Jacobs, H.G. Wells, Arthur Machen, Horacio Quiroga and H.P. Lovecraft.

    The spotty fat teen nicknamed AnnaBall by the school bullies is long gone. But standing on the edge of the popular crowd, she still feels like that girl. That is, until Jack, her teen crush, starts flirting with her. Much to her amusement, he has mistaken her for Christy Blake, Annabel's chief tormenter before she moved to France in their last year.It's just a bit of fun at first, letting Jack believe she's Christy. After all, he was nuts about her before she said au revoir to England. And when he asks Annabel out, the fun becomes something even more interesting. The more they date the deeper they fall for each other. So what if Annabel has to fib a little to keep up the façade?As the lies start compounding, and she realizes that they're falling in love, she has to tell him who she really is. But she'll lose the love of her life if she does.

    This is the era of Fat Man and Little Boy, of FDR and Stalin, but also of Casablanca and Citizen Kane, zoot suits and Christian Dior, Duke Ellington and Edith Piaf. The 1940s were when The New Yorker came of age. A magazine that was best known for its humor and wry social observation would extend itself, offering the first in-depth reporting from Hiroshima and introducing American readers to the fiction of Vladimir Nabokov and the poetry of Elizabeth Bishop. In this enthralling book, masterly contributions from the pantheon of great writers who graced The New Yorker’s pages throughout the decade are placed in history by the magazine’s current writers. Included in this volume are seminal profiles of the decade’s most fascinating figures: Albert Einstein, Marshal Pétain, Thomas Mann, Le Corbusier, Walt Disney, and Eleanor Roosevelt. Here are classics in reporting: John Hersey’s account of the heroism of a young naval lieutenant named John F. Kennedy; A. J. Liebling’s unforgettable depictions of the Fall of France and D Day; Rebecca West’s harrowing visit to a lynching trial in South Carolina; Lillian Ross’s sly, funny dispatch on the Miss America Pageant; and Joseph Mitchell’s imperishable portrait of New York’s foremost dive bar, McSorley’s. This volume also provides vital, seldom-reprinted criticism. Once again, we are able to witness the era’s major figures wrestling with one another’s work as it appeared—George Orwell on Graham Greene, W. H. Auden on T. S. Eliot, Lionel Trilling on Orwell. Here are The New Yorker’s original takes on The Great Dictator and The Grapes of Wrath, and opening-night reviews of Death of a Salesman and South Pacific. Perhaps no contribution the magazine made to 1940s American culture was more lasting than its fiction and poetry. Included here is an extraordinary selection of short stories by such writers as Shirley Jackson (whose masterpiece “The Lottery” stirred outrage when it appeared in the magazine in 1948) and John Cheever (of whose now-classic story “The Enormous Radio” New Yorker editor Harold Ross said: “It will turn out to be a memorable one, or I am a fish.”) Also represented are the great poets of the decade, from Louise Bogan and William Carlos Williams to Theodore Roethke and Langston Hughes. To complete the panorama, today’s New Yorker staff, including David Remnick, George Packer, and Alex Ross, look back on the decade through contemporary eyes. Whether it’s Louis Menand on postwar cosmopolitanism or Zadie Smith on the decade’s breakthroughs in fiction, these new contributions are illuminating, learned, and, above all, entertaining.Including contributions by W. H. Auden • Elizabeth Bishop • John Cheever • Janet Flanner • John Hersey • Langston Hughes • Shirley Jackson • A. J. Liebling • William Maxwell • Carson McCullers • Joseph Mitchell • Vladimir Nabokov • Ogden Nash • John O’Hara • George Orwell • V. S. Pritchett • Lillian Ross • Stephen Spender • Lionel Trilling • Rebecca West • E. B. White • Williams Carlos Williams • Edmund Wilson And featuring new perspectives by Joan Acocella • Hilton Als • Dan Chiasson • David Denby • Jill Lepore • Louis Menand • Susan Orlean • George Packer • David Remnick • Alex Ross • Peter Schjeldahl • Zadie Smith • Judith Thurman

    Her formerly chaotic life seems to be settling down, until a peaceful walk in the woods leads Symphony and Toby to the reclusive cabin of Caleb Showalter, who knows more about her past than he’s telling.When an old friend resurfaces and expresses his affection, Symphony warily longs for love, and it is Toby that nudges her toward pursuing a reconnection. But when violence strikes at the hands of her possessive boyfriend, Symphony’s trust is shattered once again.Just when Symphony’s faith in humanity seems lost, Toby is injured in the woods, and she has no choice but to reach out to Caleb for help. Together, they face their fears and lost trust head-on. If they can save Toby, they might be able to let go of the past and to believe in the goodness of others—and themselves—once again.

