But when Natalie Marx's mother inquires about summer accommodations in Vermont, she gets the following reply: The Inn at Lake Devine is a family-owned resort, which has been in continuous operation since 1922. Our guests who feel most comfortable here, and return year after year, are Gentiles. For twelve-year-old Natalie, who has a stubborn sense of justice, the words are not a rebuff but an infuriating, irresistible challenge. In this beguiling novel, Elinor Lipman charts her heroine's fixation with a small bastion of genteel anti-Semitism, a fixation that will have wildly unexpected consequences on her romantic life. As Natalie tries to enter the world that has excluded her--and succeeds through the sheerest of accidents--The Inn at Lake Devine becomes a delightful and provocative romantic comedy full of sparkling social mischief.

    Now one of country music's brightest lights, "Mac" McPhail is a millionairess many times over, whose career is her life. At thirty-five, Mac has no time for marriage, children, or kinfolk - until her sisters insist she come home to help care for their widowed mother. Assuming a month in Wintergreen will be merely dreary, Mac is unprepared for what awaits her. After almost two decades of public adoration, she is suddenly a nonperson - insulted by her jealous older sister, enraged by her intractable mother, ignored by Kenny Kronek, the next-door neighbor she mercilessly taunted all through high school. A handsome divorce who dotes upon his teenage daughter, Casey, Kenny is widely respected in the community. Now he refuses to give Mac even the time of day. Once she discovers Casey is a promising country music talent, Mac assumes the role of mentor. She gradually becomes an integral part of life in Wintergreen, and the feigned indifference between Mac and Kenny turns to playful bickering, then passion. By month's end, Mac McPhail has not only grown to treasure the priceless solidarity of family and community, but also opened up her heart to love. Yet what was possible in Wintergreen appears a naive fantasy back in Nashville: Is there room for caring and commitment in the realm of superstardom - or is a woman worshipped by millions destined always to be alone?

    Andrews, author of the phenomenally successful Dollanganger series, has created a fascinating new cast of characters in this haunting story of love and deceit, innocence and betrayal, and the suffocating power of parental love. Audrina Adare wanted so to be as good as her sister. She knew her father could not love her as he loved her sister. Her sister was so special, so perfect -- and dead. Now she will come face to face with the dangerous, terrifying secret that everyone knows. Everyone except... My Sweet Audrina

    Eight years before the story proper begins, she is happily betrothed to a naval officer, Frederick Wentworth, but she precipitously breaks off the engagement when persuaded by her friend Lady Russell that such a match is unworthy. The breakup produces in Anne a deep and long-lasting regret. When later Wentworth returns from sea a rich and successful captain, he finds Anne's family on the brink of financial ruin and his own sister a tenant in Kellynch Hall, the Elliot estate. All the tension of the novel revolves around one question: Will Anne and Wentworth be reunited in their love?Jane Austen once compared her writing to painting on a little bit of ivory, 2 inches square. Readers of Persuasion will discover that neither her skill for delicate, ironic observations on social custom, love, and marriage nor her ability to apply a sharp focus lens to English manners and morals has deserted her in her final finished work.

    When she arrives at the famed Barbizon Hotel in 1952, secretarial school enrollment in hand, Darby McLaughlin is everything her modeling agency hall mates aren't: plain, self-conscious, homesick, and utterly convinced she doesn't belong—a notion the models do nothing to disabuse. Yet when Darby befriends Esme, a Barbizon maid, she's introduced to an entirely new side of New York City: seedy downtown jazz clubs where the music is as addictive as the heroin that's used there, the startling sounds of bebop, and even the possibility of romance. Over half a century later, the Barbizon's gone condo and most of its long-ago guests are forgotten. But rumors of Darby's involvement in a deadly skirmish with a hotel maid back in 1952 haunt the halls of the building as surely as the melancholy music that floats from the elderly woman's rent-controlled apartment. It's a combination too intoxicating for journalist Rose Lewin, Darby's upstairs neighbor, to resist—not to mention the perfect distraction from her own imploding personal life. Yet as Rose's obsession deepens, the ethics of her investigation become increasingly murky, and neither woman will remain unchanged when the shocking truth is finally revealed.

    Reginald Mason is wealthy, refined, and, by all accounts, a gentleman. However, he is not a gentleman by title, a factor that pains him and his father within the Regency society that upholds station over all else. That is, until an opportunity for social advancement arises, namely, Lady Annabelle Ashton. Daughter of the Earl of Havercroft, a neighbor and enemy of the Mason family, Annabelle finds herself disgraced by a scandal, one that has left her branded as damaged goods. Besmirched by shame, the earl is only too happy to marry Annabelle off to anyone willing to have her.Though Reginald Mason, Senior, wishes to use Annabelle to propel his family up the social ladder, his son does not wish to marry her, preferring instead to live the wild, single life he is accustomed to. With this, Reginald Senior serves his son an ultimatum: marry Annabelle, or make do without family funds. Having no choice, Reginald consents, and enters into a hostile engagement in which the prospective bride and groom are openly antagonistic, each one resenting the other for their current state of affairs while their respective fathers revel in their suffering.So begins an intoxicating tale rife with dark secrets, deception, and the trials of love—a story in which very little is as it seems.

    She chooses a small, peaceful town tucked away in Oregon’s Willamette Valley as the place to start over—Glenbrooke. Once there, Jessica conceals her identity from the intriguing personalities she meets—including the compassionate paramedic who desires to protect her and the jealous woman who wants nothing more than to destroy her. Will Jessica’s deceit ruin all hope for the future? Or will she find a deeper peace that allows her to stop hiding the truth from those who love her most of all? This heartwarming bestseller, book one in the Glenbrooke series, introduces the fascinating people of Glenbrooke in a compelling tale of romance and spiritual truth.

    So when he comes across teenage runaway Chancy Deel sleeping in his garage, he sees an opportunity for both of them. Giving Chancy a home just might keep him from losing his. But in securing a place to live, these lonely hearts discover a place to belong.

    Fifteen years later, he and Cassie are getting along just fine and he's even fallen in love. The last thing he expects to find on his doorstep one Tuesday morning is Cassie's mom - the one person he thought he’d never see again - and she's asking the impossible. Circumstances, including her firefighter brother's death on 9/11, forced Abi Connealy into a decision she's spent years regretting and her daughter grew up without her. But now, a family crisis compels her to do the one thing she swore she never would: find the daughter she’d abandoned just a few days after birth. Shocked when Travis doesn’t send her packing, Abi prays to a God she doesn’t believe in that her relationship with her daughter will be restored. Travis plans to propose to his girlfriend, but their relationship hits the rocks as he and Abi both struggle with the long-dormant feelings that never had the chance to develop. When Cassie demonstrates incredible grace toward the grandfather who refuses to acknowledge her existence, Abi begins to learn the love of a Savior - a Savior who has more than enough Grace to Save.