The novel follows them through adolescence, as Johannes struggles with the social hierarchy and becomes a successful author, and Victoria is forced into marrying Otto, a lieutenant, to save the troubled family economy.A lyrical excursion into unconsummated love, love that is described memorably as 'Blood and Blossoms'.

    An international bestseller and longlisted for the Dublin Literary Prize, it tells the story of Edvard and starts at his family’s tree farm in Norway, where he was raised by his grandfather. The death of Edvard’s parents when he was three has always been a mystery but he knows that the fate of his grandfather’s brother, Einar, is somehow connected. One day a coffin is delivered to the farm for his grandfather, long before the grandfather’s death––a meticulous, beautiful, and unique piece of craftsmanship with the hallmarks of a certain master craftsman––raising the thought that Einar isn’t dead after all. Edvard is now driven to unravel the mystery of his parents’ death. Following a trail of clues from Norway to the Shetland Islands to the battlefields of France and sixteen ancient walnut trees colored by poison gas in World War I, Edvard ultimately discovers a very unusual inheritance. Spanning a century and masterfully navigating themes of revenge and forgiveness, love and loneliness, The Sixteen Trees of the Somme displays the rich talents of Lars Mytting––whose novels have sold over a million copies worldwide––in a story that is utterly compelling and unforgettable.

    This Nordic Prize-winning novel, a truly gripping epic, relates the lives of four generations of a unique and strange family with touching intimacy and surreal comedy.Traces four generations of a family marked by the untimely birth of Fred, a misfit and boxer conceived during a devastating rape who forges an unusual friendship with his younger half-brother, Barnum.

    Imaginative and intelligent, Alberta is a misfit trapped in a stiflingly provincial town in the far north of Norway whose only affinity is for her extrovert brother Jacob.

    A tragic legacy of the German occupation, illegitimate Tora is a social outcast. Worse, Tora also has to cope with the fear of her brutish stepfather and his sexual assaults. She consoles herself with lonely fantasies about her real father, with books, and with the friendship and support of a few village women. This proletarian feminist novel is about the victimization of women, but also about women's solidarity and power. Awarded a coveted Nordic prize, this is the first volume of a trilogy.

    Arvid Jansen, thirty-seven, is trying to bridge the yawning gulf that opened up years earlier between himself and his mother. He is in the throes of a divorce, and she has just been diagnosed with cancer. Over a few intense autumn days, Arvid struggles to find a new footing in his life. As he attempts to negotiate the present changes around him, he casts his mind back to holidays on the beach with his brothers, and to the early days of his courtship. Most importantly, he revisits the idealism of his communist youth, when he chose the factory floor over the college education his mother had struggled so hard to provide. Back then, Arvid's loyalty to his working-class background outweighed his mother's wish for him to escape it. As Petterson's masterful narrative shifts effortlessly through the years, we see Arvid tentatively circling his mother, unable to tell her what she already knows he is thinking. In its piercing and moving portrait of their layered relationship, I Curse the River of Time bears all the hallmarks of Petterson's compassion for humanity that has won him readers the world over.

    He writes lists, obsesses over the nature of time, and finds joy in bouncing balls--all in an effort to find out how best to live life. An utterly enchanting meditation on experience, Naive. Super was a #1 best-seller in Erlend Loe's native Norway.

    Their routine, isolated existence is interrupted when a lumberjack arrives at their lakeside cottage and falls in love with Hege, leaving Mattis fearful that he will lose his sister. The careful translation from the Norwegian underscores Vesaas's rare sensitivity in recording Mattis's often insightful view of his world. With a limited understanding of the unpredictable power of nature, Mattis nonetheless turns to the elements to discover the answers—with unsettling results.

    And yet, Sigrid Undset had a gift for depicting modern women “sympathetically but with merciless truthfulness,” as the Swedish Academy noted in awarding her the Nobel Prize for Literature in 1928. At the time she was one of the youngest recipients and only the third woman so honored. It was Undset’s honest story of a young woman’s love life—“the immoral kind,” as she herself bluntly put it—that made her first novel an instant sensation in Norway.Marta Oulie, written in the form of a diary, intimately documents the inner life of a young woman disappointed and constrained by the conventions of marriage as she longs for an all-consuming passion. Set in Kristiania (now Oslo) at the beginning of the twentieth century, Undset’s book is an incomparable psychological portrait of a woman whose destiny is defined by the changing mores of her day—as she descends, inevitably, into an ever-darker reckoning. Remarkably, though Undset’s other works have attracted generations of readers, Marta Oulie has never before appeared in English translation. Tiina Nunnally, whose award-winning translation of Undset’s Kristin Lavransdatter captured the author’s beautifully clear style, conveys the voice of Marta Oulie with all the stark poignancy of the original Norwegian.

