But despite their talent, emotional scars from an incident with a homophobic classmate and their grandmother's spiraling dementia make it harder and harder for Carey to find their voice.Then Carey meets Cris, a singer/guitarist who makes Carey feel seen for the first time in their life. With the rush of a promising new romantic relationship, Carey finds the confidence to audition for the role of Elphaba, the Wicked Witch of the West, in the school musical, setting off a chain reaction of prejudice by Carey's tormentor and others in the school. It's up to Carey, Cris, and their friends to defend their rights--and they refuse to be silenced.Told in alternating chapters with identifying pronouns, debut author Steven Salvatore's Can't Take That Away is both a romance, and an affirmation of self-identity.

    Her friends and parents make fun of her endless stream of crushes, but Ophelia is a romantic at heart. She couldn't change, even if she wanted to.So when she finds herself thinking more about cute, quiet Talia Sanchez than the loss of a perfect prom with her ex-boyfriend, seeds of doubt take root in Ophelia's firm image of herself. Add to that the impending end of high school and the fracturing of her once-solid friend group, and things are spiraling a little out of control. But the course of love--and sexuality--never did run smooth. As her secrets begin to unravel, Ophelia must make a choice between clinging to the fantasy version of herself she's always imagined or upending everyone's expectations to rediscover who she really is, after all.

    Taylor Garland's good looks have earned her the admiration of everyone in her small town. She's homecoming queen, the life of every party, and she's on every boy's most-wanted list.People think Taylor is living the dream, and assume she'll stay in town and have kids with the homecoming king--maybe even be a dental hygienist if she's super ambitious. But Taylor is actually desperate to leave home, and she hates the smell of dentists' offices. Also? She's completely in love with her best friend, Susan.Senior year is almost over, and everything seems perfect. Now Taylor just has to figure out how to throw it all away. Lindsay Sproul's debut is full of compelling introspection and painfully honest commentary on what it's like to be harnessed to a destiny you never wanted.

    The curving scar on her face is proof. Ava would rather keep that something hidden—buried deep in her heart and her soul.But in the woods on the outskirts of town, the traces of someone else’s secrets lie frozen, awaiting Ava’s discovery—and what Ava finds threatens to topple the carefully constructed wall of normalcy that she’s spent years building around her.Secrets leave scars. But when the secret in question is not your own—do you ignore the truth and walk away? Or do you uncover it from its shallow grave and let it reopen old wounds—wounds that have finally begun to heal?

    When Luke Morrissey shows up on the Bexley campus his presence immediately shakes things up. Charlie and Luke are drawn to each other the moment they meet, giving Sage the opportunity to steal away to spend time with Charlie’s twin brother, Nick. But Charlie is afraid of what others will think if he accepts that he has much more than a friendship with Luke. And Sage fears that things with Nick are getting too serious too quickly. The duo will need to rely on each other and their lifelong friendship to figure things out with the boys they love.

    If only she could stop getting in her own way and find someone, anyone, willing to help. But her best friend Ellis MacQueen “fixes” problems by running away from them―including his broken relationship with his twin brother, Tommy. And Tommy’s depression has hit a new low, so he’s not up for fixing anything.In the wake of the town’s latest devastating storm, Tommy goes out for a swim that he doesn’t intend to survive. It’s his unexpected return that sets into motion a sea change between these three teens. One that tests old loyalties, sparks new romance, and uncovers painful secrets. And nothing stays secret in West Finch for long.

    Or at least, that’s what the malicious website flying round the school says. Izzy can try all she wants to laugh it off – after all, her sex life, her terms – but when pictures emerge of her doing the dirty with a politician’s son, her life suddenly becomes the centre of a national scandal. Izzy’s never been ashamed of herself before, and she’s not going to start now. But keeping her head up will take everything she has...

    But when his pilot father is selected for a highly publicized NASA mission to Mars, Cal and his family relocate from Brooklyn to Houston and are thrust into a media circus.Amidst the chaos, Cal meets sensitive and mysterious Leon, another “Astrokid,” and finds himself falling head over heels—fast. As the frenzy around the mission grows, so does their connection. But when secrets about the program are uncovered, Cal must find a way to reveal the truth without hurting the people who have become most important to him.Expertly capturing the thrill of first love and the self-doubt all teens feel, debut author Phil Stamper is a new talent to watch.

    If they were real, her mother would still be able to remember her name and not in a care home with early onset dementia. A condition that Saoirse may one day turn out to have inherited. So she’s not looking for a relationship. She doesn’t see the point in igniting any romantic sparks if she’s bound to burn out.But after a chance encounter at an end-of-term house party, Saoirse is about to break her own rules. For a girl with one blue freckle, an irresistible sense of mischief, and a passion for rom-coms.Unbothered by Saoirse’s no-relationships rulebook, Ruby proposes a loophole: They don’t need true love to have one summer of fun, complete with every cliché, rom-com montage-worthy date they can dream up—and a binding agreement to end their romance come fall. It would be the perfect plan, if they weren’t forgetting one thing about the Falling in Love Montage: when it’s over, the characters actually fall in love… for real.