    The only thing dumber? Falling in love. The Prince needs a nanny… Cara isn’t anything like what he was expecting. The beautiful young blonde is fun-loving, impulsive, and unafraid to step on a few royal toes. Nico hasn’t been any of those things since a tragic accident in a country he’s vowed never to return to. Romance is the last thing on his mind, but the feisty American just might make him reconsider. The nanny needs a fresh start… What do you do when your dreams go up in flames? If you’re like Cara, you run off to a fairy-tale castle on the other side of the world. To her shock, her new boss is Prince Nico, the hard-partying playboy who was plastered over US tabloids for years. Nico’s different now. He’s as handsome as ever, but he’s almost as closed off as his children. It’ll take all of Cara’s enthusiasm and dedication to make a difference in this royal family’s life. In the face of nearly insurmountable odds, could she possibly go from servant to Cinderella? **Dashing is a full-length contemporary romance novel with steamy scenes, no cheating, and a very happy ending.**

    But the success they’ve found in their careers has taken them on different paths, and maybe it’s time to go their separate ways.   But before they do, a friend advises them to spend one last weekend together, at the very least so they can agree on who gets the dog. When a ferry strike leaves Teague and Joanna stranded together at their beloved beach cottage, it promises to be the most awkward weekend ever. Or the perfect chance to fall for each other all over again . . .

    Set in mid-nineteenth century Gloucestershire, a saga focusing on two farms and families who own them.

    Hopefully, the enticement of winning his house and the magic of the holidays will lure in just the right person! Holly Kirby was a bit shocked when she read the ad. The winner of the Christmas contest would receive a house! Knowing this might be some sort of scam, she still can’t help but imagine all the wonderful things she could do with a beautiful house on Nantucket. Holly decides to go ahead and enter, hoping that the Christmas angels will bring her a miracle. Jack Anderson immediately knew something was wrong with his grandfather after reading the ad for the Christmas contest. Maybe it was time to take a break from work and pay him a visit. Somebody has to talk some sense into him! Only, when he gets there, he realizes Grandpa’s plan is already in full swing. The clock is ticking but can Jack stop it in time, or will his family home be lost to him forever?

    Amrutananda and Kapiladeva were cunning and extremely sly landlords in two neighbouring villages. They would cheat and ill-treat their labourers, but make a lot of money. However, someone had to teach them a lesson and that’s how Manikya arrived on their doorstep, offering to work for them for free, all set to teach them two very important lessons. Another clever story from the master of funny stories, Two Unforgettable Lessons will amuse you, entertain you and leave you rooting for Manikya and his brains long after you’ve finished the story.

    Against the relentless onslaught of Russian and Czechoslovakian divisions pouring into West Germany, Captain Kurt Mohr and his tank crews wage a desperate battle to delay the enemy advance. As a brand new company commander, he must also prove his metal to the men who serve under him. Amid the breakneck speed of mechanized warfare, Mohr battles his own self-doubt and fear in order to quickly adapt to the fast-paced battlefield environment. Fighting in Lower Bavaria also poses unique challenges to his command abilities as the close-in nature of the terrain forces him to deal with threats at point blank range. As the war's first day progresses, the brutal reality of war hits home. With the future of their nation at stake, Mohr and his men become the storm and steel that avenge the countrymen whose lives they are sworn to protect.

    At least not until Janaki’s sister, Lakshmi—now a refugee whose husband, a Tamil, has disappeared—comes back to live with her family. And when Sam, an American Peace Corps worker who boards with Janaki’s family, falls in love with one of his students, a young girl from the north, he, too, becomes acutely aware of the dangers that exist for any- one who gets drawn into the conflict, however marginally. Skillfully weaving together the stories of these and other intersecting lives, The Beach at Galle Road explores themes of memory and identity amid the consequences of the Sri Lankan civil war. From different points of view, across generations and geographies, it pits the destructive power of war against the resilient power of family, individual will, and the act of storytelling itself.

    From maple ice cream to Z-shaped fire escapes, these poems carry a flashlight you'll want to follow: unexpected as night swimming, entertaining as a music video in sign language.

    A desolate maid. And one cold corpse. Richard Lynche, heir of an 18th century Tipperary estate, can find no peace. His bookish ways disgust his bullying letch of a father. His heartsick mother sinks ever-deeper into a drug-induced lethargy. The teen’s only solace are the loving arms of the homesick new maid, Eveleen. Meanwhile jealousy, lust, and oppression lead to gruesome visions, causing Richard to question his own sanity. Desperate to prevail over his demons, he determines there is only one way to stop the torture—a killing. Aroon is a cauldron of old-fashioned Irish stew. Spiced heavily with Downton Abbey, sprinkled with Shakespeare’s Hamlet and a dash of The Godfather’s Michael Corleone, it explores the underbelly of life during the Protestant Ascendancy.

    Wanted criminal, ruthless assassin - and my sole protector in a world that's out to get me.But he is part of that world.There’s a bullet left in his gun, and it’s meant for me.Strapped to his strong chest I fall into the abyss, unsure what I will find at the bottom.Death?Mercy?Or… love?No. How could I possibly fall for the man whose job it is to kill me? A man who took everything from me and is now holding me as his captive, just waiting for the right moment to turn the passion between us into a deadly finale?We both know what he has to do.We both know that there’s hell to pay if we don’t stop this.Yet, here we are. On our road to ruin…

     When he murders Martin Pound, a corrupt politician, he considers it to be just another job. His days are spent drinking, reading and visiting his late wife's grave. Devlin has nothing to live for. Then he meets Emma, "a good Catholic girl". Everyone deserves a second chance. But the hunter is about to become the hunted. The Parker brothers, the criminal family who put the hit out on the politician, want to tie-up loose ends. Devlin must kill or be killed. Nothing To Lose is a literary thriller, set in South London. Thomas Waugh has created a hero (or anti-hero) who will seem human to some readers and inhuman to others. You decide.