If only his mother hadn’t started college at thirty-six (and fallen for her psychology professor). If only he were more like his rebellious older brother (suspended from Hebrew school for drawing the rabbi in a threesome with a lobster and a pig). If only Jacob could confront his overbearing father and tell him he doesn’t want to sing in synagogue, attend est classes, write the perfect thank-you note, or even live in the same house with Abram Green. But, of course, he can’t. That would be unthinkable.

    Only two characters appear on stage; Hughie, the third and most important one, is dead. It is Hughie's innocence, gullibility, and need to believe in a far more exciting existence than he ever knew which gives some kind of purpose to the shabby lives of the two who remain. O'Neill here again writes of the defeated and the courage that comes by way of illusions reflecting still other illusions in a world that needs them all.Hughie, the only surviving manuscript from a series of eight one-act monologue plays that O'Neill planned in 1940, was completed in 1941.

     In the present day, Sean Ferro told Avery Stanz about his past marriage engagements. She could hardly believe that her Madam, the strict and controlling Miss Black, would have been engaged to the man of her dreams. Miss Black once told Avery about her time as a call girl, about her one true regret: that she had held onto the job too long, that she had let the right guy slip away. In Krista Lakes' first Kindle Worlds novella, travel back to the past with Miss Black, to a world a decade before H.M. Ward's "The Arrangement", to a time before the tragic end to Sean Ferro's marriage. Told from Miss Black's point-of-view, this story is the first part of the story of how she fell hard for the charms of Sean Ferro, and how she eventually came to be the Madam that we all love to hate. This story can be read without prior knowledge of "The Arrangement", however some parts that are referenced will be more enjoyable if you are already familiar with H.M. Ward's bestselling serial.

    Recommended for all collections." - Choice

    A kidnapping. Escape.... University student Jemma Howell's life has turned upside down: she's pregnant and her boyfriend has just died. A lawyer has Jemma sign away the child to her dead boyfriend's parents, the wealthy Winchesters. Some six months after giving birth, Jemma is still obsessed with her baby's welfare. A chance opportunity occurs. She makes a split-second decision. She is now a kidnapper and on the run. Detective Constable Tim Findlay is assigned to the Winchester kidnapping, his first big case. In the course of the investigation, he and his partner uncover deeply hidden secrets of the Winchester family. For Tim, the difference between right and wrong becomes blurred. BYE BABY BUNTING is a page-turning psychological thriller that explores society's attitudes to single parenting and adoption and the laws that apply to birth-mother, child and adoptive parents. The story takes place in Auckland, New Zealand, Hawaii and Winnipeg, Canada between 1963 and the present.

    When they are ordered to perform an unthinkable task, the aftermath forces them to question the concepts of friendship, beauty, and duty, and changes them forever.

    So join all the characters: Bugsy, Fat Sam, Tallulah and Dandy Dan for great fun with the whole class.Students will relish this opportunity to play a cast of Prohibition-era mobsters.Fat Sam, who runs one of the most popular speakeasies in town, is in danger of being closed down by his ‘business rival’ Dandy Dan. Enter baby-faced Bugsy Malone, a killer with the ladies and a definite asset to Fat Sam. Unfortunately, Bugsy has also caught the eye of Sam’s girlfriend Tallulah – though he’s set his designs on the showgirl Blousey Brown.This play lends itself perfectly to school performance with its large mixed cast and consistent humour.The book contains a stimulating playscript suitable for classwork and school production, accompanied by resources including background material and lively activities.

    Laugh-out-loud funny, and sometimes heartbreakingly moving, these tiny plays in which every one of us could have a starring role are little windows into other people's lives that reveal the triumphs, disasters, prejudices, horrors and joys of twenty-first-century life.

    Framed by four months in the fall of 2005, a simmering family and office story slowly unravels into something, more unusual, surreal, and ambiguous. We All sleep In The Same Room blends the traditional intimacy and immediacy of private-eye noir-style with the humorous, obsessive, digressive, observations of modern realism. Below a surface that is both touching and disturbing, optimistic, and cynical, is a sustained meditation on family and work, responsibility, and abandon--and the transformative and destructive impact of beauty and death on an otherwise moral life.

    Frank Baum's The Wonderful Wizard of Oz. The production called for the casting of many dwarfs to play the Munchkins of the mythical Land of Oz and the studio began recruiting 'small persons' from all over the world. During production, rumours spread around Hollywood of wild Munchkin sex orgies, drunken behavior and general dwarf debauchery. More sinisterly, a Munchkin is said to have committed suicide by hanging himself on the set during filming - what appears to be a small human body is clearly visible hanging from a tree in the Tin Man scene. It is a claim that has passed into Hollywood legend. Set in a hotel room in Culver City, California, Babylon Heights is Irvine Welsh and Dean Cavanagh's scabrous and hilarious imagining of what could, very possibly, have led to that dwarf suicide. Babylon Heights premiered at the Exit Theatre, San Francisco, in June 2006.

    Wodehouse tradition, if Wodehouse had had a libido. Without meaning to, Corky Wopplesdown has just gotten sexy lingerie model, Wisper Nuckeby, fired. In an effort to somehow make things right he sets off on a wild journey to find her while in the unlikely company of a rude, horny stripper, a repressed minister, an unexpected fiancee and a comic book collecting pervert. Then Corky's car breaks down in the tiny hamlet of Nikkid Bottoms, a little, coastal village where the sun is warm, the people are nice, and the clothing is optional. Funny, edgy and wickedly satirical, this is the irreverent Chuck Austen writing at his ingeniously zany, and unbelievably outrageous best. Fully illustrated.

    

    In 1943, he left school aged fourteen and joined Oldham Repertory Company where he earned fifteen bob for a seventy-hour week. After being called up for National Service in 1946 he became a paratrooper and spent several months in Palestine being shot at. On returning home, and to the theatre, Bernard was eventually approached by George Martin, then an A&R man for Parlophone Records, who suggested he made a record. Just months away from producing The Beatles, Martin asked Bernard to come to Abbey Road Studios in north London and, after teaching him how to sing into a microphone, they eventually recorded two hit singles - 'The Hole in the Ground' and 'Right Said Fred'. These, together with appearances in now classic films such as Two Way Stretch and The Wrong Arm of the Law (not to mention a certain television programme called Jackanory), catapulted Bernard to stardom and, by the time he started filming The Railway Children in 1970, he was already a national treasure.Since then, Bernard's CV has been an A-Z of the best entertainment that Britain has to offer, and, thanks to programmes such as the aforementioned Jackanory, The Wombles, and, more recently, Old Jack's Boat, he has become the voice of many millions of childhoods. Seventy-five years in the making and packed with entertaining anecdotes, Bernard Who? tells the wonderful story of one of the longest and most celebrated careers in show business.

    This hilarious compendium of stupidity is guaranteed to have readers of any age howling in disbelief, and is the ideal gift for anyone who's ever shouted answers at the TV and thinks they could do better.

    Burgess himself will die tonight in an equally odd manner, leaving Tom with a locked case and a lot of unanswered questions. Join Tom and a cast of disreputable and downright dangerous characters in this witty thriller set in a murky world of murder, mystery and complex equations, involving internet conspiracy theorists, hedge fund managers, the Belarusian mafia and a cat called µ.