All of 31 inches tall, Cady is a true survivor in a town where -- as she says -- "you can die of encouragement." Her early starring role as a lovable elf in an immensely popular American film proved a major disappointment, since moviegoers never saw the face behind the stifling rubber suit she was required to wear. Now, after a decade of hollow promises from the Industry, she is reduced to performing at birthday parties and bat mitzvahs as she waits for the miracle that will finally make her a star.In a series of mordantly funny journal entries, Maupin tracks his spunky heroine across the saffron-hazed wasteland of Los Angeles -- from her all-too-infrequent meetings with agents and studio moguls to her regular harrowing encounters with small children, large dogs and human ignorance. Then one day a lanky piano player saunters into Cady's life, unleashing heady new emotions, and she finds herself going for broke, shooting the moon with a scheme so harebrained and daring that it just might succeed. Her accomplice in the venture is her best friend, Jeff, a gay waiter who sees Cady's struggle for visibility as a natural extension of his own war against the Hollywood Closet.As clear-eyed as it is charming, Maybe the Moon is a modern parable about the mythology of the movies and the toll it exacts from it participants on both sides of the screen. It is a work that speaks to the resilience of the human spirit from a perspective rarely found in literature.

    The city's sizzling -- especially at the Kitsch-Inn, where the girls are mounting an all-female production of A Streetcar Named Desire.

    . . . Need is everywhere—in the unforgiving images, in lines so delicate they seem to break apart in the hands, and in the reader who will enter these poems and never want to leave."—Adrian MatejkaPhillip B. Williams investigates the dangers of desire, balancing narratives of addiction, murders, and hate crimes with passionate, uncompromising depth. Formal poems entrenched in urban landscapes crack open dialogues of racism and homophobia rampant in our culture. Multitudinous voices explore one's ability to harm and be harmed, which uniquely juxtaposes the capacity to revel in both experiences."Epithalamium":A kiss. Train ride home from a late dinner,City Hall and document signing. Wasn't coldbut we cuddled in an empty car, legal.Last month a couple of guys left a gay barand were beaten with poles on the wayto their car. No one called them faggotso no hate crime's documented. A beat downis what some pray for, a pulse left to count.We knew we weren't protected. We knewour rings were party favors, gold to stealthe shine from. We couldn't protect us,knew the law wouldn't know how. Still, hisbeard across my brow, the burn of his cologne.When the train stopped, the people came on.Phillip B. Williams has authored two chapbooks: Bruised Gospels (Arts in Bloom Inc.) and Burn (YesYes Books). A Cave Canem graduate, he received scholarships from Bread Loaf Writers Conference and a Ruth Lilly Fellowship. His work appeared or is forthcoming in Callaloo, Poetry, the Southern Review, West Branch , and others. Phillip received his MFA in Writing as a Chancellor's Graduate Fellow at the Washington University in St. Louis. He is the poetry editor of Vinyl Poetry.

    These brave, formally dexterous poems examine antiquated diagnoses and procedures from hysteria to lobotomy; offer meditations on risky sex; and take up the poet's personal and family histories as mental health patients and practitioners. Ultimately, Madness attempts to build a queer lineage out of inherited language and cultural artifacts; these poems trouble the static categories of sanity, heterosexuality, masculinity, normality, and health. sax's innovative collection embodies the strange and disjunctive workings of the mind as it grapples to make sense of the world around it.

    Examining how trauma becomes a part of the language we use, Scott takes us back to our roots: childhood incidents, the violence our scars betray, forgotten forebears and histories. The hungers of sexual encounters are underscored by the risks that threaten when we give ourselves to or accept another. But the poems celebrate joy and tenderness, too, as in a sequence re-imagining the love poetry of Verlaine.The collection crescendos to Scott's tour de force, 'Oh My Soho!', where a night stroll under the street lamps of Soho Square becomes a search for true lineage, a reclamation of stolen ancestors, hope for healing, and, above all, the finding of our truest selves.

    Mosh Pit, a compelling story of rebel girls in the modern city, stars Simone - torn between her loyalty to her rebellious heart - throb Cherry and her feelings for Carol, streetwise and distant enough to be alluring.This edgy young adult novel takes Simone through the modern equivalent of Hades where she gradually gains a sense of who she is and more importantly who she can be.

    Then, when her friend starts dating a boy, Noel’s world collapses as she sees her chance at love slipping away. One night, in a moment of desperation, Noel ends up confessing her feelings for Elena to a complete stranger — but as fate would have it, this stranger turns out to be a girl named June, Elena's other best friend... and Noel's rival in love! Worst of all, now June knows Noel's secret. With everything suddenly going wrong, how can Noel ever win the girl of her dreams? The heart-pounding romantic drama by breakout Spanish artist Ana C. Sánchez!

    Pratt sets out on a road trip in search of a new life and ends up in the middle of somewhere she never expected.Start with one independent, urban lesbian who cashes out her life in San Francisco for a secondhand travel trailer and sets off to the Michigan Womyn's Music Festival in search of a new life. Add to this a broken-down '66 T-bird, a bunch of small-town Texas Baptists, a ton of fried food, and a church scandal. Pepper with a hot love interest and a dash of greed, and what you get is Eadie T. Pratt's road trip gone awry.

