Pao needs to take care of some dirty business, but he is no Don Corleone. The rackets he runs are small-time, and the protection he provides necessary, given the minority status of the Chinese in Jamaica. Pao, in fact, is a sensitive guy in a wise guy role that doesn't quite fit. Often mystified by all that he must take care of, Pao invariably turns to Sun Tzu's Art of War. The juxtaposition of the weighty, aphoristic words of the ancient Chinese sage, with the tricky criminal and romantic predicaments Pao must negotiate builds the basis of the novel's great charm. A tale of post-colonial Jamaica from a unique and politically potent perspective, Pao moves from the last days of British rule through periods of unrest at social and economic inequality, through tides of change that will bring about Rastafarianism and the Back to Africa Movement. Pao is an utterly beguiling, unforgettable novel of race, class and creed, love and ambition, and a country in the throes of tumultuous change. Kerry Young was born in Kingston, Jamaica, to a Chinese-African mother and a Chinese father-a businessman in Kingston's shadow economy who provided inspiration for Pao. Young moved to England in 1965 at the age of ten. She earned her MA in creative writing at Nottingham Trent University. This is her first novel.

    But then she falls in love with Jeremy, an old chum, visiting from abroad. The fatal catch? Jeremy is her best friend's husband.But just as Petra is beginning to relax into her happy ever after, she finds herself catapulted to West Africa, and to Bev, her best friend who she’s been betraying so spectacularly. Meanwhile, on opposite sides of the world, two other women are also struggling with the weight of betrayal: Texan Lorrie is about to embark on the biggest deception of her life, and in China Li-Jing is trying to understand exactly what it is her husband does on his West African business trips…It turns out that no matter wherever you are in the world, everyone has something to hide. Can Bev – can anyone – be trusted?

    All she has left is a yard brimming with plants that are wilting in the scorching Iowa summer—and a bone-deep feeling that she’s through with living. Meg has something else too: a bottle of mysterious pills, given to her years ago by an empathetic doctor. He promised that they would offer her dying mother a quick, painless end in exactly twenty days. Though her mother never needed them, Meg does. But a strange thing happens after Meg swallows the little green pearls . . . Now that she’s decided to leave this world, Meg is rediscovering the joy in it. She sheds everything she no longer needs—possessions, regrets, guilt—and reconnects with those she cares for. Finally confronting the depth of her grief, she’s learning that love runs deeper still. But is it too late to choose to stay?

      Stacey Lane feels like a monster. Tommy DeMarco might be one. Since her husband died eight months ago, Stacey’s been a certified mess—a poet who can’t write anymore, a good mother who feels like she’s failing her kids. She’s been trying to redefine herself, to find new boundaries. Tommy has no respect for boundaries. A surprisingly well-read A-list Hollywood star, Tommy’s fallen in love with Stacey’s novel-in-verse, a feminist reimagining of Frankenstein, no less. His passion for the book, and eventually its author, will set their lives on a collision course. They’ll make a movie, make each other crazy, and make love—but only in secret. As Stacey travels between her humdrum life in the suburbs of Omaha and the glamorous but fleeting escape Tommy offers, what begins as a distracting affair starts to pick up weight. It’s a weight that unbalances Stacey’s already unsteady life, but offers new depth to Tommy’s. About desire, love, grief, parenthood, sexual politics, and gender, Monsters: A Love Story is a witty portrait of a relationship gone off the rails, and two people who are made for each other—even if they’re not so sure they see it that way.

    He's the cripple with the crutches, the nerdy computer genius every female past puberty feels compelled to mother. So when he leaves his lucrative career to teach programming to high schoolers, romance definitely isn't on his radar. Perhaps that's why Greta Cassamajor catches him off guard. The sarcastic gym coach with zero sense of humor is no beauty - not even on the inside. But an inexplicably kind act toward Samuel makes him realize she is interesting.Samuel is certain she won't accept his invitation to dinner - so when she does, he's out of his depth. All he knows is that he'll do whatever it takes to keep her as long as he can. Pretending he's got his class under control? Easy. Being vulnerable enough to admit why he ditched his programming career for teaching? Um, no. That would require honesty. And if there's one thing Samuel can't live without, it's the lies he tells himself. In this poignant, witty debut, Ramsey Hootman upends traditional romance tropes to weave a charming tale of perseverance, trust, and slightly conditional love.

