Living in the claustrophobic London suburb of Woodvale, and being surrounded by passive-aggressive mum-wars, isn’t helping. Neither is her increasingly pent-up anger at her once-perfect husband. Her only comrade in arms, best friend Bea, is the one thing keeping her sane. When Saoirse’s agent asks her to pitch for a book, she is horrified to discover the topic is motherhood. How can she possibly write a ‘warts and all’ account of being a mother without giving away what it’s really like?

    His coworker, start-up expert Kimberly Foster, is brilliant, fearless, and capable, but years of personal rejection have left her defensive and longing for a family. Two people have never been more at odds—or more attracted to one another. And every day at work, the sparks sure do fly.When Kimberly's ambitious plans for Sam's ministry butt up against his risk-averse nature, Sam decides that obligations to family trump his work for the church. He quits the ministry and heads home to Australia to help his sister, Jules, save her struggling farm. As Kimberly's grand plans flounder, she is forced to face the truth: that no one can replace Sam. Together they strike up a deal: If Kimberly comes to work on Jules's dairy farm and lends her business brains to their endeavor, then maybe—just maybe—Sam will reconsider his future with the church.As Kimberly tries her hand at Australian farm life, she learns more about herself than she could've ever expected. Meanwhile Sam is forced to re-evaluate this spunky woman he thought he already knew. As foes slowly morph into friends, they wonder if they might be something even more. But when disaster strikes the farm, will Sam find it within himself to take a risk that could lead to love? And will Kimberly trust God with her future?

    Actress Libby Lomax has retreated into the world of classic movies, where the immortal lives of her favourite screen goddesses seem to offer so much more in the romance department than her own life.After a terrible day on set where she embarrasses herself in front of the entire cast and worst of all, it’s sexy bad-boy star, Dillon O’Hara, she plonks herself down on her battered couch to watch Breakfast at Tiffany’s for the trillionth time.Suddenly, Libby is astonished to find screen icon Audrey Hepburn, complete with little black dress, trademark sunglasses and vintage cigarette holder, sitting beside her and proffering advice.Has Libby got what it takes to turn her life from a Turkey to a Blockbuster? Perhaps with a little bit of Audrey Hepburn magic, she might just pull it off…A night in with Audrey Hepburn is the first in a series of three books following the life and loves of Libby Lomax as she blossoms from Z-lister to A-lister and all of the stages in between with a little bit of help from some very special friends.

    Under the roof of The Blue House, a now shabby but previously grand Georgian villa in West London, the subdivided space is home to five separate families and five very different lives. Sarah has just divorced her husband, Leo, and she's feeling bruised and lonely. And it's not helped by the fact he has moved in with his new girlfriend - Sarah's neighbour Helena who lives in the same house. Her loneliness is compounded by hearing their happiness floating up through the floorboards. Jane and Tom have just moved in to The Blue House, and there's an instant attraction between Tom and Sarah. But it's too soon for Sarah to jump into a new relationship, and she wouldn't dream of breaking up a marriage as Helena did to her. Mavis has lived in The Blue House for years. She's the oldest resident by several decades and she's not one for socialising. Then her sister comes to live with her, to spend her dying days under the same roof, and Mavis finds she cannot hide away forever. As the stories of the different residents intertwine, Juliet Ashton weaves a story of love and friendship and community that will move you to laughter and to tears.

    It's your grandmother. Yes? She's been arrested. ' Nick Robertson has become used to his grandmother Rosie's dotty behaviour. At 86, a widow now, she is determined that before life passes her by, she will live a little. Or, preferably, a lot. It wouldn't be so bad if Nick had nothing else to do, but with a job to find, two warring parents to cope with and a love life in terminal decline, he would prefer his grandmother to get on with things quietly. But, Rosie insists, there is no time like the present. Life is to be enjoyed to the full and to hell with the consequences. She'll help Nick find the soulmate he clearly lacks and he can help her make the most of her few remaining years. Alan Titchmarsh's sparkling new novel is a delicious blend of humour and romance, and a resounding affirmation that there is no such thing as the generation gap.

