A cynical, wise-cracking vampire charged with protecting the Balance between vampires and humans, he is part cop, part spy, and part commando -- James Bond with fangs. Lawson mixes shrewd cunning with unmatched lethality to get his job done. He tries his best to dismantle conspiracies, dispatch bad guys, and live long enough to get home.

    One of the earliest creations from the master craftsman of Western fiction, Kilkenny featured prominently throughout the years in L’Amour’s work, his search for peace and quiet interrupted by one heart-stopping adventure after another. Now this rollicking eBook bundle collects the three full-length Kilkenny novels alongside three essential shorter pieces:   KILKENNY THE RIDER OF LOST CREEK THE MOUNTAIN VALLEY WAR WEST OF DODGE (SHORT STORY) MONUMENT ROCK (NOVELLA) A GUN FOR KILKENNY (SHORT STORY)   Kilkenny wasn’t looking for trouble when he entered the Clifton House stage station, but trouble found him when a reckless youngster named Tetlow challenged him, drew his gun, and paid for it with his life.   Looking to escape a reputation that he never wanted, Lance Kilkenny settles in the lonely mountain country of Utah, planning to ranch a high, lush valley. But the past is on his trail. Jared Tetlow is a powerful rancher determined to run his vast herd on the limited grasslands there—whether he has to buy out the local ranchers, run them out, or kill them. He’ll cut down anyone who stands in his way, especially a man he already despises: the gunman named Kilkenny—the man who killed his son.

    The play had its world premiere at the Cherry Lane Theatre in New York in spring 2013, starring Jesse Eisenberg and Vanessa Redgrave and directed by Kip Fagan.In The Revisionist, young writer David arrives in Poland with a crippling case of writer’s block and a desire to be left alone. His seventy-five-year-old second cousin Maria welcomes him with a fervent need to connect with her distant American family. As their relationship develops, she reveals details about her postwar past that test their ideas of what it means to be a family.

    But though he’s started a new life, with a woman he loves, he’s still tormented by questions from his past.He returns to Angeles City where he once worked as the papasan watching over his bargirls. On the surface he’s there to sell his stake in a bar on the notorious Fields Avenue. In reality he’s come back to find Isabel—one of his old dancers, and the only person who can answer his questions, and quiet his demons. Because death is seldom an ending, and always haunts those left behind.THE PULL OF GRAVITY is an 82,000 word novel. PRAISE FOR BRETT BATTLES' PREVIOUS NOVELS:“The best word I can use to describe his writing is addictive.”—James Rollins, author of the Sigma Force series“Battles has a true gift…”—Crimespree magazine“...gripping, and always engaging...”—Tucson Citizen“Battles is a master storyteller.”—Sheldon Siegel, author of PERFECT ALIBIABOUT THE AUTHOR:Brett Battles is the Barry Award winning author of eight novels—including THE CLEANER, THE SILENCED, LITTLE GIRL GONE, SICK, and his first novel for younger readers, HERE COMES MR. TROUBLE—one novella, BECOMING QUINN, and several short stories. He is one of the founding members of Killer Year, and a member of International Thriller Writers, Mystery Writers of America, and Sisters in Crime. More info available at www.brettbattles.com.

    . . Dying City is a political play and also a psychodrama about what Arthur Miller called the politics of the soul. It’s about public conscience and private grief, and real and symbolic catastrophes.”?The New York Observer “Anyone who doubts that Mr. Shinn is among the most provocative and probing of American playwrights today need only experience the . . . sophisticated welding of form and content that is Dying City.”?The New York Times In Christopher Shinn’s new play Dying City, a young therapist, Kelly, whose husband Craig was killed while on military duty in Iraq, is confronted a year later by his identical twin Peter, who suspects that Craig’s death was not accidental. Set in a spare downtown-Manhattan apartment after dark, scenes shift from the confrontation between Peter and Kelly, to Kelly’s complicated farewell with her husband Craig. Shinn’s creepy, sophisticated drama?infused with references to 9/11 and the war in Iraq?explores how contemporary politics and recent history have transformed the lives of these three characters. Christopher Shinn was born in Hartford, Connecticut, and lives in New York. His plays include Where Do We Live, Other People, What Didn’t Happen, and On the Mountain, which have been widely produced in New York, across the United States, and in London. He is the recipient of an OBIE Award in Playwriting, as well as the Robert S. Chesney Award. He teaches playwriting at The New School for Drama.