    Before you can spell LGBTQIA, Daisy's leading the charge to end their school’s antiquated ban on same-sex dates at dances—starting with homecoming. And if people assume Daisy herself is gay? Meh, so what. It's all for the cause. What Daisy doesn't expect is for "the cause” to blow up—starting with Adam, the cute college journalist whose interview with Daisy for his university paper goes viral, catching fire in the national media. #Holy #cats. With the story spinning out of control, protesters gathering, Hannah left in the dust of Daisy’s good intentions, and Daisy's mad attraction to Adam feeling like an inconvenient truth, Daisy finds herself caught between her bold plans, her bad decisions, and her big fat mouth.

    Sasha Bloom is standing right on top of one when her world literally crumbles around her. With her mother now dead and father out of the picture, Sasha moves in with her estranged grandparents.Living in her mom’s old bedroom, Sasha has no idea who she is anymore. Luckily, her grandparents are certain they know who she should be: A lawyer in the making. Ten pounds skinnier. In a socially advantageous relationship with a boy from a good family—a boy like Cole Edwards.And Cole has ideas for who Sasha should be, too. His plus one at lunch. His girlfriend. His.Sasha tries to make everything work, but that means folding away her love of photography, her grief for her mother, and her growing interest in the magnificently clever Lily Chen. Sasha wants to follow Lily off the beaten path, to discover hidden beaches, secret menus, and the truth about dinosaur pee.But being friends with Lily might lead somewhere new. Is Sasha willing to stop being the girl everyone expects and let the girl beneath the surface breath through?

    Brie has big plans for eighth grade. She’s going to be the star of the school play and convince her parents to let her go to the performing arts high school. But when Brie’s mom walks in on her accidentally looking at some possibly inappropriate photos of her favorite actress, Brie panics and blurts out that she’s been chosen to crown the Mary statue during her school’s May Crowning ceremony. Brie’s mom is distracted with pride—but Brie’s in big trouble: she has not been chosen. No one has. Worse, Brie has almost no chance to get the job, which always goes to a top student.   Desperate to make her lie become truth, Brie turns to Kennedy, the girl everyone expects to crown Mary. But sometimes just looking at Kennedy gives Brie butterflies. Juggling her confusing feelings with the rapidly approaching May Crowning, not to mention her hilarious non-star turn in the school play, Brie navigates truth and lies, expectations and identity, and how to—finally—make her mother really see her as she is.

    I like to sleep and I like to blog. Last year – before all that stuff with Charlie and before I had to face the harsh realities of A-Levels and university applications and the fact that one day I really will have to start talking to people – I had friends. Things were very different, I guess, but that’s all over now.Now there’s Solitaire. And Michael Holden.I don’t know what Solitaire are trying to do, and I don’t care about Michael Holden.I really don’t.This incredible debut novel by outstanding young author Alice Oseman is perfect for fans of John Green, Rainbow Rowell and all unflinchingly honest writers.

    Because Dia knows that without a band, she hasn’t got a shot at winning Sun City. Because ever since Hanna’s drinking took over her life, Dia and Jules haven’t been in it. And ever since Hanna left — well, there hasn’t been a band.It used to be the three of them, Dia, Jules, and Hanna, messing around and making music and planning for the future. But that was then, and this is now — and now means a baby, a failed relationship, a stint in rehab, all kinds of off beats that have interrupted the rhythm of their friendship. No contest can change that. Right?But like the lyrics of a song you used to play on repeat, there’s no forgetting a best friend. And for Dia, Jules, and Hanna, this impossible challenge — to ignore the past, in order to jumpstart the future — will only become possible if they finally make peace with the girls they once were, and the girls they are finally letting themselves be.Rebecca Barrow’s tender story of friendship, music, and ferocious love asks — what will you fight for, if not yourself?

    She’d rather wear sweats, build furniture, and get into trouble with her solid group of friends: Woods, Mash, Davey, Fifty, and Janie Lee.But when Janie Lee confesses to Billie that she’s in love with Woods, Billie’s filled with a nagging sadness as she realizes that she is also in love with Woods…and maybe with Janie Lee, too.Always considered “one of the guys,” Billie doesn’t want anyone slapping a label on her sexuality before she can understand it herself. So she keeps her conflicting feelings to herself, for fear of ruining the group dynamic. Except it’s not just about keeping the peace, it’s about understanding love on her terms—this thing that has always been defined as a boy and a girl falling in love and living happily ever after. For Billie—a box-defying dynamo—it’s not that simple.Readers will be drawn to Billie as she comes to terms with the gray areas of love, gender, and friendship, in this John Hughes-esque exploration of sexual fluidity.