Her secret.When Angela met Jason Powell while catering a dinner party in East Hampton, she assumed their romance would be a short-lived fling, like so many relationships between locals and summer visitors. To her surprise, Jason, a brilliant economics professor at NYU, had other plans, and they married the following summer. For Angela, the marriage turned out to be a chance to reboot her life. She and her son were finally able to move out of her mother’s home to Manhattan, where no one knew about her tragic past.Six years later, thanks to a bestselling book and a growing media career, Jason has become a cultural lightning rod, placing Angela near the spotlight she worked so carefully to avoid. When a college intern makes an accusation against Jason, and another woman, Kerry Lynch, comes forward with an even more troubling allegation, their perfect life begins to unravel. Jason insists he is innocent, and Angela believes him. But when Kerry disappears, Angela is forced to take a closer look at the man she married. And when she is asked to defend Jason in court, she realizes that her loyalty to her husband could unearth old secrets.

    The last she--and anyone--saw of them was Vivian closing the cabin door behind her, hushing Emma with a finger pressed to her lips.Now a rising star in the NYC art scene, Emma turns her past into paintings.. They catch the attention of Francesca Harris-White, the socialite and wealthy owner of the very same Camp Nightingale--and when Francesca implores Emma to return to the camp as a painting counselor, Emma sees an opportunity to find closure and move on.Yet, it is immediately clear that all is not right at Camp Nightingale. Already haunted by surfacing memories, Emma is suddenly plagued by a security camera pointed directly at her cabin, mounting mistrust from Francesca, and, most disturbing of all, cryptic clues Vivian apparently left behind about the camp's twisted origins. And as history begins to repeat itself and three girls go missing again, Emma must face threats from both man and nature in order to uncover all the buried secrets--including what really happened all those years ago.

    In such a dangerous landscape it can only be a terrible tragedy, surely...When another child goes missing, and then a third, it’s no longer possible to believe that their deaths were accidental, and the villagers must admit that there is a murderer among them. Even Catrin Quinn, a damaged woman living a reclusive life after the accidental deaths of her own two sons a few years ago, gets involved in the searches and the speculation.And suddenly, in this wild and beautiful place that generations have called home, no one feels safe and the hysteria begins to rise.But three islanders—Catrin, her childhood best friend, Rachel, and her ex-lover Callum—are hiding terrible secrets. And they have two things in common: all three of them are grieving, and none of them trust anyone, not even themselves.

    . . but what happens when that lie destroys everything you love? When Tess is sent to photograph Greg, a high profile paediatric heart surgeon, she sees something troubled in his face, and feels instantly drawn to him. Their relationship quickly deepens, but then Tess, single mother to nine-year-old Joe, falls pregnant, and Greg is offered the job of a lifetime back in his hometown of Boston. Before she knows it, Tess is married, and relocating to the States. But life in an affluent American suburb proves anything but straightforward.Unsettling things keep happening in the large rented house, Joe is distressed, the next-door neighbours are in crisis, and Tess is sure that someone is watching her. Greg's work is all-consuming and, as the baby's birth looms, he grows more and more unreachable. Something is very wrong, Tess knows it, and then she makes a jaw-dropping discovery . . .

    She says your name. Then she jumps... In a split second, Morgan Kincaid’s life changes forever. She’s on her way home from work when a mother begs her to take her baby, then places the infant in her arms. Before Morgan can stop her, the distraught mother jumps in front of an oncoming train. Morgan has never seen this woman before, and she can’t understand what would cause a person to give away her child and take her own life. She also can’t understand how this woman knew her name. The police take Morgan in for questioning. She soon learns that the woman who jumped was Nicole Markham, prominent CEO of the athletic brand Breathe. She also learns that no witness can corroborate her version of events, which means she’s just become a murder suspect. To prove her innocence, Morgan frantically retraces the last days of Nicole’s life. Was Nicole a new mother struggling with paranoia or was she in danger? When strange things start happening to Morgan, she suddenly realizes she might be in danger, too. Woman on the Edge is a pulse-pounding, propulsive thriller about the lengths to which a woman will go to protect her baby—even if that means sacrificing her own life.

    I hope you can forgive me…’Grace hasn't been the same since the death of her best friend Charlie. She is haunted by Charlie's last words, and in a bid for answers, opens an old memory box of Charlie's. It soon becomes clear there was a lot she didn't know about her best friend.

    Not the kind who has an illicit affair with a married man. But Josh Landon is everything Nora’s alcoholic husband isn’t. And now she and Josh are so infatuated, they can’t stay away from one another.Abby Landon, Josh’s daughter, is home from college nursing a broken heart. She’s seeking solace, not more scandal, so when she catches her dad kissing Nora, she vows to take the homewrecker down.And as for Abby’s mother and Josh’s wife, Gwen? To anyone on the outside looking in, the mother of two appears to be living the ideal suburban life.Until she winds up dead.The serene seaside town of Shoreham has always been the perfect place to raise a family—not somewhere housewives are brutally murdered. So who killed Gwen Landon, and how many twisted secrets will be exposed as the vindictive plot comes undone?