    Her plays have been produced in many theatres across the U.S. including Second Stage (NY), South Coast Rep (Costa Mesa), Yale Repertory Theatre (New Haven), Alliance Theatre (Atlanta) and Steppenwolf (Chicago). She has won the Heideman and the White Bird awards and was a runner-up for the Susan Blackburn award.

    As a blizzard rages outside, a lonely figure, Henry Harry, lies sleeping under a heap of blankets. Suddenly, he is awakened by the insistent knocking of an unexpected visitor who turns out to be Rosannah DeLuce, a distraught young woman who has fled all the way from Arizona to escape her impending marriage, and who bursts into the cabin dressed in full bridal regalia. Exhausted, she throws herself on Henry's mercy, but after sleeping for two days straight, her vigor and combativeness return. Both characters, it develops, have been wounded and embittered by life, and both are refugees from so-called civilization. Thrown together in the confines of the snowbound cabin, they alternately repel and attract each other as, in theatrically vivid exchanges, they explore the pain of the past and, in time, consider the possibilities of the present. In the end their very isolation proves to be the catalyst that allows them to break through the web of old griefs and bitter feelings that beset them both and to reach out for the solace and sanctuary that only hard-won understanding, self-awareness and compassion for the plight of others can bestow.

    Thoreau's most engaging and popular works, newly edited and based on the most authoritative versions of each. These essays represent Thoreau in many stages of his writing career, ranging from 1842--when he accepted Emerson's commission to review four volumes of botanical and zoological catalogues in an essay that was published in The Dial as "Natural History of Massachusetts"--to 1862, when he prepared "Wild Apples," a lecture he had delivered during the Concord Lyceum's 1859-1860 season, for publication in the Atlantic Monthly after his death. Three other early meditations on natural history and human nature, "A Winter Walk," "A Walk to Wachusett," and "The Landlord," were originally published in 1842 and 1843. Lively, light pieces, they reveal Thoreau's early use of themes and approaches that recur throughout his work. "A Yankee in Canada," a book-length account of an 1850 trip to Quebec that was published in part in 1853, is a fitting companion to Cape Cod and The Maine Woods, Thoreau's other long accounts of explorations of internal as well as external geography. In the last four essays, "The Succession of Forest Trees" (1860), "Autumnal Tints" (1862), "Walking" (1862), and "Wild Apples" (1862), Thoreau describes natural and philosophical phenomena with a breadth of view and generosity of tone that are characteristic of his mature writing. In their skillful use of precisely observed details to arrive at universal conclusions, these late essays exemplify Transcendental natural history at its best.

    All of them are in one way or another frustrated and unhappy. Most of them are under the illusion that some day the things from which they suffer will be removed and they will be once more at peace. But when they come to see themselves, they realize that man is the sum of his past life, that they are incapable of any real revolt against their past, and that what they have made of themselves in earlier years is what they are when age approaches. Nor are they tragic figures. All of them are troubled average people, human, commonplace but they are studied with great understanding and a touch of intelligently unsentimental compassion."

    His most celebrated work, Six Characters in Search of an Author, embodies the Nobel Prize-winning playwright's innovations by presenting an open-ended drama on a stage without sets.First performed in 1923, this intellectual comedy introduces six individuals to a stage where a company of actors has assembled for a rehearsal. Claiming to be the incomplete, unused creations of an author's imagination, they demand lines for a story that will explain the details of their lives. In ensuing scenes, these "real-life characters," all professing to be part of an extended family, produce a drama of sorts — punctuated by disagreements, interruptions, and arguments. In the end they are dismissed by the irate manager, their dilemma unsolved and the "truth" a matter of individual viewpoints.A tour de force exploring the many faces of reality, this classic is now available in an inexpensive edition that will be welcomed by amateur theatrical groups as well as by students of drama.