    Wurche, the willful daughter of a chief, is desperate to play an important role in her father's court. These two women's lives converge as infighting among Wurche's people threatens the region, during the height of the slave trade at the end of the 19th century. Set in pre-colonial Ghana, The Hundred Wells of Salaga is a story of courage, forgiveness, love and freedom. Through the experiences of Aminah and Wurche, it offers a remarkable view of slavery and how the scramble for Africa affected the lives of everyday people.

    An adoring little sister, their traditional parents, and a host of aunties and cousins make Morayo's home their own. So there's nothing unusual about her charming but troubled cousin Bros T moving in with the family. At first Morayo and her sister are delighted, but in her innocence, nothing prepares Morayo for the shameful secret Bros T forces upon her. Thrust into a web of oppressive silence woven by the adults around her, Morayo must learn to fiercely protect herself and her sister from a legacy of silence many women in Morayo's family share. Only Aunty Morenike—once shielded by her own mother—provides Morayo with a safe home and a sense of female community that sustains her as she grows into a young woman in bustling, politically charged, often violent Nigeria.

    This world came to him as a chaos of loud and colorful sounds: the hair dryers at his mother's beauty parlor, black mamba bicycle bells, mechanics in Nairobi, the music of Michael Jackson—all punctuated by the infectious laughter of his brother and sister, Jimmy and Ciru. He could fall in with their patterns, but it would take him a while to carve out his own.In this vivid and compelling debut memoir, Wainaina takes us through his school days, his mother's religious period, his failed attempt to study in South Africa as a computer programmer, a moving family reunion in Uganda, and his travels around Kenya. The landscape in front of him always claims his main attention, but he also evokes the shifting political scene that unsettles his views on family, tribe, and nationhood.Throughout, reading is his refuge and his solace. And when, in 2002, a writing prize comes through, the door is opened for him to pursue the career that perhaps had been beckoning all along. A series of fascinating international reporting assignments follow. Finally he circles back to a Kenya in the throes of postelection violence and finds he is not the only one questioning the old certainties.Resolutely avoiding stereotype and cliché, Wainaina paints every scene in One Day I Will Write About This Place with a highly distinctive and hugely memorable brush.

    Oceanic is both a title and an ethos of radical inclusion, inviting in the grief of an elephant, the icy eyes of a scallop, “the ribs / of a silver silo,” and the bright flash of painted fingernails. With unmatched sincerity, Oceanic speaks to each reader as a cooperative part of the natural world—the extraordinary neighborhood to which we all belong. This is a poet ecstatically, emphatically, naming what it means to love a world in peril.

    At the center of it all is the reticent Mugo, the village's chosen hero and a man haunted by a terrible secret. As we learn of the villagers' tangled histories in a narrative interwoven with myth and peppered with allusions to real-life leaders, including Jomo Kenyatta, a masterly story unfolds in which compromises are forced, friendships are betrayed, and loves are tested.

    She’s had to be: when Jacob’s father, Dave, found out Karen was pregnant and made it clear that fatherhood wasn’t in his plans, Karen walked out of the relationship, never telling Dave her intention was to raise their child alone. But now Jake is asking to meet his dad, and with good reason: Karen is dying. When she finally calls her ex, she’s shocked to find Dave ecstatic about the son he never knew he had. First, he can’t meet Jake fast enough, and then he can’t seem to leave him alone. Karen quickly grows anxious as she watches Dave insinuate himself into Jake’s life just as her own strength and hold on Jake grow more tenuous. As she struggles to play out her last days in the “right” way for Jake, Karen wrestles with the knowledge that the only thing she cannot bring herself to do for her son—let his father become a permanent part of his life—is the thing he needs from her the most. With heart-wrenching poignancy, unexpected wit, and mordant humor, Lauren Grodstein has created an unforgettable story about parenthood, sacrifice, and life itself.

