thirteen papyrus volumes that expounded a radically different view of the life and teachings of Jesus Christ from that of the New Testament. In this spellbinding book, renowned religious scholar Elaine Pagels elucidates the mysteries and meanings of these sacred texts both in the world of the first Christians and in the context of Christianity today.With insight and passion, Pagels explores a remarkable range of recently discovered gospels, including the Gospel of Thomas and the Gospel of Mary Magdalene, to show how a variety of “Christianities” emerged at a time of extraordinary spiritual upheaval. Some Christians questioned the need for clergy and church doctrine, and taught that the divine could be discovered through spiritual search. Many others, like Buddhists and Hindus, sought enlightenment — and access to God — within. Such explorations raised questions: Was the resurrection to be understood symbolically and not literally? Was God to be envisioned only in masculine form, or feminine as well? Was martyrdom a necessary — or worthy — expression of faith? These early Christians dared to ask questions that orthodox Christians later suppressed — and their explorations led to profoundly different visions of Jesus and his message. Brilliant, provocative, and stunning in its implications, The Gnostic Gospels is a radical, eloquent reconsideration of the origins of the Christian faith.

    Pregnant with her second child, Martha King finds her marriage to lawyer Austin King more and more frustrating when her husband befriends his young foster cousin, Nora, and, in the process, unwittingly jeopardizes his marriage, career, and place in the community.