    As the novel opens, Jack's twin brother, a Denver homicide detective, has just killed himself. Or so it seems. But when Jack begins to investigate the phenomenon of police suicides, a disturbing pattern emerges, and soon suspects that a serial murderer is at work - a devious cop killer who's left a coast-to-coast trail of "suicide notes" drawn from the poems of Edgar Allan Poe. It's the story of a lifetime - except that "the Poet" already seems to know that Jack is trailing him. . . Here is definitive proof that Michael Connelly is among the best suspense novelists working today. Blood Work: Thanks to a heart transplant, former FBI agent Terrell McCaleb is enjoying a quiet retirement, renovating the fishing boat he lives on in Los Angeles Harbor. But McCaleb's calm seas turn choppy when a story in the "What Happened To?" column of the LA Times brings him face-to-face with the sister of the woman whose heart now beats in his chest. From her, McCaleb learns a terrible truth: that the donor of his heart was not killed in an accident, as he'd been told, but was murdered. Wracked with guilt over the fact that he's alive because another human being was killed, McCaleb embarks on a private investigation of his donor's murder - a crime as horrific as anything he ever encountered as a serial killer investigator for the FBI.

    

    FYODOR MIKHAILOVICH DOSTOYEVSKY [1821-1881] was a Russian writer of novels and short stories .In 1841, he graduated from Saint Petersburg Academy of Military Engineering. In 1845, he published his first novel Poor Folk in the magazine Sovremennik. The poet Nikolai Nekrasov, editor of the magazine, said of Dostoyevsky, "a new Gogol has arisen!" In 1846, he published The Double. It was received with dissaponting reaction. In 1849, he was arrested and sentenced to death for being a member of the Petrashevsky Circle. The sentence was reduced to four years hard labor at a prison camp in Omsk, Siberia. Of the experience he wrote, "In summer, intolerable closeness; in winter, unendurable cold. All the floors were rotten. Filth on the floors an inch thick; one could slip and fall... We were packed like herrings in a barrel...There was no room to turn around. From dusk to dawn it was impossible not to behave like pigs... Fleas, lice, and black beetles by the bushel..." In 1854, and was required to serve five years in the Russian army at Semipalatinsk, Kazakhstan. In 1866, he published Crime and Punishment which made him one of Russia's most popular authors. In 1867, he published The Gambler. He had become a frequent visitor to casinos and wrote the book to pay debts. From 1873 to 1881, he published the Writer's Diary, a magazine of short stories and articles on current events.Many leading authors have been influenced by him including Proust, Faulkner, Camus, Kafka, Kerouac, and Salinger. Hemingway cited his influence in A Moveable Feast. James Joyce said of him, "...he is the man more than any other who has created modern prose ..."

    Mars and Return to Mars follow the struggle of settling on Mars, and Moonrise and Moonwar follow the events of colonizing the Moon – all struggling against the limitations Earth would set on these bold innovators. Mars: A team of astronauts face many challenges on a mission to Mars—including subzero temperatures, violent meteor showers, and a deadly virus. Native American geologist Jamie Waterman must navigate political intrigue at home, team conflict on the base, and a harsh and unforgiving environment to protect his own life and those of his crewmembers.Moonrise: A private company has established the first permanent human settlement on the Moon. But all is not as it seems there. Facing internal conflict and external protest, the company threatens closure—and former astronaut Doug Stavenger must protect the base and its inhabitants from the Moon’s harsh environment and the threat of murder.Moonwar: The second of Ben Bova’s Moonbase Saga, Moonwar picks up seven years after the events of Moonrise—when Doug Stavenger succeeded in protecting his beloved lunar colony. But the nanotechnology that keeps the colony functioning is now illegal on Earth—and the settlers must defend themselves against new threats from Earth.Return to Mars: Six years after the first manned expedition to Mars, a second is being planned, and Native American geologist Jamie Waterman is assigned as commander. He must face deadly internal rivalries, dangerous "accidents" that look like sabotage, and an intense new attraction to one of the crew members—and keep his crew safe while exploring the secrets of the Red Planet.