    But Rachel still has no idea how a foolish teenaged game turned deadly--or who replaced her soft pellet air gun with a real weapon. When a figure jumped out at her from the darkness, she fired without thinking. By the time she recognized her half-brother, Luke, it was too late. Blood bloomed around his chest . . .Rachel's horrifying dreams about that night continue. Her anxiety contributed to her divorce from Detective Cade Ryder, though he blames himself too. And now, as Rachel's high school reunion nears, she feels her imagination playing tricks on her. She's sure that there's a hint of unfamiliar cologne in the air. That someone is tailing her car. Watching her home . . .She's right to be scared. And as connections surface between a new string of murders and Luke's death, Rachel realizes there's no escaping the past. And the truth may be darker than her worst fears . . .

    But no one is listening to her. After her husband, Mark, died suddenly in a terrible accident a few months earlier, the only thing keeping Tess together is Jamie. As they struggle to make sense of their new life without Mark, they find joy in brief moments of normalcy like walking to school and watching television together. Life is hard without Mark, but Tess has Jamie, and that's what matters.But there in the hospital, confused and surrounded by people who won't listen, Tess’s world falls apart. To save her son, she must piece together what happened between Mark's death and Jamie's birthday, but the truth might just be too much for her to bear.

    Well, someone did—and now the game has changed…Emily Bennett works as a therapist in Pennsylvania, helping children overcome their troubled pasts—even as she struggles to forget her own. Once upon a time, Emily was part of a middle school clique called the Harpies—six popular girls who bullied the new girl to her breaking point.The Harpies took a blood oath: never tell a soul what they did to Grace Farmer.Now, fourteen years later, it seems karma has caught up to them when one member of that vicious circle commits suicide. But when a second Harpy is discovered dead shortly after, also from apparent suicide, the deaths start to look suspicious. And when Emily starts seeing a woman who looks a lot like Grace Farmer lurking in the shadows, she’s forced to wonder: Is Grace back for revenge? Or is Emily’s guilt driving her mad?Sticks and stones may break your bones, but the Harpies are about to find out just how much words can hurt you.

    After years of struggling in the Chicago theater scene, ambitious actress Kira Rascher finally lands the role of a lifetime. The catch? The mercurial Malcolm Mercer is the director and he’s known for pushing his performers past their limits—on stage and off. Kira’s convinced she can handle Malcolm, but the theater’s cofounder, Joanna Cuyler, is another story. Joanna sees Kira as a threat—to her own thwarted artistic ambitions, her twisted relationship with Malcolm, and the shocking secret she’s keeping about the upcoming production. But as opening night draws near, Kira and Joanna both come to the realization that Malcolm’s dangerous extremes are nothing compared to what they’re capable of themselves. An edgy, addictive, and fiendishly clever tale of ambition, deceit, and power suited for fans of the film Black Swan, Temper “revels in its mind games, delivering twist after twist as it races toward a Shakespearian climax. The final page will leave you gasping” (Amy Gentry, author of Last Woman Standing).

    Now it’s her turn to get even …Anna lives a solitary existence, taking solace in order and routine. Her only friend is the lonely old lady next door. She doesn’t like to let people get too close – she knows how much damage they can do.Then one ordinary day Anna witnesses a devastating road accident and recognises the driver as Carla, the woman who ruined her life all those years ago. Now it’s Anna’s chance to set things straight but her revenge needs to be executed carefully …First she needs to get to know Liam, the man injured in the accident. She needs to follow the police investigation. She needs to watch Carla from the shadows…But as Anna’s obsession with Carla escalates, her own secrets start to unravel. Is Carla really dangerous or does Anna need to worry about someone far closer to home?

    It’s perfectly normal, and they all grow out of it in the end. But when her seven-year-old son, Cody, tells her about New Granny, the new friend he’s met in the park, Georgina is instantly suspicious. Something—call it maternal instinct—tells her he isn’t making it up.But maybe Georgina is losing her mind. It wouldn’t be the first time, after all. And with her own mother’s recent death leaving her bereft and trying to cope with life as a busy working mom, it’s no wonder she’s feeling paranoid that Cody has invented a “New Granny” to replace his beloved grandmother.Her husband, Bren, becomes the voice of reason, assuring Georgina that it’s just a game, the product of their son’s overactive imagination. But what if Cody’s imaginary friend is not so imaginary after all?

     Two years later, Elena Langdon meets Nicholas Madison. She is grieving the loss of her mother, he is grieving for his wife. Together they can help each other. Now Elena is living with Nicholas. But Elena doesn’t really know him. She doesn’t know what he is capable of. And she doesn’t know what really happened to Amelia. Until the day she discovers the torn page of a letter and the words she reads chill her to the bone.  Elena must find the person who wrote these letters if she is to save herself. A totally breathtaking page-turner about the darker side of love and what really goes on behind closed doors. This book will have you gripped from the very first page until the dramatic final twist.

    Heming. He was the estate agent who showed you around your comfortable home, suggested a financial package, negotiated a price with the owner, and called you with the good news. The less good news is that, all these years later, he still has the key. That's absurd, you laugh. Of all the many hundreds of houses he has sold, why would he still have the key to mine? The answer is; he has the keys to them all. William Heming's most at home in a stranger's private things. He makes it his business to know all their secrets, and how they arrange their lives. His every pleasure is in his leafy community. He loves and knows every inch of it, feels nurtured by it, and would defend it - perhaps not with his life but if it came to it, with yours. Things begin to change when Mr. Hemings' obsession shifts from many people to one, and then a dead body winds up in someone's garden. For a man who is used to going unremarked, Mr. Heming's finds his natural routine becomes uncomfortably interrupted.