    Extraordinary for its exquisite language, its implacable sorrow, its soaring beauty, and for its monumental portrait of the forces that shape families and nations, Homegoing heralds the arrival of a major new voice in contemporary fiction.Two half-sisters, Effia and Esi, are born into different villages in eighteenth-century Ghana. Effia is married off to an Englishman and lives in comfort in the palatial rooms of Cape Coast Castle. Unbeknownst to Effia, her sister, Esi, is imprisoned beneath her in the castle's dungeons, sold with thousands of others into the Gold Coast's booming slave trade, and shipped off to America, where her children and grandchildren will be raised in slavery. One thread of Homegoing follows Effia's descendants through centuries of warfare in Ghana, as the Fante and Asante nations wrestle with the slave trade and British colonization. The other thread follows Esi and her children into America. From the plantations of the South to the Civil War and the Great Migration, from the coal mines of Pratt City, Alabama, to the jazz clubs and dope houses of twentieth-century Harlem, right up through the present day, Homegoing makes history visceral, and captures, with singular and stunning immediacy, how the memory of captivity came to be inscribed in the soul of a nation. Generation after generation, Yaa Gyasi's magisterial first novel sets the fate of the individual against the obliterating movements of time, delivering unforgettable characters whose lives were shaped by historical forces beyond their control. Homegoing is a tremendous reading experience, not to be missed, by an astonishingly gifted young writer.

    "Even as a girl, I knew the only chance I had was to change my face... even before a fortune-teller told me so." Kyuri is a beautiful woman with a hard-won job at a "room salon," an exclusive bar where she entertains businessmen while they drink. Though she prides herself on her cold, clear-eyed approach to life, an impulsive mistake with a client may come to threaten her livelihood.Her roomate, Miho, is a talented artist who grew up in an orphanage but won a scholarship to study art in New York. Returning to Korea after college, she finds herself in a precarious relationship with the super-wealthy heir to one of Korea's biggest companies.Down the hall in their apartment building lives Ara, a hair stylist for whom two preoccupations sustain her: obsession with a boy-band pop star, and a best friend who is saving up for the extreme plastic surgery that is commonplace.And Wonna, one floor below, is a newlywed trying to get pregnant with a child that she and her husband have no idea how they can afford to raise and educate in the cutthroat economy.Together, their stories tell a tale that's seemingly unfamiliar, yet unmistakably universal in the way that their tentative friendships may have to be their saving grace.

    Raised by two attentive parents in Washington, D.C., he’s a top student and a track star at his prestigious private high school. Bound for Harvard in the fall, his prospects are bright. But Niru has a painful secret: he is queer—an abominable sin to his conservative Nigerian parents. No one knows except Meredith, his best friend, the daughter of prominent Washington insiders—and the one person who seems not to judge him.When his father accidentally discovers Niru is gay, the fallout is brutal and swift. Coping with troubles of her own, however, Meredith finds that she has little left emotionally to offer him. As the two friends struggle to reconcile their desires against the expectations and institutions that seek to define them, they find themselves speeding toward a future more violent and senseless than they can imagine.

    She’s lived in Corpus Christi, Texas, ever since her parents sought asylum there when she was a baby. Now a citizen, Millie devotes herself to school and caring for her younger siblings while her mom works as a housekeeper for the wealthy Wheeler family. With college on the horizon, Millie is torn between attending her dream school and staying close to home, where she knows she’s needed. She’s disturbed by what’s happening to asylum-seekers at the U.S.-Mexico border, but she doesn’t see herself as an activist or a change-maker. She’s just trying to take care of her own family.Then Mr. Wheeler, a U.S. Senate candidate, mentions Millie’s achievements in a campaign speech about “deserving” immigrants. It doesn’t take long for people to identify Millie’s family and place them at the center of a statewide immigration debate. Faced with journalists, trolls, anonymous threats, and the Wheelers' good intentions―especially those of Mr. Wheeler's son, Charlie―Millie must confront the complexity of her past, the uncertainty of her future, and her place in the country that she believed was home.