Following in the tradition of such classics as Arthur Huff Fauset’s “Negro Folk Tales from the South” (1927), Zora Neale Hurston’s Mules and Men (1935), and Virginia Hamilton’s The People Could Fly (1985), acclaimed scholars Henry Louis Gates Jr. and Maria Tatar assemble a groundbreaking collection of folktales, myths, and legends that revitalizes a vibrant African American past to produce the most comprehensive and ambitious collection of African American folktales ever published in American literary history. Arguing for the value of these deceptively simple stories as part of a sophisticated, complex, and heterogeneous cultural heritage, Gates and Tatar show how these remarkable stories deserve a place alongside the classic works of African American literature, and American literature more broadly.Opening with two introductory essays and twenty seminal African tales as historical background, Gates and Tatar present nearly 150 African American stories, among them familiar Brer Rabbit classics, but also stories like “The Talking Skull” and “Witches Who Ride,” as well as out-of-print tales from the 1890s’ Southern Workman. Beginning with the figure of Anansi, the African trickster, master of improvisation—a spider who plots and weaves in scandalous ways—The Annotated African American Folktales then goes on to draw Caribbean and Creole tales into the orbit of the folkloric canon. It retrieves stories not seen since the Harlem Renaissance and brings back archival tales of “Negro folklore” that Booker T. Washington proclaimed had emanated from a “grapevine” that existed even before the American Revolution, stories brought over by slaves who had survived the Middle Passage. Furthermore, Gates and Tatar’s volume not only defines a new canon but reveals how these folktales were hijacked and misappropriated in previous incarnations, egregiously by Joel Chandler Harris, a Southern newspaperman, as well as by Walt Disney, who cannibalized and capitalized on Harris’s volumes by creating cartoon characters drawn from this African American lore.Presenting these tales with illuminating annotations and hundreds of revelatory illustrations, The Annotated African American Folktales reminds us that stories not only move, entertain, and instruct but, more fundamentally, inspire and keep hope alive.The Annotated African American Folktales includes:Introductory essays, nearly 150 African American stories, and 20 seminal African tales as historical backgroundThe familiar Brer Rabbit classics, as well as news-making vernacular tales from the 1890s’ Southern WorkmanAn entire section of  Caribbean and Latin American folktales that finally become incorporated into the canonApproximately 200 full-color, museum-quality images

    Manisha Sinha overturns this image, broadening her scope beyond the antebellum period usually associated with abolitionism and recasting it as a radical social movement in which men and women, black and white, free and enslaved found common ground in causes ranging from feminism and utopian socialism to anti-imperialism and efforts to defend the rights of labor. Drawing on extensive archival research, including newly discovered letters and pamphlets, Sinha documents the influence of the Haitian Revolution and the centrality of slave resistance in shaping the ideology and tactics of abolition. This book is a comprehensive new history of the abolition movement in a transnational context. It illustrates how the abolitionist vision ultimately linked the slave’s cause to the struggle to redefine American democracy and human rights across the globe.

    The action takes place in the Welsh Marches during the latter part of the reign of Henry II, after 1187. Eveline, the 16-year-old daughter of Sir Raymond Berenger, is rescued from a Welsh siege by the forces of Damian Lacy. She is betrothed to his uncle, Sir Hugo, who leaves on a crusade. Rebels led by Ranald Lacy attempt to kidnap her, and Damian fights them off, but a confused sequence of events convinces the King that she and her beloved are in league against him.

    In a gutsy last minute move, Pete goes on social media asking for women with his girlfriend's exact name to apply to join him on the trip. Twenty-one women apply, and the ensuing interview process is both awkward and hilarious. When he finally chooses a feisty, headstrong, recently-divorced lawyer, he has no idea what to expect from their world wide adventures - and neither does Allie James. She has pretty much sworn off men since her divorce. Will either of them get the vacation they were so desperately hoping for?

    The perfect introduction to magic and the occult, it explores forms of divination from astrology and palmistry to the Tarot and runestones, mystical plants and potions such as mandrake, the presence of witchcraft in literature from Shakespeare's Macbeth to the Harry Potter series, and the ways in which magic has interacted with mainstream religions.The most comprehensive illustrated history of witchcraft available, A History of Magic, Witchcraft, and the Occult will enthrall and fascinate you with its lavish illustrated, accessible entries, whether you are a believer or a skeptic.

    Born to slaves in Davidson County, Tennessee, the newly freed Love struck out for Kansas after the war. He was fifteen and already endowed with a reckless and romantic readiness. In wide-open Dodge City he joined up with an outfit from the Texas Panhandle to begin a career riding the range and fighting Indians, outlaws, and the elements. Years later he would say, “I had an unusually adventurous life.” That was rare understatement. More characteristic was Love’s claim: “I carry the marks of fourteen bullet wounds on different parts of my body, most any one of which would be sufficient to kill an ordinary man, but I am not even crippled.” In 1876 a virtuoso rodeo performance in Deadwood, Dakota Territory, won him the moniker of Deadwood Dick. He became known as DD all over the West, entering into dime novels as a mysteriously dark and heroic presence. This vivid autobiography includes encounters with Bat Masterson and Billy the Kid, a soon-after view of the Custer battlefield, and a successful courtship. Love left the range in 1890, the year of the official closing of the frontier. Then, as a Pullman train conductor he traveled his old trails, and those good times bring his story to a satisfying end.

