This is Maya Angelou talking from the heart, down to earth and real, but also inspiring. This is a book to treasured, a book about being in all ways a woman, about living well, about the power of the word, and about the power do spirituality to move and shape your life. Passionate, lively, and lyrical, Maya Angelou's latest unforgettable work offers a gem of truth on every page. "From the Paperback edition."

    . .For almost ten years, radio talk show host Nikki Truth has shared life's ups and downs with her husband Donovan while doling out in-your-face relationship advice to her listeners. But lately it seems the good times in her own relationship--including the sex--are few and far between. Then she meets widower Kenyon Monroe, whose sizzling touch is too tempting to resist. But not everyone is under Kenyon's spell. . .Nikki's best friend, Trinette Montgomery, can't deny Kenyon is hot, but she never trusts a man who seems too good to be true. And she should know. Married to a successful CFO who travelsa lot, Trinette likes to indulge in all of life's pleasures--including the fine men of St. Louis. But when her game goes too far, Trinette stands to lose everything. . . "These characters leap off the page and make you want to join in."--Lutishia Lovely, author of Heaven Forbid

    Bonnie Wilder has lived here, on Blackberry Corner, all her life, and would be content but for her deep desire to have a child. She and her husband Naz cannot conceive, and he refuses to adopt. Even the support of her outrageous best friend Thora--to whom Bonnie tells everything--can't help fill the emptiness inside her. Then Naz finds a blanketed infant on the banks of Canaan Creek, and suddenly Bonnie's life is transformed. She has found her calling. Together with Thora and the rest of the hilarious, tough, and all-too-human women from her church group, Bonnie creates an underground railroad for unwanted babies. But one of these precious gifts will come back to haunt her: a deception begun in good faith comes full circle, ultimately forcing Bonnie to find the courage to confront a difficult truth at the center of her own life. Filled with compassion, humor, and tenacity in the face of almost insurmountable odds, here is a rich, inspiring tale of friendship and family, sisterhood and mother love...and of finding grace where you least expect it.

    Opening dramatically at  Sweet Tamarind, a rice and cotton plantation on an island off South Carolina's coast, we watch as recently emancipated Bette Mayfield says her goodbyes before fleeing for the mainland. With her granddaughter, Eudora, in tow, she heads to Charleston. There, they carve out lives for themselves as fortune-teller and seamstress. Dora will marry, the Mayfield line will grow, and we will follow them on a journey through the watershed events of America's troubled, vibrant history—from Reconstruction to both World Wars, from the Harlem Renaissance to Vietnam and the modern day. Shange and Bayeza give us a monumental story of a family and of America, of songs and why we have to sing them, of home and of heartbreak, of the past and of the future, bright and blazing ahead.

    After she is freed by the Union army, she works to reunify her family and embrace her heritage, committing herself to improving the conditions for blacks in America. Through her fascinating characters-including Iola's brother, who fights at the front in a colored regiment-Harper weaves a vibrant and provocative chronicle of the Civil War and its consequences through African American eyes in this critical contribution to the nation's literature.

    Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin's story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions-affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche.

    A brilliant, eye-opening, and critically acclaimed debut novel that follows a young black girl's coming of age as she comes to question the legacies of her family and culture and begins to determine her course for the future.

    It is the story of Lilith, born into slavery on a Jamaican sugar plantation at the end of the eighteenth century. Even at her birth, the slave women around her recognize a dark power that they and she will come to both revere and fear. The Night Women, as they call themselves, have long been plotting a slave revolt, and as Lilith comes of age and reveals the extent of her power, they see her as the key to their plans. But when she begins to understand her own feelings and desires and identity, Lilith starts to push at the edges of what is imaginable for the life of a slave woman in Jamaica, and risks becoming the conspiracy's weak link. Lilith's story overflows with high drama and heartbreak, and life on the plantation is rife with dangerous secrets, unspoken jealousies, inhuman violence, and very human emotion between slave and master, between slave and overseer, and among the slaves themselves. Lilith finds herself at the heart of it all. And all of it told in one of the boldest literary voices to grace the page recently--and the secret of that voice is one of the book's most intriguing mysteries.

    She partied hard, and life seemed good when she was with Born, the neighborhood kingpin whose name was synonymous with money, power, and respect. But all his love couldn't save her from a crack addiction. Jada goes from crack addict and prostitute to survivor and back again before she finds the strength to live for herself and come out on top. And her stormy romance with one of the fiercest hustlers on the streets makes White Lines one of the most unforgettable urban loves stories of the year.

    So as soon as she was old enough and able enough, that was where she went--parlaying her smarts and her ambition into one of the hottest hair salons in town. In no time, she was moving with the brothers and sisters who had beautiful clothes, big cars, bigger dreams, and money in the bank.Now, after more than a decade of elegant pleasures and luxe living, Ava has come home, her fabulous career and power plans smashed to bits on one dark truth. Ava Johnson has tested positive for HIV. And she's back in little Idlewild to spend a quiet summer with her widowed sister, Joyce, before moving on to finish her life in San Francisco, the most HIV-friendly place she can imagine.But what she thinks is the end is only the beginning because there's too much going down in her hometown for Ava to ignore. There's the Sewing Circus--sister Joyce's determined effort to educate Idlewild's young black women about sex, drugs, pregnancy, whatever. . .despite the interference of the good Reverend Anderson and his most virtuous, "Just say no" wife. Plus Joyce needs a helping hand to make a loving home for Imani, an abandoned crack baby whom she's taken into her heart.And then there's Wild Eddie, whose legendary background in violence combined with his Eastern gentility has stirred Ava's interest. . .and something more.

    She is the darkest-skinned among them and therefore the ugliest in her mother, Rozelle's, estimation, but she's also the brightest. Rozelle--beautiful, charismatic, and light-skinned--exercises a violent hold over her children. Fearing abandonment, she pulls them from school at the age of twelve and sends them to earn their keep for the household, whether in domestic service, in the fields, or at "the farmhouse" on the edge of town, where Rozelle beds local men for money.But Tangy Mae has been selected to be part of the first integrated class at a nearby white high school. She has a chance to change her life, but can she break from Rozelle's grasp without ruinous--even fatal--consequences?

    An award-winning author makes her fiction debut with this coming-of-age story of three young black children set against the backdrop of the Atlanta child murders of 1979.

    It's not because she's black—most of the other students in the fourth-grade class at her West Philadelphia elementary school are too. Maybe it's because she celebrates Kwanzaa, or because she's forbidden from reciting the Pledge of Allegiance. Maybe it's because she calls her father—a housepainter-slash-philosopher—"Baba" instead of "Daddy," or because her parents' friends gather to pour out libations "from the Creator, for the Martyrs" and discuss "the community." Kenya does know that it's connected to what her Baba calls "the shame of being alive"—a shame that only grows deeper and more complex over the course of Asali Solomon's long-awaited debut novel. Disgruntled, effortlessly funny and achingly poignant, follows Kenya from West Philadelphia to the suburbs, from public school to private, from childhood through adolescence, as she grows increasingly disgruntled by her inability to find any place or thing or person that feels like home. A coming-of-age tale, a portrait of Philadelphia in the late eighties and early nineties, an examination of the impossible double-binds of race, Disgruntled is a novel about the desire to rise above the limitations of the narratives we're given and the painful struggle to craft fresh ones we can call our own.

    Originally published in 1934, it was praised by Carl Sandburg as "a bold and beautiful book, many a page priceless and unforgettable."

    Originally published in 1946 and hailed by critics as a masterwork, The Street was Ann Petry's first novel, a beloved bestseller with more than a million copies in print. Its haunting tale still resonates today.