    For the 2005 Norwegian edition, see: ISBN13: 9788203189081.The story of three generations of an old-lineage Norwegian family making their life in the northern woods (circa 1750's.) Main themes are the struggle between tradition and innovation, the prejudices of pastoral society, and a study in human nature and man's ability to make peace with it.

    Accompanied by angels, shepherds, kings and even a Roman governor, she is rushing back through time and space to Bethlehem, to be present at the birth of Christ. Fifty years later a boy called Joachim pieces together her story from a magic advent calendar and brings it to a conclusion.

    Ghosts is a scathing indictment of Victorian society in which Ibsen refutes the notion that if one simply fulfills one's duty rather than following one's desires then a good and noble life will be achieved. Scandalous in its day for its frank discussion of venereal disease and marriage infidelity, Ghosts remains to this day an intense psychological drama and sharp social criticism.Ghosts was written during the autumn of 1881 and was published in December of the same year. It was not performed in the theatre until May 1882, when a Danish touring company produced it in the Aurora Turner Hall in Chicago. Ibsen disliked the translator William Archer's use of the word 'Ghosts' as the play's title, whereas the Norwegian Gengangere would be more accurately translated as The Revenants, which literally means The Ones who Return.

    He asked them to take out their school edition of The Wild Duck. He was once more struck by their hostile attitude toward him. But it couldn't be helped, he had a task to perform and was going through with it. It was from them as a group that he sensed that massive dislike sent forth by their bodies. Individually they could be very pleasant, but together, positioned like now, at their desks, they constituted a structural enmity, directed at him and all that he stood for. Elias Rukla begins yet another day under the leaden Oslo sky. At the high school where he teaches, a novel insight into Ibsen's The Wild Duck grips him with a passion so intense that he barely notices the disinterest of his students. After the lesson, when a broken umbrella provokes an unpredictable rage, he barely notices the students' intense curiosity. He soon realizes, however, that this day will be the decisive day of his life.With Shyness and Dignity, Dag Solstad - praised in Norway as one of the most innovative novelists of his generation - offers an intricate and richly drawn portrait of a man who feels irrevocably alienated from contemporary culture, politics, and, ultimately, humanity.

    Not all of them return – and those who do will never be the same. Among them is the daredevil Laurids Madsen, who promptly escapes again into the anonymity of the high seas.As soon as he is old enough, his son Albert sets off in search of his missing father on a voyage that will take him to the furthest reaches of the globe and into the clutches of the most nefarious company. Bearing a mysterious shrunken head, and plagued by premonitions of bloodshed, he returns to a town increasingly run by women – among them a widow intent on liberating all men from the tyranny of the sea.From the barren rocks of Newfoundland to the lush plantations of Samoa, from the roughest bars in Tasmania, to the frozen coasts of northern Russia, We, The Drowned spans four generations, two world wars and a hundred years. Carsten Jensen conjures a wise, humorous, thrilling story of fathers and sons, of the women they love and leave behind, and of the sea’s murderous promise. This is a novel destined to take its place among the greatest seafaring literature.

    Wilfred Sagen at fourteen is still a perfectly turned out, impeccably behaved "Little Lord Fauntleroy" to his family, but to his teachers he is a disruptive enigma and, to a pack of Oslo street urchins, an instigator of crime. In his often desperate search for emotional integration, Wilfred is hampered by an acute and introspective intelligence which only compounds his normal adolescent anxieties. Painfully aware of the split in his own personality, Wilfred longs for wholeness and harmony (personified by the young Jewish violinist, Miriam), but is torn by guilt and the realization that he cannot control either himself or the world.By the time of his death, Johan Borgen was acclaimed as one of the major figures in twentieth-century Scandinavian literature. He is best known for his Lillelord Trilogy, which deals with the moral and physical degeneration of Wilfred Sagen over three decades. For Borgen, Wilfred’s loss of innocence and fractured existence had their counterparts in the cultural shock experienced by all of Norway through two world wars, the Nazi occupation, and explosive technological change. This English-language edition of Lillelord (1955), the first volume of the Lillelord Trilogy, has been translated by Elizabeth Brown Moen (in Oslo) and Ronald E. Peterson (at Occidental College in Los Angeles). Mr. Peterson has also edited the volume and provided an informative introduction.