    How does an artist accomplish such an achievement, connecting deeply with an audience never met? In this groundbreaking book, one of our culture’s beloved artists offers a detailed account of her own creative process, inspirations, and unexpected connections. Patti Smith, a National Book Award-winning author, first presents an original and beautifully crafted tale of obsession—a young skater who lives for her art, a possessive collector who ruthlessly seeks his prize, a relationship forged of need both craven and exalted. She then takes us on a second journey, exploring the sources of her story. We travel through the South of France to Camus’s house, and visit the garden of the great publisher Gallimard where the ghosts of Mishima, Nabokov, and Genet mingle. Smith tracks down Simone Weil’s grave in a lonely cemetery, hours from London, and winds through the nameless Paris streets of Patrick Modiano’s novels. Whether writing in a café or a train, Smith generously opens her notebooks and lets us glimpse the alchemy of her art and craft in this arresting and original book on writing.The Why I Write series is based on the Windham-Campbell Lectures, delivered annually to commemorate the awarding of the Donald Windham-Sandy M. Campbell Literature Prizes at Yale University.

    That is, until the doorbell rings. Standing on her front step is a young man who looks so much like Max; same smile, same eyes, same age, same adorable bump in his nose; he could be Max's long-lost relation. He introduces himself as Paolo, an Italian editor of American coffee table books, and shows Shelley some childhood photos. Paolo tells her that the man in the photos, the bearded man who Paolo says is his grandfather though he never seems to age, is Max. Her Max. And he is alive and well.As outrageous as Paolo's claims seem; how could her husband be alive? And if he is, why hasn't he looked her up? Shelley desperately wants to know the truth. She and Paolo jet across the globe to track Max down; if it is really Max and along the way, Shelley recounts the European package tour where they had met. As she relives Max's stories of bloody Parisian barricades, medieval Austrian kitchens, and buried Roman boathouses, Shelley begins to piece together the story of who her husband was and what these new revelations mean for her "happily ever after." And as she and Paolo get closer to the truth, Shelley discovers that not all stories end where they are supposed to.

    Blue waves. New romances. Old secrets.Gemma had her summer all planned out, but it takes a sharp turn when she gets dumped and finds herself back in the Hamptons after a five-year absence.Being there puts her at risk of bumping into Hallie, her former best friends (that is, before Gemma ruined her life). But people don't hold grudges forever. Do they?Gemma intends on making amends, but a small case of mistaken identity causes the people she knew years ago—including Hallie and her dreamy brother, Josh—to believe she's someone else. As though the summer wasn't complicated enough already.Filled with summer sun, boys, and friendships gone sour, Katie Finn's first novel in the Broken Hearts and Revenge series sizzles and delights.

    Hannah Bond has always been a bookworm, which is why she fled Florida—and her unstable, alcoholic mother—for a quiet life leading Jane Austen-themed tours through the British countryside. But on New Year’s Eve, everything comes crashing down when she arrives back at her London flat to find her mother, Marla, waiting for her. Marla’s brought two things with her: a black eye from her ex-boyfriend and an envelope she discovered while cleaning out the attic of Hannah’s childhood home. Its contents? The deed to an apartment in Paris, an old key, and newspaper clippings about the death of a famous writer named Andres Armand. Hannah, wary of her mother’s motives, reluctantly agrees to accompany her to Paris, where against all odds, they discover great-grandma Ivy’s one-bedroom apartment frozen in 1940 and covered in layers of dust and cobwebs. As Hannah and Marla uncover clues about great-grandma Ivy in the nooks and crannies of the apartment—including a diary detailing evenings spent drinking and dancing with Hemingway and the Fitzgeralds—they trace her steps through the city in an attempt to understand why she never mentioned her life in Paris before settling in Florida during the war. A heartwarming and charming saga set in the City of Lights, Lost in Paris is an unforgettable celebration of family and the love between a mother and a daughter.

