In my dreams it's as if the house itself has sinister intentions. But in real life it wasn't the house that was responsible for what happened. It was the people who did the damage ...' When Tim Ellison finds a cheap room to rent in the perfect location in Sydney it looks like a huge stroke of luck. In fact the room comes with a condition, and the owner of the house, the mysterious Anna London, is unfriendly and withdrawn. When strange and terrifying things start happening in the house at night, Tim wonders if taking the room is a mistake. But then his feelings for Anna start to change, and when her past comes back with a vengeance, Tim is caught right in the middle of it.A thrilling rollercoaster of a story - read it with the lights on!

    Building a fence is not going to keep the world out and won't keep your children in. Life's not that simple."Gwen Hill has lived on Green Valley Avenue all her adult life. Here she brought her babies home, nurtured her garden and shared life's ups and downs with her best friend and neighbour, Babs. So when Babs dies and the house next door is sold, Gwen wonders how the new family will fit settle into the quiet life of this cosy community.Francesca Desmarchelliers has high hopes for the house on Green Valley Avenue. More than just a new home, it's a clean slate for Frankie, who has moved her brood from Sydney's inner city to the leafy north shore street in a bid to save her marriage and keep her rambunctious family together.To maintain her privacy and corral her wandering children, Frankie proposes a fence between their properties, destroying Gwen's lovingly cultivated front garden.To Gwen, this as an act of war.Soon the neighbours are in an escalating battle that becomes about more than just council approvals, and boundaries aren't the only things at stake.PRAISE FOR THE FENCE"There's nothing polite about this white picket fence drama. In this green-thumbed social satire of suburban neighbourly conflict, Meredith Jaffe's wicked sense of humor blooms in the fertile compost of domestic discord. To be enjoyed in all seasons, in full sun or part shade, requiring no watering or weeding. A mischievous treat for anyone who has ever had tricky neighbours. Jaffe is a welcome new talent." Caroline Baum, Booktopia

    She smirked with one side of her mouth and looked up at me through the black spray of her fringe. Her eyes were dark and already she was playing some kind of game with me, or that's how it seemed. Her voice was a little deeper and huskier than I might have expected, so her last line had come out with a hint of something that might have been menace or even seductiveness or just a pitch at adult banter. Whatever it was, it stuck with me and it punctuated the moment and it didn't feel quite right for a conversation with a schoolgirl on my doorstep.”With his chart-topping band, Butterfish, Curtis Holland lived the cliched rock dream. Residing in hotels and recording studios, travelling in custom-built buses, he got married after a soundcheck in a wedding chapel in Nevada and barely noticed when his wife left him in Louisville.But no dream lasts forever.When Annaliese Winter walks down Curtis Holland's front path, he's ill-prepared for a sixteen-year-old schoolgirl who's a confounding mixture of adult and child. He's back in Brisbane trying to build a life and he is not used to having a neighbour at all.So when Curtis receives an invitation to dinner from Annaliese's mother, Kate, he is surprised when he not only accepts but finds himself being drawn to this remarkably unremarkable family. Even to fifteen-year-old Mark who is at war with his own surging adolescence.Curtis soon realises that with Kate divorced, Annaliese and Mark need a male role model in their lives, but it's hard for him to help when he's just starting to grow up himself and harder still when Annaliese begins to show an interest in him that is less than filial.Filled with acute observation, humour and tenderness, Butterfish is Nick Earls at his very best.

    Nobody is hurt, but the impact is felt for decades.Nicole and Samantha Cooper both remember the summer day when their mother, Tina, lost control of their car – but not in quite the same way. It is only after Tina’s death, almost four decades later, that the sisters are forced to reckon with the repercussions of the crash. Nicole, after years of aimless drifting, has finally found love, and yet can’t quite commit. And Samantha is hiding something that might just tear apart the life she’s worked so hard to build for herself.The Spill explores the cycles of love, loss and regret that can follow a family through the years – moments of joy, things left unsaid, and things misremembered. Above all, it is a deeply moving portrait of two sisters falling apart and finding a way to fit back together.

    He is an Australian engineer living in Paris, in Italy for a round of meetings; she is a translator, normally resident in Turin. The food and wine are delicious, the spring evening wonderful, and as perhaps can only happen between perfect strangers aware that they will never meet again, the conversation becomes intimate and intense, full of thoughts and stories, risk, speculation and wonder. She has questions of a kind she can ask of no one else. He finds, as the wine flows, delicious dishes come and go, and the velvet night deepens, that he doesn’t have as many answers as he might have thought he had. As the conversation unfolds, the reader is treated to Brooks’ effortless reflections on culture, philosophy, language, history, art, desire and, most importantly, love. Not to mention his evocative and mouth-watering descriptions of Italian food!Together, Brooks’ whimsy, the romantic exotica of the Italian setting and the protagonists’ intimate stories and confessions make for a wonderfully entertaining read that effortlessly balances substance with style.‘The idea of the novel had me salivating long before I held the pages in my hand … This is a book for lovers of ideas, of good conversation, of impossible loves — and for those intellectuals who enjoy having heated arguments in cafes.’ Bookseller + Publisher

    By tracing how and when the fossils were unearthed, Mammoth traverses time and place to reveal humanity's role in the inexorable destruction of the natural world.

