What she doesn’t have are love issues. She isn’t looking for it, she doesn’t feel she needs it, and she doesn’t expect to find it…certainly not right under her nose. Kylie O’Brien is the kind of girl who believes in true love and is willing to wait until it shows up at her door. Her best friend Mick would sweep her off her feet given the chance, but Mick doesn’t make Kylie feel the way true love should. And now Kylie has to worry about her new boss – Gretchen Kaiser’s icy reserve makes life as her administrative assistant a challenge. It doesn’t matter one damn bit that Gretchen is extremely attractive with a voice as rich and smooth as melted chocolate. It absolutely doesn’t…

    Coal is one of the earliest collections of poems by a woman who, Adrienne Rich writes, "for the complexity of her vision, for her moral courage and the catalytic passion of her language, has already become, for many, an indispensable poet."Marilyn Hacker captures the essence of Lorde and her poetry: "Black, lesbian, mother, urban woman: none of Lorde's selves has ever silenced the others; the counterpoint among them is often the material of her strongest poems."

    Josh Moore lives with his family on the 'wrong side' of Hamilton, a gritty industrial city in southwestern Ontario. As a young boy, Josh plots an escape for a better life far from the steel mills that lined the bay. But fate has other plans and Josh discovers his adult life in Toronto is just as fraught with as many insecurities and missteps as his youth and he soon learns that no matter how far away he might run, he will never be able to leave his hometown behind.

    From there, Anshaw intricately traces three possible paths for Jesse, spinning exhilarating variations on the themes of lost love and parallel lives unlived. Dorothy Allison, author of Bastard Out of Carolina, writes, "I found myself wishing I could buy a dozen copies and start a discussion group, just so I'd be able to debate all the questions this astonishing novel provokes." A Reader's Guide is available.

    After her grandmother’s death, Eva finds a series of diaries detailing the life of a girl caught up in the magic of the Roaring Twenties. She cannot reconcile the young girl in these diaries with the miserable old woman she loved so fiercely. What happened to change her grandmother so drastically? Eva starts to investigate the puzzle her grandmother left behind. With the help of a local historian and his enigmatic assistant Olivia, they find a forgotten labyrinth under the city streets. But they are not the only ones down there. Someone else is searching for the light of the world.

    . . who is too busy hating everyone to know what love is. Set in London, this girl-loves-boy-loves-boy-loves-girl romp is set against a theatrical production of The Taming of the Shrew, and features enough on- and off-stage drama to satisfy teens looking for a beach read—or a read all year round.

    Fortunately, a new career allows him to start over hundreds of miles from the ex he would rather forget. But the opportunity might go to waste since this isn’t the kind of problem he knows how to solve. The truth is, he’s terrible at making the first move and wishes a connection didn’t have to revolve around sex.Cal Mercer works for the Nick of Time Escort Service. He’s picky about his clients and has never accepted a regular who is looking for companionship over sex—but can the right client change his mind? And can real feelings develop while money is changing hands? Owen and Cal might get to the root of their true feelings... if their pasts don’t interfere.

    So Tucker says it’s her, even though it’s not, to stop the finger pointing. She was an out lesbian in high school, and she figures she can stare down whatever gets thrown her way in college. It can’t be that bad.Ella Ramsey is making new friends at Freytag University, playing with on-campus gamers and enjoying her first year, but she’s rocked by the sight of a slur painted on someone else’s door. A slur clearly meant for her, if they’d only known.New rules, old prejudices, personal courage, private fear. In this stunning follow-up to the groundbreaking Being Emily, Rachel Gold explores the brave, changing landscape where young women try to be Just Girls.

    Tracing many of the same themes as that earlier work, this novel is a bemused, sometimes acid portrait of people caught in private sexual hells of their own making. Its four episodes are connected by four narrators. All are called "Christopher Isherwood, " but each is a different character inhabiting a new setting: Berlin in 1928, the Greek Isles in 1933, London in 1938, and California in 1940. Down There on a Visit is a major work that shows Isherwood at the height of his literary powers.

    Raoule's suitor, a cigar-smoking former hussar officer, becomes an accomplice in the complications that ensue.

    Forrest's O Captain, My Captain.

    Two o'clock in the morning on a Saturday night in Riverside, Nova Scotia, when he realises he has fallen in love - with exactly the wrong person. There are no volcanic eruptions. No floods or fires. Just Stephen, watching TV with his best friend, realising that life, as he knows it, will never be the same.The smart move would be to run away - from Riverside, his overly dependent mother, his distant, pot-smoking father, and especially his feelings. But then Stephen begins to wonder: what would happen if he had the courage to face the end of the world head on?

    After a party on the Las Vegas Strip, a young sissy must choose between her internet fantasy of forced feminization at the hands of a mysterious handsome man, or the difficult reality of transition with the help of a sisterly transsexual woman.From Torrey Peters comes a dark new Novella about online sissy culture, forced-femme erotica, female-masking, internalized transmisogyny, and crossdressing.

    Witty, insightful, playful, and truly wise about the greatest works of the Bard, this novel is a delectable treat for people that have loved books like Stephen Greenblatt′s Will in the World and John Updike′s Gertrude and Claudius.A Divinity scholar at Wittenberg University, Horatio prides himself on his ability to argue both sides of any intellectual debate but is himself a skeptic, never fully believing in any philosophy. That is, until he meets the outrageous, provocative, and flamboyantly beautiful Prince of Denmark, who teaches him more about both Earth and Heaven than any of his books. But Hamlet is also irrationally haunted by intimations of a tragic destiny he believes is preordained.When a freelance translation job turns into a full-scale theatrical production, Horatio arranges for the theater-loving prince to act in the play-disguised as the heroine! This attracts the attention of Horatio′s patroness, the dark and manipulative Lady Adriana. A voracious and astute reader of both books and people, she performs her own seductions to test whether the "platonic true-love" described in his poems is truly so platonic. But when a mysterious rival poet calling himself "Will Shake-speare" begins to court both Prince Hamlet and his Dark Lady, Horatio is forced to choose between his skepticism and his love.

    Fellow student Miu witnesses the accident, and Fujiwara begs her not to tell. In exchange, she'll do whatever Miu wants. It turns out that what Miu wants is to date Fujimaru! Although this wasn't an arrangement that either girl expected, the two soon discover that breaking the vase may have been destiny's way of bringing them together.