"Softcops renders the philosophy of Foucault as a music-hall turn and Victorian freakshow "theatre and history combine to give such intelligent fun" —The London Standard "Top Girls brings five great and less-than-great women from history together for a dinner party and "has a combination of directness and complexity which keeps you both emotionally and intellectually alert"—Sunday Times Fen scrutinizes the lives of the low-paid women potato pickers of the fens (in Eastern England) and "the playwright pins down her poetic subject matter in dialogue of impressive vigour and economy"—Financial Times Serious Money is a satirical study of the effects of the Big Bang - "Pure genius…the first play about the city to capture the authentic atmosphere of the place."—Daily Telegraph

    She also has an insomniac toddler, a precocious, death-obsessed seven-year-old, and a frequently-absent ecologist husband who has brought them all to Colsay, a desolate island in the Hebrides, so he can count the puffins. Ferociously sleep-deprived, torn between mothering and her desire for the pleasures of work and solitude, Anna becomes haunted by the discovery of a baby's skeleton in the garden of their house. Her narrative is punctuated by letters home, written 200 years before, by May, a young, middle-class midwife desperately trying to introduce modern medicine to the suspicious, insular islanders. The lives of these two characters intersect unexpectedly in this deeply moving but also at times blackly funny story about maternal ambivalence, the way we try to control children, and about women's vexed and passionate relationship with work. Moss's second novel displays an exciting expansion of her range - showing her to be both an excellent comic writer, and a novelist of great emotional depth.

    the princess, the damsel, & the queen piece together the life of the author in three stages, while you serves as a note to the reader & all of humankind. Explores life & all of its love, loss, grief, healing, empowerment, & inspirations.

    Each one of the 131 exercises offered here is an opportunity to meet the challenges of life with a greater mastership, more wisdom, deeper love.You will discover exercises to:* Solve problems* Master your fate* Achieve self-discipline* Meet with the Inner Master* Dream consciously* Protect yourself spiritually* Achieve balance and harmony* Soul Travel into the splendorous worlds of GodThese exercises are simple and straightforward. You can expect gradual changes in your outlook on life over a period of weeks or months.Want to get started?Try "The Golden Cup" technique to remember your dreams, or "The Mountain of Light" exercise for spiritual protection. "Golden Musical Notes" can bring you an experience with the melody of God, and "A Gateway to Soul Travel" can strengthen your inner vision.Every single day, you can contact the Light and Sound of God for guidance and upliftment through the Spiritual Exercises of ECK.

    They all have one person in common, their beloved therapist Natasha who, though central to the lives of all of the women, is absent from their meeting. The women represent the many cultural and social groups that modern Chile is comprised of—from a housekeeper to celebrity television personality. They are of disparate ages and races and their lives have been touched by major political events from the dictatorship of Pinochet to the Israel-Palestine conflict. But despite their differences, as the women tell their stories, unlikely bonds are formed, and their lives are transformed in this intricately woven, beautifully rendered tale of the universal bonds between women from one of Latin America’s most celebrated novelists.

    

    Hot doctors, rockstars, and billionaires fill the pages with their twists and turns that will leave you wanting to move to the small town.Book One: Coming AliveAvery never expected to take another chance at love.Until she’s thrown a curve ball she isn’t anticipating – a manthat causes her pulse to race and also happens to be one of her bosses.Logan doesn’t trust women.Period.But a one-night stand cut short exposes himto a mysterious woman that flipshis world upside down.Book Two: Coming TogetherPregnancy wasn’t in the cardsuntil life sends them a surprise.Book Three: Coming ConsumedSydney knows firsthand what can happen when lies catch up to you.As an undercover agent, Dylan lives his life by strict codesand calculations and he knows he is in trouble the first time he lays eyes on Sydney.One wrong move can put her in danger, but something about herdraws him in and that may prove to be the biggest risk he has ever taken.Book Four: Coming AlteredOne night. One memory. One tour.A one-night stand was all Cassidy had expected.She didn’t sign up for the memories.Memories where the sexy, muscled man from the barhad played her body like an instrument.

    Raised on deceptive tales of happiness, the younger woman is drawn into and begins to relive the real story of pain, abandonment, and the tyranny of desire. As her life spirals out of control, the tangled yarn of her mother's past begins to unravel, until finally she can come to tell a story that is her own. This luminous and disturbing novel reveals the terrible intimacy of family love and the redemptive power of storytelling.

    But you can usually sense when something's “off”—particularly if you're completely stressed out and hate the job you used to love. Let's face it, ladies: there are plenty of nasty, manipulative, and destructive women in the workplace who fly under the radar while ruthless alpha males get all the bad press.In Working with Bitches, psychologist Meredith Fuller offers practical advice on how to recognize and manage difficult women at work. Dr. Fuller combines actual cases with tips that women can use right away to defuse even the worst situations. Readers will learn how to deal with the eight types of “mean girls” they might face in the office and find powerful reassurance that they are not alone.

    Prose. "CUNT-UPS is an explosion of textual sexuality that resists principles of formal ordering, is polyvalent in its voice and range, and as perverse in its sentence construction as its content. Its 'setting' is the mediated exchange itself, the fractured articulation of 'a female body who has sex writing about sex.' While the title might imply a gendered site of production, it also suggests a sexual/textual violence that is more than a mere 'disorganization of the senses' but a dismemberment of the gendered body as well. The text becomes a (feminist) desiring machine, its writing a prosthetic device mediating the traces of physicality, imagination, abjection, and pleasure."Throw on the switch, plug into the mediating machine, the flesh-object writes back, becomes subject, suspect, the gaze cut-up and fed back into vibrating loops of unobtainable desire."--David Buuck

    Ranging from neo-Conceptual artworks to broader forms of cultural criticism, these rare texts are brought together in this volume for the first time, placing Gordon’s writing within the context of the artist-critics of her generation, including Mike Kelley, John Miller, and Dan Graham. In addressing key stakes within contemporary art, architecture, music, and the performance of male and female gender roles, Gordon provides a prescient analysis of such figures as Kelley, Glenn Branca, Rhys Chatham, Tony Oursler, and Raymond Pettibon, in addition to reflecting on her own position as a woman on stage. The result—Is It My Body?—is a collection that feels as timely now as when it was written. This volume additionally features a conversation between Gordon and Jutta Koether, in which they discuss their collaborations in art, music, and performance.