    There was no thought in his head, only an intense drive to run. There was no sense he was getting anywhere, no plan, no destination, no future. All he had was a sense of what was behind, what he was running from. Jacky was running.The Natives of the Colony are restless. The Settlers are eager to have a nation of peace, and to bring the savages into line. Families are torn apart, reeducation is enforced. This rich land will provide for all.This is not Australia as we know it. This is not the Australia of our history.

    Thomas Keneally's evocative writing gives us searing insight into the sun-parched settlements of hungry transports and corruptive soldiers. But this is not an 'historical' novel in the usual sense. It is the story of a man, Corporal Phelim Halloran, and of the demands made on him - by his girl, his Irish comrades, his superior officers, and, most often, by his conscience. Innocent and lover, poet, soldier-by-accident, scholar by the standards of his day, Halloran attempts to make a world unto himself. through his pity and love for Ann Rush, his 'secret bride'; but many seem pledged to complicate these simple desires. There is the convict-artist, Thomas Ewers, persecuted and compelled to illustrate the officers' journals. There is Halloran's feckless colleague, Terry Byrne. The convict, Quinn, whose term of imprisonment should have been nearly over. Robert Hearne, political prisoner, government clerk and traitor. Halloran comes to disbelieve in any other existence except his own and God's, until, shockingly and irrevocably, he is reunited with Ann."

    Where other people see junk he sees potential ... My dad collects broken people too ... Vincent is nearly forty years old, with little to show for his life except his precious sixteen-year-old daughter, Gemma: sensitive, insightful and wise beyond her years. When a stranger crashes her car outside Vincent and Gemma's bush home, their lives take a dramatic turn. In an effort to help the stranded woman, father and daughter are drawn into a world of unexpected and life-changing consequences. DARKNESS ON THE EDGE OF TOWN is a haunting tale that beguiles the reader with its deceptively simple prose, its gripping and unrelenting tensions, and its disturbing yet tender observations.

    Set against a backdrop - the Australian coast - as randomly and imminently violent as it is beautiful, The Rip reveals the fragility of relationships between husbands and wives, children and parents, friends and lovers. You will find yourself set down in a modern Garden of Eden with a disgraced Adam seeking his Eve; sharing the fears of a small boy in a coastal classroom as a tsunami approaches; in an English gaol cell with an Australian surfer on drug charges; watching an American film scout confront his masculinity on a Pacific island; and witnessing a middle-aged farmer contemplating murdering the hippie who stole his wife. Written in a variety of moods, always compassionate, wry and razor-sharp, these dazzling stories are crafted with all the weight and resonance of Drewe's longer fiction as well as the incisive wit, passion and pathos of his Australian classic, The Bodysurfers.

    Willow Wilson—already an accomplished writer on modern religion and the Middle East at just twenty-seven—leaves her atheist parents in Denver to study at Boston University, she enrolls in an Islamic Studies course that leads to her shocking conversion to Islam and sends her on a fated journey across continents and into an uncertain future.She settles in Cairo where she teaches English and submerges herself in a culture based on her adopted religion. And then she meets Omar, a passionate young man with a mild resentment of the Western influences in his homeland. They fall in love, entering into a daring relationship that calls into question the very nature of family, belief, and tradition. Torn between the secular West and Muslim East, Willow records her intensely personal struggle to forge a “third culture” that might accommodate her own values without compromising the friends and family on both sides of the divide.

    John Dorn is a classic gumshoe. His woman has left him, he lives in his office, and he drinks too much. His one friend, a lawyer named Demetri, hands Dorn an infinite supply of hopeless cases and lost causes, to which Dorn, ever the champion of the underdog and the oppressed, is drawn to “as a sledgehammer is to a kneecap.” A superlative work of hardboiled literary detective fiction, The Midnight Promise wonderfully evokes the underbelly of contemporary Melbourne, its battlers, its hard men, its victims, and its ill-fated heroes.

    The Palmers are doomsday preppers. They have a bunker filled with non-perishable food and a year's worth of water. Each of the girls has a 'bug out bag', packed with water purification tablets, protein bars, paracord bracelets and epipens for Pru's anaphylaxis.One day while Rick is at the mine, the power goes out. At the Palmers' house, and in the town. No one knows why. All communication is cut. It doesn't take long for everything to unravel. In town, supplies run out and people get desperate. The sisters decide to keep their bunker a secret. The world is different; the rules are different. Survival is everything, and family comes first.

    Braiding together sexuality and divinity, conflict and redemption, The Lost Arabs is a fierce, urgent collection from a distinct new voice.

    Soon, their marriage will end, and Muneer will return to Saudi Arabia, while Saeedah remains in Cleveland with their daughter, Hanadi. Consumed by a growing fear of losing her daughter, Saeedah disappears with the little girl, leaving Muneer to desperately search for his daughter for years. The repercussions of the abduction ripple outward, not only changing the lives of Hanadi and her parents, but also their interwoven family and friends—those who must choose sides and hide their own deeply guarded secrets.And when Hanadi comes of age, she finds herself at the center of this conflict, torn between the world she grew up in and a family across the ocean. How can she exist between parents, between countries?Eman Quotah’s Bride of the Sea is a spellbinding debut of colliding cultures, immigration, religion, and family; an intimate portrait of loss and healing; and, ultimately, a testament to the ways we find ourselves inside love, distance, and heartbreak.