    Discerning but non-judgmental, she eases us deep into the fascinating lives of her characters and creates a juicy, sexy, beautiful book, full of the vigorous stuff of life.

    Millions of people fall in love with her words every day. Her greeting card sentiments are the stuff of legend in the industry. And yet ... and yet she couldn’t find the right girl if you stuffed her into a Subaru full of lesbians.Her overbearing mother and obnoxiously perfect siblings, with whom she shares Shabbat dinner every Friday, only want to know when she's going to get a "real" job and a life. Then her elderly neighbor suffers a catastrophic health crisis, leaving canine-phobic Rachel holding the leash.Julia Spielman's grandmother, Ida, a matchmaker descended from a long line of matchmakers, has just moved into the Shady Acres Assisted Living Community where she happily renews her friendship with Rachel's Grandma Goldie. When Goldie learns that Julia runs a successful online dating service, it seems too good to be true. So, let’s see. We have Rachel's deaf-as-a-post grandmother, her grandmother’s clever, scheming match-making friend, and a mutt named Freud, all hell-bent on "helping" Rachel with her love life—what could possibly go wrong?Genre: Romance/Comedy/Humor

    At the best of times, his social life consists of work, role-playing games at a local toyshop, and making YouTube videos with his Teddy Bear hamsters. The arrival of the holidays—with the annoying music, Christmas shopping, and all the reminders of how he disappointed his father—just reinforces his reclusive nature.When James Olsen, a gorgeous daddy bear who frequents the bathhouse, notices him, Brian is at a loss. He’s not proud of his own bear status or his struggle with weight. The idea that James has interest in him beyond an easy hookup is more than Brian can fathom. But with a little bit of holiday magic, James might help Brian learn to accept Christmas again—and himself.

    Unfortunately, Alexis was at the wrong place at the wrong time and walked away from the encounter thinking Stacy Kirkland was an arrogant snob. Alexis knew it wouldn’t be the last time she saw Stacy, and she wasn’t looking forward to their next meeting. Thanks to the Internet, Stacy Kirkland already knows who Alexis is before they meet face to face. She’s one step ahead of Alexis because Stacy already has a crush on her. There are a couple of problems, though—Stacy’s in a relationship that’s in the last stages of its demise, and after meeting Alexis, she’s pretty certain that Alexis despises her. Grab something cool to drink, find a comfortable place, and let Robin Alexander take you on a hilarious journey to happily ever after.

    Her life at the Academy seems heavenly at first, but she soon learns that societal norms in the East are as restrictive as those back home in West Texas. Rebelling against the insipid imagery women are expected to produce, Ruby embraces bohemian life. Her burgeoning sexuality drives her into a life-long love affair with another woman and into the arms of an Italian baron. With the Panic of 1893, the nation spirals into a depression, and Ruby’s career takes a similar downward trajectory. After thinking she could have it all, Ruby, now pregnant and broke, returns to Texas rather than join the queues at the neighborhood soup kitchen.Set against the Gilded Age of America, a time when suffragettes fight for reproductive rights and the right to vote, A Different Kind of Fire depicts one woman’s battle to balance husband, family, career, and ambition. Torn between her childhood sweetheart, her forbidden passion for another woman, the nobleman she had to marry, and becoming a renowned painter, Ruby's choices mold her in ways she could never have foreseen.Includes book club questions.

    Set into motion by a single act of abandonment-Catherine's lover of ten years has left her-she falls deeper and deeper into an irretrievable madness. With passionate abandon and detachment Catherine pursues her own destruction. Forcing the boundaries of identity and the limits of her eroticism, she enters a series of blinding sexual encounters with a poet, a fascist, a young Arlesian woman, a fireman, and three thieves. Eerily she splits herself in two so that she is both the one who watches and the one who is watched, creator and creation, author and character, as she observes herself from afar "And I would like to help her, " the one who watches says, "but I can't." Finally she meets Lucien, the solitary, cynical, beautiful man with long hair who looks as though he has "stepped out of an unmade film by the dead Truffaut, " and through this mysterious, doomed, bittersweet liaison Catherine makes one last attempt to halt her decline through the redemptive act of story-telling. She begins to invent the story of their lives, telling it to him half in English, half in French, joining their solitudes for a moment before losing forever her belief that the shapely, hopeful prospects of narrative make sense of expenence. "She notices how everything is given up or taken away" as she loses the power of the imagination or memory or the body to console, and finally of language to convey meaning. This mesmerizing drama of sex, betrayal, and dissolution with its shattering inevitable conclusion is played out against the dazzling backdrop of the beautiful, indifferent Cote d'Azur in summer. Written in a dwindling lexicon with a simple, warped musicality, The American Woman in the Chinese Hat is a dark, uncompromising, seductive work of art.

    An emotional tightrope walk of a book and an important American story rarely, if ever, told.” —Michelle Tea, author of Black WaveDeShawn lives a high, creative, and promiscuous life in San Francisco. But when he’s called back to his cramped Alabama hometown for his uncle’s funeral, he’s hit by flashbacks of handsome, doomed neighbors and sweltering Sunday services. Amidst prickly reminders of his childhood, DeShawn ponders family, church, and the men in his life, prompting the question: Who deserves love?A raw, funny, and uninhibited stumble down memory lane, Brontez Purnell’s debut novel explores how one man’s early sexual and artistic escapades grow into a life.