    When she meets Carl, she has every reason to stay. But the two come from different worlds, and need work to build a life together in a pioneer country.

    What she gets is a genie with rules. Lacey Linden has gotten good at hiding the truth of her life—a depressed mom, a crumbling house, and bills too big to pay. In school, she's a girl with a ready smile and good grades, but at night, Lacey spends her time dreaming up ways to save her family. On a get-cash-quick trip to the flea market, she stumbles over a music box that seemingly begs her to take it home. She does, only to find it is inhabited by a gorgeous "genie." He offers her a month of wishes, one per day, but there's a catch. Each wish must be humanly possible. Grant belongs to a league of supernatural beings, dedicated to serving humans in need. After two years of fulfilling conventional wishes, he's one assignment away from promotion to a new job with more challenging cases. His month with Lacey is exactly what he expects and nothing like he imagines. Lacey and Grant soon discover that the hardest task of all might be saying goodbye. "Langston wisely limits the power of wishes, so there can be no easy fixes to complex problems...putting the focus on the compelling and sympathetic characters." --School Library Journal

    Katelyn Lyda is face-to-face with a breathtaking man who could be her salvation. Tall, sexy, his eyes full of mysterious promises, he seems to have the answer she needs.It’s too bad Sebastian Caine is one of the bad guys . . .A “recovery specialist” skilled at separating prized possessions from their owners, Sebastian is after an ancient relic. But he reconsiders the job when he finds himself staring at the wrong end of a gun. The beautiful lady with her finger on the trigger seems to have everything he needs—and not just the artifact. Sebastian’s conscience has never bothered him before—but then he has never wanted any woman more.With her life in jeopardy, Kat wonders how far she can trust Sebastian Caine . . . how long she can resist him . . . and dare she fall in love?

    Crowell Co. Subjects: Fairy tales Fiction / Fantasy / General Fiction / Fantasy / Historical Fiction / Fantasy / Short Stories Fiction / Fairy Tales, Folklore

    Recounts the glorious days when gods and goddesses who dwelt on Mount Olympus ruled over the world of mortals below, and fabled heroes performed mighty deeds of valor.

    During Libby’s journey in the past, she stumbles upon her destiny. Unfortunately, he’s in the wrong century. In 1874, there’s no electricity, no Internet, no modern medicine, no antibiotics—-no Starbucks! And even worse than that, women have no rights. Libby has no desire to stay.Widower Colin Thorpe, a renaissance man of his time, has big dreams. He is a horse breeder who names his thoroughbreds after mythological gods because he has a reverence for past cultures and an appreciation for the unexplainable.Libby and Colin can’t resist falling in love with each other. After all, Colin accepts Libby for who she is and she understands Colin’s dreams better than his deceased wife ever did. Yet he grasps early on that Libby doesn’t belong in 1874. And because his wife never adapted to the move from Virginia to Kentucky, becoming bitter and unhappy in the process, he won’t take the chance of the same thing happening to Libby. Can these two lovers find a way to be together despite their challenges?

    First, her secret gift for divining jewels has landed her in scandal, exiling her from London society. Second, a nobleman of dubious repute wants her to find a cache of smuggled jewels, hidden somewhere along the Devon coastline. Last – and worst – she is invited to cream tea at the local manor. And while the autocratic and magnificent Earl of Beresford might be there (and perhaps the jewels themselves too), Beresford is the last person Elinor wants to meet over cream tea.When a dead body is discovered along the cliffs, of course, such delicate considerations become secondary. Fortunately, Elinor now has a small vampiric chaperone – even if said spinster has a habit of appearing stark naked – and together they are ready to risk the hard questions.Where are the jewels hidden? Who killed the smuggler? And just when is the cream tea being served?

    Stories included are:The Lion and the CraneHow the Raja's Son Won the Princess LabamThe LambikinPunchkinThe Broken PotThe Magic FiddleThe Cruel Crane OutwittedLoving LailiThe Tiger, the Brahman and the JackelThe Soothsayer's SonHarisamanThe Charmed RingThe Talkative TortoiseA Lac of Rupees for a Bit of AdviceThe Gold-Giving SerpentThe Son of Seven QueensA Lesson for KingsPride Goeth Before a FallRaja RasaluThe Ass in the Lion's SkinThe Farmer and the Money LenderThe Boy Who had a Moon on his Forehead...The Prince and the FakirWhy the Fish LaughedThe Demon with the Matted HairThe Ivory City and its Fairy PrincessHow Sun, Moon and Wind Went Out to DinnerHow the Wicked Sons were DupedThe Pigeon and the Crow

    Susan Gaylord is talented, loving, equipped with a strong moral sense, and adept at anything she puts her hand to, from housework to playing the piano to working with marble and clay. But the intensity of her artistic calling comes at a price, isolating her from other people—at times, even from her own family. When her husband dies and she remarries, she finds herself once again comparing the sacrifice of solitude to that of commitment. With a heroine who is naturalistic yet compellingly larger than life, This Proud Heart is incomparable in its sympathetic study of character. This ebook features an illustrated biography of Pearl S. Buck including rare images from the author’s estate.