    How I wrecked their whole family. Now I’m serving out my summer like a jail sentence: Just ninety-nine days till I can leave for college, and be done.Day 4: A nasty note on my windshield makes it clear Julia isn’t finished. I’m expecting a fight when someone taps me on the shoulder, but it’s just Gabe, home from college and actually happy to see me. “For what it’s worth, Molly Barlow,” he says, “I’m really glad you’re back.”Day 12: Gabe got me to come to this party, and I’m actually having fun. I think he’s about to kiss me—and that’s when I see Patrick. My Patrick, who’s supposed to be clear across the country. My Patrick, who’s never going to forgive me.

    But when the college senior, days from graduation, enters an abandoned Montana mine, he discovers the price of reckless curiosity. He emerges in May 1941 with a cell phone he can't use, money he can't spend, and little but his wits to guide his way. Stuck in the age of swing dancing and a peacetime draft, Joel begins a new life as the nation drifts toward war. With the help of his 21-year-old trailblazing grandmother and her friends, he finds his place in a world he knew only from movies and books. But when an opportunity comes to return to the present, Joel must decide whether to leave his new love in the past or choose a course that will alter their lives forever. THE MINE is a love story that follows a humbled man through a critical time in history as he adjusts to new surroundings and wrestles with the knowledge of things to come.

    Gary is buying his girlfriend Rachel a charm bracelet whereas Ethan's looking for something a little more special - an engagement ring. But when the two men's shopping bags get confused, the couples' lives become intertwined.

    After hard luck and some bad choices, Sunny has finally found a place to call home — it just happens to be in the middle of a war zone.The thirty-eight-year-old American’s pride and joy is the Kabul Coffee House, where she brings hospitality to the expatriates, misfits, missionaries, and mercenaries who stroll through its doors. She’s especially grateful that the busy days allow her to forget Tommy, the love of her life, who left her in pursuit of money and adventure.Working alongside Sunny is the maternal Halajan, who vividly recalls the days before the Taliban and now must hide a modern romance from her ultratraditional son — who, unbeknownst to her, is facing his own religious doubts. Into the café come Isabel, a British journalist on the trail of a risky story; Jack, who left his family back home in Michigan to earn “danger pay” as a consultant; and Candace, a wealthy and well-connected American whose desire to help threatens to cloud her judgment. When Yazmina, a young Afghan from a remote village, is kidnapped and left on a city street pregnant and alone, Sunny welcomes her into the café and gives her a home — but Yazmina hides a secret that could put all their lives in jeopardy.As this group of men and women discover that there’s more to one another than meets the eye, they’ll form an unlikely friendship that will change not only their own lives but the lives of an entire country.Brimming with Deborah Rodriguez’s remarkable gift for depicting the nuances of life in Kabul, and filled with vibrant characters that readers will truly care about, A Cup of Friendship is the best kind of fiction—full of heart yet smart and thought-provoking.

    Namely that she's made a complete mess of her short time on Earth, and don't even get her started on the five precious dating years she's just wasted on the worthless, faithless James Kane.But after a quick peek at the afterlife, she decides that it's not all it's cracked up to be either. Kind of like a big retirement home in the sky, with an awful lot of bingo and bridge and absolutely no sign of Elvis/Princess Di/Kurt Cobain or anyone it would actually be nice to spend eternity with. So when Charlotte is offered a chance to go back to Earth, this time as a bonafide angel, she jumps at it.But there's a catch. The person she's assigned to watch over is . . . a certain James Kane. Which is where the fun really starts. Well, just because she's passed on doesn't necessarily mean she's moved on, does it?

    They've got a two hundred year-old house, an autistic son obsessed with the Titanic, and 17 chickens, at last count. It's the kind of paradise where stay-at-home moms team up to cook the school's "hot lunch," dads grill grass-fed burgers, and, as Lucy observes, "chopping kale has become a certain kind of American housewife's version of chopping wood."When friends at a wine-soaked dinner party reveal they've made their marriage open, sensible Lucy balks. There's a part of her, though – the part that worries she's become too comfortable being invisible-that's intrigued. Why not try a short marital experiment? Six months, clear ground rules, zero questions asked. When an affair with a man in the city begins to seem more enticing than the happily-ever-after she's known for the past nine years, Lucy must decide what truly makes her happy – "real life," or the "experiment?"